Wednesday, February 01, 2012

MasterChef: Put It In The Curry

MasterChef presenter Gregg Wallace believes that the current show is 'more about the food' than Loyd Grossman's sedate, cogitative predecessor. 'It was hugely popular - we all watched it,' says Wallace about the original show, which ran on the BBC from 1990 to 2001. 'But, as a competition I think it was flawed. If you say to people: "All right, you're coming on the television in three months' time and cooking two dishes," who couldn't do that? You could pretty much train next door's hamster to do it. A previous winner under the Loyd regime once said: "Well, in my day it was about the food,"' Wallace told Radio Times. "I thought: "How dare you? It was probably less about the food then than it is now. Would you have survived the invention test, madam? No, I don't think you would. I liked the show but all it proved was that you could host a dinner party.' Nevertheless, Wallace says MasterChef's producers took a huge chance when they completely revamped a popular format and drafted in himself and John Torode to present. 'Karen Ross was very, very brave in picking two blue collar boys for what had otherwise been a Sunday-afternoon, very Mrs-Corby-Trouser-press, doing a dish with a very long name - probably French - sort of show,' admits Wallace. But the gamble paid off – now into their eighth series together, Gregg and John are one of the most recognisable double acts on British TV. Yet despite having been friends for over twenty years, it seems they were paired together by chance. 'We've done MasterChef for eight years but we knew each other for fifteen years before that,' says Wallace. 'I've always sold fruit and veg to John. I owned the company that supplied him. When I started I was just a little bloke in a van and I used to turn up at the kitchen door when he worked in Chelsea and that's where I met him. Karen Ross interviewed us separately, liked both of us but had no idea we knew each other.' It's been a long and fruitful relationship but the two appear to be very different personalities - there things on which, Wallace notes, they don't see eye to eye. 'I'm neat, tidy and methodical,' says Gregg. 'John's a complete surfer-dude, laid-back, hairy-chested Aussie. In the dressing room, he just throws his clothes all over the place. One day I came in to find his shoes on my rack – if we were a couple, that would be grounds for divorce, but I have to soldier on under this provocation.' They're still together, though, and on tonight's edition of MasterChef they were overseeing a big test for last week's losing team. 'We take them off to a tractor factory,' Gregg noted. 'I like the big industrial catering tasks because they're always one of the hardest tests the contestants have to do. We will always finish on fine dining but we always have these mass challenges along the way, too. And I love 'em cos it's pure graft.'
'Back into the frying pan,' said the Beeb continuity announcer as the episode began. You will recall from last time dear blog reader that yer actual Big Eamonn, Big Jay, yer actual little Andrew, Afsaneh and Ashvy were in the losing team last time around and so, were given the chance to redeem themselves by feeding the five thousand (well, the three hundred and fifty, anyway) at a Basildon tractor factory under the watchful eye (and, frankly, nervous disposition) of the head chef, Steve. They were required to cook two main dishes and a vegetarian option (the thing which, you may remember, was a major contributing factor to them losing the challenge last time and ending up in this mess in the first place). It all started well enough with Eamonn and Jay doing what big blokie-blokes often do when they're not drinking pints and talking about the football - discussing the best recipe for Lancashire Hot Pot. Jay's from Southport. In Lancashire. Eamonn's from Lincoln. In, you know, Lincolnshire. 'nuff said, really! When asked who wanted to be the team leader, poor Andrew who'd volunteered last time and led the quintet to defeat, just looked at the floor like he wanted it to eat him alive.
Nobody else said anything till Jay, manfully, said he'd do it. Steve the chef said he thought Jay seemed 'quite a confident guy.' Jay merely noted: 'I'm used to organising a hundred men. But, they're easy, they do as they're told.' The three chosen courses were a lamb hot pot, a chicken curry and, as a vegetarian option and, after some discussion with Steve about what big rough tough tractor builders like eating, vegetarian moussaka. Ashvy took charge of the curry and John soon had her panicking over the size of the portions. Andrew seemed to have been made the fall guy for the loss in Bath and was relegated to, as Gregg noted, effectively kitchen porter, peeling the spuds and being general dogsbody for any odd job that needed doing. He did with a smile on his face and without any complaint. Unlike Ashvy who, from the editing of the episode, appeared to have made herself about a popular as a hole in a spacesuit with the thickness of her curry. John queries what she was playing at. She said, the onion would thicken it. 'I've never known an onion to thicken anything in my life,' said Mr Torode with his twenty five years experience as a chef. But, Ashvy just wasn't having it, or any other critique of her dish as she got all stroppy and discombobulated (fatally recalling twisty-faced Jacqui from last year) with any and all suggestion that her curry was going to be too runny.
She used the 'I'm Indian, I know what I'm talking about' defence. Which, frankly, is a bit like me saying 'I'm English, I know how to fox hunt.' It does seem as though the producers of MasterChef enjoy each year making one contestant seem far more unlikable to the audience than the others. It happened with Jacqui last year and it seems to have happened with Ashvy here. One images that, perhaps, several of the contestants may have had occasion to answer back when John, for instance, has told them that something they are doing is going to go wrong. But, if any of them did those bits seem to have been edited out and left on the cutting room floor. Or, maybe it was just Ashvy. 'Authentic Indian curry' she bellowed as they got the dishes out and started serving them to lots of hungry tractor workers. She stressed that it was 'with bones' just in case anybody was to, you know, choke on one. Interestingly, it sold very well and got, mostly, highly decent comments (although one chap thought it a bit bland for his pallet. I'd've probably licked the plate and gone back for seconds, and maybe thirds, personally). John and Gregg thought it was bland too. And tasteless. In Gregg's words, imitating his old mate, 'it lacks a bit of oomph!' The moussaka didn't get many takers - tractor builders aren't vegetarians seemed to be the one concrete thing were learned from this malarkey - but, the judges thought had been a pretty good effort, as was the hot pot.
Thus, it was back to MasterChef HQ where, John said, 'let the proper fight begin. Now it's the chance to see what they're really made of.' But, again, as with the end of the last episode there was a surprise in store for the audience as Ashvy was said to be 'really unwell' and unable to take part. Immediately four million viewers wondered if it was a dodgy curry or something less food-related. Eight remaining contestants, therefore, had the chance to show John and Gregg their talents with the knowledge that 'only the best' would be remaining at the end. Afsaneh chose to make rack of lamb with toasted pine-nuts, kidney, fried liver ragù, mash, pomegranate reduction and a lamb jeux. It seemed something of a risk for Afsaneh, way out of her comfort zone of Middle-Eastern cuisine which had got her this far, especially when she confessed that she doesn't really like offal. In the end, although parts of the dish were well cooked and the balance was good, the liver and kidney were so overcooked that, according to John, 'if you put that into a gun it would kill a pheasant.' 'MasterChef isn't a time to experiment with stuff you don't like,' said Gregg. Afsaneh was clearly upset but, as usual, walked away with a smile which has helped to endear her to many viewers. Tom went for a dessert, chilli and pineapple soufflé with ginger and coconut ice cream. 'If you're not cooking on the edge then it's just repetition,' Tom said. His dish went down a storm with both judges. 'Dainty, elegant, beautiful, stunning,' said Gregg in staccato bursts between mouthfuls of tasty pud! John said that the dish reminded him of a Thai pineapple curry, 'but in dessert form.' And that was a good thing. Eamonn was advised by Gregg that he was clearly a talented chef so, 'stop getting so stressed!'
He cooked stuffed chicken with baked onion, wrapped in bacon and stuffed with goats cheese, wild mushrooms and a morel velouté. There were some small presentation issues as far as Gregg was concerned but the taste was praised to the rooftops. Then it got even better because John liked the presentation as well as the taste! Excitable Aki again bounced around the kitchen like a nervous kangaroo but managed to stay still just about long enough to make a green tea gateaux with red bean paste, plum wine jelly and warm black treacle syrup. 'I'm going to take you to Kyoto,' she promised and, so infectious was her enthusiasm that you pretty much believed her. The dish, however, proved to be something of a game of two halves, praised for its interesting mixture of flavours but criticised for some texture issues. Jay, Gregg considered, had the makings of a very good chef indeed but he needs to be a shade bolder. So, he was. He cooked fillet of beef, and asparagus crown, ceps, rock butter and an asparagus mousse. 'That'll do for me,' said Gregg going on to praise the dish, albeit feeling that Jay could've sliced his beef a bit thinner.
John didn't seem worried about that and added: 'You have an extraordinary touch.' Jay noted that he was regretful about how big a hunk of meat he'd cooked but then he himself is, after all, 'a big bloke'! Good answer, frankly. Shelina's dish was an Alfonso mango and cardamom trifle with a Mauritian spiced rum baba and mango lime sorbet. When she told Gregg what she intended to cook he said that if she did 'that mango justice' he was quite prepared to elope with her. This, after she'd just told him she was married. In the event, Gregg loved it (it could, possibly, be one of the best desserts he'd ever had anywhere, he stated). John loved it. The cameramen twenty feet away from the action loved it. Hell, even the viewers loved it and all they could do was look at it.
As, along with Jay, the most consistent of the chefs from the earlier rounds, the last couple of episodes must've been a bit of a blow to Andrew's confidence. But, as noted earlier, he'd taken the harder bits of the disastrous team tasks and done them with a smile. So, it's a possibly fair bet to assume that most viewers were willing for him to provide the greatest comeback since Lazarus. His dish was pan fried quail with potato pancake and stuffed courgette with a caper and fig jeux. 'Boom!' said John Torode as he took his first mouthful but, both he and Gregg had more than a few issue with the balance of the dish. The quail, John said, tended to get a bit lost in all the flavours. 'There's much to admire here,' Gregg noted but added that the dish was, perhaps, a shade overcomplicated. 'Next time, don't be afraid to plagiarise,' John said. Last up was Emma whose dish was a madly ambitious one: slow cooked beef with bone marrow persillade, horseradish potato purée and onion ice cream. Eh? Onion ice cream? John looked shocked, but impressed. Gregg just looked shocked. Bordering on mortified. Emma said she'd had it, once, in a restaurant and thought it was unusual and worked well.
'It's pretty left-field' said Gregg, still looking doubtful and, he added, 'if I like it, I'm going to have myself certified!' The finished dish got good comments from both - especially John. But, Gregg didn't like the onion ice cream, as you kind of knew he wasn't going to from the various facial expressions he pulled earlier! Jay, Tom, Eamonn and Shelina's places in the next round were already assured but, the other four all had a nervous wait whilst John and Gregg decided 'who has what it takes.' In the end, the pair decided that they all did, just as India Fisher's voice-over appeared again to inform viewers that Ashvy, despite her commitment to the competition, was 'unable to return to Masterchef' and, like Jonathan last week, had withdrawn. That must've been one very dodgy curry.

On Such A Timeless Flight

Strictly Come Dancing's Len Goodman has branded - which is, of course, tabloid-speak for 'described' only with less syllables - Britain's Got Talent boss Simon Cowell 'spiteful and mean' for poaching Alesha Dixon from the BBC1 show. Which, Cowell almost certainly is but, what y'gonna do, Len, nitch him up to teacher like a dirty Copper's Nark? Fer Christ's sake, grow up, you're as bad as each other. Cowell has previously said that he offered Dixon a judging slot on Britain's Got Talent based 'Seventy-thirty on the fact she was on Strictly and the fact I liked her.' Something which has, according to reports, gone down fantastically badly with greedy talentless waste-of-space Dixon herself. So, that's good for a laugh even if nothing else is. Cowell reportedly added that there was 'unbelievable rivalry' between the two talent shows. But speaking on Richard Bacon's BBC 5Live show, Goodman said: 'If that is the case - shame on you, Simon.' It was announced last month that Dixon was to join judging panellists Cowell, David Walliams and Amanda Holden on the ITV talent contest. Goodman added that he would never 'knock the opposition' (just grass on them) and that he 'enjoyed' Cowell's shows. 'I think it is spiteful and mean if that is the case that Simon said: "I just want to be spiteful towards Strictly." Because why would you want to do that? Why would you want to spoil millions of people's pleasures? It's not the right way to behave, so if that is the case - shame on you, Simon.' Bacon also asked the Strictly judge whether he thought his former colleague Arlene Phillips would return to the panel, now Dixon has left. 'I don't know. I've got a feeling if they asked her to come back, that she would,' he said. 'I would be perfectly happy if Arlene was to return because I thought she did a great job while she was on it.' Clearly, the BBC didn't, that's why she got the tin-tack in the first place.

The new series of Upstairs Downstairs is, reportedly, to feature 'a lesbian romance', it has been claimed. Because, as we all know, there are, genuinely, very few things in life that can't be improved, immeasurably, by lezzing them up. True story. Doctor Who actress Alex Kingston and recently-announced guest star Emilia Fox will portray secret lovers Dr Blanche Mottershead and Lady Portia Alresford when the BBC historical drama returns later this year. So, that'll be, what, twenty million viewers for the first episode? This blogger will certainly be watching. Writer Heidi Thomas said of the pair's 'covert and difficult' relationship: 'These are two brilliant, intellectual women who have a deeply romantic friendship in the tradition of the great Edwardian romantics, which gives each of them endless stimulation and satisfaction.' She further teased to the Mirra: 'It causes a bit of a stir when it all comes out, but Blanche finds support and sympathy from an unlikely quarter.' Kingston, who previously described Blanche as 'complex and intriguing,' suggested that her character would 'fight against prejudices of the time' for her new love. 'She is quite a radical, very used to a free existence, and doesn't understand why she would have to conform to the beautifully-kept world they've created for themselves,' she explained.

Three days after the latest series of Top Gear began and the Gruniad Morning Star still haven't published a story about some mythical group of individuals being 'outraged' at some perceived insult to them, personally, over the opening episode. Truly, dear blog reader, we are living in The End of Days.

Bill Kenwright is to reprise his role of Gordon Clegg, son of Rovers barmaid Betty Turpin, in Coronation Street. The character will return to Weatherfield for the funeral of Betty - actress Betty Driver died late last year. Producers have since been working out how to best pay tribute to the actress and the character. Gordon Clegg was originally introduced as the son of Betty's sister Maggie Clegg (Irene Sutcliffe) who ran the Corner Shop. However, it was later revealed that Gordon was not Maggie's son at all but instead the secret love child of Betty herself. The character has featured on and off during the years with Kenwright's last appearance in the role in 1995. After which the character was played by Geoffrey Leesley in for several appearances in the early 2000's. The news of Kenwright's return to Coronation Street was made by Sharon Marshall on ITV's This Morning. Marshall revealed 'We've got a little announcement to make about Betty and the funeral plans. Betty's funeral will be screened in April. There's been so many rumours in the press, but there's only one person who they've actually asked to come back - and that's Bill Kenwright, who played her on-screen son.' Press reports had linked Julie Goodyear and Jean Alexander as possible returnees as well though the latter has declined returns on previous special occasions. A report earlier this year claimed that producers were not planning on bringing any characters back for the funeral but that was quickly contradicted. Kenwright, of course, is these days best known as the chairman of Everton and a successful stage and film producer.

Matt Smith has said that he probably won't stay in Doctor Who for as long as the seven years that Tom Baker played the lead role. Not that anybody has suggested for a single moment that he would. There is, at the moment, some confusion within a fandom as to how long,exactly, Smith wants to continue playing The Doctor caused by fans jumping on every single thing the poor lad says and picking it apart for clues. Some reports suggested that at the recent NTA awards Matt said he has 'no plans' to leave Doctor Who any time soon. Other reports claimed that he has 'just one year left' in the BBC series based on a throwaway line he gave in the same interview. Really it's all rather tiresome and it would probably be best if everybody just stopped getting so excited, shut-the-hell up and let the chap get on with his job and worry about what happens when it happens. Including this blog. But, anyway, the latest brick in the saga is the following: 'I just sort of take each year as it comes, really,' Matt told Blastr. 'We've got all the rest of this year to get through, and then we'll just sit down and review it from there and see where it goes. But I love playing the part, and I love working with Steven Moffat. I think there will need to be a younger, cooler person than me — or maybe an older, cooler person, who knows? But I don't think I'll be doing it as long as Mr Baker.' So, there you go. Clear as Matt Smith wants it to be. Everybody happy? No? What an unexpected surprise.

Tuesday nights continue to be Toxic Tuesday for ITV. The channel's miserable flop game show The Exit List dropped to a new low of 1.68m (with a further one hundred and twenty thousand punters on ITV+1). That's even lower than the 1.71m another of their game show formats, High Stakes, pulled in last year. The Exit List was beaten by not just BBC1, but also BBC2 and Channel Four (their documentary on the sinking of the Concordia which had an audience of 2.87m plus three hundred thousand on C4+1, almost double what ITV managed). The BBC's new drama Prisoners Wives launched with a somewhat underwhelming 4.9m. And, if you want a truly horrifying statistic, two hundred and eighty seven thousand desperate and wretched souls watched the opening episode of the second series of Geordie Shore on MTV.

Steven Moffat and Mark Gatiss are scheduled to appear at the Edinburgh International Television Festival in August, presenting a Sherlock Masterclass alongside the show's producer Sue Vertue.
BBC1's Question Time and Mock the Week have been criticised in a report about television diversity for featuring 'token women' on their panels. The shows were singled out, along with BBC2's Qi, for failing to put enough female faces on screen. Commissioned by the BBC for the Cultural Diversity Network, the report said there was a tendency in drama, comedy and entertainment programmes to feature older people as 'peripheral or token figures.' Viewers described them as 'props for other stories' rather than a central character. There was praise for characters such as the Dowager Countess from Downton Abbey, Patrick Trueman in EastEnders and Coronation Street's Betty Turpin for their positive portrayal of older people. But there was a mixed verdict on another BBC1 show, Strictly Come Dancing, with concern that older contestants such as Ann Widdecombe were only being included as figures of fun. 'Whilst Strictly Come Dancing was commended as a programme that included contestants from a range of ages it was also felt to sometimes mock and at worst be exploitative of certain older contestants,' said the report published on Tuesday. It was part of a trend in the media identified by viewers of mocking older people and characters in comedy and drama. A seventy two-year-old viewer, one of one hundred and eighty people of all ages who took part in the survey, said: 'We didn't like older people making a fool of themselves on telly, producers and directors are taking advantage and are using it for entertainment. An example of this would be Come Dancing. Its just embarrassing. I don't like seeing older folk being exploited.' The report said that viewers felt these presenters had been treated unfairly, 'particularly when they had been replaced with what people felt were less qualified but younger, more attractive women.' Viewers said older women were treated differently to older men, such as Sir David Attenborough, Sir Bruce Forsyth and a 'host of newsreaders' for whom their age 'appeared to be seen as advantageous.' One viewer said: 'Getting rid of all these older newsreaders, and bringing in young, glamorous kind of females, you're kind of forgetting the older person. Which they shouldn't because it's nice to grow up to older faces, and more mature faces, rather than just having women in their young twenties that haven't really got the experience.' he experience for what? To read an autocue? Jeez, the shit some people chose to care about. BBC Radio 1 DJ Annie Nightingale was referenced as an older presenter who had been 'ousted' from TV but continued to appear on the radio. The report said: 'There was concern that there were no female equivalents of David Attenborough and that male newsreaders were often much older than their female equivalents.' A panel of industry experts who took part in the survey acknowledged that TV programmes can sometimes portray older people as the 'adorable idiot.'

Meanwhile, TV viewers are largely satisfied with the portrayal of different age ranges in the media, a study by the Creative Diversity Network has found. Just seventeen per cent of those surveyed expressed 'mild dissatisfaction' with how the media deals with age in general. It follows the case of Miriam O'Reilly, who successfully sued the BBC for age discrimination after she was dropped as a presenter on Countryfile. The report said that age portrayal was 'less of a priority' than quality programmes. However, it showed some concern across all age groups about the lack of middle and older aged women on television. Director general of the BBC Mark Thompson said broadcasters should take note of any dissatisfaction expressed by viewers. 'There are lessons here for the BBC and the rest of Britain's broadcasters,' he said. 'We should also note the concern, expressed by older people generally, about the need for greater visibility for older women. While, of course, there are many older women presenters and actors across our airwaves, this is something that needs to be addressed.' The findings suggested that young people were far more concerned than the older generation about how they were portrayed on TV. In the poll, forty per cent of sixteen to twenty four-year-olds said they did not agree with the way their age group was represented in the media. The report said: 'Although there is perceived to be plenty of coverage of young people on television, much of this portrayal is viewed as unduly negative.' It added that young people are often seen to be involved in 'risky behaviours' and are shown to have a 'disrespectful nature.' However, the authors suggested that the timing of the poll, which was conducted around the time of the London riots last year, may have influenced young people's responses. The BBC's media correspondent Torin Douglas said: 'After all the headlines about Miriam O'Reilly and the lack of older women on TV, it's unexpected to find that it's young people who are most concerned about the way they are portrayed. And most people aren't that concerned at all - the report says only seventeen per cent of those questioned were dissatisfied with the way the media deals with age.' The Creative Diversity Network comprises of several media outlets, including the BBC, ITV, ITN and Channel Four. The BBC is the current chair of the body, and had championed research into ageism when it took on the role.

Plans for the launch of a new Sunday version of the Sun as a replacement for the Scum of the World have reportedly been put on hold following the arrest of four senior journalists connected to the paper. Known as Project X, the Sun on Sunday has been widely rumoured to be in the works for some months, including recent reports suggesting that late April had been earmarked for its launch. However, the Financial Times cites 'three senior insiders' at publisher News International as allegedly saying that the alleged project has been allegedly halted after raids by police on four senior journalists at the weekend. Allegedly. The men were named by colleagues as Graham Dudman, a former managing editor of the Sun, and Fergus Shanahan, a former deputy editor, along with the paper's current head of news Chris Pharo and the serving crime editor Mike Sullivan. They were all questioned by police on suspicion of corruption under the 1906 Prevention of Corruption Act, as well as aiding and abetting misconduct in a public office. A serving police officer was also arrested at the weekend, and all five men were bailed until April and May. The Financial Times said that News International is allegedly 'concerned' that the negative publicity surrounding the arrests would damage the launch of the Sun on Sunday. The paper would get the publisher back into the lucrative Sunday market following the decision to close the disgraced and disgraceful Scum of the World at the height of the phone-hacking affair. But one alleged 'source' allegedly said: 'It has gone way on to the back burner since Saturday.' Neville Thurlbeck, the former chief reporter of the Scum of the World, has even claimed: 'The launch of that newspaper is not even being discussed now.' News International declined to comment on the report.

David Harewood has claimed that there are better roles for black actors in the US than in Britain. Harewood, who plays the CIA's deputy director David Estes in Homeland, suggested that a lot of his British peers are travelling to the States for work. Speaking at a London BAFTA screening of the drama, he said: 'I think unfortunately there really aren't that many roles for authoritative, strong black characters in this country. We just don't write those characters - that's a fact. So a lot of my contemporaries are going to America. I kind of thought I'd missed the boat.' Harewood cited Idris Elba as an example of a British actor who had been successful in the US after a difficult start in the UK. 'I can remember talking to him years ago about his frustrations and he told me, "I'll go to America" and I thought, "What are you doing that for?"' Harewood said. 'Look at him now. The guy's a huge star. So he made the right decision to go when he did. And now he comes back and is doing Luther.' Harewood acknowledged that it took Elba 'a long time to crack it' but added: 'Now he can come back and he's a national treasure. For me, that's what I knew I needed to do because I simply wouldn't have been given a role of that weight or authority here in the UK.' Harewood, who has also starred in the movie Blood Diamond and the BBC television series Robin Hood, later admitted that he would 'encourage' young black actors to 'get to America. Or to at least try and have that ambition in your back pocket,' he continued. 'Because they do seem to embrace a more diverse palette and I think that's sad, but that's just the facts. I want to encourage people to get there as quickly as they can.'

WikiLeaks founder Julian Assange has been revealed as the surprise guest star in The Simpsons' five hundredth episode. Simpsons exec-producer Al Jean admitted that there had been 'discussion internally' on whether to use Assange and said that his cameo was 'satirical' and wouldn't alter his current legal situation. Assange was hunted down by casting director Bonnie Pietila after Simpsons creator Matt Groening heard reports that the political activist was interested in appearing on the long-running animated comedy. According to Entertainment Weekly, Assange recorded his lines in a secret location and didn't meet with producers because of his house arrest legal status in the UK. Assange is scheduled to appear on Wednesday at the Supreme Court to appeal extradition to Sweden for sex crimes allegations. The Simpsons' landmark five hundredth episode is broadcast on FOX on 19 February. It will be shown in the UK on Sky1 later in the year. In the episode, Homer and Marge will attempt to go 'off the grid' after discovering that the Springfield citizens want to have them removed from the town and are holding secret town hall meetings without them. While on the run, they will bump into Assange, who has been billed as their 'new Ned Flanders.' Al Jean has promised that there will be several more 'much less controversial' celebrity guest cameos in the episode.

A thirty three-year-old man has been prosecuted after he attacked three Toys R Us customers with toy lightsabers. Y'see, this dear blog reader is what Americans are driven to when they've got Piers Morgan on their TVs. When police arrived at the scene, David Canterbury from Hillsboro, Oregon began swinging his, ahem, 'weapon' at the officers. Oh, please tell me 'did the noise' as well! It only works if you do the noise! He had one lightsaber in each hand, reports The Oregonian. One officer's attempt to use a taser on Canterbury failed when he deflected the hit with a lightsaber. Police eventually overpowered and arrested him at the toy store. Hopefully using The Force. Considerably. Afterwards, Canterbury 'apologised' to everyone that he had attacked and stated he intends to undergo mental health treatment. None of the victims required medical attention although a couple were later heard muttering 'this isn't the man you're looking for, you can go about your business.' The man was sentenced to forty five days in jail for assault and resisting arrest. Canterbury has also banned from the Toys R Us store. And the Death Star.

For today's Keith Telly Topping's 45 of the Day here's a somewhat appropriate number from Sir Elt.

Tuesday, January 31, 2012

I'm No Clown, I Won't Back Down

The BBC has confirmed that crime drama The Body Farm will not return for a second series. The Waking the Dead spin-off starred Tara Fitzgerald as Eve Lockhart and Keith Allen as her ally DI Craig Hale. The first series was broadcast in September and October last year, but no further episodes will be produced, according to the Radio Times. While the series premiere attracted an audience of 6.3m, viewing figures had dropped to 4.3m by the sixth and final episode. Parent series Waking the Dead - starring Trevor Eve and Sue Johnston - drew to a close in April 2011 after nine series. At the time, Johnston, who played Grace Foley, said that she felt 'robbed' by the BBC's decision although, to be fair, the BBC had already made it clear that the main reason the series being cancelled was due to Trevor Eve's massive salary packet. 'I'm very sad about it,' she admitted in March. 'It was a lovely job. The show gets great audiences, it's sold all over the world and I don't quite get why it's going.' Because yer man Trev was getting a reported million smackers a series and, in case you hadn't noticed, the BBC have hardly got a pot to piss in these days, Sue. The Body Farm was made by BBC Drama Production in association with Eve's company, Projector Productions.

Oscar-winning US actress - and world class fruit-case - Shirley MacLaine is to join the cast of Downton Abbey for its third series as the mother of Lady Grantham. MacLaine - whose character is named Martha Levinson - will begin filming with the rest of the cast next month. 'It is so exciting to have an actress of Shirley MacLaine's stature joining our brilliant Downton Abbey cast,' said Laura Mackie, ITV's director of drama. 'It is a tribute to the show's success on both sides of the Atlantic. Julian [Fellowes] has written another brilliant character in Martha Levinson, who will be a wonderful combatant for Maggie Smith's Dowager Countess,' said Gareth Neame of Carnival Films. MacLaine has starred in more than fifty movies during her career which started in 1956 as nineteen year old in Hitchcock's The Trouble With Harry. She won an Oscar in 1984 for Terms of Endearment. She has been nominated for a further five Academy Awards - Irma la Douce, Some Came Running, The Apartment et al - appeared in a couple of yer actual Keith Telly Topping's favourite movies, Gambit and Two Mules For Sister Sara, and recently received France's most prestigious cultural award, the Legion of Honour. Her other movie credits include The Children's Hour opposite Audrey Hepburn, Steel Magnolias and Postcards from the Edge. Downton Abbey recently won the National TV Award for best drama and a Golden Globe for best mini-series. MacLaine will play the mother of Elizabeth McGovern's character, the American-born wife of Hugh Bonneville's Earl of Grantham.

It was good to see Whitechapel back on ITV on Monday night with something of a return to form after its hugely disappointing second series. The drama seems to work far better when dealing with Gothic horror as opposed to gangster stories. The episode pulled in an overnight audience of 6.6m viewers (including ITV+1 viewers) on a night in which ITV totally dominated thanks to two episodes of Corrie attracting just under ten million viewers each. The BBC couldn't cope with that with even EastEnders having a lower-than-usual 8.7m. The Royal Bodyguard closed its first - and, presumably, only - series with another lacklustre audience of 2.81m. It won't be missed. This was followed by Mrs Brown's Boys (5.39m).

Radio 5Live should provide more coverage of non-mainstream and minority sports, the BBC Trust has said. The station and its digital offshoot Sports Extra currently offer news and live commentary across twenty sports. However in a review, the Trust found up to two-thirds of 5Live's sport output in 2010-11 was football focused. The report added the station should spend more of its budget on news output in the future, to be representative of its seventy five per cent news output remit. 5Live and Sports Extra currently provides coverage on sports including cricket, golf, athletics, women's football, baseball, swimming and snooker. The Trust said while the current offering was a 'good starting point' it felt the station could 'increase its commitment' with a wider range included during peak listening hours. 'Although football will continue to be the most covered sport, other sports should receive more representation,' the report said. BBC management, in its submission to the trust, said 5Live would 'explore the possibilities' of reporting on swimming, extreme sports and American sports, depending on audience interest. BBC Trustee Alison Hastings, who led the review, told 5Live's Victoria Derbyshire she did not think it was 'sensible' for the Trust to specify which sports the station should be covering. 'But certainly during the Olympics, and perhaps at other times, you will be hearing a wider range of sport,' she said. The BBC Trust carries out an in-depth review of each of the BBC's services at least once every five years. It assesses performance, through public consultation and from responses from the broadcasting industry, against the service's remit and decides whether amendments are necessary. The review found 5Live was 'highly valued' by listeners, with a weekly audience of about 6.7m. It said news coverage on the station had 'breadth, depth, wit and intelligence' but said audiences were more likely to think of it as a sport network. The Trust said the station needed to do more to raise awareness of its news output and re-balance the spending towards news instead of sport. 'We recognise that sports rights and high-quality sports production can be expensive, however we feel that the balance of spend towards sports does not reflect the station's role to provide seventy five per cent news,' the Trust said. The report added a small proportion of the audience felt that, at times, 5Live had too much focus on trivial or less serious issues. The Trust said it would therefore like to see fewer 'non-news' features in news programmes, particularly when there was more important news in the agenda to cover. 'Audiences really value the fact that it's not wall-to-wall hard news all the time,' said Hastings. 'They like the tone. But if you're a programme that, maybe because of the time of day, is less likely to be doing more hard-driven news, you've got to think carefully about some of the regular features. Does that make the whole programme less "newsy" than it's meant to be?' Hastings said. 'It's great to see that 5Live's approach to news coverage and breaking news really stands out for listeners. We've set out ways in which we think 5Live could build on this to ensure that all of its journalism continues to meet the high standards that audiences expect.' A spokesman for 5Live said: 'We are pleased the report concludes the both 5Live and Sports Extra are performing well and are rated highly by our audiences. We will now consider the detailed findings and develop the plans to implement the report's recommendations.' In response to the report, RadioCentre - the self-interest trade body for UK commercial radio - said it welcomed the BBC Trust review, particularly 'measures to prioritise high quality news coverage and feature minority sport more regularly.' However, it added that the 'modest' nature of the changes represented 'a missed opportunity for the BBC.'

Conservative peer Lord Ashcroft concealed his involvement in a business that went bust with debts of around nineteen million quid, the BBC's Panorama has alleged. The programme claims that Lord Ashcroft misled the stock market and the media about his links to a Caribbean-based construction company. Lord Ashcroft has given more than ten million smackers to the Conservative Party. He said he has had no 'economic beneficial or legal interest' in the firm since he sold it in 1999. But the programme has obtained evidence that appears to show Lord Ashcroft continued to secretly control the company, Johnston International, long after that date. Johnston was one of the largest construction companies in the Caribbean, until it closed down without warning in June 2010. Panorama has spoken to fourteen former employees, who all say they were told, long after 1999, that Lord Ashcroft was their boss. One former employee, who did not want to be identified, said that Lord Ashcroft was often mentioned during meetings in the Johnston office. 'They used to refer to him sometimes as Michael Ashcroft and they would also refer to MAA, which are his initials. And they would refer to running things past MAA. No-one was under any illusions as to who that was. It was very clear that that was Lord Ashcroft.' The programme has also obtained dozens of faxes which were sent to Lord Ashcroft by the Johnston chief executive after the 1999 sale. They cover a seven year period and were all addressed to 'MAA.' The faxes update Lord Ashcroft on company business and ask for his instructions on major building projects. Lord Ashcroft then wrote his instructions on some of the faxes and sent them back. Creditors are owed around thirty million dollars following its collapse nineteen months ago. They include many former employees who have been left thousands of dollars out of pocket. George Mason Seymour, who worked for Johnston for thirty years, said the workers had been kept completely in the dark. 'All of us feel the same way right now because we all need money, we all got families, we've got school started a few months ago. We have bills to pay and there's nothing much going on.' At a creditors' meeting last September, Johnston's liquidators warned creditors that there was 'very little cash' left in the company. They also said that two million dollars should have been paid to the workers but had been transferred instead to the British Caribbean Bank, Lord Ashcroft's bank. British Caribbean Bank denies that this money should have gone to the workers. Through its solicitors, the bank says that the transfer of Johnston's assets was 'entirely proper' in 'every respect.' The bank says the assets represented security for loans: 'It is entirely unsurprising that such secured claims would rank in priority to claims by unsecured creditors, including employees.' Lord Ashcroft declined to be interviewed. But in response to Panorama's most recent questions, his lawyers said that he 'stood by every statement he had made' to the programme. They also said that Lord Ashcroft did not have 'any kind of interest' in the ownership of the Johnston group of companies. But Panorama had not asked Lord Ashcroft about the ownership of Johnston. The programme had asked whether he controlled the company - and that is a question he has repeatedly avoided answering.

Sky Sports has today secured four more years of live international and county cricket under a new contract agreed with the England & Wales Cricket Board. The satellite broadcaster's new deal ensures exclusive coverage of first-class cricket will remain on Sky TV, mobile and online. Replacing Sky's existing multi-million pound deal, which was due to expire in 2013, the new agreement runs from 2014 to 2017. Sky Sports will exclusively broadcast coverage of all England Test matches played at home, including the next home Ashes against Australia in 2015, along with series against India (2014), Pakistan (2016) and South Africa (2017). The broadcaster will also cover all England's One-Day Internationals and T20 matches, plus selected fixtures featuring England Lions and the England women's team. At least sixty county matches from domestic cricket will be broadcast on Sky Sports each summer, covering each of the major competitions in each county. 'This is good news for cricket and good news for viewers. Our viewers will enjoy a breadth of live coverage, at domestic and international level, and the ECB extends a partnership that has proved good for the game,' said Sky Sports managing director Barney Francis. 'Cricket is flourishing in England and Wales, with increased participation, record attendances and success for England's men and women. Through extending our partnership, the ECB can invest on and off the pitch and the game can continue to grow.' ECB Chairman Giles Clarke added: 'Sky Sports has raised the bar for all live television broadcasters with its innovative, informed and comprehensive coverage of cricket and we are very pleased to renew this agreement for a further four years. No-one should be in any doubt that our partnership with Sky has been of immense benefit to the wider game. World-class support structures for our successful England teams, major ground improvements at county level, a flourishing coach education programme and a 5% increase in participation at our "Focus" clubs are all by-products of this relationship.' The deal will take Sky's partnership with the ECB for live cricket into its twelfth consecutive year, and there is also an option for Sky to extend the deal for an additional two years to cover tours by India in 2018 and Australia in 2019. Last week, it was announced that Test Match Special will remain on the BBC until 2019, after the corporation agreed a new radio rights deal with the ECB to home England Tests.

Mad Frankie Boyle's controversial show Tramadol Nights has reportedly been dropped by Channel Four, according to the Daily Scum Mail. Boyle allegedly said: 'I was really happy with it, but you can see why they didn't want to recommission something that was getting them front page hatred, and I was a bit relieved. A six-week panel show takes six weeks to make. Because I was involved from storyboard to editing, Tramadol took over six months, and loads of that was late nights and six-day weeks.' The reports have also claimed that Boyle's planned chat show, Frankie Boyle's Rehabilitation Programme, will not be made into a series after a pilot was filmed last year. A Channel Four spokesperson allegedly described Tramadol Nights as a 'one-off' and confirmed that no more episodes will be made, adding that there are no plans to turn Rehabilitation Programme's 'non-transmittable pilot' into a series.

Steve Jones has revealed that he will not host The X Factor USA's second season. The thirty four-year-old Welsh presenter announced the news on Twitter, but did not give reasons for his departure from the programme. It was first rumoured that Jones was about to get the tin-tack from The X Factor last December, with alleged 'insiders' claiming that only a 'miracle' would save his job. Jones was said to be 'devastated' at the prospect of moving on from the show.

Channel Four has raided BBC News once again, hiring the deputy editor of Panorama to edit current affairs documentary strand Dispatches. Daniel Pearl will report to Dorothy Byrne, Channel Four head of news and current affair. Pearl is a former deputy editor of Newsnight and the BBC1 10pm news and in 2010 edited the BBC's prime ministerial election debate. Last year Channel Four News hired Newsnight's political editor, Michael Crick, and correspondent Jackie Long, and BBC World News America presenter Matt Frei. ITV News appointed Laura Kuenssberg, BBC News channel chief political correspondent, to be its business editor.

Screenwriter Andrew Davies has criticised BBC1's recent adaptation of Great Expectations. The three-part drama, based on the novel by Charles Dickens, was broadcast over the festive period - to general audience acclaim - and featured an all-star cast including Gillian Anderson, Douglas Booth, Ray Winstone, David Suchet and Vanessa Kirby. However, the Daily Torygraph reports that whinging old gasbag Davies has complained about the adaptation, which was written by Oliver Twist screenwriter Sarah Phelps. Davies, who has previously adapted classic novels such as Pride and Prejudice, Vanity Fair, Bleak House, Sense and Sensibility and Little Dorrit for the small screen, complained that the drama 'didn't really feel like Dickens.' Maybe that's why seven million people chose to watch it which is a bigger audience than anything you've written in the last decade, pal. Jesus, why is it in the television industry that everybody seems to think they have a duty to diss the hard work of others? 'With Dickens, you can leave characters out so long as you don't leave too much out,' Davies said. 'That was an adaptation of Great Expectations that left so much out it didn't really feel like Dickens.' Davies added: 'It had the story all right but it left the humour out. Taking the humour out of Dickens, it's not Dickens anymore.'

The coroner at the inquest on Wales manager Gary Speed has said that he cannot be satisfied that Speed intended to kill himself. Nicholas Rheinberg recorded a narrative verdict after hearing details of the ex-Premier League player's final hours. Speed's widow said that his job had strained their marriage and they had 'an exchange of words' the night before he died, which led to her sleeping in her car and later found his body hanging in the garage at their home near Chester. The coroner gave the cause of death as hanging but said 'the evidence does not sufficiently determine whether this was intentional or accidental.' Louise Speed said she had gone for a drive after they had words when they returned from a dinner party, but she could not get back into the house. Four days earlier Speed sent his wife a text talking 'in terms of taking his life,' but she said that she had 'dismissed' it because of their children. Mrs Speed said he did not leave a note. Detective Inspector Peter Lawless said Speed's computer and phone were checked for a note, and none was found. His friend, the former England captain Alan Shearer, who was with him the day before he was found dead, said that he had become aware there were 'issues' between the couple. Shearer, whose family went on holiday with the Speeds, said that he told Speed such issues were normal in a long-standing relationship. Shearer last saw his former Newcastle teammate at lunchtime on the Saturday before he died, when Speed appeared on the BBC's Football Focus programme. He said that Speed - who played for a number of Premier League clubs, including Leeds United, Newcastle, Everton and Bolton Wanderers - 'seemed fine' and was laughing and joking. He got the call with the news of his death the next day. 'It just didn't and still doesn't make sense to me,' said Shearer's statement. Shearer also said that his friend did not seem worried about anything and told him he would call him the following Monday and that they had been playing to spend the following weekend together playing golf. He also said Speed seemed to be enjoying the Wales manager's job. The hearing was told by the Welsh national team's GP, Dr Mark Ridgewell, that Speed showed no signs of stress and depression. Dr Bob Muggleton, the medical officer at Sheffield United - the club Speed managed before taking on the Wales job - told the inquest in Warrington that he had worked with him until 2010 and no mental health issues were raised during that time. The inquest was told about a dinner party hosted by a friend of Speed the night before he died, when he had appeared 'in good spirits.' Speed had been pushed in the swimming pool with his clothes on, along with other men, in 'scenes of good fun.' He had also been talking of booking a Christmas holiday to Dubai. Robert Bateman, the taxi driver who took the Speeds home, said everything had seemed normal and they were 'as normal as they always are.' The inquest was told Speed had alcohol in his blood, just over the UK drink-drive limit of eighty milligrammes. In a statement, Speed's mother Carol said her son had said that there was 'no greater honour than to manage his country in the game he loved.' She described him as 'a half-empty person' and 'certainly no optimist.' The phone call from her daughter-in-law was the 'worst moment of my life.' Mrs Speed arrived at the inquest in Warrington shortly before it began with a number of family and friends. The League Managers' Association is expected to release a statement on her behalf after the hearing. After news emerged of his death, tributes were paid to Speed from around the UK and the sporting world. Football matches around the country held minute's silences and applause, while fans of his former clubs left scarves, shirts, photos and flags in Speed's memory. Tributes were also left at the Millennium Stadium, Cardiff City Stadium and Wrexham's Racecourse Ground. The Football Association of Wales announced a memorial international friendly game against Costa Rica in Cardiff, which will be held on 29 February. Gary had earned the first of his eighty five Welsh caps as a twenty-year-old in a friendly against the Central American country in 1990. The former Premier League star, who had two sons, went on to become Wales' most capped outfield player, captaining his country forty four times and scoring seven goals. Earlier this month Speed's friend and former Wales teammate Chris Coleman was unveiled as the new Wales manager.

Nice to see that CNN, that 'internationally renowned newsgathering organisation' has such a great grasp of geography. Err, I think you'll find London's roughly where Norwich is in reality there, lads.
The Stone Roses bassist Mani has confessed that he didn't realise his tour advance payment would be so big. Mani revealed that he went to a cashpoint to withdraw money for food shopping recently only to discover that two million smackers had been deposited into his account, reports the Sun. They claim that Mani told his friends in Stockport: 'It's madness. I only went out to buy milk and things. I went to the cashpoint and someone has stuck nearly two million pounds in while I wasn't looking. The whole world's gone crazy. I could have fallen over backwards when I saw the balance.' Mani confirmed that the band were aware that they would receive an advance from the high sales of their reunion tour and festival dates, but did not know it would be as much as they have been given.

Which means there's only one possible candidate for yer actual Keith Telly Topping's 45 of the Day. And it ain't 'Money For Nothing' either.

Monday, January 30, 2012

What You Get, Is Just What You See

On Saturday morning, the police arrested four journalists who have worked for Rupert Murdoch. For a while, it looked as though these were yet more arrests of people related to the odious, disgraced and disgraceful Scum of the World but then it became clear that this was something much more significant. As the Gruniad's Nick Davies notes: 'This may be the moment when the scandal that closed the News of the World finally started to pose a potential threat to at least one of Murdoch's three other UK newspaper titles: the Sun, The Times and The Sunday Times.' The four men arrested on Saturday are not linked to the Scum of the World at all. They come from the Sun, and from the top echelons of its organisation – the current head of news and his crime editor, the former managing editor and deputy editor. No one has been convicted of anything, of course, as Davies is quick to point out. 'The four who were arrested on Saturday – like the twenty five others before them – have not even been charged with any offence. But behind the scenes, something very significant has changed at News International.' Under enormous legal and political pressure, Murdoch has ordered that the police be given 'everything they need' Davies claims. Whereas Scotland Yard began their inquiry a year ago with nothing much more than 'the heap of scruffy paperwork' seized from the Scum of the World's sordid private investigator, Glenn Mulcaire, Murdoch's Management and Standards Committee has now handed the police what Davies suggests 'may be the largest cache of evidence ever gathered by a police operation in this country, including the material that led to Saturday's arrests.' They have access to a mass of internal paperwork – invoices, reporters' expense claims, accounts, bank records, phone records. And technicians have retrieved an enormous reservoir of material from News International's central computer servers, including one particularly vast collection that, Davies adds, 'may yet prove to be the stick that breaks the media mogul's back.' It is known as Data Pool Three. It contains, Davies claims, 'several hundred million e-mails sent and received over the years' by employees of the Scum of the World – and of the three other Murdoch titles. Data Pool Three is said to be so big that the police are not even attempting to read every message. Instead, there are reportedly two teams searching it for key words: a detective sergeant with five detective constables from Scotland Yard working secretly on criminal leads; and thirty two civilians working for the Management and Standards Committee, providing information for the civil actions brought by public figures and for the Leveson inquiry and passing relevant material to police. For News International, Data Pool Three is 'a nightmare' Davies claims. Firstly, 'no one knows what is in there. All they can do is wait and see how bad it gets.' Secondly, the police clearly believe it may yield new evidence of the crimes they set out to investigate – the 'blagging' of confidential data from phone companies, banks, tax offices and the like, the interception of voicemails and e-mails, the corrupt payment of bribes to police officers. Thirdly – and, Davies adds, 'most nightmarish' from the news International point of view – Data Pool Three could yield 'evidence of attempts to destroy evidence the high court and police were seeking.' Data Pool Three itself, Davies claims, was apparently 'deliberately deleted from News International's servers.' If proved, such conduct would be extremely serious - it could see the courts imposing long prison sentences - specifically because its destruction could, Davies suggests, only 'have been sanctioned by senior employees and directors.' The Gruniad Morning Star revealed in July 2011 that police were 'suspicious' that a huge number of e-mails had been 'deliberately destroyed.' Since then, high court hearings have disclosed more detail. Late in 2009, News International decided to delete old e-mail from their servers. This appears to have been a simple piece of electronic housekeeping. However, the plan was not executed. During the summer of 2010, the actor Sienna Miller decided to sue the Scum of the World for, allegedly, hacking into her voicemail. At the same time, according to evidence in the high court civil claim, internal e-mails were being sent 'urging that the deletion plan be executed.' Still, for some reason, it was not. On 6 September 2010, Sienna Miller's solicitor, Mark Thomson of Atkins Thomson, wrote to News International asking them to 'preserve all the documents in your possession relating to our client's private life.' On 9 September, an internal message pressed for the e-mails to be deleted 'urgently.' As Mr Justice Vos explained in a judgment last month: 'Only three days after the solicitors for Sienna Miller had written their letter before action, asking specifically that the company should retain any e-mails concerned with the claim, what happened was that a previously conceived plan to delete e-mails was put into effect at the behest of senior management.' In December 2010, the Scum of the World's Scottish editor, Bob Bird, told the trial of Tommy Sheridan in Glasgow that the e-mail archive had been 'lost' en-route to Mumbai. Also in December, News International's solicitor, Julian Pike from Farrer and Co, provided the high court with a statement claiming they were 'unable to retrieve' e-mails more than six months old. On 7 January 2011, News International gained access to the evidence that had been assembled by Sienna Miller's lawyers. On 12 January, the company issued detailed instructions for the 'secure retention' of all relevant data. Later that month, News International handed three old e-mails to Scotland Yard, triggering the new police inquiry into phone-hacking. In the same month, Davies claims, a second 'significant' deletion is believed to have happened. By this time, the entire contents of Data Pool Three had been deleted. However, under pressure from the lawyers involved in the high court civil actions, News International were compelled to allow 'technical experts' to examine their servers. On 23 March 2011, Pike formally apologised to the high court and acknowledged that News International could retrieve e-mails as far back as 2005 and that none had been 'lost' en route to Mumbai. He claimed that he had been 'misinformed.' In October, technicians started to restore the millions of deleted e-mails. By December, the entire contents of Data Pool Three had been successfully recovered. The implications, Davies suggests, are considerable. On Saturday, as police searched parts of the Sun office, a press release from News Corp referred discreetly to an 'internal investigation into our three remaining titles.' The Times is already under pressure following an allegation that a reporter hacked into a target's e-mail to obtain a story. In an unexplained line in his statement to the Leveson inquiry, The Sunday Times editor, John Witherow, said 'a freelance journalist/researcher who has done occasional work for the paper was arrested on suspicion of breaching the Fraud Act. The police investigation is still continuing.' Whether more of News International's UK titles are about to be dragged into the police inquiry remains to be seen, Davies says. 'The threat is there: it may or may not materialise. Similarly, it is not yet clear whether police will find evidence that senior employees and directors did order the destruction of evidence.' Equally important, the police may find evidence of more victims who may want to launch more legal actions. 'At the outer reaches of possibility, police may find evidence of illegal activity by other private investigators, which could conceivably lead them to other news organisations who also hired them. Since Saturday morning, nothing is certain.'

So, from disgraceful odious tabloid scum, to Sunday's overnight ratings: It was, once again, BBC's night with Call The Midwife increasing its overnight audience for the second week running to 8.76m. It is now, officially, a monster! Birdsong finished with 5.29m whilst Top Gear returned for a new season on BBC2 with 5.1m (including a whopping eight hundred thousand on BBC HD). Call The Midwife peaked at 9.3m - the highest viewing figure of the day across all channels. Although it should be noted that at least one reader of the Sunday Post complained that it was 'unrealistic' as it looked like the 1930s, not the 1950s and claimed that she 'wouldn't be watching again.' So, that'll be one less viewer next week, presumably. ITV's Twatting About On Ice was soundly beaten for the third week running by its BBC opposition, pulling in 7.55m for the main show and 5.88m for the skate-off. Time for a career rethink, Ms Bleakley? In between, Wild at Heart was watched by 6.21m. Overall, BBC1's average for the night of 24.5 per cent was enough to earn it a primetime victory over ITV, which had 22.7 per cent.

It was a similar story on Saturday. ITV's risible, odious, oafish dating show Take Me Out had an audience of 4.32m viewers, a two hundred and forty thousand viewer decline from the previous week and over five hundred thousand lower than the season premiere. The Paddy McGuinness-fronted tripe pulled in an extra two hundred and twenty five thousand punters on timeshift. Mark Wright's Take Me Out: The Gossip interested a miserable five hundred and five seven thousand lonely souls on ITV2. Elsewhere on ITV, The Talent Show Story had an audience of 2.26m and The Jonathan Ross Show could only manage 2.47m at 9.30pm (with an additional one hundred and eighty thousand on ITV+1). BBC1's The Magicians, meanwhile, was watched by 4.19m at 6.35pm, and The National Lottery: Who Dares Wins followed with 5.12m, easily beating Take Me Out. The latest episode of Casualty was watched by 5.29m at 8.40pm. On BBC2, Keira Knightley film The Duchesss had an audience of 2.24m. On BBC4 the two episodes of Borgen again pulled in strong figures for the channel of six hundred and ten thousand and four hundred and eighty thousand respectively. BBC1 took the primetime honours with a 19.6 per cent average share, with ITV a somewhat distance second on 14.5 per cent.

And, speaking of ratings, here's the Top Twenty shows week-ending 22 January:-
1 Call The Midwife - BBC1 Sun - 10.47m
2 EastEnders - BBC1 Mon - 9.96m
3 Coronation Street - ITV Mon - 9.63m [+ 638k HD]
4 Emmerdale - ITV Thurs - 7.76m*
5 Twatting About On Ice - ITV Sun - 7.09m [+ 513k HD]
6 Birdsong - BBC1 Sun - 7.01m
7 Wild At Heart - ITV Sun - 6.68m [+ 537k HD]
8 Casualty - BBC1 Sat - 6.61m
9 Countryfile - BBC1 Sun - 6.48m
10 Mrs Brown's Boys - BBC1 Mon - 6.37m
11 Above Suspicion - ITV Mon - 6.32m [+ 6333k HD]
12 The National Lottery: Who Dares Wins - BBC1 Sat - 5.92m
13 Hustle - BBC1 Fri - 5.88m
14 Six O'Clock News - BBC1 Mon - 5.55m
15 DIY SOS: The Big Build _ BBC1 Wed - 5.42m
16 Holby City - BBC1 Tues - 5.38m
16 MasterChef - BBC1 Tues - 5.31m
18 Ten O'Clock News - BBC1 Tues - 5.16m
19 BBC News - BBC1 Sun - 5.07m
20 The ONE Show - BBC1 Tues - 5.02m
* = ITV HD figure not known. BBC2's highest performing shows were, of course, Stargazing Live (which gained audiences of 4.16m, 3.94m and 3.36m for its three episodes, including BBC HD figures) and University Challenge (3m). Channel Four's highest performer was One Born Every Minute (3.80m)

The BBC and Sky this week announced a landmark partnership deal that will bring the BBC's popular video-on-demand service iPlayer to up to five million Sky homes in 2012. The announcement means that later this year BBC iPlayer will be available to Sky subscribers directly on the living room TV. Using iPlayer, audiences will be able to enjoy the full complement of BBC programmes in a familiar, easy-to-use BBC iPlayer experience that helps audiences catch up on what they missed and discover new programmes to enjoy. A core BBC value is to reach all audiences on a universal basis, so Sky's plan to make Anytime+ available to customers regardless of their Internet provider is an important development in helping to bring BBC iPlayer to around five million new homes in 2012 – at no extra charge. BBC iPlayer has proven to be hugely popular with UK audiences since launching in 2007, delivering a record two billion TV and radio programmes in 2011. In addition to enjoying BBC iPlayer on the PC, audiences will soon have total freedom to catch up on BBC programmes on the TV. This deal builds on a substantial history of industry partnerships that have brought BBC iPlayer to platforms like Virgin Media, BT Vision, FreeSat, Freeview, Sony PlayStation, Nintendo Wii, and hundreds of mobile phones, tablets, and Internet-connected TVs. Launching on Sky Anytime+ completes a picture in which BBC iPlayer is available on every major UK television platform. BBC Director-General Mark Thompson said: 'Having the BBC and Sky work together to further build on the BBC iPlayer success story can only be fantastic news for audiences. Making BBC iPlayer available on all platforms is key to our commitment to universal access and this agreement takes us one step further towards that goal. I'm delighted to take this first step on a story of innovation for both organisations.' Jeremy Darroch, Sky's Chief Executive, added: 'Sky Anytime+ will go from strength to strength in 2012 and we are delighted that the addition of BBC iPlayer will allow Sky customers to enjoy the best of the BBC whenever they want.' Launching on December 2007 as a simple catch-up website, BBC iPlayer has helped pioneer TV on demand by offering audiences the opportunity to watch selected TV programmes for up to seven days after broadcast. BBC iPlayer has since evolved, adding more TV programmes; including entire series and films, radio programmes, live TV channels and radio station, programme downloads for offline viewing and personalisation features such as Favourites and recommendations. Variants of BBC iPlayer optimised for smartphones, tablets and connected TVs are also available, allowing audiences to catch-up or watch live wherever they are and on whatever device – offering access on the move over 3G and WiFi, or simple access via broadband on the living room TV.

At Wednesday's Oxford media convention, the culture minister, Ed Vaizey, promised to 'broker a meeting' between the soon-to-be-outgoing BBC Director General, Mark Thompson, and the maverick Tory MP Nadine Dorries to discuss the issue of gender balance in broadcasting. Two days earlier, he had replied for the government in a debate on this theme, initiated by Dorries, that was not without its bizarre moments. One was Vaizey's response to Dorries' lengthy Commons tirade against Andrew Neil, whom she accused not only of being 'sexist' and 'aggressive' on This Week (which 'almost every week features three ageing men and a token woman'), but also of 'looking peculiar.' Vaizey could not approve of her description of Neil as 'an orange, overweight, toupee-wearing has-been,' he said, largely because 'almost all those adjectives probably apply to me.'

Top Gear, as Jeremy Clarkson acknowledged in his opening monologue on last night's show, hasn't had a great time recently. There was all of that pointless, Gruniad-generated kerfuffle over Christmas's India special and, before that, another suspiciously concerted media campaign of desperately feigned 'outrage' over some comments Clarkson made on The ONE Show. So, perhaps mindful of causing more alleged offence to professional offence-takers, in this first episode of the new series they kicked off with a witty little 'wrong film' montage of highlights from the forthcoming series featuring a cute bunny rabbit. Then, the boys went to Italy to drive supercars - the closest thing to 'a sure thing' in motoring journalism. The premise was to find the best choice of car if you don't want a Ferrari. Not a question most people will be tossing in their beds over but that shouldn't be seen as a criticism as Top Gear has proved conclusively over the years that testing ridiculously expensive cars is far more entertaining telly than trying to be all sensible and doing 'proper' consumer pieces on Fiestas and Fiat Pandas. You can go to Channel Five for that. Or, actually, now, you can't. James May was in a Maclaren MP4, Jezza in a Lamborghini Aventador, The Hamster in a Noble M600. They learned some obvious lessons. All three cars were very fast. All were rather impractical on Rome's cobbled streets. All were fun to drive. Though one imagines that the Noble PR people will be a bit cheesed off that the model they gave Hammond broke down halfway through and had to be replaced. There were a couple of bright moments – such as when Clarkson was pulled over by the Italian police, not for speeding, but for 'working' on Sunday and he responded that this demonstrated why Italy was nearly bankrupt. One imagines some shit-scum louse in the Gruniad is currently scanning Twitter to see if any Italians were 'offended' by this comment so they can run another one of their shite-scum 'exclusives' on it. The trio ended up at Imola, to test each car against a lap time set by The Stig's Italian cousin in a Ferrari 458. Before the racing, there was a stunning montage of the track's history of horrendous Formula 1 crashes, which reached their tragic nadir with the death of Ayrton Senna in 1994. It was well done, and gave a richness to the driving that followed. History, risk, speed, beautiful machinery: all the joys of motoring, and a reminder that Top Gear, when it sticks to its purpose, can do it better than any other series.
Amy Childs has reportedly 'begged' to compete in next year's series of Twatting About on Ice. The former Only Way Is Essex wannabe, whose piteous reality show It's All About Amy has recently been given the boot by Channel Five, was told by producers that the 2013 run has 'yet to be discussed.' So, that'll be a 'no' then.

Alan Davies has announced his first UK tour in twelve years. The Qi regular will take to the road with his Life Is Pain stand-up show this autumn, following a stint at the Edinburgh festival. It follows a series of well-received gigs in Australia, which revived his interest in live performance. He told Graham Norton on his BBC1 show on Friday: 'I'm going on tour later this year. I haven't done a stand-up tour for twelve years. We went out to Australia and we did Qi Live, and while I was there I did a stand-up tour. It was great, I really loved it. I used to tire of touring and all the hotels but, actually, now I've got small children and I'm always exhausted I like being on my own. Plus, they provide half the material for this show.' Davies is playing the EICC while at the Edinburgh Fringe. The venue's programme will also include Jimmy Carr and Jason Byrne. Davies last appeared at the festival in 2005 alongside Bill Bailey in an adaptation of Neil Simon's The Odd Couple at The Assembly Hall. He performed stand-up at the festival in 2001, but didn't take that particular show on the road.

Former Doctor Who star and national heart-throb David Tennant has been named best actor at the inaugural BBC Audio Drama Awards. The awards, which were also hosted by Tennant, aim 'to celebrate and recognise the cultural importance of audio drama, on-air and online.' Tennant won for his role as Kafka in Kafka: The Musical. Rosie Cavaliero was named best actress as Ruthie, in Lost Property: A Telegram from the Queen. Lost Property: The Year My Mother Went Missing won best audio drama. It is the second in a trilogy of radio plays from acclaimed writer Katie Hims. The trilogy began with The Wrong Label, spanned sixty years, and charted 'one family's tragi-comic history of heartbreak and redemption.' The series was directed by Jessica Dromgoole. Cavaliero narrated the first two plays, before taking on the role of Ruthie in the final part. All three were originally broadcast on BBC Radio 4 in May 2011 and will be repeated next week.

Celebrity Big Brother twins Kristina Shannon and Karissa Shannon are reportedly developing their own reality show. The twins, twenty two (and, that appears to be their collective IQ age well as their age), are 'in talks' about filming a fly-on-the-wall series following their day-to-day lives in the UK, according to the Daily Lies. Yeah, why the Hell not? It's not like we don't have enough of our own, odious, pompous, full-of-their-own-importance desperate talentless wannabes swanning around in their own little celebrity-by-non-entity world with cameras trailing behind them like they were actually somebody without importing a few more.

When Harry Redknapp said 'I write like a two-year-old' at his trial for tax evasion last week, the Sun (for which he still, ostensibly, writes a football column) duly made it a page lead, though it adopted a less gleefully mocking tone than some of the other red-tops. Oddly missing from the paper's report, however, was the most telling example the Spurs manager gave of his being 'the most disorganised man in the world.' It was his recollection of a call from his accountant asking 'Harry, where are your payments from the Sun?' Redknapp claimed that he had vaguely assumed the payments had been banked. But, he said, that on contacting the paper he discovered 'they hadn't paid me for eighteen months.'

Coronation Street actor Anthony Cotton has reportedly exchanged heated words with two co-stars on Twitter. The Mirra reports the actor, who plays factory worker Sean Tully, exchanged 'words' with co-stars who criticised him for his constant name-dropping. Actors Jack P Shepherd, who plays David Platt, and Ryan Thomas, who plays Jason Grimshaw, were the other Coronation Street regulars involved. The Mirra reports that Cotton responded by claiming that Shepherd was a 'little irritant' who 'needs the money more than me.' Tweeting about Thomas, Cotton wrote his I'm A Z-List Former Celebrity ... friend Mark Wright had 'hoovered up' of all of Thomas's personal appearances. Shepherd tweeted, about Cotton's comments: 'That's not banter, it's an insult.' During Cotton's recent stint on I'm A Celebrity Z-List Former ... the actor was criticised, via Twitter, by former co-star John Thomson who described Cotton as 'trouble with a capital T' to work with.

Some nice news now. Frank Skinner has told his radio listeners that is to become a father for the first time at the age of fifty five. On Absolute Radio today, Skinner cleared his throat and said sombrely: 'I have something of an announcement to make. I'm going to be a father.' Co-presenter Alun Cochrane congratulated him, but asked: 'Are you paranoid of any jokes you've made about ageing fathers in the past?' Skinner, who has just became the host of BBC2's Room 101, replied: 'The way I'm seeing it is that I probably won't have to deal with those difficult teenage years.' He added: 'I've already made certain pledges. It means I'll be up for the show a lot earlier and things like that and what I'm saying to the listeners is - get knitting.' Skinner is expecting the child with long-term partner Cath Mason. From The North sends our congratulations to the expectant couple.

If tweets from their former Newsnight colleague Michael Crick are to be believed, then last week's showcasing of Paul Mason's erotic writing led to Jeremy Paxman talking of putting Mason forward for the annual Bad Sex award. In which case, he may need a passage as back-up, as ancient Mongolian-style sex on horseback could well strike the judges as trying too hard. Luckily, Mason provides several similar passages in his raunchy thriller Rare Earth, including one that begins: 'He plunged three rough fingers down the front of her jeans, making her squeak.' Yeah, well, it's happened to us all. I tend to suggest using some form a lubrication, personally. Some time later, after an encounter involving a 'white sheepskin rug', 'two thousand milligrammes of Man's Treasure' and the ecstatic exclamation 'Your chrysanthemum will change shape permanently!' the chapter ends with Chun-li, the female party in this particular knee-trembler, departing after simultaneously seducing, drugging and extracting information from her coital partner. Has anybody told the Leveson inquiry about this? Surely, a public interest defence here would be sketchy at best.

The Happy Mondays will re-form for a month-long tour in May, singer Rowetta Satchell has confirmed. Rave! On! (Err ... I imagine, they'll be opening with that!) Rowetta told BBC Radio Manchester the group had been in talks 'for a long time', but made the final decision to reform last week. Although the Manchester band have reformed previously, this will be the first time that the original line-up has played together since 1992. 'We want to put on a really good show,' Rowetta told Darryl Morris. All seven of the band's classic, late-80s-early-90s line-up met last week to 'see if they could sit in a room together', Rowetta said, referring to several incidents in the band's acrimonious past. She said that the drive to bring the band back together had come from lead singer Shaun Ryder and his manager. Which, one assumed, means that his money from appearing in I'm A Z-List Former Celebrity ... has finally run out. 'We decided it would only be special and work if it was the total, original line-up,' she said. Which is, of course, ironic as Rowetta wasn't in the original line up, she only joined in 1989! 'We're all really excited. They are my family, these boys; I've really missed them. And I'm sure they've missed each other.' The band, who were at the forefront of the baggy Madchester scene, formed in 1980, with Ryder as their frontman. The original band also included Ryder's brother Paul on bass, guitarist Mark Day, keyboard player Paul Davis and drummer Gary Whelan. They were subsequently joined by dancer Bez Berry and, later, Rowetta. Discovered by music impresario Tony Wilson, they went on to release the CDs Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), Bummed, and their masterpiece Pills 'N' Thrills And Bellyaches, before disbanding after 1992's disastrous Yes Please! They have previously reformed twice, most notably in 1999, but split again in 2001, with Paul Ryder vowing never to perform with his brother again. A further incarnation of the band followed in 2004, but with only Shaun Ryder, Bez and Whelan from the original line-up. Rowetta said the band would be rehearsing throughout April, but denied there were currently any plans for them to support the reunited Stone Roses at Heaton Park. 'It's up to The Roses. As long as we've not killed each other by then, we'd be up for it.'

Which, nicely, brings us to today's Keith Telly Topping's 45 of the Day. And, on a thoroughly miserable Monday like this one, it's time to get some Happy in the house. Happy Mondays' in the area. One Louder. Yippie, yippie, aye-aye-ay.
Aw, bugger it, let's have 'WFL' as well!