Saturday, July 07, 2012

Caught In The Devil's Bargain

Newly-released images from a Doctor Who series seven episode appear to confirm the return to the series of two popular characters. But, since this news might be considered by some dear blog readers as yer actual spoilers, Keith Telly Topping is going to give you all the chance to look away now if you don't want to know the results. In the meantime, here's a picture of some kittens.
And, now we're done. Anyway, the pictures show a Sontaran in a butler's attire and The Doctor's Silurian friend Madame Vastra (played by the excellent Neve McIntosh) dressed in a black veil, both on the set of the BBC's popular long-running family SF drama. Madame Vastra had been rumoured to be returning to Doctor Who when images of her human maid (and inter-species lesbian lover) Jenny (Catrin Stewart) on set also appeared online. That should give the Daily Scum Mail something to whinge about. Which, is always a good thing. The popular duo of Vastra and Jenny made their first appearances in series six's A Good Man Goes To War. They will be returning for a Mark Gatiss-written episode, which is to broadcast in 2013. McIntosh recently publicly denied that she was to appear again in Doctor Who, when she tweeted: 'No-one's asked me [to come back].' Ooo, you little fibber! Dame Diana Rigg and her daughter, Rachael Stirling, will also be appearing in the episode, but the exact nature of their roles is not yet known.
DVD sales are directly funding some the British film industry's biggest hits, new research by the British Video Association suggests. Its report says the UK video industry 'contributes more to the finance of film and television content than any other single source of revenue.' Hit film The Inbetweeners was given the go-ahead following strong DVD sales of the Channel Four TV series. The film went on to make more than half of its revenue from video and DVD sales. The comedy, which cost around £3.5m to make, earned more than forty five million smackers at the box office worldwide last year - becoming the most successful British comedy to date. In December 2011, it became the third fastest-selling video release of the year, after Harry Potter And The Deathly Hallows Parts 1 and 2. A report released by the British Video Association on Friday estimates that forty seven per cent of feature film revenue comes from video sales and rentals, significantly boosting homegrown film success. BAFTA award-winning documentary Senna made sixty two per cent of its revenue from video, compared with just six per cent at the box office. Similarly Simon Pegg's SF comedy Paul made sixty per cent of its revenue from video, compared to just seventeen per cent at the box office. 'As the BVA's report shows, video continues to be a critical part of the film industry's ecosystem and a significant driver of revenue,' said Eddie Cunningham, of Universal Pictures. 'Paul and Senna are two great examples of British filmmaking at its best, and the revenue generated from video is hugely important in helping British producers like Working Title re-invest back into production and continue to create great films,' he continued. TV series and children's productions are also heavily reliant upon video sale revenue to bolster industry turnover. Critically acclaimed TV series such as Doctor Who, Sherlock and Planet Earth generate huge profits from video. Half the total revenue of Doctor Who is estimated to come from video sales in the UK and abroad. Planet Earth has sold some seven million DVDs worldwide - allowing profits to be re-invested in follow-up series such as Frozen Planet. Similarly, strong sales of series one of Downton Abbey on DVD paved the way for future series of the popular ITV drama. Last year, the amount spent by consumers on video entertainment - a total of £2.3bn - was more than that spent on cinema and music combined, with sales of DVDs accounting for the biggest share. At present, the British Video Association expects discs 'to remain the consumers' preferred option for the foreseeable future,' but the digital sector - whilst small - continues to show growth.

The Beard of Despair, well known horrorshow (and drag) Noel Edmonds has reportedly signed a deal to present a new BBC entertainment series. The Deal or No Deal host is said to have agreed to return to front a primetime BBC1 show for the first time since Noel's House Party ended in 1999, reports the Sun. Alleged 'insiders' allegedly claim that a 'campaign of heavy-duty flattery' was used to sign the odious Edmonds for the new Saturday night show. The Bodyguard will see 'contestants becoming celebrity minders' by taking on a series of challenges. Whether they will be tooled up and packing heat is not, at this time, known. The pilot of the show will be filmed at Elstree Studios this month, and is created by Endemol, the company behind Deal or No Deal. An alleged 'friend' of Edmonds is allegedly quoted as allegedly saying: 'Noel back on Saturday nights is obviously a big draw for the BBC - and to be fair it's a big deal for Noel too. He has softened in his view of the Beeb, and all the House Party stuff was a long time ago now.' No, I don't believe this quote either for the simple reason that The Beard of Despair hasn't got any friends. Edmonds worked at the BBC for around thirty years before he quit in 1999 and took his dubious talents elsewhere. He has since presented one-off programmes for the corporation, including a special National Lottery show six years ago. 'Noel wasn't sure he wanted to do it,' the alleged source allegedly added. 'He is busy with Deal Or No Deal and a lot of baggage comes with him returning to the BBC. He's enjoyed working in the commercial sector and doesn't need the money. But he has agreed to do this and we all hope it will work out. But the BBC should probably not count their chickens yet.' Pro-celebrity Chicken Counting on BBC1, A new format from the Edmonds hit factory there.

There's no point in asking you'll get no reply, as it were. The presence of John Lydon on Thursday night's Question Time, broadcast from that seat of rebellion Derby, seemed to offer the guarantee of profanity, controversy and danger. Younger viewers were doubtless wondering why a public fondness for butter should be sufficient qualification to appear on a current affairs discussion programme. But, for others Lydon's appearance prompted some mouth-watering speculation. Would the programme makers ditch the usual theme tune in favour of a few bars of 'Pretty Vacant'? No such luck – the producers were presumably waiting to use that for Chloe Smith's next appearance. How would the man who had been so dismissive of Her Majesty, dismissing her as the product of a fascist regime in 'God Save the Queen', treat the near-regal Dame David Dimbleby – another beneficiary of the hereditary principle? The producers had initially hoped to include Lydon during Jubilee week but diary clashes (not dairy, thankfully) meant he had to wait till this edition. He joined the likes of cheese fancier, Blur bassist and odious tosser Alex James, Jarvis Cocker and Will Young as pop star guests on the current affairs show. Lydon, sitting beside Louise Bagashite Mensch, began well. Wearing a shirt that appeared to have been made from an old tent and which was unzipped so far that it offered regular flashes of nipple, he earned a round of applause almost with his first banker-bashing words. It was not a surprise to hear someone on the programme confessing 'I did serious drugs and it messed with my head.' The surprise was that the revelation came from Mensch in a last-ditch - and rather desperate and needy - attempt to capture the audience's attention. Sharing the limelight with Lydon was sometime Have I Got News For You chair and Labour MP Alan Johnson. It was, in some ways, a tragic sight: someone once lionised as a genuine working-class hero, who had inspired such hope, now reduced to sad caricature. But whilst Lydon was on eccentric but entertaining form, Johnson was disappointingly serious. There was little hint that this was the failed rock star whose song 'I Have Seen', written in 1967, had eerily predicted Bob Diamond's testimony this week with its lines: 'I've been walking around with my eyes closed, preferred to see the things I like the most.' Johnson, like fellow panellists Ed Davey, Dominic Lawson and Mensch, were largely reduced to backing players for the main act. Lydon was the latest occupant of the wild card seat on Question Time – guests selected less for their expertise on politics and more for the hope they will create vivid car-crash television, such as the time Carol Vorderman physically morphed into Melanie Phillips in front of a suitably horrified audience. Those hoping for a genuine Bill Grundy moment, however, were to be largely disappointed. The Lydon on display was for the most part deferential to Dame David – at one point he even apologised for being rude. The veteran presenter got off rather lightly compared to Channel Four youth host Terry Christian described on a 1991 episode of The Word by Lydon, not entirely inaccurately, as 'a very tedious, typical Manchester gobshite.' Lydon was not the first failed reality television star to appear on Question Time – George Galloway was on only a few months ago – but his appearance showed the limitations of inviting rock stars who know more about playing to the crowd than quoting facts. 'I'm just a bystander who knows nothing,' Lydon said with appeal frankness at the start of one answer, though it didn't inspire huge confidence in the rest of his contribution. The best line of the night came not from the panel but a member of the audience who declared that bankers had 'put voters in dire straits.' For an old punk that must have sounded like a fate worse than debt.

An influential committee of MPs has recommended that all private investigators in the UK should be licensed or registered to prevent the kind of 'rogue' behaviour exposed in the phone-hacking affair. The way in which private detectives work with journalists and the media to unearth information on people has been in the spotlight ever since the hacking affair erupted last year. Much focus has been on Glenn Mulcaire, the investigator jailed in 2007 for intercepting the voicemails of high-profile figures and members of the public on behalf of billionaire tyrant Rupert Murdoch's Scum of the World. MPs on the Commons Home Affairs committee said on Friday that two thousand and thirty two private investigators are currently registered as data controllers, but industry estimates suggest that as many as ten thousand people are operating in the sector. Their report warned that it is 'getting easier' for anyone to advertise themselves as a private investigator, as modern communications and cheap surveillance devices put the profession more within reach. But the industry remains unregulated, posting a number of 'serious risks', warned the MPs. Motorman files, revealing thousands of alleged requests by journalists for information on people from the investigator Steve Whittamore. The full extent of these records has not yet been released to the public, despite various calls from campaign groups, but they have been submitted to Lord Justice Leveson's inquiry into media ethics and standards. The Home Affairs committee has recommended that the government should adopt a 'robust licensing and registration system' for private eyes as soon as possible. The MPs said that people working in the sector should be liable to a new Code of Conduct for Private Investigators, and those with criminal records should be automatically disqualified. All dealings between police and investigators should be recorded, said the committee, and there should be a 'one-year cooling-off period' before a serving police officer can enter the investigation industry. This is particularly because the MPs found that sixty five per cent of private detectives are former police officers. While recognising the 'honest contribution' made by most private investigators, the report said that some were involved in 'an illegal market in personal data.' Keith Vaz, the chair of the Committee, said that the hacking affair and other events have 'thrown light on the sometimes shady world of private investigators. We have found that rogue private investigators are the brokers in a black market in information. They illegally snoop on our data, cash in on our private lives and only get away with a paltry fine,' he said. 'The public must be assured that those acting as "private investigators" are subject to stringent checks, act under a code of conduct, and will face tough penalties if they step out of line.' Vaz added: 'It is also time for the link between private investigators and our police forces to be broken. Officers must be compelled to declare any dealings with private investigators and be subject to a cooling-off period before they can move from the police service to the private investigation industry. It is time this industry was regulated, so that the honest majority can get on with their work. We expect the government to act urgently.'

Lord Justice Leveson will find out whether newspapers are divided or united over proposals for a new press regulator that will be able to levy fines of up to one million knicker for breaches of ethical standards. He has used his powers under section twenty one of the Inquiries Act 2005 to order newspaper editors to say whether they agree with the detailed proposals submitted last month by Lord Black of Brentwood for regulation of the press. Black, the chairman of the Press Standards Board of Finance, will appear as a witness on Monday when the inquiry resumes for its final phase which centres on future press regulation. Also appearing on Monday is Lord Hunt (no relation), the chairman of the Press Complaints Commission, which is being phased out. Black set out plans last month for what he described as an 'entirely different' regulator with a new structure and powers to punish errant newspapers and incentives to ensure every newspaper agrees to supervision. Soft-core pornographer Richard Desmond's Daily Scum Express and Daily Lies, which are not in the current PCC system of regulation, would under the new system risk being banned from taking advertising and using Press Association news wire services if they did not join the proposed regulator. These proposals are unlikely to have unanimous backing by newspaper editors and the body for the Incorporated Society of British Advertisers has already questioned how a ban on advertising for errant newspaper owners could work in practice. Next week the inquiry will also hear from other regulators including the Irish ombudsman, Professor John Horgan, and Ed Richards, the chief executive of Ofcom. Horgan and Hugh Tomlinson QC, who has been involved in behind-the-scenes round-table discussions among newspaper groups on future reforms, will give evidence on Friday as will Professor John Curran and Angela Phillips of the Co-ordinating Committee for Media Reform. The National Union of Journalists general secretary, Michelle Stanistreet, will appear at Leveson on Tuesday when Martin Moore of the Media Standards Trust is also giving evidence.

Sean Lock and Jon Richardson are to embark on a travel series for Channel Four, in which they have to live in the wilds of America. The Eight Out Of Ten Cats team captains will explore 'places corporate America fears to go' in the series, titled Hillbilly Holiday. Over three hour-long episodes they will go alligator-hunting with the cajuns of the Atchafalaya Swamps in Louisiana, pan for gold in Alaska and brew up moonshine in the Blue Ridge Mountains. A Channel Four spokesman said: 'Staying a week in each location, they will need to win over the locals who often ain't too keen on outsiders. They'll need to pepper the gumbos of red-necked survivalists, dill the pickles of Baptist snake-handlers and be educated in the ways of a nudist hog-trapper.' Channel Four's head of factual Ralph Lee said: 'Lucky bastards! It's one of the hardest parts of a commissioner's job to send other people on journeys you'd really like to go on. But we'll make sure they have a properly hard time and insist that it's all got a profound anthropological purpose.' Channel Four Head of Entertainment Justin Gorman added: 'It's a brilliant project. Sean and Jon are amazing talents and we will get to see a whole new side to them. Meanwhile, Richardson and Lock are to go head-to-head in another celebrity Countdown special. It follows the Eight Out Of Ten Cats version of the quiz show that was broadcast on Channel Four's Mash Up earlier this year. In that clash, presided over by Jimmy Carr, Richardson triumphed forty five points to twenty one.

Keith Allen's Princess Diana documentary has been postponed. Allen's Unlawful Killing, which questioned the circumstances surrounding Diana's death, was unofficially screened at Cannes last year. A spokesperson for the film told the Sun: 'Unlawful Killing has been sold all around the world. But there was a specific form of insurance needed by the US distributors to cover them for their French and UK offices. This proved impossible to secure. The film has been withdrawn in perpetuity.' Director Allen had originally suggested that Unlawful Killing would be screened in London, while conceding that a UK release would always be 'doubtful.' The fifty nine-year-old refused to censor the film, which contained a dying photo of the former Princess of Wales. The project had the financial backing of Mohamed Al-Fayed, the father of Diana's partner Dodi Fayed.

A woman has admitted smashing a window at Wee Shughie McFee, the sour-faced Scottish chef off Crossroads' West London home with a broken brick. Leanne Zaloumis, of Catford, South-East London, attacked his Holland Park mansion on 24 March, Isleworth Crown Court heard. She was granted bail but forbidden from contacting Wee Shughie McFee, the sour-faced Scottish chef off Crossroads or going within three hundred yards of his home, or The Crossroads Motel. Zaloumis admitted intent to damage or destroy property but denied two other counts of affray and burglary. The not guilty pleas were accepted by the Crown. The court heard that Wee Shughie McFee, the sour-faced Scottish chef off Crossroads, was watching television in his bedroom when he heard a 'loud bang' from his bathroom. Which, at first, he thought was Dannii Minogue. When police subsequently arrived they found Zaloumis hiding inside a walk-in wardrobe at the mansion. Zaloumis was also said to have stood on Wee Shughie McFee, the sour-faced Scottish chef off Crossroads roof, yelling at him and hurling items at his bathroom window. Wee Shughie McFee, the sour-faced Scottish chef off Crossroads called his staff for help and was taken back to his bedroom during the incident, which happened at about 22:30. Judge John Denniss did not sentence Zaloumis because of administrative delays. Bail was granted because she has already served three months in custody. Zaloumis was also ordered to wear an electronic tag.

Sky is reportedly looking for a stand-up to front its next big sitcom, in the hope of replicating the success of hit comedies such as Seinfeld. The broadcaster's head of comedy, Lucy Lumsden, says that she is now looking for a 'second phase' of programmes that could be more satirical or anarchic than the family-orientated comedy-dramas that have so far provided the bulk of her output. 'I want to do an audience sitcom next,' she told an audience at the British Film Institute on London's South Bank this week. 'Now is the time to do something that might have some banana skins in it, now we've got a strong basis to build on. I'm looking at Seinfeld, Miranda, Not Going Out, looking at the stand-ups who go out and fearlessly feed off the audience every night.' She said that traditionally commissioners had put more emphasis on the writer than the performer, but vowed: 'I'm going to do it in a different way, which should be quite exciting.' Building sitcoms around stand-ups' personas or their stage act is common practice in the States, spawning such hugely successful shows such as Everybody Loves Raymond, Roseanne and Home Improvement. Lumsden left the BBC for Sky three years ago, as the company moved into commissioning home-grown comedy shows. She admits that her slate so far – which includes Spy, Stellar, the abysmal Trollied and The Café – erred towards a conservative tone. 'We needed to land quite strong, with shows that appealed to broad audiences,' she said. 'But now we're really craving something with a different flavour, something more anarchic – Chickens [the Second World War comedy starring Simon Bird and others] might be one of those. We were lucky that Channel Four passed on that pilot.' She added: 'In Phase Two we will also do lots more with new talent. We have Comedy Republic coming on Sky Atlantic, which is ten, ten-minute shows for the next generation of character comedians. They may be catchphrase-led, but not necessarily.' The strand may prove a similar gateway to Little Crackers, the Christmas series in which established comedy names made autobiographical shorts based on their childhood. It was the first thing Lumsden commissioned for Sky that made it to air – in December 2010 – and was followed with a second series last year and a third to come. 'I'm obsessed by autobiography, and pre-fame stories interested me a lot,' she said. 'Little Crackers was a bit of a calling card to let people know we were in the market. Some comedians directed their own, too, which gave them a bit of extra creative freedom.' She said that she was now more proactive in seeking out the comedians and writers she wanted to commission than she was at the BBC. 'We'd been a bit passive at my old job, waiting for stuff to land on my desk,' she admitted. 'At Sky I've been more pushy about identifying what talent I want to work with, and with twenty years in the business I had a pretty good idea. It's like fly fishing, as opposed to being on a trawler. When I left the BBC, they said, "We'll never see you again; you won't be at the awards ceremonies because it's Sky." But Sky told me "don't fear failure" – and said there was money to play with. And at the BBC you look back at this immense legacy. It was refreshing not to have that at Sky, to start from scratch.' She said that she had 'a clear idea' of the sort of shows she wanted to make. 'I like people who have the courage to write something about their normal life,' she said. 'And it was important to us that the commissions reflected modern Britain, so customers didn't just turn to Sky 1 for a window on American culture. 'We had these massive precincts – like the supermarket or families – so people would get a strong sense of place. Love is pretty much at the heart of all our shows too. I'm not obsessed with it, and there will be room for other styles but I felt we needed that in comedy. We want people to watch Sky 1 and feel better about themselves. A return to family values felt very important. I also want to try to ensure people watch TV as a family, not in their individual bedrooms, but sharing a laugh.' She said that she was also keen to add more regional voices to the Sky output, with shows such as Stella set in South Wales or Mount Pleasant set in Manchester. 'I'm not anti-Cambridge Footlights, but there's a feeling sometimes that in British comedy that we're stuck with the same voice,' she said. 'People come through Cambridge, then Radio 4, then BBC2.' And she added: 'If I'm cynical, the regional settings are a shortcut to having characters with a strong identity.' She also defended Sky's tendency to use established names. 'What I've learned is that the pool of talent is not huge,' she said. 'I'll take calculated risks and will really back talent – Ruth Jones got ten hour-long episodes without a pilot – but I won't do that with everyone.' But she said that with writers, past experience in the business was less important. 'For writers, new talent is different,' she said. 'If you've got a great voice and something to say, it doesn't matter what you've done before. It's all about the voice.' Citing Spy's writer Simeon Goulden, who had only written a few Armstrong & Miller sketches and two episodes of Secret Diary Of A Call Girl before his script was picked up, she said: 'Almost all of our shows are written by the new crowd. We all want to hear something that changes the record a bit.' Lumsden also said that after big rafts of commissions for Sky1 and Sky Atlantic, the female-skewed Sky Living would be her focus for the next year. The Joanna Page sitcom Gates – about a group parents – is the among the new comedies coming to that channel. And she said she hopes to expand on the Comedy Playhouse pilots which were broadcast on Sky Arts, possibly with a series of Nixon’s The One, which The Simpsons star Harry Shearer wrote from genuine transcripts of secret tape recordings made by the former US president.

Jason Manford performed before some familiar faces on Thursday in his new role as an Italian barber in West End musical Sweeney Todd. Downton Abbey stars Michelle Dockery and Brendan Coyle were among those watching the former host of The ONE Show make his official debut at London's Adelphi Theatre. Manford will play Adolfo Pirelli until 27 July in the Stephen Sondheim show. The comedian told the BBC News website it had been a nerve-wracking evening. 'It's so far out of my comfort zone,' said the thirty one-year-old after his performance, revealing it felt 'weird being nervous about an audience again. I'm not used to people being on stage with me who are already brilliant at it,' he continued. 'To be on stage with Michael [Ball] and Imelda [Staunton] in your first play, you couldn't ask for better. But in many ways there's no pressure on me. I don't feel people are sat there going, "I wonder when Jason Manford comes on."' Ball plays the title role in the critically acclaimed musical, which tells of a London barber who shaves, then murders, his customers. Staunton co-stars as Mrs Lovett, a pie-shop proprietor who finds a grisly use for his numerous corpses. Manford's role - played by Sacha Baron Cohen in Tim Burton's 2007 film version - is a relatively small one, featuring in two scenes and a climactic encore. 'I'm dead by half eight,' Jason noted. 'If it weren't for that ballad at the end, I could probably get my train home.' Yet the Salford native still pursued the role because he wanted to do 'a proper musical I could get my teeth into. You couldn't just put Dean Gaffney in the part,' he says of the preposterous Pirelli. 'I get to sing a proper song. But then it changes,' he notes about his character, who is revealed to have a hidden side. 'You've got to be a bit darker and angrier, and more threatening.' Manford's musical debut comes almost two years after his high-profile departure from The ONE Show in the wake of tabloid newspaper revelations about his private life. During his stint as presenter, Manford contentiously criticised the BBC for editing out a joke he made during a televised charity concert at which he performed. Pointedly perhaps, The ONE Show does not feature on his list of credits in the Sweeney Todd theatre programme. Manford denies he had any 'game plan' in accepting an engagement so markedly at odds with his previous experience. 'I got the job the same as anyone else really,' he shrugs. 'I asked for an audition and got one.' Having made the leap into professional theatre, though, the comedian admits he has been bitten by the theatrical bug. 'I've got TV commitments and I start touring next year, but I'd definitely like to do something for longer,' he reveals. Sweeney Todd, originally seen at the Chichester Festival Theatre continues at the Adelphi until 22 September. Robert Burt, who is spending July appearing at Glyndebourne, will return to the production at the end of Manford's four-week stint.

Let's Get Gold judge Rio Ferdinand has said that he 'would consider' a TV career in the future. Well, since he's not going to be getting the call from England any time soon, that might be a potential career choice.

International football transfer numbers and player buying fees have fallen sharply worldwide in the past six months, says governing body FIFA. Completed player deals fell by nine per cent in the first six months of 2012, but their total financial value plunged by more than a third, falling by thirty four per cent. Total income from fur thousand nine hundred and seventy three transfers around the globe was five hundred and seventy six million dollars. The drop may be due to continued global economic problems and the forthcoming UEFA financial fair play rules or the fact that many clubs, simply, haven't got a pot to piss in at the moment. Especially Rangers. The data was revealed by FIFA's Transfer Matching System organisation, which uses modern electronic technology with the aim of making international football transfers more transparent and legally compliant. 'We still have to see what happens in July and August, when European transfer windows are open, to see if this [drop] is just a dip or part of a continuing trend,' said Isabelle Solal, head of integrity and compliance at FIFA TMS. However, the economic recession and the impact of the UEFA financial fair play sanctions do seem to be having an effect. 'Clubs are making an effort to balance their books, but things should be clearer by September,' said Solal, speaking to the BBC News website at a World Sports Law Report conference into football player contracts. The figures refer to international transfers and do not cover 'domestic' transfers between two clubs in the same country. The big five European leagues - England, Germany, France, Italy and Spain - have transfer windows that run from 1 July to 31 August. And with most of the deals done in the first half of the year taking place during the January transfer windows in Europe, these are the two months when most global trading for the second half of the year will take place. The financial fair play rules have been introduced by European football's governing body to ensure that clubs only spend cash, including on big-name star signings, from revenues that they have created, rather than through borrowing or handouts from rich owners. The TMS is an online system for registering international transfers and has replaced the old set-up of documents-based on paper. In order for a transfer to be validated, the two clubs involved must enter the relevant information on the deal into the TMS system. However, in the first six months of 2012, the amount of fines that FIFA TMS has imposed on clubs for not complying properly with transfer regulations has almost reached the total for the whole of 2011. 'We are much more effective as a compliance department, and despite the number of transfers being down, we are finding more infringements as we grow into our role,' said Solal. 'We have a big focus on compliance education,' she added. 'We spend a lot of time trying to help clubs and associations understand the transfer market better. We have the technology that allows the information necessary for each transfer to be accessible to both parties, even if they are at other ends of the globe. It is great that sport is using the sort of technology that is widely used in business, and it is enabling us to become even more professional in our operations.'

FIFA president the odious Sepp Blatter - who is not at all corrupt in any way shape or form, just want to make that absolutely clear - says that Frank Lampard's so-called 'ghost' goal at the 2010 World Cup played 'a decisive role' in the introduction of goal-line technology. The International Football Association Board voted unanimously in favour of introducing the technology on Thursday. Blatter said: 'That [Lampard goal] was the moment for me to say, "You can't afford for something similar to happen in the next World Cup." We could say it is a historic day for international football.' Lampard's 'goal' came when England were 2-1 down in the second round against Germany. Fabio Capello's team went on to lose 4-1 and Lampard was so devastated by the whole fiasco than he started going out with odious greed bucket (and drag) Christine Bleakley as a consequence. Horroshow. There have been other similar incidents, most notably last month when Ukraine's Marko Devic was denied a goal against England at Euro 2012. The odious Blatter continued: 'In the autumn of 2010, we started tests and now we are ready. I am a happy man that we did it. The objective is for 2014 but now we have a system which is available for others.' The English Premier League has already said it plans to introduce goal-line technology as soon as possible, maybe at some point during the forthcoming season. However, not everyone is convinced it is a positive step forward. UEFA president, slimy Michel Platini has said that the technology would lead to 'PlayStation football.' Blatter is confident the odious little Frenchman will change his mind. 'He is more afraid that once technology comes in it will go from the goal-line towards the penalty box or whatever,' said Blatter. 'But I am sure with this unanimous decision of the international board that he will follow. He cannot go against history and this is new history. I am sure he is smart enough to realise that something has happened today in football.' England striker Sir Geoff Hurst, who scored a hat-trick as England beat West Germany in the 1966 World Cup final, has spent years answering questions about whether his second goal actually crossed the line. 'It would have shown quite categorically that the ball was quite clearly at least a yard over the line,' he insisted. Which it wasn't, but never mind. 'But had it said it wasn't in, we would have won 3-2. There's still no difference.' Damn straight, Geoff. You stick to that story, mate. 'I am delighted though. I have been a leading advocate of bringing it in and I think it will benefit the game as a whole.'

The Scottish Football League clubs will vote whether to accept Glasgow Rangers at a meeting on 13 July. SFL chief executive David Longmuir confirmed the date after a board gathering at Hampden on Thursday. 'At this point, no decision has been taken by the board of the SFL or by any of our clubs,' said Longmuir. 'I have every faith in the judgement of those clubs to make a considered and reasoned decision which will be in the best interests of the game.' A newco Rangers is applying for SFL membership following the Scottish Premier League's decision to reject their application. The thirty SFL clubs met on Tuesday to discuss a proposal that would see the new Rangers enter Division One rather than starting life in the bottom tier. The SPL are offering a one million smackers payment for TV rights to Rangers games and the introduction of play-offs between the top flight and Division One. And the matter will now go to a ballot. BBC Scotland suggests that Dundee are likely to be invited to replace the old Rangers in the SPL for next season. And the Dens Park club say that they have been advised they will not be allowed to cast a vote on 13 July. 'Scottish Football League clubs are, over the next few days, being asked to make a crucial decision as to whether we are in a position to accommodate Rangers into the SFL,' added Longmuir. 'The time has come for all outside influences and pressures to stop. This is our national game and part of our culture so I ask all other bodies to leave it to those who have been put in this invidious position to make a decision in the best possible interests of our game.' Scottish Football Association chief executive Stewart Regan warned the game faced a 'slow, lingering death' if the Ibrox club had to re-start in Division Three. But Cowdenbeath were the twelfth SFL club to go public with their opposition to the idea of Rangers entering Division One, with Stenhousemuir the only club to so far indicate their support. And Charles Green, who purchased Rangers' assets when the old club was consigned to liquidation, said on Wednesday: 'If our application was to be accepted, Rangers will play in whichever division the SFL sees fit and we will move forward from there.' Longmuir explained that the first vote will be on whether the SFL can accommodate Rangers, with a simple majority required. If that vote goes in favour of Rangers, Longmuir said it would be 'supplemented by further resolutions that we would have to implement to change our rules.' He added: 'Our job over the next week or so is to consult with colleagues in both SPL and SFA to make sure that what we're about to do is for the benefit and interests of the game. The SFL clubs clearly have choices but what we plan to do is make the choices very, very clear to them by giving them the right information and to work over the next week to pull together the plan that's going to take the game forward through this mini crisis. Technically, the SFA, as governing body, has the power to influence just about every decision that is taken in the game but I believe that with proper collaboration we can get everybody onside with this.'

Yer actual Keith Telly Topping's beloved (though unsellable) Newcastle are set to add a further promising teenager to their squad, with news that a deal has been agreed for Gael Bigirimana of Coventry City. The Burundi-born midfielder moved to England as a child joining the Sky Blue Academy when aged eleven. Handed his first team debut in August 2011 by Toon old boy Andy Thorn, eighteen year-old Gael went on to make twenty eight appearances in all competitions. News of United's interest first emerged in May, when a bid said to be between five hundred thousand and one million smackers was apparently lodged. A deal for teenage Australian defender Curtis Good has also reportedly been completed by the St James' Park club, but is yet to be formally announced until he returns from international duty. After undergoing fitness testing in the early part of this week, the United squad officially began their pre-season work on Thursday. Some eyebrows were raised when Peter Lovenkrands was sighted at Darsley Park, but it was quickly confirmed that Peter, who was released by the club at the end of last season, is currently training with United until he strikes a deal with a new club. Among those spotted on Wednesday meanwhile were new boy Romain Amalfitano and Demba Ba. As expected, United's trio of Euro 2012 attendees have been given extra time off, with Tim Krul due back on Monday 16 July and Yohan Cabaye and Hatem Ben Arfa returning the following Monday. With the departure of Fraser Forster to Celtic, United will begin their pre-season with Rob Elliot between the posts. Meanwhile, the club have announced that Papiss Cissé and Cheick Tioté won't be expected to return until Monday 9 July following their participation in World Cup qualifiers in June. It remains to be seen though whether the former actually shows up, or will be otherwise engaged in Spain at the Senegal Olympic squad's training camp. Speaking about that on Monday, Alan Pardew said: 'We have to give our permission (for him to play at the Olympics) and we are discussing it. It's awkward because we want to prepare of a difficult season ahead of Europa League and Premier League games.'

Thousands of fans at T in the Park face damp and muddy conditions, as heavy rain is forecast for the weekend. There have been downpours in central Scotland this week and an amber weather warning is in place for Saturday. But the weather is unlikely to put revellers off, with mud baths becoming as regular as the big-name acts at the festival in Balado near Kinross. The Stone Roses and Kasabian will headline the event on Saturday and Sunday respectively. Festival-goers began arriving at the site on Friday, when Snow Patrol and New Order were top billing on the main stage. And many more music fans will arrive on Saturday, as the first full day of the extravaganza begins. With a capacity of eighty five thousand people each day, the event is said to be more populated than any city centre in Scotland. But a heavy rain warning has been issued by the Met Office for central Scotland on Saturday. It said the public should be prepared for surface water flooding and some disruption to travel and outdoor activities. Aisling Creevey, a forecaster with MeteoGroup, urged fans to pack their waterproofs as rain will always be close-by. 'There could be some torrential downpours in central Scotland on Saturday,' she said. 'Sunday isn't looking great either but there will be a few dry spells. It will also turn a bit cooler with northern winds making the area unseasonably cool.' Cool? It'll certainly be ruddy cool when The roses hit the stage, baby. Other acts performing on Saturday and Sunday include Noel Gallagher's High Flying Birds, David Guetta, Calvin Harris (tragically, without Orville), Elbow, The Enemy and Brits Critics' Choice winner Emeli Sande.

Thus we come to today's Keith Telly Topping's 45 of the Day. This is for anybody going to T in the Park this weekend. Hope you enjoy the mud, guys. Remember, there was once five hundred thousand lice-ridden stinking hippies gathered together in the same place at the same time. And, nobody had the foresight to deploy ballistic missiles.

Thursday, July 05, 2012

Contaminated Population

The incoming BBC director general, George Entwistle, is already getting plenty of advice about what he should do, quite apart from the wishes of BBC Trust chairman Lord Patten that he make the corporation 'ten or twenty per cent' better. The National Union of Journalists wants him to 'unpick' the frozen licence fee deal. Commentator Mark Lawson argues that he will need to 'adjust his personality' in order to deal with political and media interviews. Yer actual Keith Telly Topping wants him to do what no other senior BBC executive ever seems able to do and show a bit of backbone when dealing with the crass whinges of a hostile press - and, in particular, the hippie Communist lice at the Gruniad Morning Star and the jackbooted bully boy thugs at the Daily Scum Mail. And The Times's media analyst, Ben Webster, believes his 'immediate priority will be to restore morale among staff after the battering of the BBC's reputation over its flawed coverage of the jubilee river pageant.' One of the lengthiest and most comprehensive exhortations comes from John Simpson, the BBC's world affairs editor, in an open letter to Entwistle in The Spectator. Simmo urges Entwistle to lift a 'profoundly disheartened' staff at 'this weird, difficult and occasionally brilliant outfit.' He adds: 'If we are going to keep the goodwill of the people who fund us, we will have to get back to basics.' And what will that involve? Simpson continues: 'First, don't be afraid to be Reithian. For the BBC, the dilemma has always been that if fewer people watch it and listen to it, they will wonder why they should have to pay a licence fee; while if its programmes become too populist, the critics will say it's dumbing down. The BBC has shown that delivering high audiences is easy; now, even though the money has evaporated, we have to keep on delivering high quality. Don't, second, think that will in any way be easy. Be frank about the damage the cuts are doing. People around the world are wondering if our standards are as high as they were. As for the BBC's workforce we'd like to see something of you. So, third, emulate Greg Dyke. Greg's matiness and lack of grandeur were soon appreciated throughout the organisation. Press the flesh, just as he did. Fourth, even though times are hard, find ways to look after your staff better. Most salaries are remarkably low, especially those of senior producers.' There's also a fifth (kill off management jargon) and a sixth (ignore what the papers say). Simpson writes: 'Several British newspapers are sworn enemies of public service broadcasting, and know their owners will be richer if the corporation is chopped. You'll never win them round. Does that matter? These papers don't represent the nation; roughly the same number of people want to scrap the monarchy as want to get rid of the BBC. Ignore the nutters and the obsessives, but listen hard to the ordinary people of the country. The more they feel the BBC is once again becoming the institution they approve of, the more successful you'll be.' Yes. What he said. Simpson concludes with a seventh point: 'Don't be too nervous. No British government has ever had anything approaching the level of support which the BBC enjoys from the people of Britain.'

Entwistle isn't the director general yet, of course. He will take over from Mark Thompson in September, after the Olympics are concluded. This may give BBC News types just enough time to learn how to spell his name properly. Ooops!
Once upon a time, dropping an 'aitch at the BBC was considered a sackable offence. One wonders if adding one will be from now on?

The woman behind BBC's Stargazing Live and The Great British Bake Off and a Google executive are among five contenders in the frame to take over as director of BBC Vision, following Entwistle's promotion. Emma Swain, head of knowledge commissioning at the corporation, is considered a rising star after captivating audiences with unlikely hits such as The Great British Bake Off, while Google Europe's communications chief Peter Barron is considered in with a chance if he wanted to return to the BBC where he edited Newsnight for four years. At the time of his appointment it was reported that Barron would consider a return to the BBC 'if the right opportunity came up,' he was linked as a candidate to replace Mark Damazer as recently Radio 4 controller in 2010. BBC1 controller Danny Cohen and his predecessor Jay Hunt, now Channel Four's creative chief, are also seen as the prime candidates for the top job as is Alison Kirkham, the BBC's head of commissioning. The two hundred and eighty thousand smackers-a-year role encompasses the corporation's flagship TV properties BBC1, BBC2, BBC3 and BBC4 as well as BBC Film and editorial responsibility for UKTV. While she certainly has the pedigree for the job there may be too much bad blood between Hunt, the former BBC1 controller who defected to Channel Four in September 2010, and the corporation for her to be a realistic contender. The forty four-year old Australian was stung by the level of personal criticism levelled at her during Miriam O'Reilly's acrimonious age discrimination case, launched after Hunt moved Countryfile into peak time and dropped its older, allegedly less photogenic, presenters. Yet she has proved she is not afraid to change her mind if it is the best career choice. In 2007 she left the corporation for Channel Five only to be welcomed back with open arms within months after Peter Fincham's departure in the wake of the so-called Crowngate scandal. 'Sources' allegedly close to Hunt, however, have allegedly said that she is 'not interested' in applying for the role. Cohen, who replaced Hunt running BBC1 in October 2010, has been responsible for hits including Call The Midwife and more disappointing fare such as David Jason's The Royal Bodyguard and some on which the jury is still out like the talent show The Voice. Previously, he was controller at BBC3, where he commissioned shows including Being Human, and prior to that worked at Channel Four on shows such as The Inbetweeners, Skins and Supernanny. Some alleged 'BBC insiders' according to the Gruniad Morning Star believe that Entwistle's number two, Swain, is the most natural candidate to take over. Swain, described in a recent interview as 'one of the most powerful people in the BBC you have never heard of,' was promoted last year to the controller of knowledge commissioning with a hefty two hundred and twenty five million quid budget. A previous controller of BBC Daytime programming who spent a brief stint in 2007 running BBC3, has been responsible for commissioning shows including BBC2 shows Stargazing Live and The Great British Bake Off. She first started working for the BBC in 1996 and has commissioned Don't Tell the Bride and Kill It Cook It Eat It. Alison Kirkham, appointed as the BBC's commissioning editor for factual features and formats for BBC1 and BBC2, has also been raised as a potential contender. Kirkham joined the BBC in 2005 as an executive producer on Daytime. She started her career in broadcast assistant on Radio 4's Today programme in 1998 and has held production and editor roles on programmes including ITV's This Morning, Tonight with Trevor McDonald, Channel Four's Richard & Judy and I'm A Z-List Former Celebrity Desperate To Get My Boat-Race On TV ... Please Vote For Me To Stay Here As Long As Possible (I'll Even Eat Worms If You Want).

One from the 'we've been asked to speak politics to you today' column. Former Sex Pistol, yer actual John Lydon is, it would seem, swapping anarchy for current affairs as he is to appear on Question Time. The fifty six year old singer, TV presenter and butter advert specialist - former Johnny Rotten - will join former home secretary Alan Johnson (himself once a member of a teenage rock band) and Tory MP Louise Bagashite Mensch on the BBC1 show. Which, should be a laugh.
The lack of culture secretary the vile and odious rascal Hunt has said that he believes the public was 'reassured' over his handling of the BSkyB deal by his appearance at the Leveson Inquiry. Delusional, clearly. On Radio 4's The Media Show, the vile and odious rascal Hunt said that he 'took responsibility for the actions of his aide,' who resigned, but that did not mean he had to quit. 'I took responsibility by the very next day going to Parliament and answering questions,' he said. The vile and odious rascal Hunt has faced accusations of bias in favour of News Corp's bid for BSkyB. Labour has called for the resignation of the lack of culture secretary, who had a 'quasi-judicial' role over the takeover, claiming he was in breach of the ministerial code for failing to supervise an adviser and lying to Parliament over his department's contacts with News Corp. But the vile and odious rascal Hunt told The Media Show: 'The ministerial code says you are responsible for the actions of your special adviser. It doesn't say you should resign if your special adviser does something wrong, and I did take responsibility. I was very, very shocked by what I had seen. I took responsibility by the very next day going to Parliament and answering questions, doing a statement and giving MPs the chance to ask me anything they wanted to ask me about what happened.' The special 'rogue' adviser, Adam Smith, resigned in April over inappropriate contact with a News Corp lobbyist that involved hundreds of texts and e-mails. 'You can take any text message, or any e-mail, or any reported conversation on its own or out of context and you can use it to paint a particular picture,' the vile and odious rascal Hunt said. 'I made no secret of the fact that I was broadly sympathetic to the deal but what the Leveson process showed was when I took responsibility I put in place new processes that actually went way beyond what I had to do in law. The really central issue in this is was that bid conducted properly, impartially, and I think that what the Leveson process showed was that it was - and that is, I think, the thing that can give the public most confidence.' News Corp's planned bid to take full ownership of satellite broadcaster BSkyB was eventually dropped in July 2011 amid the phone-hacking scandal at the Scum of the World and not through any actions related to the vile and odious rascal Hunt. Just in case anyone had forgotten that. Least of all, the vile and odious rascal Hunt his very self.

A prison officer and a former Mirra journalist were arrested on Wednesday in connection with the police probe into alleged corrupt payments to public officials. It is the first time that a journalist who has worked on a non-News International title has been arrested in connection with Scotland Yard's Operation Elveden inquiry. Greig Box-Turnbull, thirty seven, who worked for Trinity Mirra until taking voluntary redundancy in March, was arrested at his home in Morden. Two other people – a prison officer and a woman, whose job has not been identified – were also arrested between 6am and 8am on Wednesday. A Mirra spokesman said the newspaper could not comment: 'We cannot confirm anything because we do not know.' The prison worker, forty six, was arrested at his home in South-East London, and a fifty-year-old woman was held at what was described as 'a non-residential address' in Kent. They were all arrested on suspicion of corruption, conspiracy to commit bribery and conspiracy to cause misconduct in a public office. Box-Turnbull is working for Westminster council but was on secondment to Richmond council. A Westminster council spokesman said: 'We have yet to speak to the employee. With the possibility of further legal action it would clearly be inappropriate to comment further.' Trinity Mirra has not been contacted by Scotland Yard about the arrest, and it is unclear whether any allegations are linked to Box-Turnbull's work for the Daily Mirra, a spokesman said. Thirty seven people have been arrested in connection with Operation Elveden, the investigation into suspected corrupt payments to public officials.

Meanwhile, a twenty six-year-old man arrested on Thursday morning in connection with Scotland Yard's phone-hacking inquiry is a News International employee. Tom Mockridge, the chief executive of the publisher sent an e-mail to all staff to say he was 'sorry to inform' them that this was the case. He did not identify the suspect but said that he was 'not a journalist. He is not a member of any editorial team.' The man was arrested at a residential address in Surrey early on Thursday and questioned at a London police station on suspicion of conspiracy to pervert the course of justice. The arrest was made as part of the Operation Weeting investigation into the hacking of voicemails. The man is the twenty fourth person arrested as part of that particular investigation. News International said it is giving the man legal support. 'We have provided a lawyer and we will do all we can to support our colleague as the legal process takes its course. No one is prejudging the outcome of these investigations,' Mockridge said in his e-mail. Six people – including the former News International chief executive and well-known Crystal Tipps lookalike Rebekah Brooks and her racehorse trainer husband, millionaire Old Etonian Charlie – have been charged in connection with the investigation. Well-known Crystal Tipps lookalike Brooks faces three charges of conspiring to pervert the course of justice, while her husband is charged with one count of the same offence. The couple are due to enter pleas when they appear at Southwark crown court in London on 26 September. Fourteen suspects remain on bail pending further inquiries, while four others were released with no further action. In the last month Scotland Yard has sent files relating to twelve people to the Crown Prosecution Service in relation to phone hacking. Eleven of these are thought to relate to journalists.

Homeland's executive producer Alex Gansa has revealed the fate of Carrie and Brody at the start of season two of the popular US thriller. During season one's climax Marine One, CIA analyst Carrie Mathison (played, astonishingly, by Claire Danes) was given electroshock therapy in an attempt to deal with her severe bipolar disorder. 'Carrie has had, for the first time in her life, the benefit of professional help for her disease,' Gansa told The Huffington Post. 'She will have been in the psych ward for a while. She will have been in the care of a psychiatrist for six months. She will have undergone a series of these ECT therapies. [The treatment] is not just a one-off. So when we find her as the second season picks up, she will be in a place where she is centred and quiet and together in a way that we haven't seen her before.' Damian Lewis's character Brody, meanwhile, will be a congressman when the new season begins. 'His seat is vacated through a scandal, and he was appointed by the governor into that seat for a temporary period of time until the election,' Gansa teased. 'He's not running. Well, he will be running, but he will be a sitting congressman serving in the House of Representatives when we open the season.' Revealing the on-screen time period between the seasons, Gansa added: 'I can definitely tell you where the season starts - it's around half-a-year after the first season. We pick up the second season six months later.' Homeland returns to Showtime in the US on 30 September and, hopefully, soon afterwards in the UK.

An ITV poll has revealed that most Twatting About On Ice viewers are not fans of co-host Christine Bleakley. Which is really very surprising as this blogger thought the worthless, breakfast TV flop, greed bucket, horrorshow (and drag) was so universally well liked. Seemingly not. The survey stated that only forty five per cent of those asked and expressed a preference admitted to liking Bleakley as a co-presenter, reports the Mirra. Alleged 'insiders' allegedly claim that this may, allegedly, be one of the main factors that saw this year's Twatting About On Ice finale drop to 7.3 million viewers from 2011's 11.7 million. Holly Willoughby had been co-host with Phillip Schofield until 2011. However, despite the results of the poll, producers are still hoping that Bleakley will return for a second run, according to the tabloid. An alleged 'source' allegedly said: 'When Twatting About On Ice didn't do so well this year, bosses looked into what the problem was and discovered that viewers hadn't particularly warmed to Christine. They will stick with her, however, as she's still being paid millions thanks to her watertight Daybreak contract and they need to get their money's worth.' An ITV spokesperson stated: 'Christine is a fantastic presenter and an important part of the ITV family.' At least one of those statements, however, is a lie. Can you guess which one it is, dear blog reader? An alleged 'insider' - presumably different from the one quoted earlier, that is, if one or both of them aren't entirely fictitious in the first place - allegedly added: 'Inevitably it can take time for a new presenter to establish themselves with the audience and we are very encouraged by this research after just one series. She is doing a great job and works brilliantly well with Phillip and the team.'

A Go Compare TV advertisement featuring Sue Barker has received a number of complaints over its content. The commercial - which launched the insurance comparison site's new 'Saving the Nation' campaign on Monday - features the BBC's Wimbledon anchor Barker firing a large rocket launcher at opera singer Gio Compario in an attempt to kill off the face of the brand. 'We have received a total of forty three complaints so far,' the Advertising Standards Authority confirmed to the Sun. 'Some people think it offensive especially at a time when children are watching. Others think it inappropriate when our security forces are coming under fire on a daily basis. As with all complaints, we are looking into the matter before deciding if we launch a full investigation.' And, once again dear blog reader, let us all simply marvel at the utter shite some people chose to care about. All broadcast commercials shown in the UK must abide to the UK Code of Broadcast Advertising and the ASA is responsible for ensuring that all adverts - broadcast and non-broadcast - are 'legal, decent, honest and truthful.'

The BBC's Match of the Day 2 is to be broadcast on BBC1 because of the increased number of Premier League games played on a Sunday, the corporation has said. The Premier League highlights programme, which is fronted by the really annoying Colin Murray, will move from BBC2 for the start of the upcoming season. Match of the Day 2 will now be broadcast on BBC1 at 10.25pm on a Sunday. Gary Lineker's Match of the Day will continue to be broadcast in its regular Saturday evening slot on BBC1. Danny Cohen, the controller of BBC1, said: 'As a huge fan of Match Of The Day, I'm thrilled that MOTD2 is moving to a regular home on BBC1. The audience response to the BBC's coverage of Euro 2012 has been fantastic, meaning that this is the perfect moment to make this move.' Match of the Day 2 features regularly in BBC2's top thirty most-viewed programmes, according to industry figures compiled by the Broadcasters' Audience Research Board. Towards the climactic end of the last Premier League season, Match of the Day 2 regularly attracted between one and a half million and two and a half million viewers in its 10pm slot, compared with about two and half million viewers for The Apprentice – You're Fired in the Wednesday 10pm slot and 1.8 million for Mastermind in the Friday 8pm slot.

For the millions watching the game, it summed up the emotion of football; a German woman shedding tears as her team conceded a goal against the Italians. Her raw emotions were broadcast for all the world to see. But, seemingly that the particular image in question wasn't, actually, live. She wasn't crying during the European championship semi-final game but, rather, as the German national anthem was played before kick-off. It has now emerged that UEFA had recorded the footage and inserted it into the live pictures which it supplied for broadcasters such as the BBC and ITV. It is embarrassing for the game's European governing body, which was also caught passing off another recorded clip as live footage. Shots of the German coach Joachim Löw playfully knocking a ball from under a ballboy's arm like a cheeky scamp during his team's game with the Netherlands were recorded before the match began, the authority admitted. UEFA later said it was striving to show 'the human story of the game' in its television coverage and 'to translate the emotion and the tension of the German fans for this game.' However, the fan's friends thought something was amiss when they saw the clip and texted her. They wanted to know why their friend, known only as 'Andrea from Dusseldorf', was blubbering when there was still an hour of the match to go – never mind the fact that the German team is famously good at comebacks. An investigation was also carried out by German broadcaster ARD, which had warned UEFA about manipulating images. Its Euro 2012 chief editor Joerg Schoenenborn said: 'Any form of censorship or manipulation is not acceptable for us. That's why we clearly told UEFA that the German public expects coverage to be live when it says it's live.'

Goal-line technology is set to get the go-ahead when the International Football Association Board vote on Thursday over whether to use it. The results of testing will be heard before IFAB are expected to approve the Hawk-Eye and the GoalRef systems. The Premier League and Football Association can then introduce the technology into their competitions. FA chairman David Bernstein and general secretary Alex Horne have travelled to Zurich to take part in the vote. The English FA and their Scotland, Wales and Northern Ireland counterparts each has a single vote, while FIFA - world football's governing body - has four. The desire to bring in goal-line technology increased after Ukraine were denied an equaliser after the ball appeared to cross the line in a 1-0 defeat by England at Euro 2012. That incident led to FIFA president knobcheese Sepp Blatter adding his support to calls to bring in technology to help in such decisions. Chelsea manager Roberto Di Matteo said: 'We see every season, every big tournament, we need it because there are some crucial moments within those games where you could find the right solution with a bit of technology. UEFA president odious little Michel Platini is believed to favour the use of five match officials and the IFAB will also examine whether that strategy has been a success. They are also set to rule on whether special headscarves can be worn during matches after pressure from some Muslim countries.

Gok Wan has signed up to host a new Channel Four dating show. The How To Look Good Naked presenter will front Baggage, an eight-part series set to be broadcast later this year. The show will see contestants choose potential romantic partners by revealing their secrets and personality traits, which are hidden in suitcases. Wan's appointment is said to be Channel Four's next step of making him a more general presenter, rather than just fronting fashion programmes. His most recent show saw him practising his culinary skills in Gok Cooks Chinese. Other new shows coming to Channel Four include The Anti-Social Network, a cross-platform comedy show that will use social media for hoaxes, and Hot or Hotter, a search for 'the hottest people' in UK towns across the country. Whether this means attractive or in terms of actual body temperature is, at the present time, unknown. Justin Gorman, head of entertainment at Channel Four, said: 'These new shows are a great example of how Channel Four entertainment can deliver really innovative and exciting formats. In addition to our commissions I'm very excited about the many new development ideas we are working on and look forward to announcing further commissions later this year.'

Yer actual Eddie Izzard has become the first English comic to perform a show to American audience entirely in French. On Sunday evening Eddie performed his show Stripped in Los Angeles – but it was the French version he presented for two months in Paris last year. The gig, which was followed by a work-in-progress show in English, comes ahead of his appearances at the Montreal Just For Laughs festival later this month. Afterwards, Eddie tweeted: 'Just finished the first ever French show in America [by] an Englishman (I'm pretty sure). It was fantastic and the audience were formidable.' Journalist Noam Friedlander was in the audience said: 'Just finished watching Eddie Izzard at Largo. In French. Wow. "Quod the fuck." Great job.' Spaced and Hot Fuzz director Edgar Wright, was in the audience for the second show and posted: 'Just saw Eddie Izzard do a work in progress gig at Largo on La Cienega. Last saw him try out stuff at the Hen & Chickens on Highbury Corner.' Meanwhile, the sculpture recreating the final scene of The Italian Job which Izzard funded in his childhood home of Bexhill-on-Sea has been winched into place. He is the principle sponsor of Hang On A Minute Lads, I’ve Got A Great Idea…, which involves a full-sized replica coach balanced on the roof of the De La Warr Pavilion. The piece, from artist Richard Wilson and named after Michael Caine's final line in the classic 1969 film, will be on display until 1 October.

Sherlock star yer actual Benedict Cumberbatch has landed a cameo voiceover role in The Simpsons, the actor has revealed. Cumberbatch, who will star in next year's J J Abrams Star Trek sequel, apparently landed the part by accident after he had a meeting in the same place that the iconic US cartoon series is recorded. 'I heard there was a part going in an episode,' he told InStyle magazine. 'I said, "I hate to muscle in here guys but could I record it?" Next thing, I'm standing in a room with all those famous voices: Bart, Marge, Homer, Lisa.'

James Grout, the actor best known for playing Inspector Morse's boss Chief Superintendent Strange, has died in Wiltshire, aged eighty four. The RADA-trained actor appeared on stage, film, television and radio and received a Tony award nomination for his role as Harry Chitterlow in Half a Sixpence. The 1965 musical lead to a series of major West End roles. James, who had been ill for some time, died on Sunday. While he is probably best known for his role as Inspector Morse's boss on the eponymous long-running TV series with John Thaw, he also played prominent characters in other much-loved series, including Yes Minister, Rumpole of the Bailey, The Beiderbecke Affair, Juliet Bravo, Shelley and David Copperfield. Born in London, he won a scholarship to the Royal Academy of Dramatic Arts, making his debut as Valentine in Twelfth Night at the Old Vic in 1950. Following his Tony Award nomination for his performance in Half a Sixpence on Broadway in 1965, Grout went on to play many major roles in productions in London's West End. In the 1980s, he took up residence at the Theatre Royal in Haymarket, playing opposite Peter O'Toole in Bernard Shaw's Man and Superman. He had brief stint at Richard Eyre's National Theatre in the mid-1990s in Charles MacArthur's Johnny On a Spot. James also appeared on BBC Radio, taking part in the King Street Junior series, as well as Old Harry's Game. He played Barliman Butterbur in the 1981 Radio 4 adaptation of The Lord of the Rings, as well as Rev Corswell in The Secret Life of Rosewood Avenue and a role in Any Other Business. In 1977, he and his wife Noreen moved from West London to Malmesbury in Wiltshire, where he wrote a much-loved column for the local newspaper, the Wiltshire Gazette.

Norman Felton, the British-born producer of US TV shows The Man From U.N.C.L.E and Dr Kildare has died aged ninety nine. According to trade newspaper, Variety, Felton died of natural causes in Santa Barbara on 25 June. He co-created the spy thriller with Sam Rolfe, after initially developing the idea with James Bond author Ian Fleming. In 1965, he won a Golden Globe for the show and received an Emmy nomination the following year. Born in London in 1913 to a lithographer and a cleaning lady, Felton's family emigrated to the United States in 1929 and settled in Ohio. He attended the University of Iowa, earning his bachelor's degree and a masters in Theatre Arts in 1941. Felton began his career in community theatre before moving to radio production and then TV production in 1950 - winning an Emmy for directing an episode of Robert Montgomery Presents. In 1964, the first episode of The Man From U.N.C.L.E was screened - it broke television boundaries pairing an American spy, played by Robert Vaughn, with a Russian agent - Scottish actor David McCallum's Illya Kuryakin, at the height of the cold war. The show ran for more than one hundred episodes, until 1968 and spawned a spin-off (The Girl from U.N.C.L.E. with Stefanie Powers and Noel Harrison). Felton's other major TV success was medical drama Dr Kildare, which made a household name of Richard Chamberlain as the dashing young medic. Felton continued to work as a producer through the 1970s, working with a diverse range of talent including Sally Field, Leonard Nimoy, and Jimmy Stewart on the critically acclaimed legal drama Hawkins. In 1997, he was presented with an honourary membership of the Producers Guild of America. His wife, Aline, and a daughter preceded him in death. He is survived by a daughter and a son, two grandsons, a great-grandson and his companion Denise Aubuchon.

Today's Keith Telly Topping's 45 of the Day is another masterpiece from yer actual Kraftwerk.

Wednesday, July 04, 2012

Meet The New Boss, Same As The Old Boss

George Entwistle has been named the new director general of the BBC. Entwistle, who is currently the director of BBC Vision, will take over from outgoing director general Mark Thompson on 17 September. Announcing the appointment outside Broadcasting House, BBC Trust Chairman Lord Patten said: 'George is a creative leader for a creative organisation.' The BBC Trust said that Entwistle would be paid an annual salary of four hundred and fifty thousand smackers. It is a smaller figure than the six hundred and seventy grand earned by Thompson, bearing out Lord Patten's repeated assertion that the next head of the BBC would have a smaller salary than their predecessor. In his current role Entwistle oversees the division responsible for commissioning, producing, scheduling and broadcasting all of the BBC's TV content. 'I'm delighted that the chairman and Trustees have decided I'm the right person for the job and I'm very excited about all that lies ahead,' he said. 'Mark Thompson will be a tough act to follow but it's a privilege to be asked to lead the greatest broadcasting organisation in the world.' Entwistle - who will be celebrating his fiftieth birthday this weekend - was selected by a panel at the BBC Trust, the governing body of the BBC, led by chairman Patten. Speaking at a news conference announcing the appointment, Patten said the Trust had 'unanimously decided' to hire Entwistle. 'George had a lot of the attributes that we hoped a director general of the BBC would have,' he said. 'At the heart of them is the ability to give leadership to a great creative organisation. While it's possible to do that if you haven't had a background in making programmes, there's greater credibility if you have, and he's got a great reputation as a cultural leader.' Asked by the press whether the salary was higher than anticipated, Lord Patten said: 'It's higher than some of you guessed but I can't help it if you guessed wrong. It's actually less than anyone else in the sector, or what the heads of several newspapers are paid.' The lack of culture secretary the vile and odious rascal Hunt - the individual who has done more to undermine the BBC over the last few years than anyone else - told the BBC's Media Show that Enwistle faced two key challenges. Three if you could having to deal with the vile and odious rascal Hunt on a daily basis. 'The first is how you make sure that the BBC maintains its position as the gold standard for quality in British and global broadcasting, whilst managing the licence fee settlement. The second thing is coping with the technology revolution. By the time this director general ends his term of office, we will be in a totally different place as far as the broadcasting technology works. I think that's been one of Mark Thompson's major achievements - with innovations like the iPlayer, the BBC has been a leader in technology. But I think that's going to be a very, very big challenge.' Thompson, who was rumoured to have singled out Entwistle as his preferred candidate, said it was a 'brilliant appointment. George has shown himself to be an outstanding leader with an intuitive understanding of public sector broadcasting,' he said. 'He has a formidable track record as a programme maker and in recent years has also shown his calibre as a leader. I wish him and the BBC every success in the years to come.' Thompson will stand down from his post after the Paralympics, having spent eight years in the role. He is the BBC's longest-serving director general since the 1970s. His tenure has seen the BBC suffer several - mostly Daily Scum Mail manufactured - scandals including the Sachsgate affair, and controversy over the tone of the coverage of the Queen's Diamond Jubilee last month. The corporation has also seen a series of budget cuts and staff redundancies in recent years. Yet Thompson has also presided over successes including Strictly Come Dancing, Frozen Planet, the revival of Doctor Who and Sherlock and the launch of the BBC iPlayer. The new director general's first priority will be to prepare the BBC for the review of its Royal Charter. The current charter, which expires in 2016, sets out how the BBC should be funded, what it does and how it is managed.

Tim Vine has signed up to host a new quiz show for ITV. The popular comedian will front the new family-based game show, currently under the working title of Don't Blow the Inheritance. The format of the show will see different generations of a family working together in order to win big prizes. So, Family Fortunes, in other words. Producers described the show by saying: 'The older generation (parents, grandparents, aunts and uncles) battle to build their Inheritance Prize Fund up with thousands of pounds ready to pass on to the next generation (children, grandchildren, nephews and nieces). However the younger generation team mate can only take the Inheritance Prize Pot home if they don't "blow it all" at the end of the game! It's down to the younger generation to answer the final questions correctly so they can keep the cash rather than blowing all of mum, dad or granny's hard work!' This fiasco will be made by Twelve Yard, the company behind shows such as Eggheads and Who Dares Wins. The show will be recorded at the end of July, to be broadcast later this year. Hopefuls can apply to be on the show by visiting the ITV website. The hosting slot will be Vine's first role on TV since quitting BBC comedy Not Going Out after six years in May. Vine previously hosted Channel Five's launch night in 1997, as well as the channel's quiz show Whittle. He also fronted Channel Four's Fluke.

Shane Meadows has reportedly stopped work on writing and pre-production of This Is England '90 to focus on his long-awaited Stone Roses documentary. The BAFTA-winning director also confirmed that his film marking the Madchester band's reunion should be completed by Christmas. 'I was hoping to get it out by Christmas,' he told BBC News. 'But over this weekend alone we were going to shoot one hundred and eighty to two hundred hours of footage. We've got thirty five cameras out there - I feel like I'm making Titanic at the moment. I want to get it out by Christmas. That's the dream.' Of shelving plans for his latest This Is England TV series, Meadows explained: 'The mad thing for me is, I was supposed to be doing This Is England '90. That was the one I was looking forward to the most because I was going to get to use the Roses' music. And the only thing that could have superseded me doing that was the Roses themselves reforming and asking me to make that film. It was kind of like whatever I'm doing, I'll put down because that's like the job of the world for me.'

The amount of money spent on UK independent TV productions fell by eight per cent in 2011, a new report says. Proving what most people with half a head kind of knew already - that most TV companies don't have a pot to piss in at the moment. Overall, there was a one hundred and ten million quid reduction in expenditure, according to trade association PACT, which surveyed the independent production sector. The main reductions came from the BBC and ITV, which spent thirteen per cent and twenty one per cent less on independent shows respectively. However, the sector was boosted by international sales, which increased by thirty two per cent in 2011. Demand for UK productions like Sherlock, [spooks] and Downton Abbey meant overseas revenues grew from four hundred and ninety five million quid in 2010 to six hundred and fifty two million knicker in 2011. It is the fourth consecutive year the four main television networks (BBC, ITV, Channel Four and Five) have reduced their commissioning spend, because of factors including reduced advertising revenue and the savage BBC budget cuts. By contrast, cable and satellite broadcasters boosted their investment in independently-produced shows. Their expenditure increased from one hundred and thirty million notes to one hundred and sixty three million in 2011, marking a return to pre-recession levels. Overall, the independent production sector grew by 2.3 per cent. 'While domestic commissions have certainly suffered through our recession, the overseas markets can't get enough of British productions,' Debbie Manners, chair of PACT, said. Chief Executive John McVay added: 'The growth in exports in recent years is nothing short of an economic boom and it just goes to show our sector's adaptability. The response to domestic recession also shows the continued importance of our agreed terms of trade, which has ensured a competitive and successful market.'

Paul McGann recently told the Independent that he hasn't watched the new series of Doctor Who: 'I don't have a television. So, I don't watch anything. But I know Matt Smith and I saw him the other day. It's in safe hands, the kid's obviously brilliant, a really, really good choice to take it on.' The actor is due to appear in a couple of rather good looking dramas on TV in the coming months, alongside Martin Clunes in A Mother's Son for ITV, and in Ripper Street for the BBC.

Glenn Mulcaire, the private investigator at the heart of the phone-hacking scandal, has been ordered to reveal who allegedly instructed him to intercept voicemails. The supreme court ruled on Wednesday that Mulcaire must pass previously secret details about phone-hacking to Nicola Phillips, the former assistant to Max Clifford. Five senior law lords at Britain's highest court threw out Mulcaire's claim for privilege against self-incrimination, ending a twenty-month legal appeal by the former private investigator over his 'legitimate legal interests.' Mulcaire must now pass potentially incriminating details – including who at the Scum of the World allegedly instructed him to hack phones, the journalists he is alleged to have passed intercepted messages to, and how victims were allegedly targeted – to Phillips. Judge Lord Walker said on Wednesday that questions of privilege against self-incrimination arose when an individual allegedly embarked on an offence which could be both a criminal action and a civil action. He said the issue for the supreme court was to decide whether the content of allegedly intercepted voicemail messages amounted to intellectual property. He added that it was also up to the supreme court to decide whether conspiracy to intercept voicemail messages was a related charge that was likely to feature in any future court cases. The private investigator had earlier challenged two rulings by the high court, on 17 November 2010 and 25 February 2011, and the court of appeal, on 1 February 2012, which found that the hacked voicemails were confidential, commercial and/or personal information and covered by section seventy two of the Senior Courts Act. Lord Walker said in the judgment: 'The supreme court unanimously dismisses Mr Mulcaire's appeal. Section seventy two of the [Senior Courts Act] excludes his privilege against self-incrimination: the proceedings brought by Ms Phillips are "proceedings for rights pertaining to intellectual property" and the conspiracy proceedings to which Mr Mulcaire would expose himself on disclosure of the information amount to a "related offence."' The unanimous ruling was handed down at the supreme court by Lord Walker, Lord Kerr, Lord Clarke and Lord Dyson. Mark Lewis, the solicitor for Phillips, said after the ruling that the disclosure of the information would take everything further on. He described the ruling as a precedent and said other potential civil litigants could now apply for the same information. Mulcaire's solicitor, Sarah Webb of the law firm Payne Hicks Beach, said they had not yet decided whether to launch a further appeal. Mulcaire, who was not in court for the verdict, said in a statement: 'I am pleased that the supreme court has recognised that my right to refuse to answer questions which may incriminate me is more extensive than the court of appeal decided. As I made dear from the outset, I will comply with the supreme court's ruling to answer questions in Ms Phillips's case. The supreme court's decision, which is narrower than that of the court of appeal, will also determine whether there are any other cases where I have to give potentially incriminating answers to requests for information. I will consider with my lawyers what the wider implications of this judgment are if and when I am asked to answer such questions in other cases.'

FOX has strongly denied claims that its TV show Glee breaches the trademark of a British comedy club, according to legal papers filed at the high court in London. Billionaire tyrant Rupert Murdoch's Hollywood film studio is fighting a legal bid by the Birmingham-based founder of comedy night The Glee Club to take the hit TV show off the air in the UK. Mark Tughan, who runs the comedy nights, wants Fox to pay him 'a seven-figure sum' in damages. He claims the film studio is infringing his trademark The Glee Club, which he registered in the UK for merchandise and entertainment services in 2001 – eight years before the first episode of Glee aired on US television. Tughan's Comic Enterprises Limited puts on comedy and live music nights under the name The Glee Club in Birmingham, Nottingham, Cardiff and Oxford. Twentieth Century Fox has vowed to fight the 'audacious' legal claim. Documents received by the high court in London on 14 June show that the studio vowed to continue broadcasting the popular series in the UK. Glee is midway through its third season on Sky 1. Murdoch's film company said in its court filing that it was 'not aware' of the Midlands-based comedy night or its trademarks. It said in its court defence: 'It is admitted that [FOX] threatens and intends to continue and repeat the acts complained of. It is fully entitled to do so because the said acts are entirely lawful.' The studio also claimed that the comedy night – which launched nearly twenty years ago – had not suffered as a result of Glee's popularity. Tughan maintained on Tuesday that he had 'a strong case' against FOX. 'FOX is making a big mistake if they think they can bankrupt me and make me go away,' he said. 'I am confident I will win this.' The trademark dispute, which first came to light in September last year, is likely to head to a high court showdown this year. It was heard briefly at the patents county court in London this year before being moved to the high court. Glee debuted in the UK on E4 before the rights to the show were bought by Sky in 2011.

Former Doctor Who executive producers Beth Willis and Piers Wenger are to be re-united as the former assumes the role of Deputy Head of Drama in September at Channel Four. Wenger, who is now Head of Drama for the broadcasting company since leaving the BBC last year, said: 'Beth is a hugely talented creative individual with a track record in shaping some of Britain's most iconic drama series. I'm delighted that she is joining the Channel Four drama to start work on a new generation of shows.'
If it was 'unfortunate' that Sir Terry Wogan played 'Rock the Boat' on his BBC Radio 2 show in the wake of the Costa Concordia cruise ship disaster, then the error was compounded when he joked that the BBC was 'sinking' and he would be first to leave, 'never mind the women and children.' The BBC Trust's editorial standards committee, responding to seven complaints from listeners - who, seemingly, didn't have anything better to do with their time than to stir up trouble over such an utter inconsequence - about the 22 January broadcast, said it was 'surprised' that the BBC did not apologise on-air on the day. It said the presenter's 'characteristically self-deprecating' remark was not intended to cause offence but ruled that it breached BBC editorial guidelines because there was a 'real risk' of it doing so. To professional offence-takers, at least. Wogan opened his live Radio 2 show with the song 'Rock the Boat' – the 1974 hit by The Hues Corporation – nine days after the Costa Concordia ran aground off the coast of the Tuscan island of Giglio. What, too soon? Thirty people are now known to have died in the disaster with two more passengers presumed dead, but at the time eleven people had been confirmed dead and rescuers were searching for survivors. Wogan said after the song: 'Frankly if I had my time over again, and given the boating tragedy in Italy, I mightn't have picked that as an opening song.' He added, chuckling: 'Rock the Boat, argh, Captain Coward.' He said later, in an exchange with the newsreader Alan Dedicoat: 'I don't know about you Deadly but I'll be the last to leave the BBC. Not sinking is it? Me first. Never mind the women and children, I'm not even Italian.' The editorial standards committee said in a report on Tuesday that Wogan's remarks were 'characteristically self-deprecating, joking about his own lack of bravery rather than the victims of the tragedy itself. In this context the committee did not believe there had been any intention to cause offence.' But it added: 'The committee, however, did conclude that there was a real risk of causing offence and in this context the guidelines had been breached. The committee expressed surprise that the BBC did not apologise on-air on the day.' The BBC apologised privately to listeners who complained at the time but did not make an on-air retraction because it said it 'ran the risk of creating confusion and/or further offence by airing the subject again.' The BBC Trust said in its report: 'The editorial complaints unit investigated the complaint in relation to the BBC's editorial guidelines concerning harm and offence. They agreed that the choice of song and the presenter's remarks had been inappropriate and ran the risk of causing offence.' The complaints unit concluded that the breach had 'not been so great as to warrant a public apology taking into account various factors' and no further action was necessary.

If anyone wants to know how difficult it can be to sell a house in London right now, just ask Andy Coulson, the disgraced former Downing Street spin doctor and ex-Scum of the World editor. According to a much-raking piece by some louse of no consequence in the Gruniad Morning Star, he has just dropped the price he is asking for his house in Forest Hill, south London, by one hundred and seventy five thousand smackers. The five-bedroom detached Victorian house was put on the market this year for £1.625m but the estate agents are now marketing it at £1.45m. It's not the first time they have reduced the price – after getting no takers when they put it up for sale at the original price, they dropped it to £1.485m but dropped it again at the end of last week.

John Constable's The Lock has become one of the most expensive British paintings ever sold, fetching £22.4m at auction at Christie's in London. The full price of twenty two million four hundred and forty one thousand two hundred and fifty smackers for the 1824 masterpiece depicting Suffolk rural life places it joint fourth on the list of most-expensive Old Masters. That's a lot of bread, dear blog reader. In fact, it's probably worth noting that the cost of a Constable has gone up considerably in recent years. News International used to buy them for just a few hundred smackers. Allegedly. Anway, George Stubbs's Gimcrack on Newmarket Heath, with a Trainer, a Stable-Lad, and a Jockey, fetched the same sum in 2011. The Lock had been housed in Madrid's Bornemisza Museum. Its owner, Baroness Carmen Thyssen-Bornemisza, said it was 'very painful' to sell the work but that she had to because she had 'no liquidity.' Well, you've got twenty two million knicker worth of liquidity now, your Baronessship, so that should soften the blow. Museum trustee Sir Norman Rosenthal has resigned in protest at the sale, criticising the baroness - known as Tita - for putting one of its prize exhibits up for sale. In his resignation letter, the former exhibitions director of London's Royal Academy said the decision #represents a moral shame on the part of all those concerned, most especially on the part of Tita.' A former Miss Spain, the baroness is the fifth wife and widow of Swiss industrialist Baron Hans Heinrich Thyssen-Bornemisza. The Lock was part of the huge private art collection he left behind when he died in 2002. While most of it was sold to Spain, two hundred and fifty artworks are still in the baroness's private collection and have been loaned to the country free of charge for the past thirteen years. Announcing the sale of the Constable painting in May, the baroness said she needed to sell because of the current economic crisis. 'It's very painful for me, but there was no other way out,' she told the Spanish newspaper El Pais. 'I need the money, I really need it. Keeping the collection here is costly to me and I get nothing in return.' Francesca Von Habsburg, the baroness's stepdaughter and another museum board member, has also expressed disapproval over the sale. 'The baroness has shown absolutely no respect for my father and is simply putting her own financial needs above everything else,' she told the Scum Mail on Sunday. The first owner of The Lock was James Morrison, who bought the painting at the 1824 Royal Academy exhibition. The son of an innkeeper, Morrison became one of the wealthiest British merchants of the Nineteenth Century and a prolific art collector. The Lock remained in the possession of his descendants until 1990. The top end of the art market has escaped many of the problems faced by the wider global economy, with new records consistently being set for individual artists. Last month Joan Miro's 1927 work Peinture (Etoile Bleue) sold for more than £23.5m, a record for the Spanish painter. In May Edvard Munch's The Scream became the most expensive art work ever sold at auction, selling for $119.9m in New York. The top price for an Old Master was reached in 2002 when Sir Peter Paul Rubens' painting The Massacre of the Innocents sold for £49.5m.

Peter Crouch is rumoured to be filming a chat show pilot for Sky. The lanky Stoke City striker's project will be entitled On the Couch with Peter Crouch (good title!), according to the Sun. Beady Eye front man Liam Gallagher is rumoured to be appearing on the pilot. Well, that should certainly be a meeting on minds. 'Peter is a smart guy and takes on the role of a chat show host well,' an alleged 'source' allegedly said. 'He has a long list of people who he considers heroes, in comedy, music, food, you name it. The idea is he will go and visit people at their homes or workplaces and chat to them in a quirky way. It's more Ruby Wax than Michael Parkinson as it's supposed to be more of an entertainment show.' The alleged 'insider' allegedly also praised Crouch's 'good command of the English language' and listening skills, saying that they are 'vital ingredients for this kind of show' and 'not something many footballers have.' Filming is tipped to begin within the next few days to take advantage of the football close season.

A man has been arrested after a Premier League footballer was allegedly subjected to racist abuse on Twitter. Newcastle United's defender Danny Simpson claims he was targeted on the social networking site on Monday. Northumbria Police arrested and bailed an eighteen-year-old man on suspicion of malicious communications. A Newcastle United spokeswoman said that the club would not tolerate racism 'and will take the strongest possible action against those responsible.' Absolutely right.

Eric Sykes, one of Britain's best-loved comedy actors and writers, has died at the age of eighty nine, his manager has said. 'Eric Sykes, star of TV, stage and films, died peacefully this morning after a short illness,' said Norma Farnes. 'His family were with him.' Sykes found fame in a series of TV sitcoms from the 1950s, including Sykes And A... alongside Hattie Jacques who played his sister in both that series and its later sequel, Sykes. Sir Bruce Forsyth paid tribute to Eric, calling him 'one of the greats of comedy in this country. He was universally loved here,' the entertainer continued. 'He was just one of the funniest men ever.' As usual, most lazy bastard journalists couldn't be bothered to do any 'real' work and speak to many people who knew Eric when they could just trawl Twitter for comments they could quote. Stephen Fry, inevitably, was one of those targeted: 'Oh no! Eric Sykes gone? An adorable, brilliant, modest, hilarious, innovative and irreplaceable comic master. Farewell, dear, dear man.' Whilst Mark Gatiss said: 'The wonderful Eric Sykes has left us. A giant of comedy and a gentleman - funny to his very core.' Comic Robin Ince paid tribute to 'the last link to many of the most important early post war comedians' and 'a great entertainer.' Tall, lean and lugubrious, Eric Sykes starred for many years in his own television series, Sykes And A... It cast him as the inoffensive inhabitant of Twenty Four Sebastopol Terrace, constantly beset by the problems of domestic life. The comedian's suburban adventures and gentle offbeat humour first went out on television in 1960 and delighted audiences of up to twenty million. Sykes the performer never minded such a large audience. But Eric Sykes the person was far more of a recluse. He was born on 4 May 1923 in Oldham, the son of a millworker. His mother died while giving birth to him and his father remarried a year later. At school Eric excelled in art. But his family could not afford to send him to college, so he became a store keeper in a cotton mill. Wartime service gave him the chance to shine in several Royal Air Force entertainment shows, as well as a role in the Normandy landings. Ever modest, Sykes maintained he had bluffed his way into those wartime shows. 'They asked if I had theatrical experience and I thought, I'd been to the theatre three times before the war.' Nonetheless, after World War II, he decided to make his living writing comic scripts. His first break came when he managed to sell one to Frankie Howerd for ten pounds. Before long he was writing regularly for radio. Sykes started his career writing material for comedians including Tony Hancock and The Goon Show. One of the programmes he wrote for was Educating Archie, on which he worked with Hattie Jacques, Max Bygraves and Hancock. By the 1950s he had become the highest paid scriptwriter in Britain. He offered simple, innocent humour devoid of malice, writing for such big stars of the day as Peter Sellers and Professor Stanley Unwin. But he also wrote for the surreal, cult comedy The Goon Show. He was brought on board in 1954, partly to help ease the workload of the show's co-creator, Spike Milligan, who had recently suffered a breakdown. For a time the duo worked together in a single office above a grocer's shop at 130 Uxbridge Road, Shepherd's Bush. Sykes and Milligan later jointly formed Associated London Scripts with Ray Galton and Alan Simpson, and Johnny Speight a writers' agency which lasted for well over a decade until being dissolved in 1967. When The Goon Show left the airwaves in 1960, Eric and Spike continued their partnership on its various TV spin-offs. Even after Milligan's death in 2002, Sykes demanded that his receptionist answered the office phone by saying: 'Spike Milligan and Eric Sykes' office.' 'I know he's dead but we shared offices together for fifty years,' Sykes told Metro earlier this year. 'He passed on ahead of me. He was going to do it before me, to see what it was like, for my benefit.' Following his big-screen debut in Orders are Orders in 1954, Sykes went on to appear in more than twenty films. These included Heavens Above!, Monte Carlo or Bust, Absolute Beginners, The Spy with a Cold Nose and Those Magnificent Men In Their Flying Machines. He stepped into the spotlight with his own TV shows including Dress Rehearsal in 1956, Sykes And A... in 1960 and its sequel Sykes, in 1972. In the latter two, he and Jacques developed a popular partnership as a bumbling brother and long-suffering sister living in Sebastopol Terrace. Another of Sykes' best-known productions was in a virtually silent slapstick film called The Plank. The 1967 short saw him and Tommy Cooper play a couple of accident-prone workmen and is regarded as a landmark of visual comedy. It proved so popular that it was remade for television in 1979. Along with Milligan and the Monty Python team, Sykes was credited with bringing a more off-the-wall slant to mainstream British comedy. On TV, Sykes, which retained the same characters from the earlier show saw the titular comedian move to Twenty Eight Sebastapol Terrace, an end-of-terrace house. It was a piece of comic innocence, located in a sort of permanent 1950s, Ealing Studios world, with only the occasional contemporary reference to give away its 1970s setting. The shows, co-starring Jaques as his 'identical' (but very differently proportioned) twin, gave rise to some of television's most enduring comedy sequences. They included a memorable five-minute monologue where Sykes got his toe caught in a bath tap. 'I always say to young people, you can have the best script, be the funniest man, but if they don't laugh - you're not a comedian,' he said in 2006. Sykes also appeared in the controversial Johnny Speight 1969 sitcom Curry and Chips alongside Milligan, who was blacked up to play an Irish-Pakistani factory worker. Sykes' television roles dried up after a sitcom set in a golf club, The Nineteenth Hole, made for ITV in 1989. But his career was far from quiet. He had appeared in a string of supporting roles on the big screen over the years and continued his film work with The Others, alongside Nicole Kidman, and as caretaker Frank Bryce in Harry Potter and the Goblet of Fire. His final film appearance was in the British coming-of-age comedy Son of Rambow. He also enjoyed renewed acclaim on stage, appearing in plays by the likes of Ray Cooney, Moliere and Alan Bennett. That came despite struggling with hearing loss for most of his life, as well as gradual eye failure, which left him almost deaf and blind by the 1990s. Former BBC head of comedy Jon Plowman paid tribute to Sykes as 'a warm man, a kind man, a warm family man. We won't see his like again,' he said. 'He was a wonderful improviser. His genius was both as a scriptwriter but also someone who could do stuff off the cuff. He was classless and funny and warm.' Sykes had been hard of hearing since his early thirties. His trademark horn-rimmed spectacles were in fact a sophisticated hearing aid, enabling him to sense vibrations. Doctors were surprised he could hear anything at all. But Sykes always attributed this medical mystery to the protective spirit of his dead mother, named Hattie like his famous co-star. 'I still think she's here, I owe her so much - there have been miracles in my life,' he told audiences at the Hay Festival six years ago. Despite his deafness and later blindness, Sykes continued to perform on stage and screen well into his seventies. He wielded a Zimmer frame like an offensive weapon to great comic effect in Alan Bennett's 1987 play, Kafka's Dick. He also took the role of Professor Mollocks in the BBC's grandiose 2000 adaptation of Mervyn Peake's Gormenghast trilogy. Sykes referred to himself as a solitary unit. His Canadian wife Edith and his four children were used to leaving him alone. Yet he was never able to resist the lure of a private joke and called comedy a calling. 'You don't decide to be a comedian,' he said. 'I don't ever stop. Even when I'm in the bath or shaving, my brain is going like an express train, thinking up funny things.' Much modern era of comedy failed to entertain him - 'why do they have to swear all the time?' he famously asked - although he professed to greatly enjoy Eddie Izzard's surrealist routines. Izzard, Noel Fielding and Ross Noble are perhaps the most obvious inheritors of Sykes' style of humour. His comic vision of the world helped to guide British humour in a markedly zanier direction and his influence is certain to endure. Sykes was made an OBE in 1986 before being elevated to a CBE in 2004. In 1992, he received lifetime achievement honours from the Writers' Guild and the British Comedy Awards. Sykes and wife Edith celebrated their sixtieth wedding anniversary this Valentine's Day. The couple had one son and three daughters.

The US National Ocean Service has declared that mermaids do not exist. Part of the US government, the scientific agency made the statement as a result of people enquiring about the fictitious half-human half-fish sea creatures. The Animal Planet cable network in America on 27 May broadcast a tongue-in-cheek 'mocumentary' about the possible existence of mermaids called Mermaids: The Body Found. Afterwards, the National Ocean Service received questions from people who had watched the show not realising that it was fictional and they'd been had. 'No evidence of aquatic humanoids has ever been found,' the agency recently stated. 'Why, then, do they occupy the collective unconscious of nearly all seafaring peoples? That's a question best left to historians, philosophers and anthropologists.'

So, there you have it, dear blog reader, apparently Mermaids don't exist. Except, possibly, those featured in today's Keith Telly Topping's 45 of the Day, of course. Here's The Goddamn Modfather his very self.