Sunday, April 07, 2013

Week Sixteen: Born Under A Bad Sign With The Blue Moon In Your Eyes

Saturday night's Doctor Who episode, The Rings of Akhaten - which, if Facebook is anything to go by, seems to have gone down like a fart in a spacesuit with the cognoscenti. So if, like yer actual Keith Telly Topping you rather enjoyed bits of it, then you're, clearly, a brain damaged moron or the victim of a cruel medical experiment according to The Special People - had an overnight audience of 5.5m viewers. That's almost identical to the overnight figure for last year's second episode of the series. Expect a final consolidated figure of somewhere around 7.3 million or perhaps a bit higher for the episode. The Voice's overnights (6.43m) actually rose slightly from last week. Ant and/or Dec's Saturday Night Takeaway was, again, the most watched show in primetime in terms of overnight ratings with 6.77m. The Grand National coverage on Channel Four drew a peak audience of 8.29m in the fifteen minutes from 4.15, that's down on the BBC's coverage of the race in 2011 (8.8m) and 2012 (ten million), but up on 2010 (7.9m). It was a steady, rather than spectacular night for BBC1 with The National Lottery: Who Dares Wins garnering an audience of 5.37m and Casualty being watched by 5.19m.

One of the most thoroughly satisfying things about Friday's overnight ratings was, yet again, watching Have I Got News For You (5.45m) and, to a lesser extent, Not Going Out (4.21m) giving ITV's risible, odious Piers Morgan's Life Stories (3.37m) a damned good harsh shellacking in the Jacob's cream crackers. Glorious in my sight, so it was. There's nowt better in life than observing such an occurrence, frankly. Not even winning a million quid. One imagines the smirk on Ian Hislop's face will, roughly, equal the scowl on his mortal nemesis Morgan's greasy boat on Saturday morning when the figures were announced. Good. ITV's night was, as usual, dominated by their soaps - Emmerdale pulling in 6.45m at 7pm and two episodes of Coronation Street at 7:30pm and 8:30pm being watched by 8.4m and 8.67m viewers respectively. The latter hugely affected BBC1's MasterChef which had been pulling in a steady five million punters all week but dropped to 3.51m for the half-hour show opposite Corrie's second episode. Still better than odious, oily Piers Morgan and his ridiculous nonsense chat show could manage, of course. EastEnders continues to struggle like a man wading through treacle at the moment, only managing a rather underwhelming 6.95m at 8pm, despite just having The Martin Lewis Money Show (3.35m) as opposition. The ONE Show (4.24m) and The Graham Norton Show (3.65m) topped and tailed the night for the Beeb.

And so to the Top Telly Tips:-

Saturday 13 April
Tonight's episode of yer actual Doctor Who, Cold War has been scheduled for 6pm on BBC1. This is earlier than usual because Wee Shughie McFee, the sour-faced Scottish chef from Crossroads' Britain's Got Toilets is back tonight and Wee Shughie McFee, the sour-faced Scottish chef from Crossroads has, clearly, decided to try and castrate The Voice at birth by provoking a scheduling clash. Which, in turn, has caused the BBC to shite in its own pants and move The Voice back fifteen minutes thus knackering up Doctor Who's start time. Hip-hurrah for Wee Shughie McFee, the sour-faced chef from Crossroads and all his works. You're an example to us all. Anyway, in Cold War by yer actual Mark Gatiss, The Doctor and Clara land on a damaged Russian submarine in 1983 as it spirals out of control into the ocean depths. If it's got a captain with a curioushly Schottish accshent then be afraid. Be very afraid. And prepare to schail into hishtory. To make matters worse, an alien creature is loose on board, having escaped from a block of Arctic ice - and with tempers flaring and a cargo of nuclear weapons, it's not just the crew but the whole of humanity at stake. At which point, The Doctor finds the alien to be oddly familiar. Matt Smith and Jenna-Louise Coleman their very selves star. Liam Cunningham and David Warner are the guest stars.

In the concluding part of Arne Dahl's thriller The Blinded Man - 9:00 BBc4 - CID Inspector Jenny Hultin continues to lead the investigation by the so-called A Unit after three Swedish businessmen are murdered, while the financial world is left in panic. Under enormous pressure, the team tries to solve the case before more finance officers are killed. Swedish drama, starring Irene Lindh.

Charlie, Miles and Nora unite with Aaron and Maggie as they continue their search for Danny in Revolution - 9:00 Sky1. However, trouble ensues when they kill a vicious dog and its owner exacts revenge. Danny is presented with a chance to escape his underground bunker, while Rachel - also being held prisoner by General Monroe - is forced to reveal information regarding Ben's role in the blackout. Decent, if occasionally more than a bit bonkers, US drama set in a post-apocalyptic dystopian future and starring Graham Rogers, David Lyons and Elizabeth Mitchell.

Sunday 14 April
Following on from last year's successful pilot episode, Endeavour the Inspector Morse prequel returns - 9:00 ITV - with Shaun Evans playing a younger version of the cerebral detective. When an outwardly respectable GP is unexpectedly found dead in a public lavatory, Endeavour's outlandish theories as to why he was there see him relegated to general duties by his senior officers. Humiliated and humbled, Morse has to investigate from the sidelines, but he's soon forced to question Detective Inspector Fred Thursday's orders and risk his career to avert a family tragedy. Roger Allam, Anton Lesser, Sean Rigby and James Bradshaw co-star.

To mark her eightieth birthday, pioneering female broadcaster of the 1960s Joan Bakewell (once described as 'the thinking man's crumpet' and quite superb on this week's Have I Got News For You) subjects herself to an interrogation by yer actual Sir David Frost his very self. They look back on more than fifty years at the heart of television and a life often lived in the glare of celebrity in When Frost Met Bakewell: Joan Bakewell at Eighty - 9:00 BBC4. The couple revisit Joan's early years as the face of Late Night Line Up, the programme that broke the rules of polite television, and her days on Newsnight, covering the arts, entertainment and politics.

A manhunt is sparked when an HPD officer is killed by a sniper in broad daylight, and the team discovers that the bullet casing was engraved with the victim's name in Hawaii Five-0 - 9:00 Sky1. When another cop is executed by the criminal in the line of duty, Steve McGarrett finds himself delving into his father's past to prevent more shootings. Crime drama, directed by and guest starring the great Peter Weller, with regulars Alex O'Loughlin, Scott Caan, Daniel Dae Kim and Grace Park.

Monday 15 April
Following recent events in Broadchurch - 9:00 ITV - Ellie Miller is more isolated than ever before as she tries to find out what happened to Danny at the cliff top hut. Meanwhile, the police are circling around the sinister and foul-mouthed Susan (Pauline Quirke) as a nervous Nige (Joe Sims) grows more desperate for her to leave Broadchurch. What, exactly is she hiding? And why? And which member (or members) of the local community hold the ultimate key to the identity of Danny's killer? Detective drama, written by Chris Chibnall and starring a supurb cast which includes former national heart-throb David Tennant, Olivia Colman, Arthur Darvill and Jodie Whittaker.

Lucy Worsley and her dangerously sexy lisp explores the medical histories of Britain's monarchs from the later Stuarts to the birth of the Hanoverian dynasty in the second part of Fit to Rule: How Royal Illness Changed History - 9:00 BBC2. Lucy examines the infertility of William III and the extraordinary lengths that parliament employed to find a Protestant successor when Queen Anne died without a surviving heir. The Hanoverians had no difficulties carrying on their line, but were beset by other problems. Worsley explores the reasons behind the so-called madness of George III, and looks at George IV's battle with obesity, alcohol and drugs.

Sarah Lancashire narrates a history of trams in Britain, exploring why they became a popular form of transport in cities and towns at the start of the Twentieth Century, and charting their evolution from horse-drawn coaches to electrically powered vehicles in Timeshift, The Golden Age Of The Tram: A Streetcar Named Desire - 9:00 BBC4. The programme also discovers why networks were largely phased out from the 1950s onwards, before recently being reintroduced in areas including Greater Manchester and Croydon. As Alan Bennett reads his short story Leeds Trams, the film delivers a potted history, with some great nuggets of information – the Nineteenth Century infant mortality rate was linked by some to the huge amount of dung left in the streets by horse-drawn trams. Ken Dodd and Roy Hattersley recall childhood memories of the fun to be had aboard the gliding symbols of civic pride. But the best moments feature tram enthusiast Richard Wiseman and his wife Anne when they visit the tram that saved his life during the Second World War and talk about their honeymoon ride on Glasgow's extensive tram network.

Journalist Chris Terrill investigates when he meets three ex-servicemen who have post-traumatic stress disorder brought on by their experiences of life on the front line in Battle Scarred - 10:00 Channel Five. Liam lost an eye and suffered severe injuries in Afghanistan in 2010 and started to spiral out of control after he turned to drink - until he discovered acting as a way of dealing with his demons. Terrill also talks to Simon and Rich, who are trying to rehabilitate themselves through Surf Action, an initiative aimed at helping combat veterans.

Tuesday 16 April
A malfunctioning rocket crash-lands in the desert and exposes a mass grave in the middle of the desert in the opening scenes of the latest episode of CSI - 9:00. Finlay recognises a necklace on one of the bodies from a case she worked on in Seattle involving the suspected murder of a woman, which she pinned on real-estate mogul Tom Cooley. She never found the necessary evidence to close the inquiry and her badgering of the suspect ended her career there. Against Russell's wishes, Finlay heads to Seattle to confront Cooley, who is offering a reward for information leading to the capture of the woman's killer. Guest starring Dylan Walsh.

In The Secret Life of Rockpools - 9:00 BBc4 - palaeontologist Professor Richard Fortey explores the species that live within the seaside water formations, some of which have existed for millions of years. He is joined by some of the UK's leading marine biologists at the National Marine Aquarium in Plymouth to reveal new insights into the creatures' lives.

Lovable porter Alan has lived a simple, sober life ever since his wife and kids left - with just a loft full of cannabis to keep him going. So when he wins the lottery and gets a taste for the millionaire's lifestyle, it's a slippery slope from champagne to vodka as the booze takes hold of him once again, as told in The Syndicate - 9:00 BBC1. Before long, Alan has bought a classic car, an expensive watch and even a yacht - but what he really wants is something that money may not be able to buy - someone to share his winnings with. Mark Addy stars in the penultimate episode of the drama, with Alison Steadman, Siobhan Finneran, Jimi Mistry and Natalie Gavin.

Wednesday 17 April
After five weeks of heats, fifty hopefuls have been whittled down to the most promising twelve in MasterChef - 8:00 BBC1. it should have been ten but, John and Gregg got a bit generous, twice. But if the delighted dozen thought it was tough getting this far, the knockout stage will really sort the dishwashers from the chefs, as over the next two nights the remaining contestants are split into two groups of six to enter the hectic world of mass catering. Tonight's first group finds itself at Heathrow Airport, preparing lunch for more than two hundred employees at British Airways' maintenance base. Then it's back to the MasterChef HQ, where they have to rustle up twenty breakfast portions in just one hour, before the weakest individuals face each other in a cook-off to determine who will make it through to Friday's 'showstopper' challenge.

The presenters seek out the ideal locations to enjoy their personal passions in the latest episode of Coast - 8:00 BBC2. Nick Crane heads to the Inner Hebrides to attempt a mountaineering challenge on the Isle of Skye, and reveals how Thomas Cook was inspired in the mid-Nineteenth Century to create his famous package tours by the steamships criss-crossing Scottish waters. Avid knitter Ruth Goodman gets some tips for completing a complex fisherman's chunky jumper by visiting Polperro in Cornwall, learning how people's livelihoods one hundred and fifty years ago depended on their skills at making workwear to order. The poet Ian McMillan looks for creative ideas in the Cornish seaside resort of St Ives and explores the life and work of self-taught artist Alfred Wallis and Tessa Dunlop explores the glamorous history of British lidos - public outdoor swimming pools that sprang up around the UK in the 1930s.

Temperance Brennan is shot as she investigates a murder that has been made to look like suicide, and experiences a dream-like reunion with her dead mother after being rushed to hospital in Bones - 9:00 Sky Living. The absence of a bullet and an exit wound suggest the culprit possesses an astute scientific knowledge, prompting Booth and his colleagues to suspect that someone inside the Jeffersonian itself could hold the answers.

The detectives investigate the murder of a wealthy man whose double life left him vulnerable to exploitation in Scott & Bailey - 9:00 ITV. Away from work, Rachel's recent moment of indiscretion threatens to come back to haunt her when a confused Sean takes a phone call from her one-night stand, and after Ade is pushed into living with his girlfriend on a permanent basis, Janet asks her mother to move in.

Thursday 18 April
Could We Survive a Mega-Tsunami? asks BBC2 at 9:00. Probably not, is the obvious answer. The destructive effects of tsunamis has been all too evident in recent years, with the one on Boxing Day 2004 killing around a quarter of a million people in Southern Asia and another striking Japan in March 2011 - bringing one of the world's most advanced countries close to a nuclear catastrophe. This documentary uses the latest scientific modelling to present a minute-by-minute account of what might happen if there was a mega-tsunami in the Atlantic, and what would it do to cities including Casablanca, Lisbon, London and New York.
Arty Andrew Graham-Dixon reveals how the entrepreneurial and industrious region of the Low Countries rose to become a cultural leader in the modern age, and despite its small size, managed to produce important forward-thinking artists such as Van Gogh, Delvaux and Magritte in the final part of The High Art of the Low Countries - 9:00 BBC4. He travels to the remote beach in north-west Holland that inspired Mondrian's transition toward abstract grid painting and examines the psychology and social history of the area.

Si King and Dave Myers explore Britain's love of apples and pears, using them in recipes for beef tagine and a frangipane tart in Hairy Bikers' Best of British - 7:00 BBC2. They also visit a heritage orchard to sample a few of the 2,000 apple varieties in the UK and investigate the history of wassailing - a custom intended to ensure a fruitful crop in cider-producing areas.

Friday 19 April
Diminutive actor Warwick Davis chairs the comedy news quiz Have I Got News For You - 9:00 BBC1 - which sees Paul Merton and Ian Hislop poke fun at the week's headlines with the help of their celebrity panellists.
Lucy becomes a relationship counsellor in Not Going Out - 9:30 BBC1 - so Lee and his father take advantage of her new-found skills in an effort to patch things up between them. Can they finally forgive and forget? Bobby Ball guest stars as Lee's dad, with Lee Mack, Sally Bretton and Katy Wix.

In The Ice Cream Girls - 9:00 ITV - two women who were accused of murdering their schoolteacher in the summer of 1995 are forced to confront their dark, shared history when one of them is released from prison almost two decades later, having always protested her innocence. Returning to her home town, Poppy decides to track down old friend Serena and get her to admit the truth about what really happened that fateful night. Drama based on the novel by Dorothy Koomson, starring Lorraine Burroughs, Jodhi May, Martin Compston and Dona Croll.

And, finally, if you missed it first time around, you could do a lot worse than check out Arena - 9:00 BBC4 - part one Martin Scorsese's two-part documentary Living In A Material World tracing George Harrison's early life in Liverpool, The Beatles' first gigs in Hamburg, the advent of Beatlemania, his psychedelic phase and his increasing fascination with Indian culture, both musical and spiritual. George was, of course, 'The Quiet Beatle.' Posthumously, and poignantly, here, he finds his voice. Scorsese has pieced together a cinematic love letter to Harrison. The surviving Beatles, his two wives Patti and Olivia and countless friends all form a respectful queue paying tribute in this two-part film. It's not, though, a symphony of sycophancy. Their memories – spliced together with archive interviews, evocative home-movie film and some captivating early Beatles footage – are preserved, you sense, by the deep affection they clearly felt for him. But it's the music that provides the stitching in this immaculately crafted tapestry. The moment you hear the opening bars of 'Something' or 'Here Comes the Sun', you realise you're in the company of genius. The Quiet Beatle is silent no longer. Not that he ever was. Featuring contributions from yer actual Paul McCartney and Ringo Starr, alcoholic wife-beating Scouse junkie John Lennon's widow Yoko Ono, producers George Martin and Phil Spector, and George's best mate, Eric Clapton.

To the news, then: The producer at the centre of Panorama bribery allegations has left the BBC as it emerged that Harlequin, the luxury Caribbean property developer which lodged the complaint with the corporation, is to take its grievance to the police. Last week the BBC suspended Matthew Chapman, a member of the Panorama production team working on a programme about Harlequin, after the company lodged a complaint that he had offered a security consultant a bribe for information. The BBC, which has never confirmed the name of the individual at the centre of the allegations, said on Friday that 'a member of staff' has 'left' the corporation. 'We have accepted the resignation of a member of staff who had recently been suspended following a complaint made to Panorama,' said a spokesman for the BBC. Harlequin, which issued a strongly worded statement last Thursday naming the Panorama producer as Matthew Chapman, said that it is contacting the police about the allegations. 'We have been advised by our lawyers that we should now take the next step and report Matthew Chapman to the police,' said a spokesman for the company. He added that Harlequin has not 'been updated' by the BBC on the status of its complaint. A BBC spokesman said that the corporation was 'still investigating' Harlequin's complaint about Panorama and 'remained hopeful' that it might be able to broadcast the programme, which was scheduled to be shown last month. 'We are still looking at the facts behind the complaint made by Harlequin and hope that the film will be broadcast in due course,' he said. Harlequin alleges that Chapman had attempted to 'induce [Harlequin consultant] Mr Ghent into disclosing information about Harlequin in return for the potential reward of future work from the BBC.' The company added that 'other staff' had allegedly received 'similar communications' from the BBC producer and said it was 'shocked' by this 'highly improper' behaviour. 'In short, it appears to be tantamount to an attempted bribe,' Harlequin said last week. The BBC's anti-bribery policy states: 'The BBC takes a zero-tolerance approach to bribery and corruption and is committed to acting professionally, fairly and with integrity in all its business dealings and relationships wherever it operates. The BBC is committed to implementing and enforcing effective systems to counter bribery.' The Bribery Act 2010 outlaws financial offers to a person in the knowledge that acceptance would constitute 'improper performance' of their duties. There was sympathy among some staff about what has happened to Chapman, an award-winning producer. 'Matthew was a good investigative journalist who made a mistake,' said one alleged 'insider'. 'He was one of their most experienced producers/directors and recently won a BAFTA for Panorama's much-lauded care home investigation.' Last month the Serious Fraud Office and Essex police launched a joint investigation into complaints relating to Harlequin. Thousands of investors have put as much as two hundred million smackers into a scheme run by the Essex-based company, which builds luxury villas on islands including St Lucia, Barbados and Dominican Republic. The SFO has opened an online questionnaire asking investors for details about their introduction to the group and their experience. In January the Financial Services Authority issued an alert to financial advisers about investing large sums of clients money in Harlequin's overseas property.
The Sun's readers' editor, Philippa Kennedy, has said that she detects a 'sea change in attitude' among its journalists in the wake of the phone-hacking scandal and Leveson inquiry. And we're supposed to, what, feel sorry for the odious scum? Good. I hope they're effing sweating. Kennedy, who was appointed as the Sun's ombudsman in September, is responsible for handling complaints from readers and liaising with the Press Complaints Commission. She told a journalism conference at the London School of Economics on Friday that she has experienced 'some resistance' to publishing clarifications and corrections in the Sun. 'I've been there seven months, and so far I've managed to find resolutions for seventy cases,' she said at the Polis event in London. 'Sometimes it's necessary; sometimes it's a kind of a half-apology, a clarification in the paper. And you get resistance in the paper, some people say "why are we running all these clarifications?" And I say "well the difference is that one paragraph is probably four or five weeks of negotiation … and the alternative is a six hundred-word adjudication against the newspaper." Sometimes I don't please either side, sometimes I please both sides.' Asked by media commentator Steve Hewlett whether she believed her appointment had an impact on newsgathering at the title, Kennedy said: 'I hope that they're taking it seriously and I sort of detect a sea change at the Sun. I think people have been badly affected by Leveson and by the revelations.' Kennedy was a reporter at the Sun in the 1970s and 1980s, before moving to the Daily Scum Express, where she became its first female news editor. She was editor of Press Gazette from 1998 until 2002 and awarded an OBE in 2003 for services to journalism. Her appointment was part of a pledge by the Sun to strengthen its 'bond of trust' with readers ahead of billionaire tyrant Rupert Murdoch's launch of the seven-day Sun in March 2012. Asked whether she believed the newspaper industry faced a crisis moment, Kennedy said: 'Totally. It's about a nervous breakdown. People are frightened, they're worried. I have nothing to do with the daily editorial process, but I have been approached a couple of times, especially [about] stories where children are involved – children and sex is a very difficult area – and I've had to say I think the PCC would take a dim view of it. For example, an under-sixteen who's got sexual problems is just a no-go area. There are a lot of areas now that are no-go areas.' Kennedy said she believed Sun journalists get 'very bad press' because they 'choose the most sensational angle' for a story. And, because they're scum, don't forget that. Kennedy was on a panel alongside Alexi Mostrous, The Times special correspondent, Martin Hickman, the Independent's consumer affairs correspondent, and Neil Wallis, former executive editor of the Scum of the World. Wallis was told last month that he would face no further action after being arrested under Scotland Yard's Operation Weeting inquiry into phone-hacking. He told the conference that the newspaper industry would be 'stupid' if it did not accept that it had overstepped the mark, but described David Cameron's plans for a tighter regulation as tantamount to 'the end of a free press.'

And now, some more good news about odious louse scum journalists; the Daily Torygraph has dropped Kelvin MacKenzie after his first online column for the newspaper and kicked his odious, risible fat arse out of the door and into the nearest gutter along with all the other turds. The controversial former Sun editor published his first column for the Torygraph on Thursday, taking aim at the teaching profession, reality TV producers, banks and British Gas. The Torygraph's publishers had, reportedly, positioned it as a regular gig for MacKenzie, a former Daily Scum Mail columnist, with its official Torygraph Twitter feed marking his arrival with the tweet 'introducing our new columnist.' Richard Fletcher, editor of Torygraph.co.uk, added to the belief that it was a weekly assignment telling Twitter followers to 'Meet our new columnist, Kelvin MacKenzie. Read his début column here.' However by the end of the day on Friday the mood had changed with Henry Winter, the much-respected football correspondent at the Torygraph, saying that MacKenzie's column was a 'one-off and won't be repeated.' The column had attracted more than eight hundred comments, many of them accusing the Torygraph of 'dumbing down.' A spokeswoman for the publisher would not elaborate on why MacKenzie had been ditched, instead reiterating the 'official' line that it was a 'one-off experiment.' Which it, clearly, wasn't. Speculation circulated on Twitter, fuelled by a piece published by the Liverpool Daily Post, that MacKenzie was dropped following a backlash linked to the Hillsborough football disaster. Hillsborough Family Support Group chair Margaret Aspinall told the Liverpool Daily Post that the timing of his hiring was an 'absolute disgrace': the anniversary of the disaster is on 15 April. MacKenzie was responsible for the notorious front page splash, which ran with the headline The Truth, making entirely false - and, now, wholly discredited - allegations about the behaviour of Liverpool fans at the Hillsborough stadium disaster. In September, he offered the people of Liverpool his 'profuse apologies' for the story in the wake of the publication of the Hillsborough Independent Panel report, which was only about twenty three years too late. MacKenzie was a columnist for the Sun from mid-2005, when he was signed as a replacement for Richard Littlejohn, to 2011 when he was signed as a columnist for the Daily Scum Mail.

John Humphrys, the presenter of Radio 4's Today programme, has said he has 'no intention' of stepping down after signing a nine-month extension to his contract, which expires at the end of the year. Humphrys, who has been a presenter on Radio 4's flagship news programme since 1987, has also signed a new three-year deal to continue fronting BBC2 quiz show Mastermind. Humphrys, who turns seventy in August, said: 'I'm not planning to pack it in just yet. I'm rather enjoying the job. I've no plans to shuffle off this mortal coil.' The short-term extension to his current two-year Today contract, which has just expired, is understood to be a result of the BBC's review of the way it pays its highest-paid stars following controversy over tax avoidance and the use of personal service companies. The BBC is moving many of its best-known presenters from freelance contracts to a staff basis, a long-running process that has prompted criticism over the amount of time it is taking. Humphrys, who had a personal service company many years ago, is currently employed by the corporation on a freelance basis. It was Humphrys's interview with George Entwistle on 10 November last year that effectively sealed the fate of the then director general after just fifty four days. Entwistle resigned on the steps of Broadcasting House hours after the interview. It was fitting that it was Humphrys who interviewed Tony Hall, the BBC's new director general, when he started this week. Hall used his appearance to announce a crackdown on the controversial big-money pay-offs handed out to departing senior BBC executives, including his predecessor Entwistle. Entwistle pledged to put another woman presenter on Today but it remains to be seen who it will be – or when it will happen. Today's presenting team currently comprises Humphrys along with James Naughtie, Evan Davis, Justin Webb and the programme's sole female presenting voice, Sarah Montague. The programme is seeking a new editor after Ceri Thomas, in charge since 2006, was appointed the new head of programmes at BBC News in the ongoing shake-up of the division's senior management in the wake of the Savile fiasco.

Countdown co-host Rachel Riley is to join the presenting team of Channel Five programme The Gadget Show. The twenty seven-year-old maths expert and Oxford university graduate will be on screens from the summer, when she joins presenters Pollyanna Woodward and Jason Bradbury. Speaking about her new job, Riley said: 'I'm very excited to be joining The Gadget Show family. I'm always keen to try out new gadgets, so it's going to be brilliant to be able to get my hands on the latest models and test them on behalf of the viewers.' Meanwhile, previous presenter Jon Bentley is set to return on the programme as 'chief gadget tester'. Most of the audience, however, won't be back since Suzi Perry's moved to the BBC. Riley will additionally continue to present Channel Four's Countdown alongside Nick Hewer. She joined the show in 2009 to present the letters and numbers, taking over the role from Carol Vorderman.
A soldier who fought at the battle of Rorke's Drift during the Anglo-Zulu war but was left off the roll of honour is to be added to the historical record. Private David Jenkins's great-grandson Geoff Rees campaigned for the inclusion after recognising him in a sketch. Some one hundred and fifty British (mainly Welsh) soldiers defended the mission station Rorke's Drift against four thousand armed-to-the-teeth Zulus in 1879. You've probably seen the film. It's quite good, actually. Private Jenkins was left off a list of soldiers who fought when it was drawn up by an officer of a separate unit. He was from Defynnog near Brecon and served in the First Battalion, Twenty Fourth (Second Warwickshire) Regiment of Foot on the south bank of the Buffalo river in South Africa. Rees, from Swansea, saw a sketch by Lady Butler of a soldier of Rorke's Drift used in promotion by the National Army Museum in January this year and recognised his great-grandfather. 'I am very pleased,' he said. 'I took it for granted that he was on the roll of honour.' He added: 'I had found his name on a regimental ledger and my cousin had been handed down a Rorke's Drift bible, a gift from the ladies of Durban to the survivors of the battle.' He told the museum who the soldier in the sketch was and gave them the supporting evidence, including a reference from the Brecon regimental museum. A spokesperson for the National Army Museum said 'while you can never be one hundred per cent certain everything points to the fact that he was there.' The picture which led to Geoffrey Rees recognising his great-grandfather was a sketch by Lady Butler, who was commissioned by Queen Victoria to record the battle. She visited the survivors when they returned to the UK in October 1879 and made several sketches, which formed the basis of her work The Defence of Rorke's Drift, exhibited in 1880. The sketch is captioned only with the name 'Jenkins' and it was believed to be of a different soldier, James Edmund Jenkins, who died in the battle. Geoff Rees says that according to his great-grandfather's obituary in the Herald Of Wales he later met Lady Butler's husband, General William Butler, at an official event for the laying of Swansea docks foundation stone by King Edward VII. The newspaper reported that Lord Butler passed on his wife's regards and mentioned the sketch that she had done of him. Rees has researched his great-grandfather extensively. 'John Chard [the commander of the British troops at Rorke's Drift] wrote a report for Queen Victoria on the battle which mentions a Jenkins, who ducked Chard's head out of the way of a bullet,' he said. 'It may be that this refers to David Jenkins.' But his case may not be unique as the National Army museum believes fifteen other soldiers who fought at Rorke's Drift are not included on the roll of honour.

Chinese has been named Britain's most popular takeaway. it certainly is with yer actual Keith Telly Topping, if that's any indication. The East Asian cuisine topped a survey of two thousand people, aged twenty five to thirty four, carried out by VoucherCodes, drawing twenty five per cent of the vote. Indian (twenty three per cent) and fish and chips (twenty two per cent) came second and third respectively, while pizza garnered fourteen per cent of the vote. The poll also found that Londoners are spending the most money each month on takeaways, averaging £221.63 a year. In contrast, residents in Chelmsford splash out the least (£43.19).
Which brings us to yer actual Keith Telly Topping's 45 of the Day. And it's this little gem from The Alabama Three.

Saturday, April 06, 2013

The Rings Of Akhaten: A Leaf In A Forest

'No, we don't walk away. But, when we're holding onto something precious, we run. We run and run as fast as we can and we don't stop running until we're out from under the shadow.'

It's possibly not the greatest of coincidences that the previous episode of Doctor Who which most reminds one of this week's story, The Rings Of Akhaten, is The Beast Below. Actually, come to that, throw The End of the World into much the same category as well. All three are episodes which feature the first TARDIS trip for a new companion. All of them are set on strange, futuristic worlds. (Or, space stations that look a bit like strange, futuristic worlds. Or, just space stations in the case of the latter.) All have got the character of a queen in them of one sort of another. All three are rather old-fashioned, 'classic series'-style Doctor Who adventures set amid alien landscapes and featuring a plethora of non-human creatures and at least a bit of running up and down corridors. All are rather grandiloquent, sweeping and broadly stylish SF tales which take The Doctor and his new friend away from all this silly Earthbound drudgery and the coldest March in living memory and off into the sexy corners of the imagination. Far away from triple-dip recessions and council tax rises. A lifetime away from yer actual George Osborne and Iain Duncan-Smith his very self and the intricacies of the bedroom tax. And from Ed Milimolimandi, David Milimolimandi, Paulo Di Canio and Benito Mussolini. A, literal, universe distance run from North Korean nuclear aggression, horsemeat scandals, climate change doomsday scenarios and the sour-taste rhetoric of some louse of no importance in the Daily Scum Mail. And, if only for forty five minutes, the viewer is transported there with The Doctor and his companion. Second episodes have become, of late, in short a series of escapist fantasies which follow a threat to modern day Earth. An effective antidote to reality. The bespoke beef stroganoff which gets served after the big plate of fish and chips.
'You like to think you're a God. You're not a God, you're just a parasite, eating out on jealousy and envy and longing for the lives of others. You feed on them, on the memory of the love and loss and birth and death and joy and sorrow. So ... Come on, then. Take mine.' The plot of this one is somewhat Malcolm Hulke-esque, the sort of thing that wouldn't have been out of a place in a mid-period Jon Pertwee or Tom Baker series. Writer Neil Cross - the creator of the excellent Luther and a major scriptwriter on the equally excellent [spooks] - was (and still is, we presume) a long-term Doctor Who fan, but had never had the time to write a story for the show. Executive producer Caroline Skinner, who knew Neil well, offered to work his schedule around the writing of an episode. The Lord Thy God Steven Moffat (Thou Shalt Worship No Other Gods Before He) was also a fan of Cross's scripts and, in the event, Cross was able to write not just this episode, but also the forthcoming, and much anticipated, Hide too. The concept behind having the episode based around an alien planet allegedly occurred to Moffat, Skinner, and producer Marcus Wilson when realising that they had done two big location pieces in the first half of series seven with A Town Called Mercy and The Angels Take Manhattan, but had none for the second half. They decided to do a story according to Moffat set in 'a world created in our studios to make you really feel you're out there', rather than having The Doctor promise unearthly wonders to his companions, and then see them 'trapped in an underground tunnel.' Jenna-Louise Coleman quickly named the present episode as one of her favourites, particularly as it was the first adventure for Clara which allowed the audience to watch the story '[begin] again.'
'It's really big.' 'I've seen bigger!' What we have, in The Rings of Akhaten is a cunning variant on one of Doctor Who's great format staples, 'base under siege' writ large. Writ so large, in fact, that it's a bit like someone scrawling 'Hello Sweetie' all over a diamond cliff-face on Planet One. But first, there's a short detour, a whistle-stop ride through 'not-possible' Clara's early life and a precise little essay on causality in an abstract universe in which leaves threaten to become this series' leitmotif. Plus we get, as far as this blogger is aware, the first ever use of the word 'refulgent' in the history of Doctor Who. All that in the pre-title sequence, plus a mystery, a death and - conceptual - rebirth. Not bad for the first three minutes of an episode. What follows is an interesting, if not always entirely successful, mixture of elements. There's Alice in Wonderland riffs, continuity references for the fans (The Doctor's first, direct, acknowledgement that he has a granddaughter since, I think, 1983) and a - really rather cool - 'vampire mummy' (which, despite what you might have read in the Daily Scum Mail, had nothing whatsoever to do with Pyramids of Mars). There's a child in peril, a few caustic observations on religious sects, albeit this time tempered with a, for The Doctor, oddly charming laissez-faire attitude ('it's a good story'). And some singing. Lots of signing, actually. A thing of many parts, then. Not all of them successful, but most of them quite good in their own way.

'What I would like to see is ... something awesome.' So, Clara's first trip in the TARDIS proper is to the Akhaten equivalent of Pancake Tuesday. Sort of. It's a place of wondrous sights, woofing space moped-hire creatures, scared little girls ('everyone's scared when they're little') and things that go wibble, apparently. It's a kind of extended Star Wars Cantina scene that goes on a shade too long even though it includes lots of lovely little moments and some terrific dialogue. 'I've never been anywhere like here before.' And, it includes, in The Doctor's 'elements' conversation with Merry, The Queen of Things, one of the finest thirty seconds of writing the show has done in years. Possibly decades. 'Do you mind if I tell you a story? One you might not have heard. All the elements in your body were forged many, many millions of years ago in the heart of a faraway star that exploded and died. That explosion scattered those elements across the desolations of deep space. After so, so many millions of years these elements came together to form new stars and new planets. And on and on it went. The elements came together and burst apart forming shoes and ship and ceiling wax and cabbages and kings. Until, eventually, they came together to make you. You are unique in the universe. There is only one Merry Gallell. And there will never be another.' Gosh. Tasty. Cross, a really good writer on intense character-based drama, proves himself to be a more than decent addition to the Doctor Who writing team. He manages to pull off a perfectly formed episode core - even if the structre around it is a bit haphazard - with a meaty (and soulful) central concept that even has room for a witty critique of religion running through it, but never overwhelming it. Yet Neil's script is unafraid to play at the viewer's heartstrings when it's necessary; Clara's final saving of the situation (and The Doctor), sacrificing all of her mother's 'days that never were' has echoes of The Doctor's emotional farewell to Little Amy in The Big Bang. Meanwhile, another of The Doctor's extraordinary soliloquies - about the terrible things he's seen and done which preceded Clara's intervention - was, likewise, the thing of genuine beauty. 'Take my memories. I hope you've got a good appetite.'

'Did you just lock us in with the soul-eating monster?' The episode is a dialogue-lover's dream. Genuinely. 'Ooo, that is interesting, a frequency-modulated acoustic lock. The key changes ten million, zillion squillion times a second.' 'Can you open it?' 'Technically, no. In reality, also no. Still, let's give it a stab.' And: 'I walked away from the last great time war. I marked the passing of the Time Lords. I saw the birth of the universe and I watched a time ran out. Moment by moment until nothing remained. No time. No space. Just me. I walked in universes where the laws of physics were devised by the mind of a mad man. I've watched universes freeze and creations burn. I have seen things you wouldn't believe. I have lost things you will never understand. And I know things, secrets, that must never be told. Knowledge that must never be spoken. Knowledge that will make parasite Gods blaze. So come on, take it all!' And: 'I say leg it.' 'To where?' 'The Lake District?' And: 'You're going to fight it, aren't you?' 'Regrettably, yes, I may be about to do that.' 'It's really big.' 'I've seen bigger!' 'Really?' 'Are you joking, it's massive!' And: 'It's full of stories, full of history. And full of a future that never got lived. Days that should have been but never were, passed on to me. This leaf isn't just the past, it's a whole future that never happened. There are millions and billions of unlived days for every day we live, an infinity. All the days that never came.' And much, much more in the same vein. If there's one thing this episode has in abundance, it's great dialogue. So, The Rings Of Akhaten in summary, then. An intriguing, lyrical, poetic new voice is added to the Doctor Who canon. An intriguing back story is added to the series' lore and there are answers still waiting to be given. Not perfect. Not even close. The structure's a bit all over the place and it all could've done with a bit of tweaking and a bit less singing. But, if only for its wonderful prose, this is an episode which is going to become a mini fan-favourite for today's eight year olds in years to come in the way that, say, The Ark In Space has for those of a certain age before cynicism and malcontentment took over. Of that, this blogger is certain. Fairly certain. Okay, not certain. But, it might be. 'The song is over.'
The BBC has denied tabloid reports that Christopher Eccleston has 'pulled out' of the fiftieth anniversary episode. That bastion of truth and accurate reportage Daily Lies claimed that Eccleston - who played The Doctor in 2005 - had 'agreed' to appeared in the special but pulled out as filming was about to start. Presumably, they got this gem from the same alleged 'source' who allegedly told them in 2003 that alleged Holly Valance was 'in discussions' to take over from alleged Sarah Michelle Gellar in Buffy the Vampire Slayer. Allegedly. Or, perhaps it was the same alleged 'source' who allegedly told them in 2010 that Lady Gaga would be soon appearing in Doctor Who based on a throwaway line about Big Finish CDs from Gareth Roberts and including a series of entirely made-up quotes from an alleged 'BBC insider'. Or, possibly, it was the same alleged 'source' who allegedly told them, also in 2010, that Eric Cantona was being 'lined-up' for a role on the show. If the Daily Lies claimed that Doctor Who was a TV series made by the BBC, this blogger would be seeking a second opinion before he believed them. However, the BBC has suggested that Big Eccleston his very self was never 'attached' to the fiftieth anniversary story and that his decision has had no impact on production. 'Chris met with Steven Moffat a couple of times to talk about Steven's plans for the Doctor Who fiftieth anniversary episode,' an allegedly official - yet still, seemingly, anonymous and, therefore, almost certainly fictitious - 'source' allegedly said. 'After careful thought, Chris decided not to be in the episode. He wishes the team all the best.' Of course, that won't stop the whinging from a bunch of The Special People on Gallifrey Base and elsewhere with a curious malcontent sense of sickening entitlement. Because, there's a 'y' in the day, basically.

BBC1 came out on top in the primetime ratings on Thursday evening, with MasterChef rising from Wednesday night's figure to five million punters at 8pm. Prisoners' Wives came to an end with a slight increase from the previous week, attracting an overnight figure of 3.97m at 9pm. BBC2's Horizon special about a Minority Report-style crime prediction system was watched by 1.09m at 9pm. Channel Four's latest episode of Secret Eaters brought in 1.46m at 8pm. The raunchy documentary Dogging Tales attracted 1.60m at 10pm. Dragons' Den star Hilary Devey's new show The Intern launched to a relatively piss-poor 1.11m at 9pm. Meanwhile, Jodie Marsh's latest documentary, Bullied, had an audience of four hundred and seventy one thousand punters at 10pm on Channel Five. Elsewhere, BBC4's new Andrew Graham-Dixon series, High Art of the Low Countries, began its three-part run on BBC4 with six hundred and twenty three thousand viewers, up twenty two per cent on the slot average.

TV comedy line of the week was a moment of pure satirical brilliance from Ian Hislop during the opening episode of the new series of Have I Got News For You. In relation to the recent raft of benefit changes, yer man Hizza noted: 'There's the supposed bedroom tax, that's quite interesting. The main thrust of [the benefit changes] is "we're all in it together. Except the people who aren't. They're not in it. They're not even in the spare bedroom!" It's very difficult for a Tory comprised of very rich people to deliver a punitive welfare budget. People think "it's all right for you." And, when you go to Morrisons and put on a fake accent ...' And there, he left it dangling, like a sock in the wind. Quoting odious, risible arrogant posh-boy slaphead Iain Duncan-Smith, guest-host Stephen Mangan noted that the Secretary of State for Work and Pensions had claimed: 'I've worked hard all my life and nobody has given me a damned penny.' Mangan then added: '... Although he has been given the rent-free use of a large Sixteenth Century farmhouse on the ancestral estate of his father-in-law, the fifth Baron of Cottesloe. So, it hasn't been entirely a struggle.' 'Brought up on an estate,' added Hislop with perfect comedy timing. One of the other highlights of the episode actually, came from a member of the audience during a section on the new definitions for class revealed earlier in the week. When Mangan asked the audience if there was anyone out there who represented the traditional working class, a lone voice said 'rah-ther' in a very posh accent which got one of the biggest laughs all night. There is nothing wrong with British democracy whilst Have I Got News For You still exists. And, the round on 'Sunderland's new right-winger' Paulo Di Canio was pretty impressive too. 'For Newcastle fans, Christmas has come early,' noted Paul Merton with astounding accuracy. '[Sunderland have] shot themselves in the foot. Or, is it hung themselves from a lamp post?' Brilliant.
There was a surprise - but welcome - climax to the fourth quarter final of MasterChef on Friday evening as three of the four contestants (Dave the copper, Larkin the lawyer and Shivi the singer) were all put through. This blogger was impressed with all three who are clearly well-talented. But he is, especially, taken with young Larkin who, after presenting a couple of dishes of genuine beauty in the previous episode, decided to try and wow three former MasterChef winners (the good ones, an'all - James, Thomasina and Tim the Mad Professor) as well as Gregg and John with what was, essentially, duck curry, rice and chips! And he pulled it off. Yer actual Keith Telly Topping wants this chap cooking for him. Gregg and John seem to see him as something of a raw talent waiting to be polished. Sod the polishing if he can do curry, rice and chips and get away with it he's the finished article as far and this blogger is concerned.
And, finally ...

Thursday, April 04, 2013

Here's My Calling Card - Wallop!

Jenna-Louise Coleman has discussed yer actual Dame Diana Rigg's upcoming appearance in Doctor Who. Rigg her very self will appear along with her daughter, Rachael Stirling, in the Mark Gatiss episode The Crimson Horror, which will centre on a mother and daughter harbouring 'a dark secret.' Speaking to Vulture, Jenna offered the first hints on what fans can expect from Mrs Peel's guest appearance. 'She was so funny on set. She's got a lot of banter on her,' Coleman declared. 'I think [Matt Smith] described her role as "an old hag" - but in the best possible way.' Jenna added on the subject of The Crimson Horror's storyline: 'She's our villain and she runs a place in 1800 Yorkshire called Sweetville, which is kind of Stepford Wives-y. She has a big factory and she's up to no good. Her daughter, Rachael Stirling, is also playing her daughter on the show, and they just go at each other.' Jenna also spoke more generally about the secretive nature of Doctor Who showrunner Steven Moffat's plans for each series. 'He's good with his secrets. But I was quite adamant about not needing to know,' she claimed. 'Matt didn't know [Clara's mystery] either, not until the script came through and then we were both like, "Aaah!" It's also always a work in progress.' She continued: 'We go through a lot of script changes, things are always evolving and being tailored, so I think Steven likes to play things close to the vest until he's sussed them out properly.'

Meanwhile, here's another picture of Smudger and Ten Inch getting all pally at the recent read-through.
Scott & Bailey returned on Wednesday evening, comfortably winning the 9pm slot with 5.81 million viewers. MasterChef (4.87m) on BBC1 in the 8pm hour continued to give Food Glorious Food the trousers-down spanking which the latter risible vanity project so thoroughly deserves, the Wee Shughie McFee, the sour-faced Scottish chef off Crossorads' fiasco pulling in a highly amusing 2.28m punters on ITV. Not only was it filleted and served on a plate of chips by MasterChef it also lost out to the return of Coast (2.57m) on BBC2. The documentary Hillsborough: Never Forgotten was watched by eight hundred and thirty one thousand at 9pm. Rolf's Animal Clinic suffered a big drop on Channel Five to seven hundred and seventy seven thousand at 8pm. Hidden Killers of the Victorian Home won big ratings for BBC4 with seven hundred and seventy two thousand tuning in at 9pm.

The curse of bigging yerself up and bragging about how totally great you think you are on MasterChef struck again on Thursday's episode. Chris, an energy manager, was clearly mad-confident in his own (obviously spectacular) ability to the extent that, when asked by Gregg Wallace how good he was, Chris replied: 'I do believe I've got the competitive edge to win. I've got the skills and I've got the motivation.' But, not the humility, it would seem. 'I'm that serious that I'm gonna win this competition,' he announced, boldly, to raised eyebrows from Wallace. To be fair, Chris did cook a very nice looking chocolate fondant to start off which won praise from both judges but, after that, his food appeared to be nowt particularly out of the ordinary and it certainly didn't wow either Gregg or John Torode. And thus, as with several previous contestants this series who'd been all full of their own alleged brilliance, he was on his way home before the quarter final. Forensic accountant Emma was also pretty full-of-herself in the opening interviews with, in her case, apparently very little cause to be. Cooking, she claimed, had become 'a bit of a way of life.' Not so much of a way of life that she knew how long fondant potatoes take to cook, however. We also had another MasterChef staple over the last couple of years, someone - seemingly borrowed from Location, Location, Location's stock of young home counties professionals - with a 'that's not a real job' type job. In this case, Sarah from Surrey, an 'event planner', apparently. She was also, she confessed, 'a little bit of a control freak.' But, her food wasn't anywhere near good enough to get the judges excited and so she, too, left the competition. Larkin, a twenty eight year old solicitor, proved to be the star of the episode with a couple of gorgeous looking experimental 'east-meets-west' fusion-style dishes. A starter of steak tartare topped with a qauil's egg, a seared scallop and two sauces, hoisin and soy and ginger dressed with some kind of oriental beans and nashi pear cubes, and a main of pan-fried sea bass, with steamed and fried wontons filled with belly pork and shiitake mushrooms, accompanied by mustard greens and a lemon grass consommé. Even if it hasn't been presented that well yer actual Keith Telly Topping would've been licking the plate and going back for seconds and thirds (and possibly fourths) but, in the event, it looked a pretty as Marilyn Monroe reclining on a bowl of John's seafood chowder (seen earlier in the palate test). Gregg and John were almost in tears over its beauty. Apparently, it tasted quite nice too. He was a bit of a cheeky sod as well, was young Larkin, noting that he likes to experiment and sometimes uses a hair-dryer to dry out pork fat for some of his dishes. 'Something I haven't used for a long, long time,' noted baldy Gregg. 'Doesn't look like it,' replied Larkin, laconically. Heh. Like him. He progressed to the quarters along with accountant Tess who had shown flashes of quiet brilliance several times in the episode despite seeming to have a very stressful time in the professional kitchen section. The latest quarter final will be shown on Friday evening.
It's the most widely watched factual TV programme in the world, according to the Guinness Book Of Records - much to the chagrin of hippie Communists at the Gruniad Morning Star and jackbooted bull boy thugs at the Daily Scum Mail, Top Gear is watched in two hundred and fourteen territories, and dubbed into eight languages. One of the latest countries to succumb to its charms is, unexpectedly, Iran. When Mozaffar Shafeie, an Iranian actor living in London, was in Kurdistan a few weeks ago a whisper went round the party he was attending. 'Is it him? Is he really the guy that does Top Gear?' Soon enough a group of Kurdish teenage boys put the question directly. Shafeie, who does indeed have a close connection with the programme, replied: 'Yes, I am Jeremy Clarkson!' They looked sceptical, until he declaimed loudly, 'Emshab!' - Farsi for 'Tonight!', the word with which Jezza frequently opens the programme. Shafeie is the voice actor who dubs Jeremy into Farsi, and this one word sent the boys - and nearby onlookers - into a flurry of excited whoops and screams. 'It was like Beatlemania,' says Shafeie. 'I even signed some autographs.' Iranian viewers have been watching the programme on BBC Persian TV since 2009. The BBC cannot operate freely in Iran, so Top Gear's popularity is hard to measure. But last year, when PTV dropped an episode to broadcast an exclusive interview with then US Secretary of State Hillary Clinton, the audience protested bitterly. Jezza himself was aware of the show's popularity in Iran, but still surprised by the outpouring of support. 'Hillary Clinton has got many things to say about Iran,' he says. 'You'd have thought that the Iranians would have found this relatively interesting - more interesting anyway than three fat old men falling over. I'm delighted to hear that we're more interesting than Hillary Clinton.' When the Top Gear season ended, PTV replaced it with its sister programme Top Gear USA, and this too has prompted complaints, one viewer objecting - with Clarkson-like bluntness - that the presenters were 'not funny.' Can't argue with that, to be fair. Shafeie attributes the success of the programme in large part to Clarkson's colourful language and racy anecdotes, which he faithfully dubs into Farsi. Including phrases like 'gentlemen's sausage', used to describe a shape he drew on the ground by with the tyres of a car, and 'Pharaoh's dried testicles' - in reference to some truffles that Jeremy and his fellow presenters were tasting. 'I try to get the lip synch precise,' he says. 'So when you watch it, it looks as though Jeremy is speaking Persian.' According to the BBC's Darius Bazargan, who made a documentary in 2008 about motor racing in Tehran, it is Jezza's irreverence that endears him to Iranian audiences. 'His humour is so inappropriate and not at all what you hear on state TV - that must account for some of its appeal,' he suggests. 'Jeremy Clarkson is about as opposite to President Mahmoud Ahmedinejad as you can get.' But Iranians - who are allowed to buy sixty litres of petrol every month - that's about thirteen gallons - at the subsidised price of four thousand rials (just over twenty pence) per litre - also love cars. 'There's always been a car culture in Iran,' says Bazargan. 'It's a very status driven society, and this predates the Islamic Revolution of 1979.' The Porsche is the ultimate Iranian high-status car, a commonplace sight in the affluent neighbourhoods of northern Tehran, though the German company stopped selling cars in Iran last year, in response to pressure from campaigners against the country's nuclear programme. Maserati and Lamborghini have also recently cut all links. The former Shah was one Iranian known for his love of classic cars, most of which are now housed in the country's National Car Museum. He was in power when Iran in the late 1960s began manufacturing the Paykan, a car modelled on the British Hillman Hunter. This, according to Bazargan, became feted as 'the car of the people' - akin to Germany's Volkswagen. Jezza, typically, describes it as 'terrible', on the grounds of its similarity to the Ford Cortina in which he learned to drive. 'Iranian nukes can't be very advanced if this is their idea of car technology,' he once said. But Jeremy says that he would welcome the chance to drive one in Iran. 'I'd love to drive through Iran in one of those. It's the sort of thing that Top Gear is all about,' he says. 'I'd love to take the show to Iran. We asked, we begged. And the (Iranian) ambassador in London was very sympathetic. 'At the time he had a son who was fourteen or fifteen years old who loved Top Gear but there is a rule in place that the BBC isn't allowed to go, so we weren't allowed go to, which is very sad - because we're not really very political.' Jeremy Clarkson and Mozaffar Shafeie meet one another on The Fifth Floor, on the BBC World Service at 11:00 on Friday.

ITV has ordered a new three-part crime drama from the producers of Sherlock. The Guilty will star Tamsin Greig, Katherine Kelly and Darren Boyd, reports Broadcast. Set in both 2008 and the present, the thriller will follow DC Maggie Brand (played by Greig) as she hunts for missing boy Callum - the son of Claire (Kelly) and Daniel Reid (Boyd). Written by Law & Order: UK's Debbie O'Malley, The Guilty will explore the aftermath of Callum's disappearance and what happens when his body is discovered five years later. Filming on the drama is currently ongoing under director Ed Bazalgette. The Guilty comes from Hartswood Films, the television production company behind Sherlock, Jekyll and Men Behaving Badly.

Paul O'Grady had a hit for ITV with his show For The Love of Dogs. Now the former chat show host will be back on the channel with the animal Oscars. Woof! The British Animal Honours 2013 – not quite as catchy a title – will reward extra special animals that work in war zones, help people with disabilities and work with the police.

Dave Gorman is to front a 'mischievous' new TV series mixing stand-up with real-life experiments. He is to make six hour-long episodes of Dave Gorman: Modern Life Is Goodish for Dave, which are said to be loosely based on his latest stand-up tour, Powerpoint Presentation. It will be Gorman's first new TV show since the second series of not particularly good Genius was broadcast in 2010, and will focus on the 'aspects on the fringes of modern living' that 'prove irritating.' According to the pre-publicity blurb Gorman is 'endlessly being sold stuff he doesn't need, feeling manipulated by the media and harassed by technology' – and will explore the concepts through 'a blend of stand up, visual storytelling and real-world experimentation.' Richard Watsham, who commissioned the show for Dave, said: 'This is a wonderfully innovative comedy format that takes the best of Dave Gorman's brilliant stand up and adds additional layers that will really bring it to life for TV. I'm very excited that more people will get to see just how good Dave is.'

Disgraced former Sun editor and Daily Scum Mail columnist odious lard bucket, horrorshow (and drag) Kelvin MacKenzie has found a new home at the Daily Torygraph. MacKenzie will write a weekly column for the right-wing newspaper's website and uses his first effort to take aim at the teaching profession ('most teachers seem to think work is something you do between your sick days and your holidays'), reality TV producers, banks and British Gas. Quite why anyone should take any notice of anything this risible individual thinks about anything after the Hillsborough inquiry is another matter entirely. Justice for the ninety six. Also getting his goat in his column are BBC1's MasterChef presenters Gregg Wallace ('he reminds me why I shouldn't go to WeightWatchers') and John Torode. Of course, the main difference between the pair and MacKenzie is that some people, it would seem, quite like Wallace and Torode. Something that can't be said about the alleged journalist. But MacKenzie got his recipe wrong when he suggests that 'Elisabeth Murdoch, the cleverest of the Murdoch dynasty, came up with a global winner when she created the MasterChef TV format.' Except, of course, that she didn't. Not even close. MasterChef is, indeed made by Liz Murdoch's production company, Shine (so was [spooks] but she didn't 'create' that either). The show, of course, dates back in its original - not particularly good - incarnation to 1990 when Loyd Grossman presented it and was revamped, Top Gear-style (initially as Masterchef Goes Large) in 2005, with its new-look widely credited to Franc Roddam, John Silver and produced by Karen Ross. Murdoch was executive producer on the new-look show, a role she retains to this day. The truth, Kevlin? You still, seemingly, don't know the meaning of the word. Perhaps you never will.
A sixty five-year-old man has been arrested on suspicion of sexual offences by police investigating abuse claims arising since the death of Jimmy Savile. The man was arrested in Somerset and taken into police custody on Thursday morning, according to police working on Operation Yewtree. His arrest comes under the strand referred to as 'others' by investigating officers, meaning he is unconnected to Savile's disgraceful and terrible alleged doings. The man - unnamed at this time - is the twelfth person to be arrested under Yewtree.

The EU is studying allegations that some top football clubs, including Real Madrid, have received 'state aid' in violation of EU competition rules. A European Commission spokesman said that it was 'still too early to tell' whether the evidence was strong enough to justify a formal investigation. Last month the EU began examining five Dutch clubs, including PSV Eindhoven, over suspected state aid. Now Real Madrid is under scrutiny too. Fines can be levied for rule-breaking. In the 2011-12 season Real Madrid was Europe's richest club in terms of income, the auditors Deloitte's reported in January. A Commission spokesman, Antoine Colombani, told BBC News that 'at this stage we are just analysing information which is available to us,' confirming that Real Madrid was one of the clubs concerned. Accusations have been made about a Real Madrid property deal. In the late 1990s the club bought a prime plot of land in Madrid from the city government. Thirteen years later the value of the land was estimated to be more than fifty times what the club had paid for it. The suspicion has been raised that the sale of the land at an underestimated price constituted illegal aid to the club, reports the BBC's Dejan Radojevic. Real Madrid has denied receiving 'privileged treatment' from the authorities. It suggested the land had gone up in value because of 'urban regeneration' in Madrid and a general rise in the property market during that period. Under new rules football clubs are banned from entering European competitions if they spend more than they earn.

Siouxsie Sioux, Marianne Faithfull and Iggy Pop & The Stooges head a list of acts chosen by yer actual Yoko Ono to perform at this year's Meltdown Festival. Yoko is curating the event which marks the twentieth anniversary of the festival and coincides with her eightieth birthday. The widow of old alcoholic Scouse wife-beating junkie John Lennon will also perform with a new version of The Plastic Ono Band, while other acts will include Sonic Youth's Kim Gordon, Boy George and the comedian Reggie Watts. The festival takes place at London's Southbank Centre from 14 to 23 June. Yoko will dip into her back catalogue to kick-off the event, with the singer also launching an extensive film programme she has put together, including rare footage of her and Lennon. In her role as curator, Yoko will follow in some illustrious footsteps, with previous hosts having included yer actual David Bowie, Scott Walker, Jarvis Cocker, Ray Davies and Morrissey his very self. 'It's not only a great honour to curate Meltdown in its twentieth year, it's also a lot of fun to be able to invite many of my favourite performers, activists and favourite collaborators to join me,' she said. Jude Kelly, artistic director at Southbank Centre, said: 'Yoko Ono is a fascinating artist, as are the collaborators she is bringing from all over the world. She's an energetic and inspiring peace and environmental activist and a champion for women's rights. It's a privilege to have her curating Meltdown's twentieth anniversary.' One of the highlights of the festival will see the first live appearance from punk icon Siouxsie for five years. The Siouxsie & The Banshees singer will appear on 15 June and will be followed on stage by the Southbank Centre début of New York-based Peruvian hip-hop artist Immortal Technique. The Royal Festival Hall will witness the old and the new on 20 June when Iggy & The Stooges are supported by hotly-tipped all-girl punk group Savages, while down the road at the Queen Elizabeth Hall, Gordon will be performing with her latest band Body/Head. Elsewhere, 1960s singer Faithfull will team up with leading jazz guitarist Bill Frisell, while there will also be performances from Peaches and Patti Smith. The full line-up is yet to be confirmed. Yoko herself will bring down the curtain down on the festival by joining a group of 'special guests' for the first live performance of Double Fantasy - the last LP recorded by her and Lennon, which was released just three weeks before the former Beatle's death in 1980.

For today's Keith Telly Topping's 45 of the Day, here's Alexei's Midnight Runners and the world's first, and only, love song about the Ford Cortina. And, you know, goats making messes upon carpets.