Tuesday, October 07, 2014

Week Forty Two: This Ever Changing World

Filming has, reportedly, concluded on the current series of Doctor Who, with the final shots of the 2014 Christmas episode now in the can. Director Paul Wilmshurst tweeted: 'And that's a wrap on the Doctor Who Xmas [sic] Special. Been a lovely experience - fab crew, fab cast, fab script, fab sets. Thanks everyone!' The special features yer actual Peter Capaldi and Jenna Coleman her very self, alongside Nick Frost. Filming commenced on 8 September, following the cast's world tour and took place at a number of locations including Vaendre Hall, an Italianate Victorian manor house in St Mellons near Cardiff. The episode is expected to be screened on BBC1e on Christmas Day, with broadcasts following around the world. A wrap party was held for cast and crew on Friday evening to mark the completion of filming on Peter Capalid's first series as The Doctor.
Strictly Come Dancing dominated primetime on Saturday, earning more than nine million overnight viewers. BBC1's dancing competition attracted an audience of 9.06m between 6.20pm and 8.30pm. It peaked at 9.99 million just before 8pm. Meanwhile, The X Factor on ITV was watched by 6.94m from 8pm, with a peak of 7.51m at around 8.45pm. This represents one of The X Factor's lowest ever overnight audience figures for a Saturday episode since its first series in 2004. Elsewhere on BBC1, the latest Doctor Who episode Kill The Moon drew an overnight audience of 4.82m at 8:30pm, more of less exactly the same overnight figure as for its last two episodes. Once again, expect a timeshift of around two million to take that figure up to somewhere approaching seven million punters on final and consolidated totals. The episode had an AI score of eighty two. A very well-trailed episode of Casualty drew 4.74m afterwards, the long-running medical drama's highest overnight audience in some months. On BBC2, an episode of Dad's Army was seen by 1.57m, with Genesis: Together & Apart appealing to 1.4 million stinking lice-ridden hippies afterwards from 9.15pm. Did we fight The Punk Wars for this, dear blog reader? ITV's The Chase was watched by 2.95m in the 7pm hour. Later, Through the Keyhole took 3.53m from 9.20pm. Channel Four aired Aaron Eckhart's war movie Battle: Los Angeles to five hundred and eighty four thousand from 9.20pm. On Channel Five, Joe Kidd and A Fistful Of Dollars drew seven hundred and thirty four thousand and eight hundred and forty seven thousand punters respectively. Midsomer Murders appealed to six hundred and sixty six thousand from 9pm on ITV3.
The X Factor was watched by nearly 8.5 million overnight viewers on Sunday but, once again, lost out in a head-to-head with Strictly. Wee Shughie McFee, the sour-faced Scottish chef off Crossroads's singing contest drew 8.49m to ITV in the 8pm hour. Elsewhere, Sunday Night At The Palladium was watched by 3.07m from 7pm, and Downton Abbey had an audience of 7.47m from 9pm. On BBC1, the first Strictly Come Dancing results show - which saw Gregg Wallace leaving the competition  at the opening hurdle - attracted 8.84m between 7.20pm and 8pm. Afterwards, Antiques Roadshow and the drama Our Girl garnered 5.41m and 3.64m respectively. BBC2's Wonders Of The Monsoon began with 1.86m from 8pm. It was followed by Sacred Rivers With Simon Reeve with 1.89m. On Channel Four, Operation Maneater concluded with five hundred and ninety nine thousand in the 8pm hour. A terrestrial debut of the George Clooney movie The Descendants earned 1.38m from 9pm. Channel Five showed Welcome To The Jungle, which was seen by six hundred and seventy two thousand punters from 8.05pm.

Grantchester premiered to more than five million overnight viewers on Monday. ITV's new period detective drama series averaged 5.24m in the 9pm hour. it was quite good actually, and it's certainly nice to see Wor Geet Canny Robson Green back on telly doing something a wee bit more taxing than bellowing 'eeeee, it's a whoppa!' as he's just caught something long and wriggly in a tropical location. Stop sniggering at the back. Earlier on ITV, The Undriveables took 2.45m from 8pm. On BBC1, Panorama was watched by 3.1m from 8.30pm. It was followed by the latest episode of New Tricks, which appealed to 4.8m at 9pm. BBC2's University Challenge managed 2.63m from 8pm, before Only Connect attracted 1.87m. New series The Kitchen was watched by an audience of nine hundred and thirty one thousand from 9pm. On Channel Four, Jamie's Comfort Food drew 1.18m from 8pm, and Gadget Man had 1.03m from 8.30pm. Channel Five's Ultimate Police Interceptors gathered eight hundred and seventeen thousand in the 8pm slot. Too Tough To Teach? was watched by four hundred and sixty one thousand afterwards.
The Pride Of Britain Awards was one of the medium-sized ratings winners on Tuesday night. The annual ceremony pulled in 4.6 million overnight viewers for ITV between 8pm and 10pm. On BBC1, the David Morrissey-led drama The Driver had 3.56 million viewers. It was something of a bumper night for BBC2, the channel attracting 2.64 million at 8pm for the first of a three-part Horizon: Cat Watch 2014 and 2.35 million at 9pm for the excellent opening episode of Professor Brian Cox's Human Universe. The latest episode of Later Live ... With Jools Holland added eight hundred and forty thousand at 10pm. On Channel Four, Gordon Ramsay's Costa Del Nightmares pulled in 1.43 million. The latest episode of CSI had nine hundred and eighty six thousand punters at 9pm on Channel Five, while NCIS followed at 10pm with six hundred and forty thousand. Elsewhere, Dave Gorman's Modern Life Is Goodish pulled in a healthy audience for Dave with four hundred and thirteen thousand.

Here, meanwhile, are the final and consolidated ratings figures for the Top Twenty Five programmes for week-ending Sunday 28 September 2014:-
1 Strictly Come Dancing - Sat BBC1 - 9.40m
2 The Great British Bake Off - Wed BBC1 - 9.02m
3 Downton Abbey - Sun ITV - 8.62m*
4 The X Factor - Sun ITV - 8.16m*
5 EastEnders - Mon BBC1 - 7.25m
6 Coronation Street - Mon ITV - 7.04m*
7 Doctor Who - Sat BBC1 - 6.82m
8 Cilla - Mon ITV - 6.70m*
9 Emmerdale - Thurs ITV - 6.26m*
10 The Driver - Tues BBC1 - 5.37m
11 New Tricks - Mon BBC1 - 5.25m
12 Countryfile - Sun BBC1 - 5.02m
13= Our Girl - Sun BBC1 - 4.90m
13= Casualty - Sat BBC1 - 4.90m
15 Antiques Roadshow - Sun BBC1 - 4.83m
16 Our Zoo - Wed BBC1 - 4.81m
17 Scott & Bailey - Wed ITV - 4.80m*
18 BBC News - Sun BBC1 - 4.69m
19 Pointless Celebrities - Sat BBC1 - 4.51m
20 Ten O'Clock News - Fri BBC1 - 4.44m
21 Six O'Clock News - Wed BBC1 - 4.37m
22 Paul O'Grady: For The Love Of Dogs - Thurs ITV - 4.19m*
23 Who Do You Think You Are? - Thurs BBC1 - 4.18m
24 Holby City - Tues BBC1 - 3.83m
25 Sunday Night At The London Palladium - Sun ITV - 3.82m*
All ITV programmes this week are marked '*' and do not include include HD figures as, seemingly, the channel didn't bother to post any to BARB. Doctor Who's final figure included a timeshift of 1.92 million viewers over the initial 'live' audience, the first timeshift which has been below two million of the series so far. Sunday evening's episode of The X Factor had a final rating of 7.16 million viewers whilst the Friday night episode could only manage 5.26 million (although, again, it's worth noting that both figures do not include HD viewers). As mentioned last week, ITV's current batch of dramas continued to pull in unexpectedly low figures. The impressive biopic Cilla aside, Scott & Bailey is well down on its last series, whilst the final episode of Chasing Shadows was watched by a mere 3.26 million. BBC2's top rated programme of the week was University Challenge with 2.95m, followed by Gardeners' World (2.28m), Only Connect (2.28m) and Marvellous (2.15m). Channel Four's highest-rated show was Gogglebox (2.97m) followed by Grand Designs (2.56m). Channel Five's best performer was CSI: Crime Scene Investigation with 1.53m. Midsomer Murders was ITV3's best performer with eight hundred and seventy five thousand. Do We Need The Moon? drew BBC4's biggest audience of the week (six hundred and sixty thousand).

Robert Downey Jr praised Doctor Who during an AMA session on Reddit this week. The actor responded to a user who asked whether he would ever go for a role in the long-running BBC family SF drama if given the opportunity. 'It's funny you'd bring that up,' he wrote. 'A writer asked me to watch a particular episode about a month ago, in hopes of helping us break story on a project. An incredible series. Anything's possible.' That horse becoming Pope. For one.

Yer actual Christopher Eccleston is to the lead the cast of ITV's new drama series Safe House. The former Doctor Who actor, currently starring in the US series The Leftovers will play a retired detective in the four-part series, also starring White Collar's Marsha Thomason. Safe House follows the story of Robert (Eccleston), a former police officer and his wife Katy (Thomason) - a couple who are asked by a close friend and police officer, Mark (Paterson Joseph) to turn their remote guest house into a safe house. The first 'guests' to use the facility are a family in protective custody after being violently attacked by a stranger who claimed to know them. Eighteen months previously, Robert was shot trying to protect a star witness due to testify against her gangster husband. Protecting this new family in a similar situation causes Robert to re-examine that terrifying night and, soon, he uncovers a web of lies. Jason Merrells, Nicola Stephenson and Peter Ferdinando will also appear in the drama, set in the Lake District and inspired by real life events. Sounds rather good and the cast is exceptionally strong. Safe House - potentially a returnable series for ITV - has been created and written by Michael Crompton (whose script-writing work includes Silent Witness and Kidnap and Ransom). Filming on the series commences this week.

Martin Freeman his very self and Anthony LaPaglia will star in a BBC2 drama about the televising of the 1961 trial in Israel of Nazi scumbag Adolf Eichmann, one of the main architects of the Holocaust. The Eichmann Show will be the centrepiece of the BBC's season to mark the seventieth anniversary of the liberation of Auschwitz-Birkenau, the largest Nazi extermination camp during the Second World War. The ninety-minute film will star Marty as the producer Milton Fruchtman and LaPaglia as director Leo Hurwitz. The Adolf Eichmann trial, described at the time as the 'trial of the century', was televised in thirty seven countries. It was the first time that most people had heard details of the full horror of the death camps and culminated in a sentence of death for Eichmann who was hanged in 1962. Tragically, nobody chose to televise that. The BBC will also broadcast a string of documentaries about remembrance. A Story Of Remembrance will see three women tell their stories to reinforce why the memory of the Holocaust should never be forgotten. Touched By Auschwitz will explore the lives of six individuals since they left the camp at the end of the war, while Holocaust: Freddie Knoller's War tells the story of a ninety three-year-old survivor, who lived a champagne lifestyle with Nazi officers before having to face the horrors of the camps. BBC4 will broadcast Claude Lanzmann's acclaimed 1985 documentary series Shoah, which uses interviews with survivors and perpetrators of the Holocaust and footage of where the deaths took place to convey the severity of what happened. The BBC will also show special editions of Big Questions, asking whether such events could ever happen again, and Sunday Worship, which will feature Canon David Porter preaching about the lessons of the Holocaust. Danny Cohen, the BBC's Director of Television, said: 'The liberation of the camps is a very significant anniversary which the BBC will mark with a range of thought-provoking programmes. Alongside new documentaries and drama from acclaimed performers and producers, the BBC will re-show Shoah in full and provide coverage of the Holocaust Memorial Event [on January 27].'

Artists including Pharrell Williams and One Direction have recorded a cover version of the Beach Boys song 'God Only Knows' to launch the BBC's new music initiative BBC Music. Recalling a similar project fifteen year ago featuring 'Perfect Day', the song was broadcast simultaneously on Tuesday evening on BBC1, BBC2, BBC3, BBC4 and Radio's 1, 2, 4, 6Music and 5Live. The song, which will also be released in aid of Children In Need, features twenty seven artists across all musical genres - most of whom you'll either not have heard of and/or won't like. They include Chris Martin (entirely made of hummus), Sam Smith, Brian May and his ridiculous hair, Jamie Cullum and Nicola Benedetti. Mind you, it also features Sir Elton John, Chrissy Hynde and the song's composer, Brian Wilson so, you know, it's not all wretched tuneless bollocks. BBC local and national radio stations, BBC World Service, 1Xtra, 4 Xtra, Asian Network and BBC iPlayer and iPlayer Radio also came together to play the song at eight o'lock on Tuesday. BBC Music will encompass TV and radio programming, digital services and schemes to support emerging talent including the introduction of classical music to UK primary schools. The collective group of musicians has been named The Impossible Orchestra. Bob Shennan, director of BBC Music, said: 'This Impossible Orchestra is a celebration of all the talent, diversity and musical passion found every single day throughout the BBC." The BBC's new music strategy was unveiled by the corporation in June.'
Tom Hiddleston and the legend that is Huge Laurie are to appear together in a new TV series. They will lead the cast of The Night Manager, a espionage drama based on John Le Carre's novel of the same name, according to The Hollywood Reporter. The BBC will broadcast the series in Great Britain, and is said to be currently seeking a US network to co-produce and screen the adaptation in America. A classic spy novel, first published in 1993, The Night Manager follows Jonathan Pine, a British soldier turned auditor for a luxurious hotel. Pine crosses paths with Sophie, a French-Arab woman with ties to Richard Onslow Roper, an English black marketeer who made his fortune from weapons trading. After Sophie is killed, Pine works with MI6 intelligence operatives and goes undercover as part of a sting operation against Roper to avenge Sophie's death and bring Roper to justice. The TV adaptation - written by David Farr - will mark Laurie's first major television role since House ended in 2012.

Cult 1990s TV series Twin Peaks - a particular favourite of yer actual Keith Telly Topping - is to return with a new series after twenty five years, co-creator David Lynch has said. The unsettling, surreal drama, which explored the murky goings-on in a small US border town after the murder of a local teenager, captivated viewers in 1990 and 1991. The third series will comprise nine episodes and will be broadcast on the Showtime network in the US in 2016. It will, reportedly, be set in the present day, twenty five years after the events of the series two. If you never saw it first time around dear blog reader, you missed a treat. As with much of Lynch's other work, most notably the movie Blue Velvet, Twin Peaks explores the gulf between the veneer of small-town respectability and the seedier layers of life lurking beneath it. As the series progressed, the inner darkness of characters who initially appeared innocent and upright was revealed, as they were seen to be leading double lives. Twin Peaks's unsettling tone and supernatural features were consistent with horror movies, but its sometimes camp, melodramatic portrayal of quirky characters engaged in morally dubious activities reflected a bizarrely comical parody of American soap operas. Like the rest of Lynch's work, the show represented an, at times overly earnest, moral inquiry distinguished by both offbeat humour and a deep vein of surrealism. Great soundtrack too. A statement accompanying Lynch's YouTube video announcing the return said: 'The groundbreaking television phenomenon, Golden Globe and Peabody Award-winner Twin Peaks will return as a new limited series on Showtime in 2016. Series creators and executive producers David Lynch and Mark Frost will write and produce all nine episodes of the limited series.' Frost also gave an interview to Deadline Hollywood talking about the plans for the series. The show won three Golden Globe awards in 1991, including best TV drama series and best actor for Kyle MacLachlan who played FBI Agent Dale Cooper who is drawn into the seedy and surreal town of Twin Peaks as he investigates the mysterious death of Laura Palmer. And, when last seen, was smashing his face against a bathroom mirror whilst gazing at the reflection of Bob, Cooper's doppelgänger from The Black Lodge. Or something. After the series was cancelled in 1991, viewers were taken back to Twin Peaks with a wilfully anti-commercial prequel feature film, the fantastically weird Twin Peaks: Fire Walk With Me, in 1992.
And that - very unexpected but welcome - news brings us to the next lot of Top Telly Tips and that:-

Saturday 12 October
'There were many trains to take the name Orient Express, but only one in space.' Holidays and a certain galaxy-hopping Time Lord are not, usually, a happy mix in Doctor Who - 8:35 BBC1. As proved by Midnight, a previous break which involved a deadly alien mimic and all of the bother that the fifth Doctor went to trying to show Tegan and Turlough The Eye Of Orion or the ninth and tenth numerous Doctors' efforts to show Rose the wonders of Barcelona. So, whilst the seen-it-all Gallifreyan speeds through the stars on one of the most beautiful 'trains' in history, of course it is nothing short of inevitable that he also crosses paths with a lethal creature stalking the passengers aboard the Orient Express. That sort of thing happens to The Doctor quite a lot. You might have noticed, dear blog reader. Anyway, once a poor unfortunate victim claps eyes upon the horrifying Mummy in question, they have just sixty six seconds to live. Why, specifically sixty six as opposed to say, a nice round minute I hear to ponder? You'll have to tune in to find out. As ever, The Doctor faces a race against time to defeat his enemy, a conflict which sees the seasoned traveller at his deadliest and most ruthless. Yer actual Peter Capaldi is joined by guest stars Frank Skinner, David Bamber and Christopher Villiers. Foxes also makes an appearance. She, in case you were wondering, is 'a popular beat combo', m'lud. Or something like that. So, you'd better watch it, dear blog reader. For Foxes sake. Next ...
Brilliantly - and I use that word quite wrongly - some plank in scheduling has had the bright idea of putting the latest episode of Qi XL on BBC2 at 9pm on Saturday this week, starting in the middle of Doctor Who. It was on Sunday last week. Any guesses as to where it'll be next week? That one might even baffle the elves. Question master Stephen Fry continues the popular comedy panel quiz's exploration of subjects beginning with the letter L as he asks a range of fiendish questions on the topic of Location, with points being awarded as usual for interesting answers as well as correct ones, yadda yadda. You know the score by now, dear blog reader, it's been going for twelve series. Irish actress, comedienne and writer Aisling Bea makes her Qi debut appearance, joining fellow stand-ups Jason Manford and Johnny Vegas and regular panellist Alan Davies, who are all hoping they don't fall into the elves' traps and set off the klaxon.

The Code - 9:00 BBC4 - is a, rather good looking, Australian political thriller set in the heart of national government, beginning as reporter Ned Banks is alerted to a strange accident involving a couple of Aboriginal teenagers. Perhaps inevitably, Ned unwittingly gets his computer genius and Asperger's sufferer brother, Jesse, involved in the case. The pair then publish a video of the incident and face the full weight of a political machine desperate to keep the truth out of the public eye. Starring Dan Spielman, Ashley Zukerman and Adele Perovic. Followed immediately by the second episode.
Did We Land On The Moon? - 9:00 on 5* (yes, it's a channel on Freeview, look it up) - is, as you might expect from the title is a documentary exploring claims that the first moon landing was 'an elaborate hoax' designed to fool the general public and enable NASA to beat the Soviets in the space race. The programme examines claims of the suspicious deaths of ten space workers in the months leading up to the historic mission, as well as doubts over the veracity of official photographs. Whether it will also look into the question of why the only people who actually believe the we didn't tend to live in their parents basement with their cat but a very active on the Internet, we don't yet know. But, I wouldn't bank on it. Cos, let's face it, who you gonna trust - Neil, Buzz and the other one or, alternatively, Crazy Larry's Conspiracy Theories As Us Dot Com?
Sunday 11 October
Remember when Homeland - 9:00 Channel Four - used to be must-see viewing? I know, 2012 was a long time ago. Anyway, the multi-award-winning - but now very tired-looking - US drama makes a return to our screens for its fourth season. The last time we saw Carrie Mathison, she was extremely pregnant with the late Sergeant Brody's love child and about to take up a new CIA post overseas. When we catch up with her again in this latest episode, she's been promoted to the position of Chief of Station in Kabul and is about to make the biggest decision of her career - she's received some valuable intelligence about a high value target from her counterpart in Islamabad. Should Carrie trust the information and act on it, or wait for further events to unfold? Meanwhile, Saul Berenson is now working in the private sector but hates it - perhaps it won't be long before he's back in action too. Claire Danes and Mandy Patinkin star.

Gimme Some Truth: John Lennon - 10:30 Sky Arts 1 - is a documentary following the alcoholic, wife-beating Scouse junkie and former Be-Atle and his wife, Yoko Ono, as they recorded the LP Imagine at their Ascot estate in 1971. As an 'official' release sanctioned by his widow in the aftermath of his horrifying murder in 1980 it's, unsurprisingly, a complete whitewash and shows little of the man's many flaws, preferring instead to paint him, as some kind of Gandhi-like martyr. Which he wasn't. Not even close. For masochists and 'Saint John of Strawberry Fields'-style brown tongued sycophants only.
In May 1940, a Mark One Spitfire was shot down and crash-landed on a beach in Northern France, where it slowly sank into the sand. The wreckage was finally recovered in the 1980s and stored in France for more than twenty years. In Guy Martin's Spitfire - 7:30 Channel Four - Guy Martin (no, me neither) joins a two-year project to rebuild the aeroplane, revealing the engineering and skills involved, and providing a fitting homage to the bravery of everyone involved in its service.
The divine Goddess that is Suzi Perry presents action from the sixteenth round of the Formula 1 season at the Sochi Autodrom - 7:00 BBC3 - where the first ever F1 race in the country took place. This season has seen Mercedes team-mates Lewis Hamilton and Nico Rosberg locked in a two-way battle for the title, and victory for either driver could help give them an advantage with just three more races remaining. With commentary by Ben Edwards and David Coulthard, and analysis by Eddie Jordan.
Monday 12 October
An elderly amateur sleuth who was a friend of Danny is 'orribly murdered which, of course, means that Dan his very self ends up embroiled in the case when his photo is found at the scene in the latest episode of New Tricks - 9:00 BBC1. However, the cold case officer becomes convinced that the secret to uncovering her real killer lies within the last case she was working on but, seemingly, he#s too proud to seek the help of his UCoS colleagues. Which is daft frankly, since they're usually rather good at this sort of thing. Picking up where she left off, he travels to the village of Minchampton, where a woman was said to have been murdered by a local lad twenty five years previously. Minchampton Murders, if you will. Don't give them ideas or someone will go and commission it. Meanwhile, Sasha is left to cope with the investigating officer on the modern-day Miss Marple's murder - an overbearing contemporary from her Hendon training, by the name of DCI Grace Mackie - and Steve lets Gerry stay with him when he is evicted, but soon comes to regret the act of kindness. Which, tragically, means Waterman might be required to do some 'acting' this week. The horror.

Poor Sidney. His sister, Jen, bullies him into attending Amanda's engagement dinner but, of course, seeing the love of his life celebrate her betrothal to another man is the last thing the village vicar wants in the second episode of Grantchester - 9:00 TV. So, Sidney sinks a few too many - try saying that when you've had a few - in a bid to make the evening more palatable (or, go more quickly), but it doesn't work. In fact, nobody at the event seems very happy. Tensions rise between Amanda and Jen's old school friends and then matters erupt when Jen's boyfriend Johnny (Ukweli Roach) who is, gasp, one of our Commonwealth cousins is accused of stealing Amanda's engagement ring. Well, he obviously did it. As if that isn't bad enough, the unfortunate Johnny Foreigner is soon accused of murdering one of his fellow guests and evidence at the scene of the crime seems to back up the theory. But Sidney isn't convinced - can he, with some help from Geordie Keating, unmask the real killer before Johnny gets carted off to the Scrubs and, you know, hanged? Period crime drama with James Norton and Robson Green which, on the strength of the first episode, could be ITV's first genre hit since Broadchurch.

Victoria Coren Mitchell hosts as a trio of orienteers takes on three old-fashioned romantics in the general knowledge quiz Only Connect - 8:30 BBC2. The contestants must use patience, lateral thinking and sheer inspiration to make connections between four things that may appear at first not to be linked, with one set of clues consisting of Messiah, Apocalypse, The Heist and Russian Roulette. The answer to which, in case you're wondering, is that they were all the names of Dazzling Derren Brown specials on Channel Four. I thank you. The winning team goes straight through to the next stage of the competition, while the losers will come back for a second chance.
Gotham - 9:00 Channel Five - is a crime thriller based on the early years of the characters from the Batman comics and centres on brave young detective James Gordon. Eager to prove himself the one decent cop in a department that is corrupt and rotten to the core, Jim is partnered with brash, probably on-the-take veteran Harvey Bullock and, on their first day working together, the pair get lumbered with Gotham City's most high profile case - the murder of billionaire couple Thomas and Martha Wayne. Gordon meets the sole survivor at the scene of the crime - the Waynes' twelve-year-old son, Bruce. Moved by the boy's loss, the rookie detective vows to catch the killer. While navigating the shady world of Gotham's criminal justice system, Gordon crosses paths with gang boss Fish Mooney, mob kingpin Carmine Falcone and a whole bunch of characters who will eventually become iconic comic-book villains including a teenage Selina Kyle (who will grow up to be Catwoman), pending Penguin Oswald Cobblepot and the future Riddler, Edward Nygma. With Ben McKenzie, Donal Logue, Sean Pertwee (who is properly terrific as Alfred) and David Mazouz. The first three episodes (all yer actual Keith Telly Topping has seen so far) are quietly impressive - sort of Tim Burton's Goodfellas if you like. It's made by Bruno Heller, the guy who did Rome and The Mentalist so, it's got some pedigree. One worth sticking with, this, I'd suggest.

Tuesday 14 October
Crass, odious full-of-his-own-importance bully Alan Sugar-Sweetie begins his tenth search for new business blood and the fourth since he changed the format from a multi-week job interview to the search for a partner in the start of a new series of The Apprentice - 9:00 BBC1. Lord Sugar-Sweetie who, as the boss of Amstad made the ninth best hi-fi system on the market and the second best satellite system on the market (when there were only two satellite systems on the market) and also owned Stottingtot Hotshots (when they were rubbish) is offering the hopefuls a two hundred and fifty thousand smackers investment in a new start-up company. As usual, the millionaire host sets out his stall with his introductory pep talk, after which the entrepreneurs are divided into teams and it's straight on with the first task - selling the past decade's worth of Apprentice goods in just one day. All the previous selling challenges' merchandise has been combined, and the teams - boys versus girls, of course - must think outside the box to increase their margins. As in previous series, Nick Hewer and Karren Brady are Lord Sugar-Sweetie's 'eyes and ears', but the real fun comes in the boardroom, as the challenge is picked apart and the excuses come thick and fast, before the fired candidate - abused and humiliated on telly in front of millions of viewers - takes a taxi ride home. Continues tomorrow. The Apprentice: You're Fired follows on BBC2.
In episode two of Human Universe - 9:00 BBC2 - yer actual Professor Brian Cox (no, the other one) is off to India, where he assesses arguably the first evidence of rational thought in literature - the poetry of the Vedic monks. They pondered mankind's origins, realising there must have been a day with no yesterday - a day of creation - prompting the age-old question of where did the universe actually come from? Foxy Coxy his very self marvels that we live in a universe which seems to follow set rules - the laws of physics. Rules which have allowed us to consider space on the grandest scale, travelling to the most distant, farthest reaches of the cosmos just by using our minds. And, you know, the Hubble Telescope and a few Saturn Five rockets. Brian also visits Japan, and offers viewers the idea that we live in just one of an infinite number of universes that are being made all the time.

Owen Linder tells Nick and Greg that he managed to escape from an assailant who abducted him and then cut a chunk of flesh out of his leg to eat in CSI - 9:00 Channel Five. Presumably, it tastes like chicken. Doc Robbins then alerts Eussell's team that a severed arm found at a tip bears similar incisions to those found on Linder and he has identified specks of salt and sage around the wounds - and the CSIs' investigation leads them to an online community whose members are sexually aroused by the idea of being eaten or devouring another person. Well, don't we all? Meanwhile, Conrad Ecklie ponders whether he should run for sheriff again.
A television crew begins filming the treatment of patients at the clinic, but Masters worries he is not the right person to be featured in the production in Masters of Sex - 10:00 Mor4. Elsewhere, Johnson is troubled by George asking to take their children on an extended trip with his new wife, and Libby finds in Robert the appreciation that her husband has failed to give her. Starring Michael Sheen and Lizzy Caplan.
Wednesday 15 October
She may be confident at work, but when it comes to relationships, Rachel Bailey is a disaster in Scott & Bailey - 9:00 ITV. She can't get Gill's remarks about her fling with Will out of her head, so ducks out of attending an awards ceremony with him, fearing their colleagues will believe she's sleeping her way to the top. He finally decides that dating her is too much like hard work and so announces they are no longer an item - a move that leaves Rachel gutted and regretting her behaviour. Janet isn't happy either - it's clear her daughter Elise is about to have her heart broken by Eleanor's son Ade. The duo are soon distracted from their woes by a new case involving the murder of a landlord and his wife who were shot at close range in their pub.

In the fading days of the pharaohs, Heracleion was the gateway to Egypt and a port beyond compare, but around twelve hundred years ago a mysterious subsidence led to it being consumed by Mediterranean as we find out in Swallowed by the Sea: Ancient Egypt's Greatest Lost City - 9:00 BBC2. In 2000, archaeologists discovered the city's pristinely preserved remains six kilometres off the Egyptian coast and only ten metres underwater. This documentary follows a team investigating the site, trying to find what caused this sacred city to plunge into the sea and why its inhabitants deliberately sank nearly seventy ancient warships. Presented by Lucy Blue.

The latest Storyville film is The Hunt For The Higgs Boson - 9:00 BBC4 - which follows six scientists during the launch of the Large Hadron Collider, marking the start-up of the biggest and most expensive experiment in history. Experts from more than one hundred countries joined forces in pursuit of a single goal - to recreate conditions that existed just moments after the Big Bang and find the Higgs Boson, potentially explaining the origin of all matter. Or, as Mad Frankie Boyle calls it 'The Black Hole Machine'. Whichever. Filmed over seven years, this documentary is a celebration of discovery and reveals the human stories behind an epic machine, providing an insight into a significant and inspiring scientific breakthrough as it happens.

Captivated: The Trials of Pamela Smart - 9:00 Sky Atlantic - is a documentary exploring the impact of America's first televised court case. In 1991, twenty three year old Pamela Smart stood trial for persuading her teenage lover and his friends to extremely murder her husband. She was later convicted of being an accomplice to first-degree murder, conspiracy to commit murder and witness tampering and is currently serving a life sentence. The film re-examines the details of the case, charting its influence on American culture over the past twenty years and how the unprecedented media attention may have influenced the outcome.

Thursday 16 October
As Peaky Blinders, Birmingham's answer to Boardwalk Empire, continues - 9:00 BBC2 - Tommy (Cillian Murphy) has recovered from his near fatal beating and comes up with a plan to take control of the southern racecourses. He also sees an opportunity to move up in the world, and has his head turned by the aristocratic May Carleton (Charlotte Riley). However, there are nefarious deeds afoot for the charismatic anti-hero when London gangster Darby Sabini (Noah Taylor) and Major Campbell (Sam Neill) plan his downfall. Helen McCrory and Tom Hardy also feature in the stylish period drama from Oscar and BAFTA-nominated writer Steven Knight, the brains behind Dirty Pretty Things, Eastern Promises and Hardy's recent movie, Locke.

The Great Fire - 9:00 ITV - is a drama detailing the stories of the people of London during the Great Fire of 1666. Widower and single father Thomas Farriner is The King's Baker, currently providing the Navy with bread and biscuits from his Pudding Lane bakery. His sister-in-law Sarah often helps out at the shop - a distraction from the fact her wayward husband (who is Thomas's brother) has been missing at sea for months now. Thomas is dismayed to learn from Navy official Samuel Pepys that it's unlikely he'll be paid for his latest job, owing to the expense of the war against the Dutch. However, he instead sends the baker away with a letter that could be the key to Sarah's closure. Meanwhile, in the Palace of Whitehall, King Charles attends a stately dance, where an attempt on his life is foiled. Later, Thomas returns to find the bakery ablaze, with his two daughters asleep upstairs. Starring Andrew Buchan, Rose Leslie and Jack Huston.

Chris Lintott and Maggie Aderin-Pocock turn their telescopes to the mysterious Uranus and Neptune, focusing particularly on their powerful winds and exotic atmospheres in the latest The Sky At Night - 7:30 BBC4. Plus, award-winning astro-photographer Damian Peach shares his tips for capturing the two planets in the night sky.
The Knick - 9:00 Sky Atlantic - is a much-trailed US medical drama set in 1900 following the professional and personal lives of the staff of New York's Knickerbocker Hospital. Doctor John Thackery has just been appointed chief of surgery and aspires to achieve the seemingly impossible in the operating theatre, despite a worsening addiction to cocaine and opium, while he is also reluctant to take on black doctor Algernon Edwards as his assistant at the request of benefactor Cornelia Robertson. Directed by Steven Soderbergh and starring Clive Owen, Juliet Rylance and Andre Holland.
Club president Terry wants to help Andy and Lance search a paddock at Bishop's Farm, only because he is convinced that is where Larry Bishop has buried his missing wife in Detectorists - 10:00 BBC4. Meanwhile, Lance tries to get his ex-partner to see him perform at a local pub's folk music night. Comedy, starring Mackenzie Crook and Toby Jones.

Friday 17 October
Friday night is, of course, comedy night on the BBC so we've got Would I Lie To You?- 8:30 BBC1 - and an episode without regular team captain Lee Mack (he must've been off recording Not Going Out that night, presumably). Greg Davies is taking his place as guest captain and joining him and David Mitchell are choir leader Gareth Malone, Sherlock actress Amanda Abbington, comedian and Never Mind The Buzzcocks panellist Phill Jupitus and Pointless co-host Richard Osman. At 9pm there's the latest Have I Got News For You. Frank Skinner started the week on BBC1, guest starring in his beloved Doctor Who on Saturday - now he ends it hosting the long-running news quiz. The guest panellists are comedienne Sara Pascoe and BBC political editor Nick Robinson, while Ian Hislop and Paul Merton make up the numbers, poking fun at the stories of the past seven days or so. And, speaking of Not Going Out, the sitcom returns for a new series at 9:30. Lee Mack's not having much luck with lights these days, whether it's the fizzling sign at the start of this show, the blackout during his recent Sheffield gig, or the dimly lit area at the start of this seventh series. Lee and Lucy have enjoyed a spot of yer actual culture at their local cinema, but the sparkle of a French movie is soon diminished when the romantic walk home finds them in an imposing underpass. Lucy has her handbag stolen by a bunch of cocky youths from under Lee's nose. Given the fact that he failed to protect her, or come up with an accurate description of their muggers to the police, Lee feels the urge to prove his manliness to his flatmate, but will a spell at the local boxing ring be a help or a hindrance? Sally Bretton and Katy Wix also star. And finally there's Qi - 10:00 BBC2 - with a range of fiendish questions about Literature and Language. Stand-up comedian Lloyd Langford makes his debut appearance on the programme, joining worthless, unfunny lanky streak of piss Jack Whitehall, Only Connect host the divine Victoria Coren Mitchell and regular panellist Alan Davies.

Most people, when they retire, look forward to having more time to themselves to enjoy all the things they never had time to do when they were working. But not Robbie Lewis. When this series of Lewis - 9:00 ITV - returned for a new run, he was a man lost and, despite his attempts to build a wooden canoe, was feeling rudderless. So, he jumped at the chance to take up Jean Innocent's offer to return to the police force, albeit in a temporary capacity. He and James Hathaway are working together again, but with the younger man in charge of a case involving the murder of a neurosurgeon. Sadly, when this episode gets under way, Hathaway's theory about whodunnit falls apart - his prime suspect is found murdered. But is he a big enough man to accept some advice from his former mentor?
Liz, Ressler and Samar investigate the black market trade in human organs run by a deranged doctor, following the discovery of a man with his heart cut out in the latest episode of The Blacklist - 9:00 Sky Living. Meanwhile, Red pursues a lucrative opportunity in Indonesia, but his trip takes a dramatic detour.
Anarchy in Manchester - 10:30 Sky Arts 1 - features another classic selection of highlights from Tony Wilson's groundbreaking 1970s Granada TV music show So It Goes, with performances by Elvis Costello & The Attractions, Magazine and Siouxsie & The Banshees.

And, so to the news: Ray Winstone and Amanda Redman will star in new ITV drama The Trials Of Jimmy Rose. The series will tell the story of the titular armed robber, whose lifetime of crime and blagging with shootahs has had its costs. His wife Jackie battles with thoughts that she no longer loves her husband, while their adult children decide to cut Jimmy out of their lives. The three-part series follows Jimmy as he is released from stir and tries to adapt to his family's new take on his lifestyle. Winstone said: 'Alan Whiting has created and written a gift of a role. I'm excited to be playing him and to be working with the great Amanda Redman. She's such a fine actress, and together with Adrian Shergold and the production team, I'm sure we'll be able to bring Jimmy and Jackie to life.' The Trials Of Jimmy Rose also features Marion Bailey, Sue Anderson and Paul Jesson, and will start production in Manchester next month. Winstone and Redman previously starred together as a husband and wife in the 2000 film Sexy Beast.

BBC1 has officially ordered a final, three-part series of Wallander. Filming will commence shortly on a new trilogy of ninety-minute episodes, starring Sir Kenneth Branagh as Inspector Kurt Wallander. As previously rumoured, the first film is based on Henning Mankell's 1993 novel The White Lioness and has been adapted for the screen by [spooks] writer James Dormer. The following episode will comprise a two-part adaptation of Mankell's last Wallander novel, The Troubled Man, by Peter Harness. Branagh said: 'I always approach each series of Wallander with anticipation and excitement, but this last series of films contain some of the greatest challenges the character has ever faced. It's a privilege to try to meet them, and I look forward to a great Swedish Autumn working on Henning Mankell's masterly creation.' Ben Stephenson, the Controller of BBC Drama Commissioning, added: 'It is only right that we bring the final chapter of the brilliant and ground-breaking Wallander to BBC1 which is set to be a dark, thrilling and emotional finale. Thanks to the incredible cast and production for bringing four series of this genre shaping drama to our BBC audience.' Wallander has broadcast a total of nine ninety-minute films since it began in 2008, earning multiple BAFTA Awards, plus EMMY and Golden Globe nominations.

Dallas, the remake of the classic 1980s US TV soap opera, has been extremely cancelled after three seasons by cable and satellite network TNT. The network said, rather bluntly: 'TNT has decided not to renew Dallas', adding that it had 'defied expectations by standing as a worthy continuation of the Ewing saga.' TNT thanked 'everyone involved in the show' and the people of Dallas 'for their warm and generous hospitality.' The series followed the fortunes of Texan oil family the Ewings. It was shown on TNT in the US and on Channel Five in the UK. The original Dallas aired from 1978 to 1991 and centred on a long and bitter rivalry between brothers JR Ewing, played by Larry Hagman, and Bobby Ewing, played by Patrick Duffy. It began as a mini-series in 1978 and went on to become one of the most-watched television shows around the world for thirteen years. The three hundred and fifty six episodes were seen by an estimated three hundred million people in fifty seven countries. The new version followed the power struggles within two feuding Texan oil and cattle-ranching families, focusing on John Ross Ewing and Christopher Ewing as they clashed over the future of the family dynasty. 90210 star Josh Henderson, who appeared as a child in the original series, played John Ross, the son of JR, while Desperate Housewives's Jesse Metcalfe was Christopher, the son of Bobby Ewing. Original cast members Hagman, Duffy and Linda Gray also returned to Southfork. In November 2012 Hagman died at the age of eighty one from cancer and cirrhosis of the liver. The series was rewritten to reflect this, incorporating his death into the storyline.
The BBC will not show repeats of Top Of The Pops featuring the convicted groper and right bad 'un Dave Lee Travis his hairy self, who was found extremely guilty of indecent assault last month. The BBC pulled repeat episodes of the popular chart rundown show hosted by Travis from its schedule on BBC4 following the broadcaster's arrest in November 2012. On Wednesday, a spokeswoman confirmed that 'the BBC will not show Top Of The Pops repeats fronted by Dave Lee Travis.' Naughty old scallywag Travis was given a three-month suspended sentence last month. The spokeswoman added: 'We will consider any other archive appearances on a case by case basis.' It follows the BBC's decision to allow Jonathan King to appear in a BBC2 documentary about Genesis last week. King was convicted of child sex offences in 2001. He was extremely sentenced to seven years Richard III and released from prison in 2005. The BBC said that his inclusion in the film, Genesis: Together and Apart, reflected the 'significant role' King played in the history of Genesis, whom he discovered and whose first LP he produced. His appearance has reportedly led to twenty complaints to the BBC, while broadcasting regulator Ofcom is assessing three complaints which it received - seemingly from people with nothing better to occupy their time. In September, Travis was convicted of indecently assaulting a researcher working on TV's The Mrs Merton Show in 1995. The sixty nine-year-old, who was tried under his real name David Griffin, appeared on Radio 1 for more than twenty five years until 1993 when he stormed off in a stroppy huff and was a regular host of Top Of The Pops during the 1970s and early 80s. Last month, the BBC apologised for airing an excerpt from a 1971 edition of Top Of The Pops in which disgraced and disgraceful old scallywag and right rotten rotter Jimmy Savile was, briefly, shown. Programmes featuring Savile were supposed to have been pulled following revelations of his history of sick and sordid abuse, while archive footage showing convicted sex offender Gary Glitter has also been removed from editions of the show. King's appearance in a 2011 re-run of Top Of The Tops was edited out, prompting him to complain to the BBC. He called it a 'Stalinist revision of history' and was assured by the then BBC director general Mark Thompson that this would not happen again.

Techno-savvy Britons spent an average of more than five hours a week watching TV shows, clips and films on Internet-connected devices in the first half of 2014 largely due to the popularity of tablets and smartphones. TV programmes proved to be the most popular form of online content viewed by UK users, at an average of two hours and thirty five minutes a week, according to a report from the Internet Advertising Bureau. Films were watched an average of one hour fifty minutes a week, and video clip views averaged fifty one minutes. The rest of their time online is either spent looking at porn, trolling or talking utter trivial bollocks on Twitter that no one else is interested in. Obviously. 'A third of online viewers, particularly thirty five to forty four-year-olds, are watching more TV, films and clips online than a year ago,' said the IAB's chief strategy officer, Tim Elkington. 'Average weekly viewing online amounts to twenty five videos, four to five TV episodes and one film.' Londoners averaged the most time watching online TV (three hours six minutes) and films (two hours twenty seven minutes), possibly because of the amount of time many commuters spend on public transport with their smartphones and tablets trying not to talk to anyone. However, Elkington added that an interesting finding of the IAB report is that half of people watching TV, films or video clips online do so with other family members and three in ten watch with friends. Some, in the bath. 'Watching video on [Internet] connected devices is becoming an increasingly social activity, like traditional TV,' he said. This viewing boom has fuelled a surge in the amount companies spent in general on Internet, smartphone and tablet advertising which rose by over sixteen per cent year-on-year in the first half of 2014 in the UK to a record £3.46bn. Mobile advertising in particular has seen a massive boom rising sixty eight per cent year-on-year. It now accounts for one in every five knicker spent on all digital advertising, according to the report.

The Advertising Standards Authority has banned a TV advert by payday lender Wonga, after a complaint by a charity. Citizens Advice argued that the advert - in which a man jotted down figures on a napkin before checking on his phone calculator - breached regulations by not revealing the loan's interest rate. One of Wonga's 'pensioner puppets' is seen telling the man: 'You appear to be in a financial quandary, young fellah.' The ASA ruled that the advert must not appear again in its current form. Adverts from a handful of other payday lenders were banned by the ASA in July for falling foul of advertising codes. Wonga, which has faced heavy criticism for its high interest rates and debt collection tactics, has not had any TV advertising since June, when a new chairman joined the firm. The company said that this ruling related to an old advert and there was 'an ongoing review' of its marketing. The company recently announced it was writing off two hundred and twenty million smackers of debts for three hundred and thirty thousand customers after putting in place 'new affordability checks.' The advert banned by the ASA contained the line: 'Yes - you can even pay back early and save money.' It ended by displaying a web address. The regulator considered this 'an incentive to apply for credit', and said that, consequently, the representative annual percentage rate, or interest rate, should have been displayed. Responding to the ruling, the chief executive of Citizens Advice, Gillian Guy, said: 'Adverts must be clear about what taking out a loan means and how much it will cost. The consequences are really serious when payday lending goes wrong. High interest rates and fees can mean that a small loan balloons into a huge debt.' He added that 'both the advertising and payday loan industries need to look at why so many adverts are not meeting the grade and change their ways.'

Ofcom has resolved complaints which arose from Sky News' coverage of the Malaysian Airlines flight MH17 crash, which saw journalist Colin Brazier look through a dead passenger's luggage. Sky's rolling news channel aired a live report from the crash site in Eastern Ukraine on 20 July. The plane had crashed three days previously, killing all two hundred and ninety eight people on board. Ofcom received two hundred and five complaints from viewers after Brazier was seen picking up items from a suitcase which had belonged to a passenger. Whilst handling the items, he said: 'Here are, I think it's a small girl's bag by the look of things; a set of keys, toothbrush.' However, he immediately returned the items to the case, saying: 'We shouldn't really be doing this, I suppose really.' Not shit, Sherlock. Ofcom ruled that the content 'may' violate rule 2.3 of their regulations, which states that material which 'may cause offence', such as 'violation of human dignity', must be 'appropriately justified' by its context. Sky responded that it 'fell short of the high standards' to which the network claims it aspires on this particular occasion, and that it would 'revise' its guidelines for journalists in order to 'make them more aware' of the regulations of reporting on sensitive issues. They also pointed out that Brazier had immediately recognised his shocking lapse in judgement and apologised for it live on-air, as well as later releasing a written statement of grovelling apology. Ofcom ruled that Brazier's actions had 'the potential' to cause offence and that this was 'not mitigated' by his immediate apology. They further ruled that the offence was 'not justified' by the context and that rule 2.3 had been breached. They did take into account Brazier's written apologies and the fact that Sky has revised its guidelines in the wake of the event. They also considered that Brazier had been reporting from 'an emotionally charged situation', which presented 'the need for immediate and difficult decisions.'
A sixty three-year-old woman who was accused of targeting Internet abuse at the family of Madeleine McCann has been found dead in a hotel. Brenda Leyland, from Burton Overy in Leicestershire, was accused of being one of the so-called 'trolls' directing abusive messages at the McCanns. Her body was found days after she was doorstepped outside her home by a Sky News reporter. Madeleine McCann, just in case oyu've been living in a cave for the last decade, disappeared whilst on a holiday in Portugal in 2007. Leyland was confronted by the reporter - Martin Brunt - who put to her that she had posted messages attacking the family on Twitter via the handle Sweepy Face. She replied: 'I'm entitled to do that.' A spokesman for Leicestershire Police said: 'Police were called at 13:42 on Saturday 4 October to reports of a body of a woman in a hotel room in Smith Way, Grove Park [in Leicester]. Officers have attended the scene and a file is being prepared for the coroner. The death is not being treated as suspicious.' Sky issued a statement saying: 'We were saddened to hear of the death of Brenda Leyland. It would be inappropriate to speculate or comment further at this time.' Brunt – who has himself become the subject of online abuse - is said, by the Gruniad Morning Star if not anyone more credible, to be 'upset' by Leyland’s death but has not yet made any comment. A Facebook campaign has been set up calling for Brunt to be sacked over the issue. At the time of writing in had just over eighteen hundred members.

The BBC has defended EastEnders recent rape storyline after two hundred and seventy eight complaints were made following Monday's episode. The episode showed the before and aftermath of a rape inflicted on pub landlady Linda Carter by Dean Wicks. It was watched by a peak audience of 7.3m viewers and an average of seven million, according to overnight figures. In a statement, the BBC said: 'At no point have there been any scenes of a graphic nature, in fact the attack on Linda was implied and not explicit. We have been extremely mindful of the content within the episode and the timeslot in which it was shown.' The BBC added: 'EastEnders has a rich history of tackling difficult issues and Linda's story is one of these. We have worked closely with Rape Crisis and other experts in the field to tell this story which we hope will raise awareness of sexual assaults and the issues surrounding them. We have also taken great care to signpost this storyline prior to transmission, through on-air continuity and publicity as well as providing an action line at the end of the episode which offers advice and support to those affected by the issue.'

Programmes will now be available on BBC iPlayer for thirty days. This means that viewers can catch up on BBC programming for a month after original air dates, instead of the previous seven days. Tony Hall, Director General at the BBC, said: 'BBC iPlayer pioneered online viewing. It is recognised as not just the first, but the best service of its type in the world. It offers amazing value. But we want to go further. That's why we began reinventing iPlayer earlier this year with a brand new redesign and features. Extending the catch-up window to thirty days now makes the best value on-demand service even better. We have a fantastic autumn schedule and the public will now have more opportunities to watch the shows they love.' The change comes in time for the BBC's autumn schedule of programming, which includes Doctor Who, Peaky Blinders and The Fall, as well as radio shows including The Archers and Just A Minute. Programmes that are already available for more than seven days will remain unaffected by the change, as will the BBC Radio podcast services. The BBC also unveiled the Top Twenty most-requested programmes on the iPlayer from January to August, with Sherlock's third series opener The Empty Hearse with 3.6 million requests. The Top Five was rounded out by three episodes of Top Gear, including part one of the Burma Special' and Murdered By My Boyfriend. Earlier this year, the BBC Trust announced that it had approved plans to introduce the thirty-day catch-up window, which was expected to launch in the summer.

And now ...
After recent events involving allegedly uneven bridges, unbroadcast nursery rhymes and registration plates in Argentina, the Top Gear team is, understandably, picking its jokes more carefully than usual. But even they, one imagines, could not have foreseen the rank and glorious unhappiness they would cause one complete and total plank, sorry, viewer over Jezza Clarkson referring to the Nissan Qashqais as the Nissan Kumquat. One viewer, it would seem, whinged to the BBC in February about Clarkson's choice of words in an episode shown that month. According to an appeal made to the BBC Trust, the complainant, said that 'Jeremy Clarkson was "pronouncing Nissan Qashqai as Nissan Kumquat and [he] would like to know why."' The whinger in question said that he had a car of this type himself - which explains much - and no one on the programme had explained why they were not saying the name correctly. And, let us once again simply marvel at the complete and utter crap that some people chose to care about. BBC Audience Services responded a few days later, explaining - one imagines slowly and, possibly with the use of graphs - that Kumquat was 'a nickname' that Jeremy had given the car and had referred to the 'Nissan Kumquat' for quite a few series of the BBC's popular motoring show without anybody mentioning it. The whinger in question was, seemingly, somewhat unhappy with this response saying that 'his question as to why the car was given the nickname "Kumquat" had not been answered.' The BBC, by this time one suspects, getting thoroughly narked, further explained, in a letter this time, that: 'It is simply a nickname for the vehicle, a play on words. Obviously the two words share a phonetic syllable similarity thus like Jeremy does with literally countless car names, he jokingly substituted one with the other, the kumquat of course being an exotic fruit.' In April, after two months of what the BBC described, far more politely than this blogger could have managed, as 'a high number and length of calls' made to the corporation by this joker, he then appealed to the BBC Trust. Who, of course, have nothing better to do with their time and energy than deal with trivial and banal shite the likes of this. In its September appeals round-up the Trust went into five pages of detail about the case (see from page thirty eight onwards if you want a right good laugh), concluding that it had decided not to put it to appeal as: 'Decisions relating to the use of a wordplay in how to describe a car, or which presenter should work on a programme were editorial and creative matters that rested with the BBC.' It also noted that at all stages of this procedure, a complaint may not be investigated if it: a) fails to raise an issue of breach of the Editorial Guidelines or, b) is trivial, misconceived, hypothetical, repetitious or otherwise vexatious. Sadly, they did not name the individual concerned or tell him to stop wasting their time on such nonsense. They, presumably, didn't do that because they are far too polite to do so. But, as previously noted, I'm not. After dealing with such a tortuous, pointless and almost certainly agenda-soaked complaint, one imagines that being stoned by locals in Argentina - allegedly - must have seemed a welcome break for Jezza, Richard and Captain Slowly.
Morrissey has told a Spanish newspaper he has had treatment to remove 'cancerous tissues.' The ex-Smiths frontman has battled bouts of ill health in recent years but revealed that the cancer treatment during an interview with El Mundo. 'They have scraped cancerous tissues four times already, but whatever,' he said. 'If I die, then I die. And if I don't, then I don't. Right now I feel good.' The singer played in Lisbon on Monday. He is at the start of a European tour that is due to end in Greece in December.
A total lunar eclipse will be visible across much of the Americas and Asia on Wednesday. The event begins at eight o'clock GMT and will reach totality before sunrise. During the eclipse - which is the second to occur this year - our satellite will be fully covered by the Earth's shadow. The Moon appears orange or red, the result of sunlight scattering off our atmosphere, hence the term Blood Moon. Weather permitting, skywatchers in North America, Australia, Western South America and parts of East Asia will be able to see the spectacle. However, Europe, Africa and the Eastern part of Brazil will miss out on the show. The last total lunar eclipse occurred on 15 April and the next is expected to take place on 4 April 2015. There will be two full lunar eclipses again next year.

Geoffrey Holder, the TONY-winning actor, dancer and choreographer known to millions as Baron Samedi in the James Bond movie Live and Let Die, has died at eight four. Born in Port of Spain in Trinidad, Holder was also a composer, a designer and a celebrated painter. He will be best remembered to many as the cackling voodoo villain who dogged Roger Moore's footsteps in his first outing as 007. Holder's other films included 1982 musical Annie, in which he played Punjab. Often cast in exotic roles, he played a tribal chieftain in 1967 film Doctor Dolittle and a sorcerer in Woody Allen's Everything You Always Wanted to Know About Sex (But Were Afraid to Ask). More recently, his distinctive bass voice was heard narrating Tim Burton's 2005 film version of Charlie and the Chocolate Factory. Holder, one of four children, was taught to dance by his older brother Boscoe, joining his dance company at the age of seven. He became director of the company in the late 1940s after Boscoe relocated to London, before moving to the US in 1954. Holder made his Broadway debut that same year in House of Flowers, a Caribbean-themed musical in which he first played a character based on Baron Samedi. A top-hatted spirit of death in Haitian voodoo culture, the character made full use of the actor's imposing physique and physical dexterity. He won two TONY Awards for best costume design and musical direction in the original Broadway production of The Wiz, an all-black version of The Wizard of Oz. He also appeared in an all-black version of Waiting for Godot. According to a family spokesman, he died on Sunday in New York from complications caused by pneumonia, He is survived by his wife, Carmen de Lavallade, and their son Leo.

For the latest Keith Telly Topping's 45 of the Day, here's Macca.

Saturday, October 04, 2014

Kill The Moon: Fate, Up Against Your Will, Through The Thick And Thin

'Hello Earth. We have a terrible decision to make. It is an uncertain decision and we don't have a lot of time ... An innocent life versus the future of all mankind.'
'How'd you like to be the first woman on the moon? Is that special enough for you?' So, it's another typical day in the TARDIS as The Doctor, Clara and, the space and time machine's latest occupant, naughty disruptive schoolgirl Courtney, arrive in the near future on a run-down space shuttle that is heading for the moon. Okay, Qi fans, one of the moons. Satisfied?
    Anyway, crash-landing on the surface, the travellers and a trio of rather startled astronauts (two of whom - including the great Tony Osoba - should really be wearing red spacesuits because we just know they're both going to be mutant spider food before half the episode's done) are confronted with the sight of a mining base that's full of corpses. Mexican corpses at that (expect some hippy Communist smear of no importance at the Gruniad Morning Star to attempt to fold that part of the plot into the latest Top Gear controversy). And, vicious, spider-like creatures wait for them in the dark, ready to bite their bums. Or something. So, Alien-meets-The Thing, basically. Nowt wrong with that, of course. But, just when she needs him the most, Clara is left wondering whether The Doctor really is a good man after all - or even her friend.
'When I says "run", run.' 'Who made you boss?' 'Well, you say "run", then!' Horror as a specific motif in Doctor Who has been a mini-genre which has flourished during periods and been almost but not quite forgotten during others. For a couple of years in the late-1960 and - perhaps most memorably - three years in the mid-1970s horror was the BBC's popular long-running family SF drama's go-to genre of choice. But, even in periods where other styles - such as comedy, melodrama or hardcore SF conceits - have, at least in the popular consciousness, held sway, a little slice of the macabre, the spine-tinglingly otherworldly, has never been far away.
    It's the old 'is Doctor Who becoming too scary?' thing, isn't it? The Tomb Of The Cybermen allegedly causing a spate of bed-wetting and having David Coleman getting all 'Oh! The humanity!' on Junior Points Of View in 1967. (Not since the Italians and the Chileans were kicking lumps out of each other at The Battle of Santiago in 1962 have so many 'quite extraordinary's been flung at the viewer with so little though for the consequences.) Or, evil plastic dolls coming to life in Terror Of The Autons and having questions asked about them in Parliament by gobshite, rent-a-quote MPs with nothing more important to occupy their time and interest despite their being a miner's strike in progress in 1971. Or, concerned letters to the Radio Times about Genesis Of The Daleks in 1975. Of course, as anyone over the age of around thirty knows full-well, Doctor Who has always been scary in one form or another. The series invented the - now clichéd - conceit of children 'hiding behind the sofa' and created two of the most sinister and memorable small-screen villains ever in The Daleks and The Cybermen. The Green Death, Planet Of Evil, The Caves Of Androzani, The Web Of Fear, The Brain Of Morbius, The Invasion, Inferno, The Talons Of Weng-Chiang, Fury From The Deep, The Horror Of Fang Rock, The Ark In Space, The Seeds Of Doom, Terror Of The Zygons, Blink, Midnight, The Waters Of Mars, Hide, Listen and so many more of The Doctor's adventures in space and time have depended for much of their - often considerable - impact on both physically and psychologically terrorising their audiences. Just ask anyone 'of a certain age' what their memories of 'that Doctor Who episode with the maggots' is, for example and watch the sleepless nights in 1973 being recalled.
'Some decisions are too important not to make on your own.' In the 1970s, when Tom Baker was The Doctor and producer Philip Hinchcliffe and script editor Robert Holmes were in charge of the production and busy scaring the buggering bejesus out of every ten year old in the land, self-appointed moral guardian Mary Whitehouse was getting her knickers in a right old twist and doing the whole 'won't someone please think of the children?' routine over the drowning scene in The Deadly Assassin. A year earlier, the Daily Scum Express's resident columnist (and ran gobshite) Jean Rook was writing articles criticising The Pyramids of Mars. In the mid-1980s the Colin Baker period was criticised by some for being too violent (including BBC1's then Big Kahuna Michael Grade, specifically over the hanging scenes in Vengeance On Varos). And, to be fair, criticised by this blogger for being, you know, crap. Such storms in a celestial teacups have happened at regular intervals in Doctor Who's fifty year history. They're happening now, on Twitter, apparently - as if anything talked about on Twitter has any merit whatsoever. They'll happen again in the future, no doubt. Plus ça change, plus c'est la même chose.
'Is that the best you could get?' 'Second-hand shuttle, third-hand astronauts.' And so to Kill The Moon. It was, reportedly, originally written by Wallander scriptwriter Peter Harness for Matt Smith's Doctor but arrived just too late for inclusion during series seven. An early working title for the episode was, it is alleged, Return To Sarn, though this was intended to be misleading to rumour merchants and spoiler-fiends by all accounts. When briefing Harness on how to write the script, executive producer The Lord Thy God Steven Moffat is said to have told him to 'Hinchcliffe the shit out of it for the first half', meaning, essentially, to make the episode as frightening as possible. The reference to Philip Hinchcliffe, who produced Doctor Who from 1974 to 1977 when the show was, many feel, at its most darkly atmospheric, Gothic and chilling was, clearly, deliberate and Harness seems to have understood his instruction to the letter. Moffat (Thou Shalt Worship No Other Gods Before He) called the script 'intense and emotional' whilst Harness has said that the episode would see 'a large change' for the show. 'I still don't know how people will take it. I'm in this kind of limbo now waiting for people to see it and I've no idea how it is going to go down.' Filming for the episode took place in Lanzarote, near the Volcán del Cuervo (Raven's Volcano) in Timanfaya National Park. The last Doctor Who episode to be filmed on the Canary Island was 1984's serial Planet Of Fire featuring Peter Davison's Doctor. Filming took place on 12 to 13 May whilst the park was closed to visitors, with locals reporting that the production team had 'erected a huge marquee, have trailers, toilets and a van.' Filming also took place at the Cardiff Bay Business Centre in Splott and St Illtyd's College in Cardiff on 20 May and at Aberavon Beach in Port Talbot the following day. Much of the episode's pre-publicity focused on its main guest-star, the very excellent Hermione Norris, a cult favourite from numerous British TV series over the last decades and a half like Cold Feet, Wire In The Blood and [spooks]. Yer actual Keith Telly Topping his very self has loved Hermione to bits ever since a blink-and-you'll-miss-it early role in an episode of Drop The Dead Donkey twenty years ago.
'When you've grown up a bit you'll realise that everything doesn't have to be nice. Some things are just bad. Anyway, you ran away, it's none of your business.' So, anyway, we're on a trip to the dark side of the moon and let's start with the basics - Kill The Moon is quite, quite brilliant. Scientifically ludicrous, of course. I mean, every single bit as scientifically ludicrous as Space: 1999. No, really, it is. But, it's a very minor point concerning such a good episode. Both Harness and the episode's director, Paul Wilmshurst, leave an immediate and very positive stamp on the series. Kill The Moon's set up is done in a totally uncontrived and organic feeling Blink-style pre-title sequence - a message to Earth from Clara. There's a big decision to make, she notes to those who will receive the message. There are, also, forty five minutes in which to make it. If the wrong choice is made, everybody dies. As you might imagine, from there, we're in the middle of a proper white-knuckle helter-skelter ride. A right rip-roaring rollercoaster of a episode. A juggernaut of a plot that crashes on impact with the viewer like an eighteen-wheeler coming straight through your front window whilst you're in the middle of watching an episode of Call The Midwife. Whilst Listen was concerned with psychological horror and the long-running dreamscapes of some very personal fears, Kill The Moon is, broader and more universal in its targets. It is, to put it simply, a big, hairy, utterly terrifying fek-off monster tale with something very nasty indeed creeping about in the dark just out of ones vision. In this case that takes the form of spider-like creatures which, whilst frightening enough on their own, mask a big reveal at the episode's climax. Paul Wilmshurst is, it would seem, a big fan of both Alien and The Thing, filling the episode with cocky, smart, flashy Ridley Scott and John Carpenter riffs - and more than a few Kubrick ones too - and understanding an old, but very true, maxim that silence and stillness are often eerier and more disturbing than crash, bang, wallop and an overdose of action. If you happen to have even the slightest hint of arachnophobia dear blog reader, and you haven't seen the episode yet, then Kill The Moon is likely to get right under your skin. Wake up to reality, indeed. Wonderfully creepy, too, is Murray Gold's outré, left field score, easily the most unnerving and experimental that he's ever done for the series. More than all of those elements, though, this is the episode from the current series which most closely meshed the twin strands of 'monster of the week' and the ongoing story arc. Primarily, it's a standalone episode but Harness, nevertheless, manages to slot in one or two crucial knowing elements which feel like they are part of a broader, more elongated story. Any review of the episode must also, of course, include the usual nod in the director of yer actual Peter Capaldi who, as he has been in every episode this year so far, is fantastic. For all that, and for not the first time this series either, the episode belongs to Jenna Coleman, particularly during the last ten, emotionally exacting minutes - she absolutely nails the jimbuggery out of it. 'Do you have music in your head when you say rubbish like that? It was cheap, it was pathetic. No, it was patronising, That was you patting us on the back and saying "you're big enough to go to the shops on your own now, toddle along."' Eleven out of ten for Avocado here, no question.
'I've been in the future and the moon is still there. I think. You know the moon is still there, right?' 'Maybe it isn't the moon. Maybe it's a hologram, or a painting, or a special effect. Maybe it's a completely different moon.' 'But you would know. If the moon fell to bits in 2049 you'd have mentioned it. It would have come up in conversation!' Kill The Moon may well be the darkest story of the series yet - Listen runs it very close, it's true - but that isn't simply because of the creepy spiders and the more obvious, classic engines of destruction in its arsenal. While the episode may appear at its most basic level to be a classic Doctor Who base under siege story - The Ice Warriors or Fury From The Deep for the Twenty First Century, if you like - at its core lies one enormous moral dilemma for several characters, most notably The Doctor. The type of dilemma which questions humanity's nature and makes one wonder what we would do if faced with such an apocalyptic choice as this episode includes. In that regard, it's far closer to an episode like The Waters Of Mars than to more obvious visual similar conceits such as The Impossible Planet. As the former story memorably demonstrated, more often than not there are no easy answers in situations in which life-altering choices must be made and doing the right thing, even if it isn't - especially if it isn't - the easy thing is something that, when push comes to shove, is hard work. It's a very The West Wing or Buffy The Vampire Slayer type ethical dilemma sampled, beautifully and with very little need for a chisel or a hammer into Doctor Who's aesthetic worldview. What happens in this episode, one suspects, will have some major implications for Clara on her relationship with The Doctor in future episodes. But, whereas The Waters Of Mars dealt with The Doctor's dilemma about whether to meddle with a fixed moment in time, Kill The Moon shows us near enough the inverse side of the coin and the, arguably more chaotic, more dangerous situation which can occur when The Doctor is faced with a vital moment in flux. A point where, quite literally, anything could happen. How might The Doctor react to having the burden on his shoulders of an entire future?
'Meaning, Clara, that the moon, this little planetoid that's been tagging along beside you for a hundred million years, that's given you light at night and seas to sail on is in the process of falling to bits.' Continuity: In many ways, Kill The Moon is the most Doctor Who-like Doctor Who episode of the series so far, visually and conceptually recalling not only recent stories like the previously mentioned The Impossible Planet and The Waters Of Mars but, also, from a much older vintage, The Moonbase, Frontier In Space, The Seeds Of Death and Planet Of The Spiders. The grim, minimalist nature of both the shuttle and the moonbase itself - functional, bland, cramped - on the other hand is in somewhat stark contrast to most of the series' depictions of near-futurist design. One thinks only of stories like The Ambassadors Of Death, Warriors' Gate and Terminus for previous examples of grotty, lived-in space travel. The episode's central question - do I have the right? - is, of course, straight out of Genesis Of The Daleks. There are references to The Careatker ('she was in the TARDIS.' 'Doing what?' 'Throwing up.' 'Oh, her!'), Let's Kill Hitler ('we went to dinner in Berlin in 1937. We didn't nip out after pudding and kill Hitler. I've never killed Hitler and you wouldn't expect me to kill Hitler. The future is no more malleable than the past'), The Day Of The Moon ('one enormous thing for a thingy-thing.' 'So much for history!'), City Of Death ('is it a chicken?!'), Fury From The Deep, The Ark In Space (The Doctor's yoyo, plus his entire, breathtaking 'future history of mankind' speech, a 'Homosapiens Doctrine' for the Twenty First Century), The Invisible Enemy, The Day Of The Daleks ('she met this bloke called Blinovitch'), The Beast Below ('you go away. You go a long way away') and Doctor Who & The Silurians ('that's what you do with aliens, isn't it? Blow them up').

'Will he be back?' 'If he says so, I suppose he will.' Harness, free from the chore of providing Kurt Wallander's trademark stoic grumpiness and lack of so much as an ounce of humour, proves himself to be a crackingly good writer of very naturalistic dialogue. Take: 'What is the matter with the moon?' And: 'Tell me there wasn't anybody inside that thing.' 'I could, but it wouldn't make it true.' And: 'You've got guns?' 'Not unless you brought some.' And: 'Little moments in which Big Things are decided. And this is one of them.' And: 'The moon isn't breaking apart. The moon is hatching.' And: 'We should be bouncing around this cabin like fluffy little clouds. But, we're not.' And: 'I think that is utterly beautiful.' 'How do we kill it?' And: 'You cannot blame a baby for kicking.' And: 'You want today to be the day life on Earth stopped because you couldn't make a decision?' But, amazingly, even among the darkness and shadows and, you know, the Zappy Starflake and the Spiders From The Moon, there are more than a few - wry and witty - laughs too. 'She took your psychic paper, she's been using it as fake ID.' 'To get into museums?' 'No, the buy White Lightning, or alcopops or whatever.' And: 'You'll just have to shoot us, then. Shoot the little girl first!' And: 'Kills ninety nine per cent of all known germs.' 'Good stuff Courtney, just don't try that at home.' And: 'Look at the size of it it, it's the size of a badger. It's a prochoriatic non-cellular lifeform with non-chromosomal DNA. Which, as you and me know ... well, not you and me, you certainly not, but you and me, yes. Scientists know, this is a germ.' And: 'My granny used to put things on Tumblr.' And: 'This is Ground Control.' 'Yeah, I can tell by your haircut!' And: 'Would you mind your language, please, there are children present.' And: 'I think that somebody deserves a "thank you."' 'Yeah. Thank you!'
And then there are the moments that people will remember for decades: 'Kill it. Or let it live. I can't make this decision for you.' And: 'It's time to take the stabilisers off your bike! It's your moon, womankind, it's your choice.' And: 'Tell me what you knew, Doctor, or I'll smack you so hard you'll regenerate!' And: 'Of course I know what  duty of care is.' And: 'Respected is not how I feel. I nearly didn't press that button, I nearly got it wrong. That was you, my friend, making me scared, making me feel like a bloody idiot. Don't you ever tell me to mind my my language. Don't you ever tell me to take the stabilisers off my bike and don't you dare lump me in with all the rest of the little humans who you think are so tiny and silly and predictable. You walk our Earth Doctor, you breathe our air, you make us your friends. That is your moon too and you can damn well help us when we need it.' And, most memorably of all: 'In the mid-Twenty First Century, humankind starts creeping off into the stars. It spreads its way through the galaxy to the very edges of the universe. And it ... endures until the end of time. And it does all that because one day in the year 2049 when it had stopped thinking about going to the stars something occurred that made it look up, not down. It looked out there into the blackness and it saw something beautiful. Something wonderful that, for once, it didn't want to destroy. And in that one moment the whole course of history was changed. Not bad for a girl from Coal Hill School And her teacher.' Yes. That.
'I don't like people being sick in my TARDIS. No being sick and no hanky-panky. Sorry, those are The Rules.' Superbly executed, brilliantly acted by all concerned - a special word here for Ellis George who easily pummels into the dirt any long-held fandom notions about child actors being 'unwelcome' in Doctor Who - and containing enough memorable bits to provide the current generation of younger fans with lots of 'do you remember the one where...' moments in decades to come, Kill The Moon arrives at the very moment where, like in 1967, and 1971, and 1975, and 1976, and 1985, questions are being asked by a few tight-arsed and squeamish bell-ends about whether Doctor Who is 'too scary'. The episode has many great things in it. and some truly terrifying ones; notably, Capaldi's polka-dot shirt. Horrorshow. Kill The Moon is scary. And bold and inventive and full of Big Issues and Big Moments and, so what if the science is rubbish - this is a TV programme about an alien with two hearts who can change his appearance travelling through time and space in a police box that's bigger on the inside than the outside. All of the science is rubbish! It's also, and this is much more important, mature, elegant, proper grown-up drama. It's Doctor Who striving for, and earning, its current 8.30pm time slot. In the same way that Neil Gaiman both matched and then, even exceeded, expectations with his first Doctor Who episode, so the energy, imagination and even surprising occasional slabs of caustic humour of Peter Harness's script reminds us all - if any reminder were needed - that we, as an audience, can experience new feelings and emotions, new thrills, new avenues to travel and new ways of being impressed, even when watching a fifty year old kids show about a mad man in a box. 'Everything's dangerous if you want it to be. Eating chips is dangerous. Crossing the road, it's no way to live your life.'
BBC Worldwide has announced that the Doctor Who Experience in Cardiff will reopen on 24 October. The exhibition closed in August to allow for a regeneration which will see the addition of a new interactive adventure staring yer actual Peter Capaldi as The Doctor. Those taking part can follow The Doctor on a spectacular, adventure through time and space. Beginning in the Gallifrey Museum and journeying to the heart of the TARDIS, visitors will have to grapple with a threat which could destroy the universe. The exclusive adventure has been specially written for the experience by the very excellent Joe Lidster and directed by Paul Wilmshurst. The Doctor Who Experience boasts the world's most extensive collection of original Doctor Who props and artefacts. Highlights include a complete collection of The Doctor's costumes from 1963 to the present day, three full TARDIS sets, a fiftieth anniversary collection of Doctor Who stars handprints and a whole host of costumes from evil monsters to loyal companions.

The X Factor topped Friday's overnight ratings outside of soaps with 6.01 million viewers from 9pm. Earlier on ITV, Gino's Italian Escape: A Taste Of The Sun was seen by 2.47 million at 8pm. On BBC1, The ONE Show kicked off the evening with 3.37 million, while A Question of Sport followed with 2.95 million. The latest Would I Lie To You? was seen by 3.18 million at 8.30pm, whilst the first of a new series of Have I Got News For You played to an evening high for the channel of 4.27 million and Big School continued to flop bigger than a big flopping thing being watched by 2.37 million at 9:30pm. With guests including Hugh Grant, Emma Thompson and Luke Evans, The Graham Norton Show ended the evening with 3.06 million at 10.35pm. Celebrity Antiques Roadshow began with 1.72 million at 7pm on BBC2 and Mastermind picked up increased viewers of 2.03 million - and yer actual Keith Telly Topping was impressed that he matched the lad whose specialist subject was The Rolling Stones in getting fourteen out of the fifteen questions right. Lorraine Pascale: How To Be A Better Cook was seen by 1.49 million (7.2%), Tom Kerridge's Best Ever Dishes continued with 1.42 million, Gardeners' World was seen by 1.95 million and the evening ended with 1.85 million for the start of a new series of Qi. Channel Four's Stars At Your Service opened with four hundred and fifty thousand at 8pm, followed by 2.13 million for Gogglebox and one million viewers for Alan Carr: Chatty Man. Body Of Proof was Channel Five's highest-rated show with seven hundred and sixty seven thousand, while the first of an NCIS double bill was seen by five hundred and fourteen thousand. ITV3's 8pm episode of Lewis was one of the more popular multichannel shows with five hundred and thirty thousand.

TV Comedy Line Of The Week came from the welcome return of Qi for its L series. After Wor Geet Canny Ross Noble had given a suitably weird answer to a question about his grandmother's alleged habits, Stephen Fry noted 'we don't know much about what goes on in The North East, but we hear things.' 'Mainly from you' added Alan Davies with expert timing! It's great to have it back.
Peaky Blinders was slightly up on its last episode upon its return to BBC2 on Thursday, overnight data reveals. The period drama attracted an average audience of 1.69 million viewers at 9pm. This is up by around fifty thousand viewers from its series one finale, but down over seven hundred thousand from its premiere episode last September. Billy Connolly's appearance on Who Do You Think You Are? topped the ratings overall outside soaps with 4.77m at 9pm on BBC1. Earlier, Your Home In Their Hands appealed to 2.61m at 8pm, while Question Time interested 2.27m at 10.35pm. On BBC2, Strictly Come Dancing: It Takes Two drew 1.18m at 6.30pm, followed by Antiques Road Trip with 1.59m at 7pm and Judge Atlantis with 1.29m at 8pm. Mock The Week amused 1.43m at 10pm. ITV's For The Love Of Dogs gathered 4.10m at 8.30pm, whilst Lord Snooty's latest programme featuring him wandering around posh gaffs rubbing working people's nose in the fact that he and his chums have more money than them, Blenheim Palace: Great War House, brought in 1.42m at 9pm. On Channel Four, Location, Location, Location attracted 1.48m at 8pm, followed by Educating The East End with 1.33m at 9pm. Scrotal Recall débuted with six hundred and thirty six thousand at 10pm. Channel Five's Benefit House: Me & My Twenty Two Kids attracted nine hundred and seven thousand at 8pm. No Foreigners Here: One Hundred Per cent British gathered seven hundred and eighty two thousand at 9pm, and Mummy's Little Murderer brought in six hundred and fifty six thousand at 10pm.

The BBC's Question Time has been criticised by the sister of Alice Gross after it featured a question relating to the murdered fourteen-year-old on this week's programme. Nina Gross said that an immigration debate arising from Alice's death was 'horrible' and 'extremely insensitive'. Latvian Arnis Zalkalns was named as a suspect by police before Alice's body was found in the River Brent on Tuesday. Alice was last seen on 28 August after leaving her home in Hanwell. Nina Gross wrote on Twitter: 'It is extremely insensitive to use my family's tragedy for political agendas and discussion. This is a time of grief for our family. In future, please respect our wishes as we grieve. This is a personal tragedy which we want to deal with privately, rather than fearing anyone using it for any political agenda. It is extremely insensitive to use my families tragedy for political agendas and discussion. This is a time of grief for our family. Now is not the time for these discussions.' In later posts directed at BBC Twitter accounts, she added: 'It is really insensitive and horrible that you have used our family's tragedy on Question Time.' A post on the show's Twitter account said: 'Dear Nina, we're sorry to hear this. We're really sorry for any hurt or offence caused by tonight's programme.' She replied: 'Thank you.' On the programme, presenter David Dimbleby said a question had been submitted by a member of the public to the panel referring to the 'hideous murder of Alice Gross'. The question was: 'Should there be freedom of movement including convicted criminals across EU borders?' The discussion lasted about eight minutes.

The Great British Bake Off equalled its highest ever overnight ratings on Wednesday. The semi-final of the popular BBC1 show rose by around half a million viewers from the previous episode, averaging 8.82 million at 8pm, a near thirty nine per cent audience share. This is Bake Off's highest overnight rating for the current series and equals the average audience of last year's final which was broadcast on BBC2. An Extra Slice gathered 1.49m at 10pm on BBC2. Later, Our Zoo continued with 4.50m at 9pm, while A Question of Sport was watched by two million punters at 10.35pm. BBC2's Long Shadow brought in seven hundred and twenty one thousand at 8pm, followed by Rwanda's Untold Story with six hundred and fifty six thousand at 9pm. On ITV, risible remake Celebrity Squares spectacularly failed to entertain as it flopped to 2.27m at 8pm. Scott and Bailey appealed to 3.81m at 9pm. Channel Four's Double Your Gaff For Half The Bread was seen by 1.09m at 8pm, followed by Grand Designs with 1.90m at 9pm. The Paedophile Hunter attracted 1.22m at 10pm. On Channel Five, Nightmare Neighbour Next Door drew 1.44m. Can't Pay? We'll Take It Away interested 1.66m at 9pm, followed by Wentworth with six hundred and fifty seven thousand at 10pm. ITV2's The Job Lot was watched by two hundred and ninety five thousand at 10pm.

Ripper Street is to launch its third series on Amazon in mid-November. The series will premiere with a double-bill on Amazon Prime Instant Video on Friday 14 November at 9pm. A new episode will then be released on the service at 9pm every Friday until its finale on Boxing Day. The series will subsequently be broadcast on BBC1 and BBC America sometime in 2015. Amazon members will also be able to view exclusive extended episodes of the series, including scenes which will not be shown on television. Matthew Macfadyen, Jerome Flynn and Adam Rothenberg will return for the third series of the Victorian crime drama. The gothic period thriller was cancelled by the BBC late last year due to falling ratings, prompting an outcry from fans. However, a new eight-episode series was commissioned thanks to a co-production deal between the BBC and Amazon Prime Instant Video.
Some middle-class hippy Communist scum louse of no importance at the Gruniad Morning Star has written yet another hateful, agenda-soaked pile of diarrhoea about Jezza Clarkson. How very surprising. There must be a 'y' in the day. Next ...
A former Scum of the World news executive has extremely admitted that he was involved in phone-hacking, sixteen months after pleading not guilty to the crime in the Old Bailey. Ian Edmondson's dramatic about-turn marks the final chapter in the phone-hacking trial which ended in June with the conviction of the Prime Minister's former, if you will, 'chum', Andy Coulson the former Scum of the World editor. Edmondson spoke only to confirm his name and to say 'guilty' when asked to formally enter his plea. He was charged with conspiring to hack phones between 3 October 2000 and 9 August 2006 together with Andy Coulson and with the convicted hacker, Glen Mulcaire, the paper's former royal editor Clive Goodman, its former news desk executives Greg Miskiw, Neville Thurlbeck and James Weatherup, the paper's former feature writer Dan Evans and 'other persons known and unknown.' Edmondson was one of the original eight defendants at the Old Bailey trial but was deemed 'unfit' to continue on the twenty ninth day of proceedings. Before he was released from trial, the jury heard how he was one of four news editors for whom the convicted hacker Mulcaire worked. Among the Mulcaire's targets that Edmondson was implicated in were Sienna Miller, her mother, her publicist and her former partner Jude Law, as well as his personal assistant. Edmondson worked for the paper in the 1990s and then rejoined the tabloid's news desk in 2004, becoming news editor in 2005, a position which he held until he was suspended in December 2010 and subsequently very dismissed for gross misconduct in January 2011. He was in charge of the news desk when Mulcaire and the paper's royal editor Clive Goodman were arrested in August 2006 on suspicion of hacking. Edmondson's suspension four years later came after three e-mails implicating him in Mulcaire's sick and sordid hacking ways came to light. These suggested that hacking was not confined to Goodman whom the company had claimed for four years was operating as 'a single "rogue" reporter' and led to the launch of Operation Weeting, Scotland Yard's phone-hacking investigation in January 2011. Mulcaire's The e-mails contained the mobile and pin numbers for Joan Hammell, a special adviser to Lord Prescott, former lack of culture secretary Tessa Jowell and minor royal Freddie Windsor. The jury heard that during Edmondson's reign on the news desk the paper was also hacking rival journalists on the Scum Mail on Sunday in an attempt to discover what they knew about Prescott's alleged affair with his diary secretary, Tracey Temple, in a 'dog-eat-dog' fight for stories. After the paper hacked Temple and her ex-husband and got nowhere, the prosecution said that Edmondson got hold of Hammell's number and passed it to Mulcaire. Mulcaire went on to obtain her pin and listened to forty five messages. He then e-mailed Edmondson telling him: 'This is how you can hack the phone so that you too can hear them', according to the contents of e-mails disclosed during the trial. 'In the dog-eat-dog world of journalism, in this frenzy to get the huge story and to try to get something other than everybody else, that is what you do, we suggest, if you are Ian Edmondson – you hack the competition,' prosecutor Andrew Edis QC told jurors in his opening speech. One defendant had claimed that hacking was so widespread that Edmondson was even accessing Coulson's own voicemail to find out which stories he favoured. When Mulcaire's home was raided by police in 2006, officers discovered a large cache of notes recording who had tasked him to hack phones, including 'Ian'. Edmondson's decision to plead very guilty means that eight of the ten so far charged and dealt with for phone-hacking at the Scum of the World have been convicted or pleaded very guilty.

Meanwhile, the first Sun journalist to be charged for payments to police for leaking stories will face a retrial after a jury failed to reach a verdict at the Old Bailey. Vince Soodin had been charged with conspiracy to cause misconduct in public office over a single payment of five hundred smackers to a police officer in Brighton in 2010. The jury returned on Wednesday to tell the judge that they could not reach a unanimous verdict and were discharged on Thursday afternoon having failed also to reach a majority verdict. Judge Gordon told the jury: 'Whether you can agree and it's clear that you can't, so be it. It happens sometimes and the procedure now is that I discharge you in giving a verdict in this case in your role. There is no point you struggling over this any longer.' Soodin was the second journalist to come to trial as a result of Scotland Yard's Operation Elveden investigation into unlawful disclosure of confidential information by public officials which has seen twenty three journalists charged. He had been arrested in August 2012 following disclosure by News International of e-mails between him and a police sergeant, James Bowes, of Sussex Police in June 2010. The officer had e-mailed the paper on Saturday 19 June using a false name 'Mike' with a 'tip-off' about a three-year-old boy who had been bitten by a fox at a children's party. Soodin was manning the news desk on his own that day and claimed that he sent off a 'stock reply' saying he would be happy to pay for the information. He later recommended that Bowes be paid seven hundred and fifty knicker, but this was knocked down to five hundred quid by his superiors. Soodin went on to corroborate the tip with a story appearing in the paper the following Monday but returned to Bowes for help in relation to the surname of the boy later that week. During the trial his counsel, William Harbage QC, told jurors that Bowes was treated like any other 'tipster' and that Soodin had been 'disarmingly open and frank' with his 'bosses' that the information had come from a police officer.

News International withdrew its application to recover the costs of the well-known Crystal Tipps lookalike Rebekah Brooks trial after the judge started to explore the company's conduct in relation to the first phone-hacking scandal in 2006. In a judgment handed down on Wednesday, Mr Justice Saunders said that the company, now trading as News UK, had argued it would 'be wrong in law to take into account the position of News International as the owner of the News of the World or its conduct as relevant factors' in his assessment of a cost application. The judge wanted several questions answered. In the published judgment he said: 'The questions included some relating to the relationship between News International and the News of the World and the conduct of News International after the arrest and prosecution of Clive Goodman in 2006 up to the start of the investigation known as Operation Weeting.' The eight-month phone-hacking trial heard allegations of a cover-up following the arrest of the Scum of the World's royal reporter Goodman, who was extremely jailed along with private investigator Glenn Mulcaire in 2007 for hacking-related crimes. Saunders wanted to hear submissions from News UK on events between Goodman's arrest and the re-opening of Scotland Yard's hacking investigation, Operation Weeting, four years later in January 2011. The judge said that he had sought legal advice on News UK's response to his questions but, before he had received the submission from independent counsel, the publisher told him they 'would not be seeking the recovering of the costs that had expended in paying for the defence of the defendants.' It emerged at a hearing on Wednesday that well-known Crystal Tipps lookalike Brooks was dropping her application for costs because News UK, who indemnified her, decided that they were no longer going to seek reimbursement from her. Well-known Crystal Tipps lookalike Brooks's legal costs were estimated to run to between five and seven million knicker. The judge heard on Wednesday that Cheryl Carter, well-known Crystal Tipps lookalike Brooks's former secretary, and three security personnel, including News UK's head of security Mark Hanna, were also dropping their applications for costs. There were also cleared of any offences. Stuart Kuttner, the Scum of the World's former managing editor, and well-known Crystal Tipps lookalike Brooks's husband, millionaire Old Etonian Charlie, were also cleared. Kuttner was indemnified by News UK from January 2013 and is seeking one hundred and thirty five grand in costs incurred before that date. Millionaire Old Etonian Charlie Brooks, who was not indemnified by News UK, is applying to recover half a million quid in costs, plus VAT. The legal submissions made by News UK in relation to the costs will not be made public, Saunders ruled, as they were 'not referred to in open court' and because the formal cost applications were never actually made.

The former legal manager at the Scum of the World, whose office safe contained transcripts of the former home secretary David Blunkett’s voicemails, had been told he will not face prosecution. Tom Crone, who was responsible for the tabloid’s legal affairs at the height of the phone-hacking scandal, was arrested more than two years ago on suspicion of being involved in the conspiracy which has seen the paper's former editor Andy Coulson extremely jailed. He was told by the Crown Prosecution Service on Friday that he will not face any charges in relation to two counts involving a conspiracy to intercept phone messages at the paper. 'After careful consideration it has been decided that there is insufficient evidence for a realistic prospect of conviction. This decision has been made in accordance with the code for crown prosecutors,' it said in a statement. The contents of his safe included the transcripts of voicemails left by Blunkett to Kimberly Quinn, a married woman with whom he was having an affair. During the phone-hacking trial, Coulson testified that he had told Crone about the hacking of Blunkett's messages in 2004. 'At the time of David Blunkett, there was no mention of illegality', Coulson claimed. The jury, seemingly, did not believe him.

The Liberal Democrats have demanded an official investigation into reports that an adviser to the Home Secretary Theresa May called Nick Clegg 'a wanker.' Which might, jus, be the first case in recorded history of a Tory being criticised for telling the truth.

A seventeen-year-old boy with an alleged fixation on the TV series Dexter has been jailed for twenty five years for stabbing to death his seventeen-year-old girlfriend and dismembering her body. Steven Miles, who was sixteen at the time of his horrible crime, killed Elizabeth Thomas at his family home in Oxted on 24 January. After stabbing her in the head and back, he dismembered her legs and arm, wrapped them in cling-film and put them in bin bags. The teenage politics student used saws and tools from his father's tree surgery business to cut up her body, which he had covered in a plastic sheet. Miles, who had been diagnosed as having an autistic syndrome, told his family that he had an alter ego whom he called Ed and who had instructed him to kill someone. When the defendant's sister returned home to the flat about an hour after the murder, Miles told her: 'Ed made me do something bad.' During the sentencing hearing at Guildford crown court, the court heard that Miles had a fascination with horror films and the macabre and had wanted to emulate the actions of Dexter, the titular character of a popular American TV series about a police forensics officer who is also a serial killer. The judge, Christopher Critchlow, told Miles: 'This is a case of the utmost gravity, the horrific features of which are rarely heard in any court. Nothing this court can say or do, no sentence this court can impose can alleviate the pain suffered by Elizabeth Thomas's family for a death in such a terrible manner. There must be a life sentence.' At the start of the hearing, the judge warned the court that the case involved details that were 'extremely unpleasant and may cause considerable distress to anyone listening', and he advised anyone of a nervous disposition to leave. He said that the killing was predetermined and he would have given a whole life term if the defendant had been an adult but, as Miles was a child, he was not allowed to pass that sentence. Critchlow said that eminent psychiatrists had agreed Miles was not schizophrenic and therefore did not have a defence of diminished responsibility. Miles showed no emotion as the sentence was passed. Lewis Power QC, defending Miles, described the murder as 'a chilling, blood-curdling and sustained' killing. He said that Miles had 'pleaded guilty to a horrendous crime which is beyond belief because of its horrific nature. This was a truly gruesome killing ripped from the pages of a hit TV script. The evidence points to the defendant trying to emulate the actions of the character Dexter, who he idolised. The case is a sad testament to the perils of how young people can become entrenched in modern TV blockbusters involving violence which shockingly led to a copycat killing in real life.' He said the 'phenomenon' of Ed was 'not fully understood' by psychiatrists but they agreed that the defendant was not psychotic.

A woman has been cleared of attempting to kill her mother by poisoning her diet coke in a plot said to have been inspired by the cult American TV show Breaking Bad. Kuntal Patel was accused of lacing her mother Meena's drink with a ricin-like toxin after she 'forbade' her daughter from marrying her fiance. Giving evidence in the trial, Patel admitted that she 'fantasised' about being a lead character in Breaking Bad, an obsession which drove her to pay nine hundred and fifty smackers in the virtual currency Bitcoin for a quantity of deadly abrin. 'It was like I saw myself to be some kind of Mexican drug warlord. I would think it through as if I was the main character in Breaking Bad,' Patel claimed in evidence at Southwark crown court. 'It was all a big mess.' Patel, a volunteer at the London Olympics, was found not guilty of attempted murder by a jury on Thursday. She had previously pleaded guilty to acquiring a biological agent or toxin. As her relationship with her mother came under increasing strain, Patel admitted that she e-mailed a poisons dealer in America to demand deadly toxins. In one e-mail. sent last December, she told her supplier that something 'must have gone wrong' because the 'target drank all' of the poison but was still alive. However, Patel told jurors that the e-mails were just part of a fantasy created to deal with the strain of her home life. The fantasy was alleged to have turned into a murder plot after she watched an episode of Breaking Bad when teacher-turned-drug-dealer Walter White kills a rival with ricin-laced tea. Explaining the e-mails to the poison dealer, Patel told the court: 'By this time, because of the messages I received from my mum and because I couldn't cope with it and I wanted to escape from it all, I started to fantasise about trying to kill myself or my mum,' she said. 'It was as if I was thinking through it as if I was in my own TV programme or a character in Breaking Bad. I was in a really strange place in my mind.' The two-week trial heard that Patel, who was brought up a strict Gujrati Hindu, had never had a boyfriend or a Valentine's Day card and was desperate to settle down and have children. Her profile on dating websites was written by her mother Meena, a magistrate who sits on the bench at Thames magistrates' court in Bow, who was described as 'highly manipulative and controlling'. Patel struck up a relationship with Niraj Kakad, who lived in Phoenix, Arizona, on the Asian dating website Shaadi.com and the pair got engaged on Thanksgiving in November 2012. But her mother was 'hell-bent' on scuppering Patel's blossoming relationship and is said to have locked Patel in their home and beaten and bullied her in an attempt to break up the romance. Patel, a Barclays Bank graphic designer, was 'driven to despair' and began researching ways to kill herself – or her mother – on the Internet. Patel showed little emotion as she was cleared of attempted murder. She will be sentenced on 7 November for acquiring a toxin.

The BBC's Panorama is to 'scale back' its investigative journalism and feature more analysis and familiar faces such as Fiona Bruce following criticism of the corporation's current affairs output and an exodus of senior staff. Panorama, the world's longest running TV current affairs show has suffered falling ratings in recent years - albeit, it was never the biggest attractor of an audience - and will now feature more news analysis programmes examining the background to big stories, fronted by high profile figures including Today host John Humphrys and Bruce, who also hosts BBC1's Antiques Roadshow and the Six O'Clock News. The shift in editorial emphasis follows the departure of Panorama's editor and two of its deputy editors, and the decision earlier this year to make its four dedicated reporters, John Sweeney, Shelley Jofre, Paul Kenyon and Raphael Rowe, redundant. Alleged BBC current affairs 'insiders' allegedly described it as 'the most significant crisis to affect Panorama in anybody's memory' and 'a massacre.' At least, according to some louse of no importance at the Gruniad Morning Star. Another senior current affairs producer allegedly said it was 'a complete tragedy' for the programme, which was first broadcast on the BBC in 1953. 'It will continue to do investigations but less often,' the Gruniad claim that an alleged - anonymous, and therefore, almost certainly fictitious - BBC current affairs source is alleged to have said. 'But if Panorama doesn't do investigations then what is its unique selling point? The programme is supposed to be about holding people in power to account.' Another alleged 'source' allegedly close to the programme allegedly said: 'People have been told it is not their job to right wrongs, but if Panorama is to be an institution then it has to be able scare people.' Panorama has scored some significant successes in recent years including its 2011 exposé of abuse at the Winterbourne View care home in Gloucestershire, where an undercover reporter recorded secret footage of patients being abused by carers. But its ratings have been in long-term decline, down twenty per cent last year to an average of 2.3 million viewers per episode. One programme, an hour-long 'cash for questions' scoop about the then Tory MP Patrick Mercer, was watched by only 1.3 million viewers despite boasting one of the biggest political scoops of 2013. A critical report by the BBC Trust earlier this year said that the corporation's current affairs output, including Panorama, was failing to stand out and was being outgunned by Channel Four's Dispatches. Panorama programmes have also attracted criticism, including last year's undercover trip to North Korea and its investigation into charities including Comic Relief, both of which caused rows which drew in the BBC Director General, Tony Hall. Alleged BBC 'insiders' allegedly believe that it may have suffered as a result of the controversy around the two programmes, as well as Panoramas investigation into the Newsnight Savile fiasco in October 2012, which was heavily critical of the rival BBC2 programme and senior corporation executives. All the senior journalists involved in the Savile programme are either leaving the BBC or have been moved to a new role. The change in direction on Panorama echoes a move in the late 1980s, under its then Director General John Birt and Lord Hall, who was at the time its director of TV news, to move away from investigative reporting to more analysis and issue-based programmes. Uncertainty continues to surround Panorama, with acting editor Ceri Thomas having to reapply for the role and its four-strong team of reporters likely to remain until next spring, nearly a year after they were told they were being made redundant as part of a forty eight million smackers cost-cutting package. Thomas, put in temporary charge of Panorama this year after previous editor Tom Giles was moved to a new job overseeing a report into BBC current affairs, is understood to want 'high end' impactful investigations which make headlines. But management is said to want to move away from mid-ranking investigations that fail to surprise or have a lasting impact, with a belief that some programmes over the last few years have not been strong enough for a prestigious BBC brand. Thomas, the BBC's former head of news programmes whose old role was in effect abolished in a shake up by BBC news chief James Harding nine days ago, is expected to apply for the role on a permanent basis. A BBC spokesman said: 'Panorama is and will remain the BBC's flagship investigative programme. We are keen to ensure that it has the resources to deliver regular, hard-hitting investigations. We also believe there is room for occasional news analysis programmes to help explain in greater depth developing or complex stories. Far from diluting the values which underpin Panorama we are confident that these changes will strengthen its impact for viewers.'

Ofcom's chief executive Ed Richards is to stand down after eleven years at the UK media and communications regulator, a politically-appointed qunago, elected by no one. Richards, who as Tony Blair's senior media policy adviser shaped the Communication Act which created Ofcom in the first place and then joined the regulator ahead of its launch in late 2003 as a senior partner, has been in the top job since 2006. Richards will stand down at the end of the year with headhunters Zygos hired to lead the search to find a successor by the new year. 'It has been a privilege to lead Ofcom during such an exciting and dynamic period in the evolution of the UK's communications sector,' said Richards. 'It is never easy leaving a job that you enjoy greatly but I have always felt that once I had completed eight years as chief executive this would be the right time to move on.' Richards replaced Stephen Carter as chief executive of Ofcom in 2006, having been made chief operating officer the year before. 'Ed has been an outstanding chief executive,' said the Ofcom chair, Patricia Hodgson. 'Under his leadership, Ofcom has helped to deliver superfast broadband, 4G, lower prices, innovation, competition, and sustainable public service broadcasting in the UK. He leaves an impressive legacy. On behalf of the board I would like to thank him for his enormous contribution.'

The singer and songwriter Lynsey de Paul has died at the age of sixty four, following a suspected brain haemorrhage. De Paul, who represented the UK in the 1977 Eurovision Song Contest with the song 'Rock Bottom', had five top twenty chart hits, including 1972's 'Sugar Me'. She became the first woman to win an Ivor Novello award for songwriting. 'Although she was small in stature, she was very big in positive personality,' said her agent Michael Joyce. 'She was always so positive about everything.' De Paul, who broke into the music scene in 1971, followed up 'Sugar Me' with 'Getting a Drag', which reached number eighteen in the charts. Her 1973 hit 'Won't Somebody Dance With Me?' won her an Novello award. A second followed a year later for 'No Honestly' a top ten hit which was also used as the theme tune to the ITV sitcom of the same name, starring Pauline Collins and John Alderton. De Paul also wrote the theme to Esther Rantzen's BBC1 series Hearts Of Gold. De Paul never married but was romantically linked to a string of well-known men including Sean Connery, Dudley Moore, Roy Wood and Ringo Starr. An interview with the Scum Mail in 2007 revealed that she had five offers of marriage, including one from the actor James Coburn and another from Chas Chandler, the former bassist with The Animals. Lynsey was born in Southwark to Meta de Groot and Herbert Rubin, a property developer, she grew up in a Jewish family in Cricklewood and attended South Hampstead High School followed by Hornsey College of Art, now part of Middlesex University. Starting a sleeve designer, she began songwriting in the early 1970s, initially providing co-written songs for others including the actor Jack Wild, Barry Blue and, most notably, The Fortunes (she co-wrote their 1972 hit 'Storm in a Teacup'). A few months later she gained notice as the performer in her own right with 'Sugar Me' which was not only a big hit ,in Britain and across Europe but, was also covered in the US by Nancy Sinatra and Claudine Longet. Lynsey reached the height of her popularity in the mid-1970s, with number one hits in Switzerland, Spain, Belgium and the Netherlands and her Eurovision song, 'Rock Bottom' a duet with fellow songwriter Mike Moran. However, her popularity waned in the late 1970s although she continued to compose and perform, famously singing her own song at the Conservative Party conference in 1983. She also starred in celebrity quiz shows such as Blankety Blank and more recently, reality shows including Cash In The Attic and Come Dine With Me. In 1992, De Paul presented a documentary about women's self-defence, called Eve Fights Back, which won a Royal Television Society award. The singer had spoken previously of her abusive childhood, and her history of violent relationships. Her niece, Olivia Rubin, told The Times that her death was 'completely unexpected', adding: 'She was a vegetarian, she didn't smoke, she didn't drink - she was amazing, in fact.'

Yer actual Kate Bush has performed the last of a series of twenty two comeback concerts in London, suggesting it will be 'a while' before she appears on stage again. Well, since it's been thirty five years since her last series of shows, I don't think too many people were expecting another one next year, to be fair. 'We're all really sad as it's the last night,' she told the audience at Hammersmith on Wednesday. 'I'm going to miss everyone so much.' Almost eighty thousand tickets were sold for the fifty six-year-old's five-week residency. The strain of performing live for the first time in thirty five years appeared to have had little effect on the singer, who was in fine voice throughout her three-hour set. As previously reported, the concert combined renditions of hits including 'Running Up That Hill', 'Hounds of Love' and 'King Of The Mountain', with elaborately staged versions of song cycles from her Hounds Of Love and Aerial LPs. The evening ended with a special shout-out to performer Charlotte Williams, whose portrayal of a wooden puppet who comes to life was described by Bush as 'our secret weapon. Every night she has played this part for us and up until tonight she's never had a round of applause,' said the singer. The show ended with a performance of the 1985 single 'Cloudbusting' and a lengthy standing ovation, during which Bush was presented with numerous bouquets. 'Thank you again everyone for sharing this with all of us,' she told the audience, blowing kisses as she took her leave. No further concerts are scheduled, though there has been speculation that one or more of the shows had been filmed last month for a future DVD release. Wednesday's audience largely obeyed the singer's request to refrain from taking photographs or recording footage on their phones during the performance. Despite this, excerpts from previous shows have surfaced online. The run has not been without the occasional hiccup, with one concert in September delayed by more than an hour by a power cut. One Twitter user saw the funny side, noting that the hold-up had risked causing 'the most middle class riot ever.'

And speaking of Katie her very self, on Thursday evening yer actual Keith Telly Topping attended Uncle Scunthorpe's latest Record Player at the Tyneside and, it just happened to be The Bush's own The Whole Story. Which was nice.

Meanwhile ...
To which the only thing to add, really, is ...
Ahem. Sorry.

A silent Sherlock Holmes film made in 1916 and featuring the only screen performance by William Gillette has been found in the French film archive. The film, thought to have been lost forever, had been wrongly catalogued decades ago by staff at the Cinematique Francaise. The American actor Gillette made his name as Holmes mainly on stage, bringing his trademark deerstalker and pipe to life for the first time. The movie is being restored and will be shown at a French festival next year. It is due to be premiered in the US at the San Francisco Silent Film Festival in May 2015. Gillette, who died in 1937, gave what was seen at the time as the definitive portrayal of Sir Arthur Conan Doyle's legendary sleuth, adopting many of the traits that have been seen since and survive to this day. He was also a playwright, and wrote the story for the 1916 film which was simply entitled Sherlock Holmes. It was made in Chicago in 1915 at the Essanay Studios, which is best known for a series of short Charlie Chaplin films made around the same time. The feature-length film contained elements from various Conan Doyle mysteries featuring the famous detective, and was presented in promotional material as being in seven acts. The version uncovered in Paris had captions in French and was ready to be colour-tinted specifically for the French market at the time. It had been mixed up with some other unrelated material and not been labelled properly. Staff at the archive came across it while working on an extensive project to catalogue the thousands of nitrate film reels in its collection. Bryony Dixon, curator of silent film at the British Film Institute, said it was 'top of the list' in the canon of missing Sherlock Holmes films, so is 'a pretty exciting find. This also connects with Victorian theatre which is more obscure than early film. It's exciting to get Gillette in particular. He made Sherlock Holmes a character for the first time rather than a caricature and it's amazing how much we think of him was based on Gillette's image. Quite often discoveries are made in plain sight like this. Collections have cans that just say "film" on them and you don't know what's in them until you get them out, which can be very time consuming.' The restoration, which is being carried out in Bologna, will strive to show the film as it was originally intended, added Dixon who noted that the BFI is hunting for a 1914 adaptation of A Study in Scarlet - the first British film portrayal of the character - and said the latest discovery could help its ongoing search.

And finally, dear blog reader, for the latest Keith Telly Topping's 45 of the Day, the question of the day, as it were. Tell 'em all about it, Mister Echo.