Sunday, June 07, 2009

Week Twenty Four: Comings, Goings & Proof That TV Believes Everyone In England Is A Middle-Class Eccentric

To start this week's Top Telly Tips dear blog reader, I must record how sad I was to hear about poor old David Carridine's untimely - and rather embarrassing - demise. As Kwai Chang Caine in Kung Fu he taught an entire generation the noble ancient art of not kicking bullies heads in until five minutes before the end of the episode and he was every thirteen year old in the world's role model as the cool-as-milk Frankenstein in Death Race 2000 (1975). He led a rather chequered career thereafter, with occasional moments of off-the-wall brilliance (his 'completely-over-the-top-and-well-down-the-other-side' role as Tempus in Charmed, for example) until Tarantino used him so effectively as the title character in the Kill Bill movies. David was also a talented musician and – like Dennis Hopper – close to many of the LA counter-culture groups. Mind you, he was always a bit odd. Once, at a funeral, Carradine reportedly arrived snowflaked off his bonce, approached the open casket and drunkenly shook the corpse (his friend, the former Byrds' singer Gene Clark) by his burial-jacket lapels howling, 'You fucked the girl! Wake up!' before being dragged off and restrained by security guards. He was said to be 'tired and emotional' afterwards. A genuinely great actor, though. Sadly, I've a horrible feeling that in years to come he will chiefly be remembered for the undignified circumstances of his death. (Being found in a cupboard with a rope tied around your neck and your 'nads is not a good way to go out of this life, it has to be noted.) And, whilst I fully realise that it's not a pleasant subject to find any trace of humour in, nevertheless I feel obliged to draw readers attention to the following quote from The Age website: 'There was a rope tied around his neck and another rope tied at his sex organ, and the two ropes were tied together and hung in the closet,' Lieutenant General Worapong Siewpreecha told reporters. 'Under these circumstances we cannot be sure that he committed suicide but he may have died from masturbation,' he said." Blimey, so my mother wasn't lying all those years...

Rumours are currently circulating concerning the first House casting scoop of the new season: Tony winner Lin-Manuel Miranda is said to have been cast as House's psych hospital room-mate. Miranda, best known for writing and starring in the hit Broadway musical In The Heights, will appear in at least two episodes beginning with the show's sixth season premiere this autumn. Reportedly, producers are also looking for what they describe as more 'interesting actors' to populate the psychiatric facility which became House's new home at the end of the previous series. I must admit, the thought of Hugh Laurie starring in a One Flew Over the Cuckooo's Nest knock-off for a few weeks does sound deliciously appealing.

The Sun is reporting that poor Foyle's War might be about to get axed yet again – for, remember, what would be the second time in a year:
http://www.thesun.co.uk/sol/homepage/showbiz/tv/2465600/Foyle-foiled-by-ITV-drama-cuts.html
Somebody at ITV really has got it in for that show. Poor old Micheal Kitchen and Honeysuckle Weeks, they mustn't know whether they're coming or they're going at the moment. Sacked, re-hired, possibly about to be sacked again. Listen, if anybody from ITV happens to be reading this, I know the show's quite a costly one to make (due to the period details and costumes) and I know that you're looking to be all cutting-edge and down wid da kidz at the moment but, trust me, you've got a show in a Sunday night slot that gets around seven million viewers each time it's broadcast. If you think replacing that is going to be easy, trust me, it isn't.

The latest series of Big Brother started with an audience of 4.8 million which is reported to be the lowest ratings figures for a Big Brother launch since Big Brother 3 - which, of course (ironically) went on to be possibly the most popular and highest-rated of them all; that was the one featuring Jade, Johnny the Mackem, Bitchy Adele, pretty-boy male model Alex, Alison from This Morning and Kate Lawler. Or 'whatever the hell happened to Kate Lawler?' as she's become universally known since Celebrity Wrestling went down the lavatory pan.

The excellent novel The Mercy Seat (which longer-term readers may recall I reviewed many moons ago when I was doing The Book Club for BBC Newcastle) set in Blakelaw and written by one of my favourite novelists, Martyn Waites, is reported to have been optioned by Coastal Productions. It is as yet unknown whether this will be something that Wor Robson will want to star in himself or merely produce (as with, for instance, last year's acclaimed A Place of Execution). Coastal are also set to continue their close working relationship with Wire in the Blood creator Val McDermidd, having optioned at least another two of her non-Tony Hill novels. It's genuinely good to see that the North East's premiere TV production company is still flying the flag proudly for the region. And, of course, with the success of Extreme Fishing (another series of which is soon to start filming, I understand) branching off into new directions. Gan canny, bonny lads and lasses, I'm with you all the way!

Time for some Top Telly Tips, I think -

Friday 12 June
Outnumbered - 9:00 BBC1 – inexplicably lost the best sitcom BAFTA to The IT Crowd which, frankly, was the final nail in the coffin for any smidgen of belief that the people who decide these things actually know what they're doing. Guy Jenkin and Andy Hamilton's witty, sharp little observational comedy about the absurdities of family life, and its brilliant, scene-stealing child actors, deserves far wider recognition than they get. It is, quite simply, the best situation comedy that Britain has produced in a decade – at least. Tonight sees the beginning of a repeat of series two: In the first episode the family, including hapless mum and dad Sue and Pete (the excellent Claire Skinner and Hugh Dennis) are off to a wedding. As always they hover perilously close to being late as violence-obsessed Ben (Daniel Roche) debates if hitting someone who is attacking you with a shovel would be morally acceptable, Karen (Ramona Marquez) locks herself in the bathroom and Jake (Tyger Drew-Honey) worries about life in general. It's achingly funny and packed with hilariously absurd moments, including Karen's remorseless quizzing of the increasingly unnerved bride, that always end with the grown-ups being outmanoeuvered. The bit with the chocolate fountain is one of the true comedy diamonds of last year's TV. If you missed out on this last time around, take it from me, don't be a daft bastard, get yourself Outnumbered now. All the cool kids are doing it.

Saturday 13 June
In Who Wants to Be a Millionaire? - 7:30 ITV - ten hopeful contestants compete for a place in the hot seat opposite smug, arrogant, chin-you-so-much-as-look-at-you host Chris Tarrant, and the chance to walk away with the top prize of a million pounds. Cheating helps, apparently. This show used to be quite good in the dim and distant past. Now it isn't. And ITV wonder why they're losing money hand over fist.

On the comedy front, The World's Greatest Stand-Up - 11:10 Channel 4 – is a selection of some of the biggest names in comedy performing live at the Just for Laughs festival in Montreal. The acts featured tonight include Lee Evans whose stage-act divides opinion somewhat (although he was very good in the last Doctor Who let it be noted), the great Dara Ó Briain (quite possibly the funniest man on the planet since Eddie Izzard stopped touring to become 'a proper actor') and another quality Irish satirist Dylan Moran (from Black Books). There's also a couple of top American names, Dave Chappelle and the blackly funny Denis Leary (the latter, in particular, is not for the remotely faint-hearted) and our own Omad Djalili. Good line-up, that. It's on late so, as always, if you fancy a bit of this but you've got a bed to go to, use your recording devices wisely.

Sunday 14 June
In Stephen Tompkinson's African Balloon Adventure - 8:00 ITV - the Wild At Heart star goes up, up and away in his beautiful balloon, into northern Rwanda's Volcanoes National Park, in search of the mighty mountain gorilla. He meets local Pygmy tribesmen who are being literally changed from poachers into gamekeepers. His next stop is Kafue National Park in Zambia. Passing over Victoria Falls, he visits Shiwa Ng'andu - which looks like an English country house complete with lawns and rosebeds, built by Sir Stewart Gore-Browne in the early 1900s. Then it's on to Botswana and the Okavango Delta (that was where the Top Gear boys drove across in that stupendous special a couple of years back).

Immediately afterwards on Kingdom - 9:00 ITV - crop circles in a local field grab the attention of the Market Shipborough sci-fi community and Peter's pub quiz grabs everyone else's. Lyle falls for his nemesis in a compulsory purchase case, and Beatrice fills in for Gloria on reception. I do like Kingdom a lot. It's gentle, warm, witty and slightly eccentric but clever and fundamentally decent and honest – all of the attributes that one would readily associate with its creator, executive producer and star, Stephen Fry, in fact. The perfect Sunday evening switch-off-your-brain-and-look-at-the-pretty-scenery, to be blunt. Recommended.

Monday 15 June
There's a very welcome return at 9:00 for The Supersizers on BBC2. Food critic Giles Coren and comedian Sue Perkins experience the food culture of decades gone by. The previous series (in which this odd-but-very-likable couple spent a week at a time living and eating as, for example, Edwardians, during war-time or in the fast-food, plastic-fantastic world of the 1970s) was a constant delight and became something of a genuine cult hit last year. In this first episode of a new run, Giles and Sue go back to the 1980s. After what's described as 'a Tory meal' with Norman Tebbit and Jeffrey Archer in Westminster (that'll be all tripe, hot tongue and cold shoulder, I imagine), Sue samples Princess Diana's wedding breakfast while Giles tries out the most expensive champagne at the Stock Exchange. To round things off, they enjoy an eighties-themed dinner party with guests including Ken Livingstone and T'Pau's Carol Decker. Very witty and affable, this one and highly watchable.

Build A New Life In The Country - 9:00 Five – is a new series of the popular property and lifestyle series presented by Charlie Luxton. In this episode, as usual, a young couple seek to convert a Grade II-listed Yorkshire farmhouse and barn into a stylish modern dwelling. Sort of thing that happens all that time, that, isn't it? You notice, it's never a riveter from Wallsend who wants to paint and decorate one room of his council flat. I'm not sure why. Anyway, Charlie is especially worried by the couple's ambitious plan to found a hillside vineyard and winery. Is there an agency out there where desperate TV companies can ring up and find these sort of people? 'Hello, this is Five, we need a pretentious middle-class couple who knit their own yogurt as a matter of urgency.' 'Is it essential that they have nothing but total respect for Sting and his complex-but-bland lute-stylings which evaporate on contact with the ear?' 'Yes, that'd be perfect…'

Springwatch - 8:00 BBC2 – is still going on but, this week, as in previous years, we've got a series of one hour film specials in which the presenters get to talk about more specific subjects. In tonight's episode, the much-loved Simon King reveals his tricks of the trade in a practical guide on how to get up close and personal with some of UK's best-loved wild animals. Simon shares some of his favourite close encounters and shows how to get really close to wild otters or how to train a robin to feed from the hand, as well as how to go fishing for lizards and get a fantastic pedicure from a prawn. Now, I adore prawns, me. They're marvellous with baby corn, mushrooms and fried rice. Also, very nice with chicken in a curry. Or, just on their own in a chow mien. In fact, you can have them with chips. Or, in a nice surf and turf with a medium steak and barbeque sauce. I'm hungry now…

Tuesday 16 June
Occupation - 9:00 BBC1 - is a new three-part drama serial starring Jimmy Nesbitt which you’ll be able to see over the next three nights. During the British invasion of Iraq in April 2003, three soldiers from the same unit come under fire in a Basra flat. While there, an explosion has huge consequences for an Iraqi girl and radically changed the lives of Danny, Mike and Hibbs over the coming years. Failing to adjust to civilian life in Manchester, each man is inspired to return to Basra; one for money, one for love and one because he passionately believes in the mission to rebuild Iraq. Sounds terrific. Afterwards there's the suprisingly watchable Mary Queen of Charity Shops. This is an important show to highlight since it demonstrates something we've occasionally talked about in this slot in the past. That - seemingly unbeknown to most of the people who make TV shows - there are people who watch television who aren't in the sixteen-to-thirtysomething demographic bracket. Older people on the telly are (a few little pockets of resistence aside) pretty much invisible yet, in reality, they make up a massive part of the audience. In this show, presenter Mary Portas aside (who is actually good in her own way), it's the fifty-plus people who come across as being both relevant and important – even if many are stuck in their own ways. The show has a very emotional core, with several of the ladies not liking - or wanting - change and being very outspoken and honest about it. It's a brilliant bit of telly, quite frankly and highly recommended.

Comedy Songs: The Pop Years - 9:00 BBC4 – is a documentary which traces the modern history of the comedy pop song from the birth of the charts in 1952 to its reinvention in the new millennium. Finally, George Martin gets his just place in musical history as the missing link between The Goons and The Beatles, The Barron Knights are awarded the accolade of the inventors of the parody song and we learn that The Two Ronnies were not big fans of Not the Nine O'Clock News for one very specific reason. Well, they shouldn't have been such orni-porno-tholo-gists, I guess. The show includes material from the 1960s satire boom, the 1970s golden period of Monty Python and The Goodies and the wilderness years of 1980s novelty naffness. Hopefully they'll also include 'My Boomerang Won't Come Back' by Charlie Drake, one of the twenty greatest records ever made, by anyone.

I know that CSI: Crime Scene Investigation - 9:00 Five – is a particularly popular show with many blog readers which is one of the reasons why I mention the damn thing so often in these previews! Well, that and the fact that I like it myself, also. In tonight's episode, the CSIs are called to the murder of a motorcycle gang member at a biker bar. The investigation intensifies when the team discovers the victim was working undercover - but who revealed his true identity to the gang?

Wednesday 17 June
Celebrity MasterChef continues at 8:00 on BBC1. John Torode and Gregg Wallace continue the search for the country's top celebrity chef. This show features two more heats - in the first, Rav Wilding, Deena Payne and Iwan Thomas (only one of whom I'd actually heard of – this is obviously some new meaning of the word 'celebrity' that I hadn’t previously come across) cook for customers at Gilgamesh. In the second Colin Murray, Janet Ellis and Simon Shepherd (well, at least I've heard of all three of those. Although whether that gibbering unfunny clown Colin Murray deserves the term 'celebrity' or, simply, a good hard slap in the mush on general principle is another matter entirely) cook at Manicomio. Only two of them will get through to the week's quarter-final, taking them one step closer to the main title.

Spain: Paradise Lost - 9:00 ITV – is the first of two documentaries charting the fortunes of some of the over one million Britons who have settled in Spain, and those who are planning on joining them. With the recent economic turmoil having brought property prices crashing down, this programme looks at those who stand to benefit, and those who are now living a nightmare.

Sky's record of home-grown drama production is spotty at best. But tonight they start a major four-part adaptation of Martina Cole's best-selling novel about an Essex gangland family The Take - 9:00 Sky1. After being released from prison in 1984, Freddie Jackson returns to the underworld of London's East End. Having been promised protection by gangland boss Ozzy during his stint behind bars, Freddie begins his brutal ascent to the top of the criminal pile, and takes his cousin Jimmy along for the ride. Good cast, including the great Brian Cox.

Thursday 18 June
It's a big comedy night on BBC2 with three shows that all, in their own way, are sure to divide audiences down the middle. Kröd Mändoon and the Flaming Sword of Fire - 9:00 BBC2 – is a comedy series set in a sort of Dungeons and Dragons type fantasy world and starring Sean Maguire. It looks like a mixture of Lord of the Rings and The Office, if you can imagine such a beast and follows the story of a reluctant hero Kröd. He's the local dragon slayer but, the thing is, he's not actually very good at it – he's a bit shallow, thin-skinned and lacks confidence. But, frankly he's the best the local villagers have got so he's got the job whether he wants it or not. He's also got a gang of loyal helpers with him but, again, they're mostly misfits who do this because it's better than having a real job. They have to cope with the evil ruler, Chancellor Dongalor (played by Little Britain's Matt Lucas). This is a co-production between the BBC, Hat-Trick (who make Have I Got News For You among others) and Comedy Central in the US (where the show has already aired and got something of a cult following). Tonight Kröd and his band must fight off bounty hunters after Dongalor places a bounty on their heads. Dongalor's relationship with Cute Girl is threatened after a weapons inspector arrives at his palace.

Davey Mitchell and Robert Webb are back from their various solo endeavours for a third series of That Mitchell and Webb Look - 9:30 BBC2. This programme reveals the true purpose of the Giant Death Ray, presents a gangland villain made of wood and offers dating advice from a man who is almost Gary Rhodes. Plus a look back at the careers of Ted and Peter, Britain's least successful professional snooker players, in Screw Back in Anger. And an introduction to the world's least politically correct superhero. A particular favourite of mine, this one. It somewhat divides opinion amongst the comedy cognoscenti, many of whom feel that the duo's best work was done on radio but I think it's the A Bit of Fry and Laurie for the 21st Century.

Finally, Psychoville - 10:00 BBC2 – is the first episode of this comedy thriller from some of the League of Gentlemen team. It begins with a mystery being unearthed from the past. A blind recluse with an unusual hobby, a telekinetic pantomime dwarf, an embittered hook-handed clown, a serial killer-obsessed man-child and a deranged but caring midwife all receive the ominous message 'I know what you did.' The past catches up with these five seemingly unconnected characters as they go about their darkly comic present-day lives. Apart from Reece Shearsmith and Steve Pemberton it’s also got Dawn French in it. Which, doesn't auger well, frankly, as we've had a couple of changes of Pope since the last time she was in anything even remotely funny. I must admit, I was one of the few people in this country who didn't really get The League of Gentlemen for a long time. I kind of got there by the time it finished but I never found it as orgasmically, side-splittingly funny as many critics did. So, we'll have to see whether this particular comedy grotesque is more of the same, or subtly different. Time will tell. It usually does.

Thursday, June 04, 2009

I Hope You're Satisfied, Thatcher!

Just to confirm to all dear blog readers who might be interested (that'll be, like, one of you, no doubt) Mama Telly Topping has returned from her nine-day Spanish stroll. And, is obviously knackered but, mercifully, not especially plane-wrecked. Did yer actual Keith Telly Topping get a present? Did he hell, as like.

It's been a damned queer week so far, dear blog reader. Some of it work-related, some of it personal-related but most of it concerning DVDs of old TV shows. Particularly yesterday when this blogger got an 'uge package of stuff from Stately Telly Topping Manor's postie (our Royal Mail postie that is, as opposed to our 'special delivery' postie). About a week ago yer actual ordered a range of DVDs from Play (Waking The Dead Series Six, The Complete Young Ones) and from Sendit (who've got a mad-cheap Doctor Who sale on at the moment). And, lo and behold, they ALL turned up yesterday morning.
So, during the afternoon when this blogger should have been working, frankly, he spent the time being EXTREMELY SAD, sitting in his gaff watching series one (and half of series two) of The Young Ones and var nigh chanting along with all of Rick The Peoples Poet's piss-poor poetry (you know, that stuff which 'punks and skins and rastas' get together and 'hold hands in sorrow for their fallen lead' over?) '... And all of the grown-ups will say "But, why are the kids crying?"'! Completely brilliant.

Yes, I am fortysomething and have no girlfriend. It's a valid lifestyle choice, I suppose. Do you fancy some Telly Telly News?

It's mostly BBC stuff this week. Andrew Buchan (Cranford, Party Animals), the great Alun Armstrong (New Tricks) and Lyndsey Marshall (Rome) are to star in a forthcoming four-part historical legal drama inspired by the life of pioneering barrister William Garrow on BBC1. Garrow's Law is set in the Old Bailey of Georgian London against a backdrop of corruption and social injustice and is based on real legal cases from the late Eighteeenth Century. So, same sort of time-frame as Channel 4's excellent City of Vice from a couple of years ago. Each one-hour episode begins with the investigation of a case sourced from the Old Bailey archives from the day - from rape and murder to high treason and corruption - and follows Garrow (Buchan) and his associate Southouse (Armstrong) working to fight for justice. In an age where the defence counsel acted in the minority of cases, the young Garrow championed the underdog and pioneered the rigorous cross-examination of prosecution witnesses that paved the way for our modern legal system of today. 'A gifted maverick, at times arrogant and with a burning sense of destiny, Garrow is driven to change the nature of the trial against a backdrop of social and political upheaval,' says Jamie Isaacs, the series' Executive Producer. Co-created by Tony Marchant (The Knight's Tale, Holding On, Crime And Punishment), Garrow's Law is a Twenty Twenty/Shed Media Scotland production for BBC1. The series was commissioned by Mark Bell, the BBC's Commissioning Editor for Arts, for BBC Knowledge. Bell says: 'It is a great privilege to be bringing history to life for BBC1 in this way. Garrow made the law as we know it. His is a thrilling and dramatic story, brilliantly re-imagined in this script.' BBC1's Controller, Jay Hunt, added: 'It's a fantastic collaboration between factual and drama to create an immersive history piece which should also feel like a period drama.' Sounds excellent, that. Filming begins this summer in Scotland and Garrow's Law will be broadcast on BBC1 later this year. BBC Knowledge, of course, has a long tradition of making well-received factual-based dramas such as the recent Best: His Mother's Son, Casualty 1907 and Maxwell.

Meanwhile, Jay Hunt has warned that she will not be shopping for US acquisitions for BBC1 and has pledged her support to British productions instead. Speaking at a Broadcasting Press Guild event, Hunt said: 'Hand on heart, [acquiring overseas series] is not a massively important part of my vision for the channel. If something came along that, to be blunt, blew my socks off, I might change that. But part of what I’m proud of is our record in domestic production and I want to keep that being really strong.' Other BBC channels have had critical (and sometimes commercial) hits with US series such as Heroes and The Wire on BBC2 and Mad Men on BBC4. BBC1 has also had success with Damages, which was singled out for praise by BBC Trust chairman Sir Michael Lyons as an important part of the BBC's drama offering but currently airs in a late night slot. However, Hunt said it is unlikely to play out in a more prominent part of the schedule. 'Part of what the [BBC] charter commits us to do is to find the best of world television and showcase it and it's great to have pieces like Damages on the channel but I do feel absolutely passionate that part of what I'm there to do, particularly in drama, is to spearhead real innovation and creativity and original British product,' she said. 'That's something that we do, day in day out.'

BBC1 is to reinvent the Tomorrow's World format with new popular science series Bang Goes The Theory. The ten-part series, which will debut in late July, promises to explore 'the world’s most advanced technological breakthroughs' and how to test and manipulate scientific principles in our own backyard. Four presenters have been lined-up for the series: Gadget Show presenter Dallas Campbell, biochemist Liz Bonnin - pictured right, with ahem 'a friend' - (RI:SE), Scrapheap Challenge's Jem Standsfield and academic Dr Yan Wong. The series will be co-produced by the BBC and The Open University. Jay Hunt, who commissioned the series, said: 'Bang Goes The Theory brings popular science back to the very heart of BBC1. The four presenters have a passion and knowledge for their subject that guarantees to bring science alive in an entertaining and engaging way.' Bang Goes The Theory will be supported by a website, interactive resources and free events to inspire viewers to get hands on with science, of which more details will be available later this year. Tomorrow’s World ran for nearly forty years from 1965 to 2003, but was cancelled in the wake of falling ratings. So, that's Tomorrow's World: The Next Generation, then? Or, should that be The Day After Tomorrow's World?

BBC1 is to turn Frank Cottrell Boyce's bestselling children's novel, Framed, into a family show starring Trevor Eve. Set in Wales, the ninety-minute drama focuses on ten-year-old Dylan Hughes, whose father leaves their struggling rural petrol station to find work. When the National Gallery is flooded, a disused slate mine near Hughes' home is used to store some of its works. Eve plays Lester, a reserved curator who falls in love with a local schoolteacher. Cottrell Boyce is adapting Framed himself. Andy DeEmmony, who is directing, said: 'The BBC wanted a family film, but there is an aspiration about Framed that's far beyond a children's comedy drama.' The producer is Richard Burrell and the exec is Jessica Pope. Controller of drama commissioning Ben Stephenson ordered the show, which he described as 'a warm and modern story about how the power of art and beauty can transform lives.'

Gavin and Stacey writer James Corden says he's 'very sad' as the cast prepare for the third and final series of the hit TV show. Filming starts on 15 June. Corden, said: 'It's an emotional time because we're saying goodbye to these characters that we love.' However, Corden did not rule out working with co-writer Ruth Jones following the series' conclusion. 'When we wrote the words, "This really is the end, the end," we were both a bit welled up and we looked at each other and we were sure that's it. I just hope it's good enough. Ruth and I, we'd like to write something else again but we're inevitably not going to spend as much time locked in a room together.'

The BBC's international news services have enjoyed a record-breaking year, according to an independent survey published today. The figures indicate that BBC Global News's weekly audience stands at two hundred and thirty eight million, up five million from last year's total. And BBC World Service saw its audience rise to one hundred and eighty eight million, another record. Despite a five million fall in radio listening - the World Service remains the world's most popular radio broadcaster. Across all platforms, the largest overseas audiences for BBC news are in Nigeria (26.0m), USA (24.1m) and India (22.2m). Over the past year, the biggest increase in the BBC's global audiences came from Niger, a newly-surveyed market which saw a rise of 2.4m. BBC Arabic television,- which launched in March 2008 - helped to boost the figures, with countries like Saudi Arabia (+1.9m), Egypt (+1.3m), and Syria (+1.0m) attracting significantly larger audiences. Even though audiences dropped in Iran - due to a decline in shortwave listening and the cutting of medium wave transmissions - and in Sri Lanka, due to government interference, there was still much to cheer at World Service radio. Audiences in the USA grew to a record six million and World Service attracted one-and-a-half million weekly listeners in the UK during the first quarter of this year, an increase of nine percent. Figures indicate that BBC World News – the corporation's comercially-funded international English language news channel – attracts seventy four million viewers per week. Richard Sambrook, director of BBC Global News, said: 'In a year when international radio listening to the BBC actually went down marginally, record overall global audiences demonstrate the success of our multimedia strategy and investments. People come to the BBC's international news services for journalism that is challenging and asks difficult questions, yet respects different points of view and actively encourages debate. Increasingly, audiences want access at a time and place that suits them.' I love it when networks brag about the size of their capacity.

There was an excellent bit of shit-stirring in Broadcast today which alleged that the government is preparing a major public consultation on the use of children in TV shows such as Britain’s Got Talent, which last week saw ten-year-old semi-finalist Hollie Steel break down on live-TV and then blub her way into the subsequent final. Broadcasters and indies - including BGT producer Talkback Thames and Love Productions, which made controversial Channel 4 series Boys and Girls Alone - are among producers to have met with the Department for Children, Schools and Families in the lead-up to the full consultation, due later this summer. The DCSF's review, which is also canvassing the modelling, stage and film industries, centres on legislation that has remained unchanged since 1968, when the Children's Entertainment Regulations came into force. It is being led by junior children's minister Delyth Morgan. A DCSF spokesman said: 'We want children to develop and have exciting opportunities to participate in television and other forms of entertainment. However, while they are doing that, we have a duty to ensure that children are safeguarded appropriately, and that the regulations we have make sure that this happens.' Pact chief executive John McVay, who is also contributing to the review, said shows like BGT can be 'a fantastic life-changing opportunity and can launch a career.' But, he added: 'It's so much in the public domain now that producers will be concerned about the impact on all contributors, especially children.'

Both Talkback and ITV are standing firm in the face of criticism from various quarters about the treatment of children on BGT, stressing that they are experienced at handling talent show contestants and parents or guardians. In addition, they pointed out that Hollie was given 'additional support, backstage' after breaking down during her semi-final performance. However, while Talkback is currently undergoing a review of processes and procedures across the show, it is not clear whether BGT will impose an age limit on contestants. On ITV and Talkback's other hit talent show, The X Factor, the age limit is sixteen. A Talkback spokesperson said: 'The X Factor is a very different format with a longer period of performing. At most, Britain's Got Talent contestants perform three times. In The X Factor it can be up to thirteen weeks”. It is also believed that the company is keen to keep the formats distinct, with The X Factor very much about the search for a pop-star, not a child-star. Industry views on BGT's use of child contestants are split. A common view is that most children and their - increasingly pushy - parents are savvy enough to know what to expect and many are the product of stage schools where they are rigorously trained. According to Talkback: 'Hollie's mother has gone on record saying that she is used to auditioning and also to having knockbacks.' New Sky entertainment boss Duncan Gray, who was involved in the format in his previous role at ITV, also defended criticism of the younger contestants by judge Simon Cowell, who last week reduced eleven-year-old dancer Aidan Davis to tears. 'It's perfectly acceptable that kids appear in the show. They are not press-ganged into it and their parents know Cowell is TV's greatest communicator because he tells the truth.' However, others pointed out that practices among broadcasters vary wildly. 'We made a show with children for the BBC and they had to undergo psych testing even though it wasn’t live,' said one. Rain Media creative director Mark Wells, who worked on talent shows such as Stars in Their Eyes during his time as controller of entertainment at ITV Studios, said: 'I really think putting kids on TV, in that situation with that much pressure, is inexcusable. At best, it's extremely questionable. There are very strict local authority rules on using kids in TV and I was amazed that in the final, at 10pm, those very young children were still on TV - still working.' Love Productions managing director Richard McKerrow said: 'Individual production companies should have to show that they have the ability to work with children and there needs to be a common standard. The protocols we put in place on Baby Borrowers and Boys and Girls Alone go beyond Ofcom regulations and anything that local councils would do.'

BGT has also raised issues on duty of care, particularly towards vulnerable entrants, after Susan Boyle's admission to hospital. Silver River boss Daisy Goodwin said: 'There's an interesting moral question for everyone in telly about why the most popular programme on TV is one where children cry and where a woman with learning difficulties is shown at the end of her tether. If I was making the show, I would consider raising the age limit. I'd also question why there was no psych testing.' Talkback has said psychological testing is one of the things it is considering introducing. However, some question how practical that would be on a show such as BGT. But Virgin Media TV director of television and former ITV controller of entertainment Claudia Rosencrantz, who was involved in BGT's early development, questioned the logistics involved. 'It would be almost impossible and probably wrong to introduce in-depth psych testing - and let's not forget Susan Boyle has auditioned on other talent shows. I remember her on Michael Barrymore's My Kind of People, so she obviously has long had a desire to perform and be on camera and has not been put off.'

Back to BBC1, and it's is stepping up a daytime drama push with a major period series about four women working in the Women's Land Army during the Second World War. Land Girls was created by Roland Moore and commissioned by daytime controller Liam Keelan to tie in with a season of programmes marking the war's Seventieth anniversary. Keelan said: 'When Neighbours went, it freed up a lot of money. Rather than put that into acquisitions or other genres, we wanted to use it for UK-originated drama. There is not enough to have something all year round, and we probably wouldn't want one alongside Doctors, but the strategy is to have a new, major drama event every quarter.' Land Girls will air in September, marking BBC1's third major day-time drama this year, after Missing and Jimmy McGovern's Moving On. It follows the lives of four women who join the Women's Land Army and are united by the war effort. The four leads are played by Hollyoaks' Summer Strallen, Christine Bottomley from Hope Springs, Jo Woodcock of All The Small Things and stage actress Becci Gemmell. The show is being produced by the Doctors team, with John Yorke and Will Trotter as executive producers and Erika Hossington as producer. It is being shot in HD in and around Birmingham.

More news from series six of Qi which is currently filming: The David Tennant/Lee Mack episode which I mentioned last time is apparently the Christmas special and so will, obviously, air during Week Fifty One this year. It's still unclear as to whether the sixteen-episode 'G' series will be broadcast in one unbroken run or be shown as two batches of eight. And, whether it will run from September to, well, early January probably, or start earlier and end with the Christmas episode. Or, what! Anyway, what we do know is that episode eleven - 'Geometry' - was filmed last week features guests Rob Brydon, David Mitchell and Johnny Vegas. Ooo, very good line-up, that one. Next up is episode twelve, featuring Davey Mitchell again (virtually becoming a third regular these days), Dara O'Briain (I was wondering when Dara was going to show up this year) and, first time guest, Graham Norton. That one sounds a crecker as well.

ITV have announced that they will shortly be showing the long-delayed drama Monday Monday, and eight-part series starring Jenny Agutter and Cold Feet's Fay Ripley, 'about a group of workers in the head office of a supermarket chain who are struggling to come to terms with the demands of new management directives.' The ensemble cast also includes appearances by the divine Goddess that is Holly Aird, Neil Stuke (Game On), Morven Christie (Oliver Twist) and Laura Haddock (Honest).

Lastly, a rather self-indulgent personal note. On 31 July 2009 The Doctor Who Forum (formerly Outpost Gallifrey) - the Internet's largest unofficial Doctor Who resource with over 25,000 regular contributors - will be closing its TARDIS-sized doors for the final time, the site owner Shaun Lyon announced yesterday. This announcement has, somewhat inevitably, led to much bewailing and gnashing of teeth from certain quarters of Doctor Who fandom. In a sort of 'but ... but ... but ... where the hell am I going to go now to talk to people?'-type area. Albeit, the news has been somewhat tempered by the revelation that a new forum - Gallifrey Base run by DWF's Senior Administrator Steven Hill and some of the old site's moderators - will soon be online. As, if not a direct replacement then, at least, as a viable place to keep many of DWF's various communities together under one roof.

Obviously I, personally, am very sad about this - Outpost Gallifrey and its decendents have been a major part of my life for much of the last decade, both through the website, the forum and the annual Gallifrey One conventions in Los Angeles. But, as we know from past experience the beat goes on and we, however reluctantly, must go on with it. I reckon I know Shaun better than the vast majority of people on the board. I know, for instance, just how much of himself and his time he has given over to Gally and all of its constituent parts over the years. The man is a legend and he really does not deserve some of the harsh, spiteful, selfish nonsense he's currently getting from some particularly wretched individuals over his having the temerity to announce that he's closing down a website that he owns. If anybody in Doctor Who fandom deserves the right to say 'that's it, I quit,' and have a bit of peace and quiet in their lives for a while, it's Shaun Lyon. I'm as unhappy to see DWF go as anyone but I have too much respect for the man to put my self-interest before his. Let us, therefore, have a moment of quiet, dignified praise (or 'gratuitous arse-licking' as one especially nasty specimin of the worst that both fandom and, indeed, humanity has to offer described it) for the Guv'nor.

I honestly can't think what my life would have been like over the last eight years without Gally. That, in and of itself, is not only a huge testament to OG/DWF's many plus points but, also, possibly a perfect indication about why now genuinely is the best time to end it. When something in life starts to appear irreplaceable, then is probably the ideal time to try and replace it! To quote a line from one of my favourite movies, Picnic at Hanging Rock, 'everything begins and ends at exactly the right time.'

Wednesday, June 03, 2009

Picture of the Week

Shearer asking The Little Shit "So, I hear you're off having bled this club dry. Do you want a tenner to get you a taxi to the city limits?"

Tuesday, June 02, 2009

Plus ça Change, Plus c'est la Mệme Chose

Keith Telly Topping has been in the Beeb this morning, writing the scripts for next week's Top Telly Tips and Saturday Comic Cuts even though Keith Telly Topping was feeling horribly hung-over this morning. And, that, despite the fact that he's had nothing even remotely alcoholic to drink for about two months, if not more. In fact, he feels somewhat like that guy in The Simpsons who wakes up after two decades in a coma and asks if Sonny and Cher still have their TV show: 'No. She's won an Oscar and he's a Senator.' 'Just kill me now...' Anyway. Good afternoon, my brethren (and ... em, female brethren). Rather fine Ashes to Ashes last night, was it not? The identity of the mole was a genuine surprise whilst Shaz's crimped hair-job was just about the most authentically eighties thing they've yet managed to conceptualise. There was an excellent interview with Philip Glenister on Simon Mayo's radio show the other day where Philip confirmed that the plan is to do a third series (which, potentially, will start filming in September) and then end the show.

I think it's time for another sexy photo of Karen Gillan, dear blog reader, don't you?
Now, the following isn't really Top Telly "Newsper se, but it is a classic example of plus ça change, plus c'est la même chose in the industry. Monty Python's Flying Circus may not have made it past its first series if some BBC bosses at the time had their way, according to documents obtained by the Independent. It seems the groundbreaking sketch show which went on to become a national (and, indeed, international) institution and cause célèbre was the focus of much contemporary management ire, and not only because ratings for the first episode - broadcast Sunday 5 October 1969 - were the lowest of any light entertainment programme, reaching three percent of the population rather than Dad’s Army's Twenty two per cent. The documents, released in response to a Freedom of Information Request from the newspaper, include a memo from a senior management meeting in 1970 and reveal an overwhelmingly negative initial reaction to the series. Stephen Heast, Head of Arts Features, called the Pythons 'nihilistic and cruel,' while Bob Reid, the Head of Science Features, said they 'wallowed in the sadism of their humour.' 'This edition had contained two really awful sketches; the death sequence had been in appalling taste, while the treatment of the national anthem had simply not been amusing,' tut-tutted the memo. Also detailed were the series costs: each Python was paid one hundred and sixty quid per episode, plus a tenner a day during filming, while Barry Cryer got twenty five guineas to warm up the audience before recordings. Series producer John Howard Davies admitted to going seven hundred and fifty five notes over budget on the first episode thanks to booking a three-ton props van containing three men which trailed the Pythons at all times.

Back up-to-date and the BBC are looking to spark a rural revival with a major prime-time series – Village SOS - which will start filming next year for broadcast on BBC1 in Winter 2010. This will feature six villages as they each launch a brand new rural business, with the help of six 'village champions' to bring their expertise in business, building – or whatever skills each village thinks it needs – to get its project off the ground. The Village SOS project is a partnership between the BBC and the Big Lottery Fund. BIG will be searching for the villages and will fund the community-owned rural businesses for their first year. The series will be presented by Sarah Willingham (The Restaurant) who grew famed Indian catering chain The Bombay Bicycle Club into a hugely lucrative catering business. The hunt now starts for villages to submit their schemes and the potential champions to submit CVs. A shortlist of eighteen potential businesses and champions will be selected from the applicants in November, with BIG providing development money to further the proposals for three months. The successful six will then start work – with the BBC filming their progress – in May next year.

ITV has held talks with BSkyB about switching its advertiser-funded free-to-air digital channels - such as ITV2 - to subscription, meaning that they would no longer be available to Freeview viewers. The commercial broadcaster has been forced to consider the radical option in the face of the worst advertising downturn in its fifty four-year history. The move comes despite the free-to-air strategy having made ITV2, the youth-oriented entertainment channel that broadcasts shows including Britain's Got More Talent and American Idol, the most watched non-sports digital channel in the UK.

It is understood that ITV held talks with BSkyB about switching ITV2, ITV3 – which focuses on classic ITV dramas such as Inspector Morse and Poirot – and ITV4, home to more male-oriented programming such as live football, to subscription. Under one option, ITV could pay a nominal carriage fee to BSkyB for broadcasting the channels and in return receive a guaranteed cut of revenues from channel packages sold to pay-TV subscribers. BSkyB remains ITV's largest shareholder, owning 17.9% of the company, despite having been told by competition regulators to reduce its stake. Putting its digital channels behind a subscription wall would mark a sea-change in ITV's strategy and underlines the tough choices facing the company in the recession. The broadcaster turned its back on pay TV after the catastrophic collapse of its own digital terrestrial business, ITV Digital, in 2002.

ITV's digital channels have been one of the company's few success stories in an otherwise difficult period. Despite the UKTV advertising market falling by almost five percent year-on-year in 2008, ITV grew revenues from its multichannel business by £33m to £242m. That helped to offset the declining ratings and revenues for ITV1 and ensured that the broadcaster held its share of the UKTV ad market for the first time since the early 1980s. However, a move back into pay-TV could help ITV reduce its dependence on advertising. The broadcaster expects ad revenues to be down a further sixteen percent in the first six months of 2009. Switching the digital channels to pay would mean losing distribution in the ten million or so homes which receive digital TV on their main set via Freeview and relying on Sky, which had 9.3m subscribers at the end of March. ITV would also have to do a separate distribution deal with Virgin Media, which has 3.5m cable-TV subscribers.

ITV, which posted a pre-tax loss of £2.73bn last year, is also drastically cutting costs. The company has axed sixteen hundred jobs since September and is cutting its £1bn ITV1 annual programming budget by a quarter between now and 2011. The broadcaster wants to make more savings by pulling out of regional news provision and raise cash by selling off assets such as Friends Reunited and SDN. ITV paid £175m to acquire Friends Reunited in 2005, but analysts now estimate that it is only worth about £40m. SDN could fetch between £150m and £200m, according to estimates.

Meanwhile, the Food Standards Agency is to partly fund a new family culinary competition for the digital channel UKTV Food. Family Cook Off, to be co-judged in the autumn by Amanda Lamb, is being produced by the makers of the BBC's Masterchef series. It is the first time that a government agency has directly given funding for a television programme. UKTV Food will be relaunched on 22 June as Good Food and will also feature repeats of Jamie Oliver's shows - which is as good a reason as any not to watch it, frankly. The competition will see teams of two family members go head-to-head in a bid to produce nutritious meals. I'm sure Jamie Oliver, roasted to within an inch of his life, between two slices of thickly buttered bread and lightly salted would manage that quite effectively.

Britain’s Got Talent could be facing investigation by Ofcom after the watchdog revealed a number of viewers have complained about the Saturday results show. The revelations follow Scottish singer Susan Boyle being taken to The Priory by representatives from producers Syco and Talkback Thames after the final of the show. Boyle, whose audition has been viewed by more than one hundred million people around the globe, was understood to be emotionally exhausted after participating in the competition, where she was runner-up to dance group Diversity. 'We are currently dealing with a lot of speculation in the press, with reports varying wildly between we are investigating and we are not,' the spokesman for those unelected, interferring nobodies, Ofcom, said. 'What is accurate is that we have received a volume of complaints, which we are currently assessing. Until that process is complete, we will not be making a decision either way.' The Britain's Got Talent finale on ITV last Saturday drew a peak audience of 19.2m viewers. The media regulator is set to reveal the exact number of complaints in regards to the show tomorrow morning.

Sky1 laid some strong foundations for the start of the fifth series of hit US series House as the first episode on Sunday evening averaged 676,000 (3.3%). The show, starring Hugh Laurie, was the digital entertainment channel's most watched of the day and managed to break Sky1's slot average performance for the year so far of 652,000 (2.8%). In 2008 the channel averaged 434,000 (2%). The series continued with a second episode at 10pm which drew 617,000 (3.9%), comfortably beating the year-to-date slot average of 477,000 (2.8%). Sky1 snatched the rights to the show by out-bidding terrestrial channel Five earlier this year.

Finally, The League of Gentlemen's Jeremy Dyson is adapting Jonathan Coe's satirical novel What a Carve Up! for Channel 4. Published in 1994, the novel is an attack on the Thatcher era, based around a writer who is commissioned to produce a biography about a right-wing upper class family who are obsessed with making money, often in dubious ways. As he becomes embroiled in the family's secrets, they are murdered one-by-one in a series of bizarre scenarios. The project is currently in development at Big Talk - the production company behind Free Agents, Black Books and Spaced - but it has yet to be formally commissioned by C4. Dyson also co-wrote BBC3 black comedy Funland, script-edited BBC1's The Armstrong and Miller Show and penned the Billy Goats Gruff episode of Hat Trick's series of modern Fairy Tales for BBC1.

Monday, June 01, 2009

Week Twenty Three: You're All Barbarians (Especially If You Buy Your Chicken From Tesco)

Newsnight presenter and general all-round grumpy sod Jezza Paxman has described the British public as 'barbarians' who are too busy watching television to find time to appreciate art. He lamented what he regards as Britain's obsession with TV during a talk on Victorian art given at the Hay Festival of Literature in Wales. Paxman said: 'Watching TV is the most popular leisure activity in Britain. I find that very depressing.' How nice it is to see somebody who's made what I presume to be an extremely good living over thirty years from television who feels it's such an effing waste of everyone's time. No obvious rank and quite disgraceful hypocrisy there then. If you feel that strongly about it, Jez, I trust University Challenge will be getting a new presenter shortly? See, this is the kind of superior middle-class intellectual bollocks that I loathe when it comes to television as both an entity and a concept. The idea that it is, in some way, a lower art form - not worthy of serious consideration as film, literature or sculpture are. Snotty, hyperbolic, twattish nonsense. And, coming from someone whom I thought I rather respected, it's particularly annoying snotty, hyperbolic, twattish nonsense at that. I trust that the next politician being grilled by Paxman about what a shoddy job they're doing will, quite forcefully, remind him of these comments and ask what the hell right he has to ask anything of anybody since he himself, seemingly, holds his job and the industry which is it a part of with such contempt. Back in your box, Jezza, and stick to what you're good at?

And, speaking of sticking to what one is good at ...

Friday 5 June
Keep on Running: Fifty Years of Island Records - 9:00 BBC4 - is a celebration of the independent record label which unfolds like a personal history of rock and reggae. All fans will get their reward with countless well-chosen musical highlights and anecdotal gems. The feature-length film is built around a rare interview with gentlemanly Jamaican, Chris Blackwell, whose family fortune based on the sugar industry and Appleton's rum meant he could introduce the brave, exciting new sounds of ska and bluebeat to Britain in the early 1960s. Within a decade he had built a roster of innovative white acts, ranging from rockers Free to folk-stylist Nick Drake. What's clear is that Blackwell trusted his artists enough to give them their heads. None more so than Bob Marley and The Wailers who, almost single-handedly, made Island its first fortune in the 1970s. Other label stars - including Cat Stevens, Grace Jones, Bono and The Sugababes - tell the viewers why Island was the perfect home for them and their music. Viewers can also enjoy more performances, including a particularly brilliant one by Roxy Music, in Island at the BBC, which follows immediately afterwards. After the gorgeous Motown Night last week it's so nice to see that BBC4 is continuing these theme evenings with such obvious thought and care. Top marks to all concerned - we need television like this, as previously noted, whether we want, or even deserve, it or not.

Saturday 6 June
Totally Saturday - 7:30 BBC1 - is a live light entertainment show, hosted by Graham Norton, where - according to the publicity blurb - 'viewers prize possessions become the stars of the show and could end up anywhere with anyone and lead to anything.' I'm not entirely sure what the hell that actually means but, still, let's give it a chance and watch to find out. Apparently, each show will see two families battling head-to-head to win a holiday of a lifetime (so, that's the format of Family Fortunes, essentially) and 'one lucky viewer has a shot at winning big in The Hamster Run.' Which, no doubt, will somehow involve Richard Hammond. Because, if it doesn't then it's just about the only show on the BBC in which he's not currently omni-present. John Barrowman must, for the first time in some while, be feeling threatened. In this first show there's music from Lionel Richie (oh, God help us...) and the boys from Boyzone help Graham to spring some unexpected surprises. To be honest, this looks not unlike a sort-of watered down version of Noel's House Party and, as Saturday early-evening entertainment goes, that's genuinely not a bad starting point. And Graham's usually cheeky and quite likable so, yeah, this one might work given the limitations of the form that it's a part of.

The Sanjeev Bhaskar sitcom Mumbai Calling - 9:30 ITV - is set in a call centre in India. And, like real call centres in India, it forces itself on unwilling consumers like a nasty rash that you can't get rid of. In tonight's 'hilarious' episode, Kenny is launching a new service for drivers in the UK, but when things fail to go smoothly he is forced to take inspiration from an unusual source. Meanwhile, Dev offers Terri accommodation at his house, but he is ridiculed by his family when they find out that she is his boss. When Sanjeev, Meera and their mates first did the cross-cultural observational comedy thing in Goodness Gracious Me a decade ago, it was innovative, sometimes uncomfortable viewing but always clever and often very funny. And, then they milked the idea bone dry with The Kumars at No. 42. These days, they're parodying themselves and that's never a good thing.

Sunday 7 June
Hope Springs - 8:00 BBC1 - is the, hopefully prophetic, title of a new drama series starring Alex Kingston, Annette Crosbie and Ronni Ancona. It has been described as 'Widows meets Hamish MacBeth' which, if that's an accurate assessment, might just be intriguing enough to be a hit. The story follows four female ex-cons Ellie, Hannah, Josie and Shoo as they embark on the final stage of their long-held plan to live out their lives on a Barbados beach. The four women await their friend Mandy, who is due to fly in from Manchester to bring them their false passports in a small Scottish village. Hope Springs is said to be 'a sparklingly modern fish-out-of-water comedy drama set against the stunning backdrop of gorgeous Scottish scenery.' It's made by Shed Productions who seem to specialise in predominantly female-led drama and whose output ranges from the very good (Waterloo Road), through the average (Bad Girls) to the completely bloody dreadful (Footballers' Wives). Hope Springs 'is about losing millions and finding them again, falling in love in unlikely places, making a home and chasing your dreams.' So, Local Hero with girlie bank robbers then? Yeah, I actually quite like the sound of that. And, it's got a very good cast, led by River Song herself.

Kingdom - 9:00 ITV - the Stephen Fry drama vehicle about a solicitor in a small Norfolk seaside town is back for a third series. It's a rather sweet and charming little show, a kind of mix between Twin Peaks and The Archers if you like. It's gentle and wryly amusing in places, has - like Hope Springs - lots of very good actors in it and, in an unassuming way, draws the audience into it with a mixture of quirky eccentric characters and village life. I've very much enjoyed it over the last two years. In this opening episode, Peter has the tricky task of helping an injured Iraq War veteran come to terms with his future and Lyle takes the reins when an attractive young woman is discriminated against by the army. Meanwhile Gloria has a very demanding father to cope with and Beatrice (the totally brilliant Hermoine Norris) is adjusting to motherhood in her own special way. On opposite the final of The Apprentice so it's likely to get hammered in the ratings but, stick with Kingdom, it can be very rewarding.

Monday 8 June
In Coronation Street - 7:30 ITV - the realisation dawns for Gary that he could be charged with murder. Last time that happened in the Street, Old Big Eyed Tony went on a grief-stricken rampage after he had Liam bumped off so, let's hope something along similar lines is on the horizon to brighten up Weatherfield this week. Meanwhile, Peter has a confession for the Barlows and it's handbags at dawn for Betty and Poppy. As Harry Hill might say, 'there's only one way to sort this out ... a nice cup of tea. Put the kettle on, Rita...'

Fifth Gear - the motoring magazine show presented by Tiff Needell, Jason Plato and some other people you've never heard of - returns to Five at 8:00. Never in the history of television has a show been more damaged by its genre opposition than here. Since Top Gear (which, remember, Fifth Gear once actually was) became a national obsession for fortysomething chaps (without driving licences) like myself, Tiff and co. have had to try and compete on a wholly different level - something to which they're really unsuited. You can see the green tinge of mad-jealousy in their eyes every time they get stuck behind the wheel of another Astra diesel to do a 'sensible' road test, begging the producer 'Can't we have a go in a Lamborghini this week? Even James May gets to drive them on the other side!' In the last couple of years they're tried to follow the Top Gear way and along with, what they suggest is 'the all-essential consumer advice', tonight we get a death-defying loop-the-loop stunt, a race against David Coulthard and 'a test to see if buying an old banger can beat the credit crunch.' The first two just don't sit well together with the third item, do they? A classic example of Fifth Gear's identity crisis since its little brother started getting all uppity and, with it, eight million viewers.

Risible ex-EastEnders 'hard man' Ross Kemp makes award-winning, but I've always felt curiously hollow, documentaries about gangs and military subjects for Sky. You might have noticed, if you've got the channel since they're sodding constantly repeated. Some of them are decent enough - certainly they're beautifully filmed - but Ross, himself, is a huge drawback to them since he seems to want to be centre-of-the-action at all times. This almost led to him getting his face shot off in Afghanistan recently. Anyway, Ross Kemp: In Search of Pirates - 9:00 Sky1 - clearly proves that Ross was born in the wrong century. You should've been here two hundred years ago, mate, there were loads of them sailing the seven seas. Johnny Depp, for once. Now there was a pirate. In this film, Ross and his team investigate modern day piracy in the seas of south-east Asia. Ross joins the crew of the HMS Northumberland based off Somalia. The frigate is the first British anti-piracy deployment since 1816. See, a man out of a time is our Ross. It's to be hoped that he doesn't say 'avast ye land lubbers' at any point. But, I wouldn't bank on it, frankly.

Tuesday 9 June
Secrets of Egypt: The Screaming Man - 8:00 Five - is an impressive historical documentary series probing the secrets of Ancient Egypt. Scientists attempt to unravel the mystery of a three thousand-year-old 'screaming' mummy. The man was discovered in a tomb with his features locked into what appears to be a screaming expression, devoid of the usual elegant trappings of Egyptian burial. Who was this man and what does his fate reveal about the ancient Egyptian attitude to the afterlife?

What looks to be another winner from the BBC's natural history department, Living With Monkeys: Tales From the Treetops, kicks off at 9:00 on BBC1. Adventurer Guy Grieve and primatologist Julie Anderson spend six weeks in the Central African rainforest, trying to save one of the world's rarest monkeys, the red-capped mangabey. Guy and Julie's home is an amazing treehouse, high in the canopy, that allows them unique access to the monkeys world and keeps them safe from dangerous forest elephants. Because, there's nowt worse for a naturalist than an enraged heffelump is there? From her precarious perch, Julie aims to study the rare red-capped mangabey breed whilst Guy's task is to keep house by utilising all of his survival experience – from digging the latrines to fishing for food and constructing a rainwater harvesting device. With regard to the lavvies, why don't they just crap out of the window? That's what I'd do if I lived in a treehouse. As it is, I live in a first floor flat and I still sometimes do that. You know, for a laugh. Anyway, moving on quickly, wildlife cameraman Gavin Thurston, a veteran of numerous David Attenborough series, is also on hand to capture the incredible variety of animal action and observe Julie and Guy as they adjust to their new habitat in the air. Concludes tomorrow. Looks highly watchable.

As her wedding day arrives, Faye (Patsy Kensit) decides she is going to make a clean breast of everything in Holby City at 8:00 on BBC1. No jokes about breasts, please. The day does not go even remotely according to plan, however, when Faye's parents show up unexpectedly whilst her husband-to-be, Jospeh, is having a bit of a day to forget himself. Has there ever been a single TV wedding that has gone entirely to plan? Just once, it might be nice. Meanwhile, poor old Jac is left to cover a hectic AAU; struggling with the fact that Joseph is getting married, she takes it out on the new junior doctors, including the recently arrived brother and sister duo of Penny and Oliver Valentine. Always entertainingly bonkers is Holby and, in recent weeks, it has been aided by the welcome return to the show of one of my favourite actors; the excellent Peter Wingfield who, of course, took time-out to go to the US and get the crud beaten out of him by Jack Bauer in 24. Nice to have you back in the more sedate atmosphere of Holby General, Peter.

Wednesday 10 June
So, it's the World Cup Qualifier: England v Andorra - 7:45 ITV - as those plucky and brave, but ill-prepared part-timers attempt to do battle ... with Andorra. A country where, you might be interested to know, they have the highest life expectancy in the world. And, one of the highest per-capita incomes. Sounds like my kind of principality, actually. I'm off ... But, before I go here's three alternatives to the fitba.

In Celebrity MasterChef - 8:00 BBC1 - the dryly witty duo of John Torode and Gregg Wallace begin the search for the country's top celebrity chef. This show features two heats. In the first, Rosie Boycott, Joel Ross and Michael Obiora cook for paying restaurant customers at the Cinnamon Kitchen. In the second, Jan Leeming, Jayne Middlemiss and Joe Swift cook at the Pearl. Only two of these contestants will get through to the quarter-final stage. I must admit MasterChef became something of a guilty pleasure for me last year - it shouldn't really work on any level at all but, somehow, it does and it's easily the best cooking show on TV.

Kizzy: Sex, Prams and Exams - 9:00 BBC3 - is a documentary which follows young mother Kizzy Neal's journey to independence as she turns sixteen. Juggling motherhood and school, Kizzy is now faced with the decision of whether to leave home and gain independence or remain living with the parents who have been so supportive to her though recent years. Kizzy has her own video diary which she updates before and after transmission.

Lastly, we've got River Cottage - 8:00 C4. That lank-haired pretentious gobshite (though he's still nowhere near as annoying as his mate Jamie Oliver) Hugh Fearnley-Whittingstall presents a new series of the food magazine, celebrating the best food that spring and summer have to offer. Chips. What more do you need? In this episode, Hugh introduces a 'leftovers night' at the canteen. Careful with how you cook that stuff, Hugh, you might end up with salmonella if you don't heat the leftovers properly. And die. And that would be, like, a total tragedy wouldn't it? Imagine the hole it would leave in Channel 4's schedules. Hugh also tries his hand at fishing for mullet (there's a joke about hair in their somewhere but, trust me, I'm not going there I've got enough material to work with on this show without stating the bleeding obvious) and investigates a scheme run by chemistry students that turns cooking oil into car fuel. Yeah, Top Gear did that story five years ago. Next week, no doubt, we'll see Hugh driving a Bugatti Veyron across Europe in search of some chickens to suggest that Tesco's massively overcharge their customers for just so the chicken has a better life before it's killed and eaten. It's a winner, I'm telling you ...

Thursday 11 June
May Contain Nuts - 9:00 ITV - repeats last year's two-part comedy drama. Made by Tiger Aspect (who also produce The Catherine Tate Show) this is based on the best-selling novel by John O'Farrell. Alice Chaplin and her family move to a gated community in London and find themselves in a world of high expectations, middle-class pretensions and competitive parenting. When Alice fears that her daughter Molly will fail the entrance exam for the prestigious Chelsea College for Girls, she decides to take drastic measures to make sure the family can keep up with the Joneses. Sadly, you can't say you weren't warned by the title that this rather limp averice-comedy farce may trigger an adverse reaction in many viewers. If you get all sweaty, short of breath and hot under the collar, try something on the other side.

Like EastEnders, for instance. Tonight the Masoods host a match-making dinner with disastrous results, while RIKKKY struggles to tell BYANKA about Whitney's shocking decision. Meanwhile, an encounter with a man leaves Chelsea with a terrible dilemma.

Two Foot Tall Teen - 9:00 C4 - is a rather sad-looking documentary about the life and future of sixteen-year-old Jyoti Amge, an Indian teenager who is only one foot eleven inches tall. Weighing in at just over three pounds at birth, she will not grow any taller because of the state of her brittle bones. Jyoti's family see her extraordinary survival as a miracle that deepened their devout Hindi faith, but are looking for medical, and spiritual, assistance in helping her live the fullest life possible. Again, a question that's worth asking about many of these 'extraordinary people living their lives solely for your entertainment'-type documentaries: important awareness-raising TV or exploitative freak-show titilation for the masses? Ultimately you, dear blog reader, and indeed I, must decide.