Tuesday, July 03, 2012

He Knows The Swingers And Their Cavalry, Says He Can Get In Anywhere For Free

Location images released of an upcoming Doctor Who episode have seemingly confirmed the return of actress Catrin Stewart. The shots, taken from filming of the episode starring Dame Diana Rigg and Rachael Stirling, shows the actress in the role of Jenny, the Doctor's Victorian-era ally. The character was last seen in series six episode A Good Man Goes To War and her return has prompted speculation that her lover, the Silurian Madame Vastra (played by Neve McIntosh) may also be back. Other pictures show Rigg, Matt Smith and Jenna-Louise Coleman wearing similar period outfits to Stewart. The casting of Rigg and Stirling was confirmed on Monday though little is yet known about their characters other than they will be a mother and daughter 'with a dark secret.' The episode features what Stirling described as 'a gift of a script' from Sherlock co-creator and Who veteran Mark Gatiss.

Doctor Who, meanwhile, is one of the final shows to confirm its plans for San Diego's annual Comic-Con event. The cult comics, TV, games and movies convention will be visited by Matt Smith, Arthur Darvill and Karen Gillan and producers Steven Moffat and Caroline Skinner for a panel discussion with fans on Sunday 15 July. New footage from the show's upcoming series - the last to feature Gillan and Darvill - will also premiere at the event.
Christopher Eccleston's Blackout launched with respectable numbers for BBC1 on Monday night. The three-part drama, about a man who wakes up from an alcoholic blackout to find he has nearly killed someone, attracted 4.47m in the 9pm hour. Meanwhile, ITV's Real Chariots of Fire drew 2.01m despite an eight million lead-in from Coronation Street. Undercover Boss returned with a decent 1.8m. BBC2's ninety-minute documentary 7/7: One Day In London took 1.56m. Panorama's investigation into cold callers interested a higher-than-usual 3.6m at 8.30pm, At the 8pm junction, Today at Wimbledon scored 2.41m for BBC2. Overall, BBC1 had a primetime victory with 19.3 per cent audience share against ITV's 18.9 per cent. For the third day in a row, ITV3 managed to surpass the million viewer mark in the 9pm hour, this time with a classic episode of Taggart which mustered 1.04m. That was the night's most-watched multichannel programme.

Damian Lewis's US thriller Homeland and BBC1's Sherlock and Doctor Who are among the shows nominated for the TVChoice Awards 2012. The shortlist for the awards, which take place on Monday 10 September, also includes nods for ratings hit Call The Midwife and ITV's Downton Abbey. Homeland and Call The Midwife will face each other, Channel Five's US import Once Upon A Time and BBC1's Prisoner's Wives in the Best New Drama category. Meanwhile, Sherlock and Downton Abbey will have to contend with long-running series Shameless and Skins in the Best Drama battle. Doctor Who is pitted against Glee, Merlin and Waterloo Road for Best Family Drama, and the popular long-running family SF drama's stars, Matt Smith and Karen Gillan, will also be hoping to pick up Best Actor and Best Actress awards. Respectively. However, the duo will have to beat Martin Clunes, Benedict Cumberbatch, Colin Morgan, Jaye Jacobs, Freya Mavor and Miranda Hart to claim the titles. US sitcom The Big Bang Theory will be up against British hits Outnumbered and Mrs Brown's Boys in the Best Comedy Series category. The Voice and Wee Shughie McFee, the sour-faced Scottish chef off Crossroads will be in competition in the Best Talent Show category with the BBC series squaring up against Britain's Got Talent, The X Factor and The Apprentice.

Comedians are setting sail from London for ten 'pop-up gigs' between the capital and Scotland. A series of shows will take place along the riverbank as The Pleasance boat travels to Edinburgh, via Oxford, Manchester and Glasgow. Reginald D Hunter and The Idiots of Ants are among those taking part in the one-off event, Jenny Eclair will launch the boat on Thursday. Gosh, let's hope she doesn't fall overboard and, you know, drown. Because, that would be terrible. The finale will take place during the Edinburgh Festival Fringe in August. Tell Tales from the Riverbanks is part of the London 2012 Festival comedy programme and is being staged by The Pleasance Theatre, launch pad for comedians including Bill Bailey and Mitchell and Webb. The nine groups of comedians involved will explore the heritage of the places they visit, with local people also invited to take part in the gigs. 'Mucking about in boats is a quintessentially British pastime,' said Anthony Alderson, director of The Pleasance. 'And what better way to take comedy from the cultural celebrations of this summer's Olympic and Paralympic Games in London to the Edinburgh Fringe festival than on a canal boat.' The details of each gig, including where along the riverbank the boat will dock, will be announced on the event website shortly before the gig takes place. Gigs will also be broadcast online. Director of the London 2012 festival, Ruth Mackenzie wished the comedians and crew luck. 'It should be great fun for audiences they surprise on the way and who follow them online,' she said.

The Newsroom and True Blood have both been renewed by HBO. Aaron Sorkin's broadcasting drama The Newsroom will return for a second season, having premiered on 24 June to solid ratings and great acclaim. The Newsroom follows the behind-the-scenes goings-on of a fictional cable news channel with Jeff Daniels as the anchor. The series also stars Emily Mortimer, John Gallagher Jr, Dev Patel, Alison Pill and Olivia Munn. Meanwhile, True Blood will return for a sixth season in 2013.

Sky has bought the rights to Elementary, the US modern-day adaptation of Sherlock Holmes starring Johnny Lee Miller and Lucy Liu, one of four stateside shows it has acquired including Vegas and The Following. Elementary, proved controversial because it followed the BBC's own modern-day take on the classic detective story, Sherlock, starring Benedict Cumberbatch and Martin Freeman. Unlike the BBC version, CBS's New York-based Elementary features a female Doctor Watson, played by Liu, opposite Trainspotting star Miller. The drama, which also stars Aidan Quinn as New York police chief Toby Gregson, will be broadcast on Sky Living in the autumn. Another CBS show, Vegas, stars Dennis Quaid and The Shield's Michel Chiklis and tells the true story of a former rodeo cowboy charged with bringing order to Las Vegas in the 1960s. Quaid plays the sheriff, Ralph Lamb, and Chiklis a ruthless Chicago gangster, Vincent Savino. The Following, a cat-and-mouse thriller starring Kevin Bacon and James Purefoy and executive produced by Kevin Williamson, is one of two Warner Bros shows also bought by Sky. The second is the superhero adaptation Arrow, which reinvents the DC Comics' creation Green Arrow for a modern audience and stars The Vampire Diaries' Stephen Amell. Both Vegas and The Following will be broadcast on Sky Atlantic, with Arrow due to appear on Sky 1 this autumn. All four shows featured prominently at the annual LA Screenings for new US TV shows in May.

Oscar-winning British film director Sam Mendes has whinged about the BBC's commercial arm for refusing to invest in BBC2's current adaptations of four Shakespeare history plays. BBC Worldwide declined to part-fund the lavish The Hollow Crown productions, which began with Richard II starring Ben Whishaw on Saturday, handing Hollywood studio NBC Universal the chance to step in and provide funding. Mendes, whose Neal Street Productions developed The Hollow Crown concept, said that he tried – and failed – to persuade the BBC's commercial team to stump up about a third of the total nine million quid production cost. Without the extra cash, the Shakespeare programmes could not have been made. The director and team were reportedly 'stunned' with the rejection, which came even though BBC2 was prepared to meet a large part of the cost from the licence fee. 'We originally pitched The Hollow Crown to BBC Worldwide. But they were not convinced that Shakespeare would sell internationally,' he said. Mendes said that he decided to speak out when the fourth play, Henry V, starring War Horse's Tom Hiddleston, was treated to a gala launch headed by the BBC's director general Mark Thompson at the British Museum. Bet that went down well with the big nobs. Joint financing of major productions is normal to share out the financial risk. To save licence fee payers' money, the BBC will meet only a percentage of the production cost, leaving the producer to find a commercial backer to meet the rest of the bill in exchange for handing over income from international and DVD rights. Often, the BBC's own commercial division, Worldwide, meets the funding deficit, but on this occasion Mendes personally failed to persuade the unit in a face to face meeting in January 2011, even thought he could list the well-known actors prepared to appear in the proposed adaptations of Henry IV Parts 1 and 2, Henry V and Richard II. However, with BBC Worldwide refusing to participate, executives at BBC2 told Mendes that they would only able to guarantee that it could pay for Richard II – leaving the other three productions under threat. Instead, Mendes looked elsewhere and found that NBC Universal – which is rapidly expanding in Britain with programmes such as Downton Abbey – was willing to buy the overseas and DVD rights. NBC believes it can sell The Hollow Crown as a ten-part mini-series of hour-long episodes in some areas, on the lines of The Tudors. 'It is, of course, an irony that the US giant NBC Universal then stepped in and spotted the long-term commercial potential of the project,' Mendes said. Gareth Neame, the British-born NBC Universal executive producer, was asked for help and rapidly agreed. He said: 'I have a sense it will be commercially viable, not overnight, but in the long run. They will be sold for many years to come. Countries such as Germany and Japan are very interested in Shakespeare. It is a roll of the dice, but one we should do.' A spokesman for BBC Worldwide said: 'We have to balance every investment against commercial returns including projections from our international sales team. In this case we decided to pass. We are pleased to hear that Neal Street and NBC Universal are partnering to distribute these films overseas, in addition to UK audiences this summer.' BBC Worldwide said they had recently invested in Call the Midwife (also made by Mendes's Neal Street Productions), and the forthcoming Tom Stoppard adaptation of Ford Madox Ford's Parade's End series of novels. BBC Worldwide Productions are also currently shooting Da Vinci's Demons, described as 'a Renaissance-inspired romp,' in Swansea with a US cable network.

Organisers of the Eurovision song contest have defended it against claims that racism has been a factor in the UK's poor record in the competition. Their response follows comments made by the odious and small composer Andrew Lloyd Webber in an interview with the Radio Times. His Very Lordship Lloyd-Webber told the magazine the low scores of acts like Blue and Jade Ewen had not been based on music alone. The European Broadcasting Union, which stages the annual event, said the claims were unfair.'"At this year's final we had a female black singer representing Ukraine,' said a spokesman. 'We have had no indications of racism. On the contrary, we celebrate the differences among different entries, truly uniting Europe for three nights a year.' Poisoned, bitter gnome, faceache (and drag) Lloyd-Webber claimed that when he took Ewen to Moscow in 2009, he was asked: 'Why have you brought a black artist?' Referring to this year's contest, the composer said: 'I don't think there's any point beating around the bush. I don't think there was one black face on the programme.' Ewen, who sang 'It's My Time' at the 2009 contest, has a Jamaican mother and Scottish-Sicilian father. The singer, now a member of The Sugababes, eventually came fifth in the competition. According to The Tiny One, though, she deserved more. 'At the press conference in Moscow, I was asked "why have you brought a black artist?"' he told the Radio Times. 'I said, "because she is the most talented artist that we had and I think she's a major, major star." I think we would have come second but there's a problem when you go further east,' he continued. 'If you're talking about Western Europe - Germany, fine; France, fine; Spain, fine; Greece, fine; Scandinavian countries, fine. But Ukraine? Not so good.' Asked whether he thought racism had ultimately cost the UK the title, he commented: 'Well, it doesn't mean that we would necessarily have won that year but we could have come second.' So, that'd be a 'yes', then. The 2009 contest was won by Norway's Alexander Rybak, who was born in Belarus and sang his own composition, 'Fairytale'. In actuality, Ewen performed better than some of the UK's other entrants in recent years. Andy Abraham and Josh Dubovie both came last, in 2008 and 2010 respectively. This year the seventy six-year old crooner, yer actual Engelbert Humperdinck, received just twelve points for his song 'Love Will Set You Free', earning an embarrassing second-to-last finish. A BBC spokeswoman said the corporation had 'no evidence whatsoever' of any racism around the Eurovision. 'Jade Ewan got to a very respectable fifth place in 2009 when thirty two out of forty one countries gave the UK points,' she said. 'Jade was given points from nineteen Eastern European countries, including Ukraine, in 2009.'

Former Barclays chairman Marcus Agius will leave his position on the BBC's executive board in November when his term expires, the corporation has announced. He has just quit as chairman of the embattled bank on Monday, saying he was 'truly sorry' for the interest-rate rigging scandal which has dealt a 'devastating blow' to the bank. The Harvard-educated banker, who has sat on the BBC board since 2006, resigned from Barclays on Monday morning and announced an internal review into the bank's practices after the revelations of the scandal. A BBC spokeswoman said: 'Marcus Agius is currently serving his second three-year term as the senior non-executive director on the BBC executive board. He will continue to discharge his duties as senior non-executive director until his second term expires in November.' When he was appointed to the position six years ago, BBC director general Mark Thompson praised Agius's 'impressive and very successful track record in managing large institutions.' A BBC spokesperson indicated it was 'normal practice' for non-executive directors to step down after completing two terms. However, there have been occasions when people have served for longer.

For the first time the BBC will broadcast The Last Night of the Proms live from the Royal Albert Hall in 3D. They hope that it will give the audience at home the feeling they are 'in the orchestra.' Only, not playing an instrument. Obviously. In August, the lost world of dinosaurs will be recreated for Planet Dinosaur 3D. Described as the 'most ambitious animated programmes ever attempted,' a specialist team have worked frame-by-frame to ensure that viewers have the 'ultimate 3D experience.' The opening and closing ceremony of the London Olympic games will be broadcast in 3D along with the highly anticipated Men's 100m final. A highlights package at the end of each day will also be shown in 3D. This weekend the BBC will re-broadcast the Wimbledon Men's singles semi-finals in 3D and selective live coverage from the Men's and Ladies' final games. The free-to-air broadcast of these events in 3D will be available to anyone who has access to a 3D set and to the BBC HD Channel, regardless of which digital TV provider they use.

Blur debuted two new songs at a live show streamed on Twitter on Monday evening. The group, whose last CD came out in 2003, performed the songs - 'Under the Westway' and 'The Puritan' - an hour apart, from a secret rooftop location. The band wrote the songs for a concert in London's Hyde Park to coincide with the Olympics Closing Ceremony. 'I'm really excited about getting out there and playing them for people,' said front man Damon Albarn. Blur performed in the rain for around fifty invited guests, fans on the street who had discovered the location, and the online audience on Twitter. The last time they had played together was in 2009, on a brief reunion tour that included a headline set at Glastonbury. In a question and answer session with fans between the two songs, the band revealed the Olympics concert, on 12 August, would feature a career-spanning set 'including the new tracks.' When asked how it felt to be playing together again, guitarist Graham Coxon answered: 'Like a silk smoking jacket.' 'Under the Westway' also received its first radio play on Steve Lamacq's BBC 6Music show. Afterwards fans took to Twitter to voice their approval, calling the song 'stunning', 'absolutely perfect' and 'emotive, haunting and beautiful.' The two Blur songs were the band's first newly-aired material since the release of a limited edition seven-inch single, 'Fool's Day', produced for 2010's Record Store Day. The new songs have already been made available online. A limited edition double-A-side seven-inch single will follow on 6 August. They will also perform three warm-up dates during early August, ahead of the Hyde Park concert, at venues special to the band - Margate Winter Gardens, Wolverhampton Civic Hall and Plymouth Pavilions.

Gareth Southgate, the ITV pundit and former international footballer, has waded in with some wise words of advice for the current generation of England penalty failures: step away from the TV adverts. Southgate - infamously - appeared in a self-mocking Pizza Hut advert following his missed penalty against Germany in Euro 96 alongside fellow ex-internationals Stuart Pearce and Chris Waddle. The nation was not amused. The Daily Lies reports that Southgate has advised Ashley Cole and Ashley Young, whose fluffed spot kicks against Italy saw England knocked out of Euro 2012, not to follow in his footsteps. 'Every single day now when I walk down the street it is always mentioned to me,' he told FourFourTwo magazine.

Andy Griffith, who portrayed a small-town sheriff on US 1960s sitcom The Andy Griffith Show has died, aged eighty six. Bill Friday, a friend of the actor, told local broadcaster WITN that Griffith had died in North Carolina. Dare County Sheriff Doug Doughtie said in a statement Griffith died around 07:00 EST on Tuesday. The actor received the Presidential Medal of Freedom, the highest US civilian award, in 2005. Born in Mount Airy, North Carolina, he starred in the popular comedy series as Sheriff Andy Taylor from 1960 to 1968. The show portrayed life in the quiet North Carolina town of Mayberry, where the sheriff had little crime to contend with. It spun-off several additional shows. Griffith continued to act, gaining a second TV hit as defence lawyer Ben Matlock in the 1980s and 1990s. He was nominated for a Tony award in 1956 and won a Grammy for his LP of gospel hymns in 1996.

The latest Keith Telly Topping's 45 of the Day is a reminder of when Blur used to make records regularly. Pretty good ones too (although, being the contrary sod that he is, yer actual Keith Telly Topping preferred Oasis). Plus, I've always liked Graham and Dave and I can put up with Damon most of the time, but that Alex James remains a prime knob-end. Anyway ...

Monday, July 02, 2012

Ms Rigg, You're Needed

The BBC have announced on Twitter that yer actual Dame Diana Rigg is to appear in Doctor Who alongside her daughter, Rachel Stirling. The actresses will play 'a mother and daughter with a dark secret' alongside Matt Smith, as The Doctor, and new companion Jenna-Louise Coleman in an episode to be shown early in 2013. The Lord Thy God Steven Moffat announced: 'Dame Diana Rigg, Rachael Stirling and a Mark Gatiss script - a combination of talents you could only get in Doctor Who! Frankly, I'm terrified already! The script commences filming this week, with the pair "playing a mother and daughter with a dark secret."' The story is reportedly set in Yorkshire with a period setting, with filming beginning on Monday at Roath Lock Studios and Bute Town in Rhymney, standing in for 'a village in the county.' Diana is, of course, best remembered as one of television's finest feminist icons, Emma Peel in the 1960s series The Avengers. She also became James Bond's short-lived wife in On Her Majesty's Secret Service. The actress has had a long and impressive career covering stage, screen and television including The Assassination Bureau, Diana, Bleak House, First Born and The Mrs Bradley Mysteries. She also hosted the PBS series Mystery! for some fifteen years. On her forthcoming appearance, she said: 'The first time Rachie and I will be working together is on an episode of Doctor Who specially written for us by Mark Gatiss. How lucky is that?' Meanwhile, her daughter's career has encompassed starring as Nan in the controversial BBC adaptation of Tipping the Velvet, with other television appearances including Boy Meets Girl and last year's Women in Love; she has also appeared in films such as The Young Victoria, Centurion, Salmon Fishing in the Yemen and Snow White and the Huntsman. The actress is also no stranger to the world of Doctor Who, featuring alongside Tom Baker and Louise Jameson in the recently released Big Finish audio adventure Trail of the White Worm. On her latest role, Rachael said: 'What joy. I am looking forward to the madness of Doctor Who enormously. Mark Gatiss has written a gift of a script and an on-screen relationship between Ma and I that is truly delicious. We have never before worked together because the offers have not been tempting, but when such a funny and original script comes through you know the time has come.'

More than thirteen million viewers watched Spain win Euro 2012 on BBC1 – six times the number that watched the tournament climax on ITV. Spain's crushing 4-0 win over Italy averaged 12.3 million viewers on BBC1, with a fifteen-minute peak of 13.3 million on Sunday night. ITV's - genuinely pathetic - coverage of the same match, fronted by odious breakfast TV flop and greed bucket Adrian Chiles, averaged a risible two million viewers, with a fifteen-minute peak of 2.2 million. Overall BBC1's Match of the Day Live: Euro 2012 Final, hosted by yer actual Gary Lineker, pulled in an average audience of 10.2 million viewers across the entire broadcast, a 41.3 per cent share, between 7pm and 10.15pm. ITV's Euro 2012 Final Live, averaged 1.7 million viewers, seven per cent of the audience, between 7pm and 10.15pm. I'll repeat that, seven per cent. The advertising-free BBC traditionally outguns ITV on big sporting occasions such as this but the corporation's six-to-one win over its commercial rival – the BBC had an eight six per cent share of the audience during the game itself – was even more comprehensive than usual. The last time ITV broadcast live coverage of a European Championships final – Greece's win in Euro 2004 – the BBC had just over three times as many viewers as ITV, with 10.9 million viewers against 3.4 million. Such is the BBC's traditional ratings lead that ITV decided not to broadcast live coverage of the Euro 2008 final, also won by Spain. The BBC had a five-to-one lead in the 2010 World Cup final, when it drew fifteen million viewers compared with ITV's 3.3 million. The total audience for live match coverage of the final, at 14.3 million viewers, was up on the 10.6 million who watched in 2008 when it was only broadcast on BBC1, and identical to the 14.3 million who watched Greece's win in Euro 2004. But it was down on the 18.4 million who saw Spain's World Cup win, broadcast live by both channels, two years ago. England's Euro 2012 exit to Italy remained the most-watched match of Euro 2012, with a live match average of 20.34 million viewers on BBC1 on 24 June, with full coverage including pre- and post-match analysis averaging 17.4 million. The quarter final, which England lost on penalties - as usual - had a five-minute peak of 23.2 million viewers, the highest for any programme on any channel since England versus Portugal in Euro 2004. The first hour of ITV's Euro 2012 final coverage also lost out to BBC2's Secrets of our Living Planet. The Chris Packham natural history series picked up 2.1 million viewers between 7pm and 8pm, including BBC HD. Mock the Week's delayed episode - rescheduled from last Thursday - took 1.52m at 10.10pm. The BBC also offered an alternative CBBC commentary of the Euro 2012 final on the Red Button service, featuring channel hosts Chris Johnson and Hacker T Dog in Salford. Their 'offbeat' version, which included unwittingly comparing the Spanish Crown Prince to a member of the Gryffindor house in the Harry Potter books because he was wearing a red-and-yellow scarf, led to CBBC 'trending' on Twitter. Which is 'a thing', apparently.

There was an unfortunate slip-up by BBC's Match of the Day pundit yer actual Alan Shearer during the Euro 2012 final on Sunday night when he noted how the triumphant Spanish team had enjoyed 'an unbelievable amount of sex.' Lucky old Spaniards, I reckon. One supposes that's what comes from winning three major tournaments in a row. The ladies love a trophy or two. What Shearer actually meant to say – and he quickly corrected himself – was 'an unbelieavable amount of success.' Let's hope they don't let it go to their head. Course, yer actual Shearer had a fair bit of sexy success himself. Yer actual Keith Telly Topping really rather enjoyed watching that.

ITV has formally announced the - long rumoured - commission of Broadchurch, a new ensemble crime drama series starring David Tennant, Arthur Darvill, Olivia Colman and Vicky McClure. Okay, sold, on those four names alone. Written and created by Chris Chibnall (previously, of course, of Torchwood and Doctor Who as well as Life on Mars and Law & Order: UK), the eight-part series will explore what happens to a small community when it suddenly becomes the focus of a major event and is subjected to the full glare of the media spotlight. David will play DI Alec Hardy, an out-of-town, newly promoted police detective, while Arthur will play the town priest, Paul Coates. Tennant's character is set to clash with a local officer played by Colman. The actress found fame as Sophie in Channel Four comedy Peep Show, before going on to star in BBC comedy Rev, Twenty Twelve and films including Hot Fuzz, The Iron Lady and Tyrannosaur. McClure played Lol in This is England and recently starred with Tennant in BBC1's mainly improvised drama True Love, The cast also includes Jodie Whittaker, Andrew Buchan and Will Mellor. Top quality cast, that mind. Chris Chibnall commented: 'Broadchurch focuses on a small British community which finds itself at the eye of a storm. In the wake of one boy’s death, the residents of Broadchurch come under scrutiny and suspicion. It's a story of scale and intimacy, as the lives of the characters are laid bare.' Laura Mackie from ITV's drama commissioning team added: 'It's not a "whodunit" or a traditional police drama.' Sounds intriguing. Directed by James Strong (Downton Abbey, Doctor Who), Broadchurch will be filmed on location in Portishead near Bristol and Dorset from mid-August until the end of November. Broadchurch will be produced by Kudos Film and Television, the company responsible for Life on Mars, [spooks] and Hustle.

Here's the final, consolidated ratings figures for the Top Twenty Programmes week ending 24 June 2012:
1 Euro 2012: England Versus Italy - BBC1 Sun - 20.34m
2 Euro 2012: England Versus Ukraine - ITV Tues - 16.22m
3 Euro 2012: Spain Versus France - ITV Sat - 9.00m
4 Euro 2012: Czech Republic Versus Poland - BBC1 Thurs - 8.74m
5 Coronation Street - ITV Wed - 8.27m
6 EastEnders - BBC1 Wed - 8.04m
7 Euro 2012: Croatia Versus Spain - BBC1 Mon - 7.49m
8 Euro 2012: Germany Versus Greece - ITV Fri - 7.44m
9 Emmerdale - ITV Thurs - 6.43m*
10 BBC News - BBC1 Sun - 6.00m
11 Ten O'Clock News - BBC1 Mon - 5.59m
12 Silk - BBC1 Wed - 5.28m
13 The Graham Norton Show - BBC1 Fri - 4.26m
14 Six O'Clock News - BBC1 Thurs - 4.23m
15 Countryfile - BBC1 Sun - 4.20m
16 Mrs Brown's Boys [rpt] - BBC1 Sat - 4.14m
17 Formula One: The European Grand Prix - BBC1 Sun - 3.92m
18= The ONE Show: Best Of Britain - BBC1 Fri - 3.68m
18= Lewis [rpt] - ITV Thurs - 3.68m*
20 Midsomer Murders [rpt] - ITV Wed - 3.46m*
Those programmes marked '*' do not including ITV HD ratings figures. Euro 2012 pre- and post-match coverage is excluded in all cases, these are the match ratings only. BBC2's highest rated shows were King George and Queen Mary: The Royals Who Rescued the Monarchy (2.48m), The Natural World (2.34m) and Mock The Week (2.32m). Channel Four's top performers were Twenty Four Hours In A&E (2.99m) and Eight Out Of Ten Cats (2.63m).

For fans of both science fiction and electronic music, something very exciting has happened - the BBC have reportedly reopened the Radiophonic Workshop. The legendary department was founded at the BBC in 1958 at their Maida Vale studio as an in-house sound effects and music production team for radio programmes like The Goon Show. Within a few years they had become responsible for some of the most groundbreaking work in the then-new field of electronic music. Some of their compositions still have the ability to surprise with how modern and advanced they sound, and it's still common to see contemporary electronic musicians cite its work as a major influence. According to the Workshop's site: 'In 2012 as part of thespace.org, an innovative new digital arts media service created in joint partnership between the BBC and the arts council the radiophonic workshop is being reborn.' It continues: 'Instead of being confined to rooms full of equipment in Maida Vale studios in London, the new Radiophonic Workshop will instead be a virtual institution, visibly manifested as an online portal and forum for discussion around the challenges of creating new sounds in a world saturated in innovative music technology but lacklustre in terms of actual original output. We will primarily bring together two key disciplines: music composition and software design, and as such its members will be drawn from the cutting edge of both.' As part of the BBC, the Workshop provided a working environment unlike any other in the commercial sphere. Not only were its compositions groundbreaking, but two of the most influential members of the Radiophonic team were women. Daphne Oram co-founded the Workshop with Desmond Briscoe, driven by her desire to produce music similar to the French genre of musique concrète which had grown in post-war France and Germany. Later, the great Delia Derbyshire was responsible for arranging the Doctor Who theme tune. That came out in late 1963, the same year as The Beatles' debut LP and Cliff Richard's 'Summer Holiday.' It sounded then, and it still sounds now, like The Future. Delia's later projects, such as White Noise, were just as trippy and unexpected for the time they were made. From the early sixties the Workshop began creating television and radio themes and jingles, particularly for low budget schools programmes and local radio stations. In 1962 one of Maddalena Fagandini's interval signals, 'Time Beat', was reworked with assistance from George Martin and commercially released as a single using the pseudonym Ray Cathode. During this period the innovative electronic approaches to music in the Workshop began to attract some significant talent including Derbyshire, Brian Hodgson and John Baker, a jazz pianist with an interest in reverse tape effects. Later, in 1967, they were joined by David Cain, a jazz bass player and mathematician. Perhaps the most significant recording in Radiophonic Workshop history came in 1963 when they were approached by composer Ron Grainer to record a theme tune for the upcoming BBC television series Doctor Who. Presented with the task of realising Grainer's score, complete with its descriptions of 'sweeps', 'swoops', 'wind clouds' and 'wind bubbles', Delia created a piece of musique concrète which has become one of television's most recognisable themes. Over the next quarter-century the Workshop contributed greatly to the programme providing its vast range of unusual sound-effects, from the TARDIS dematerialisation to the Sonic screwdriver, as well as much of the programme's distinctive abstract minimalist electronic incidental music, including every score from 1980 to 1985. As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. This led to a new generation of musicians arriving in the early 1970s like Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. Its contributions included material for programmes such as The Changes, The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy. By the early 1990s, BBC director John Birt decided that departments were to charge each other and bid against each other for services and to cut those which couldn't make enough revenue to cover their costs. In 1991 the Workshop was given five years in which to break even but the cost of keeping the department, which required a number of engineers as well as composers, proved too great and the Workshop closed in March 1998. The BBC, nevertheless recognised its contribution and heritage. Mark Ayres and Brian Hodgson were commissioned to catalogue the extensive library of recordings by the workshop prior to placing it into the archive. Thus they preserved a considerable part of the workshop's work for posterity. Since the closure many of the Radiophonic Workshops LPs have been re-released on CD. In October 2003, Alchemists of Sound, an hour-long television documentary about the Radiophonic Workshop, was broadcast on BBC4. Also worth seeking out, if you can find it, is the stunning 1983 Radio 4 documentary We Have Also Sound Houses about the department's work. Whether the new Workshop is anything more than just another music forum taking advantage of a prestigious name remains to be seen, but it's going to be exciting to see what happens next. A comprehensive engineering history of the Radiophonic Workshop is available here, including details of specific equipment used by the Workshop over its original forty year lifespan.

Wee Shughie McFee, the sour-faced Scottish chef off Crossroads has admitted that he often puts through 'cute' girls during audition stages of The X Factor. The talent show judge explained that he and his fellow panellists are allowed to flirt with contestants but only on one condition. 'If you are single, you can flirt,' he is quoted as saying in the Sun. 'We've definitely put girls through because they are cute, in the same way the girls put guys through – it's just the way of the world.' Wee Shughie McFee, the sour-faced Scottish chef off Crossroads insisted that he has 'no regrets' over the revelations that were revealed by Tom Bower's biography in April, including his secret affair with Dannii Minogue, the least famous of the Minogue sisters. 'I've been a naughty boy – that's why I got into the music business. I've had my fair share, nothing too bad.' He added that he is 'flattered' with the attention given to his private life, especially as it helps improve the ratings for his TV shows. 'I'm immensely flattered because it means people watch the shows. Without the shows being popular no-one would know who I am!'

BBC arts commissioner Mark Bell has just announced a majestic list of commissions, sending old favourites (David Dimbleby, Andrew Graham-Dixon) and newer stars (James Fox, Alastair Sooke, Lucy Worsley) far and wide in search of culture at its most glittering for mass consumption. Spoiling the effect a little, though, at least according to some tosser of no importance at the Gruniad Morning Star, is the concluding mention of the Arena unit opening up their archive in a digital space, The Arena Hotel, where 'visitors will have free reign to roam.' Can Bell be trusted to oversee these costly projects vigilantly if he doesn't bother to read his own press releases, the tosser of no importance asks?

American TV network CBS has released a new poster for Elementary, their upcoming contemporary Sherlock Holmes series. Following a pilot directed by Michael Cuesta (Homeland), it was announced last month that a full series has been ordered. The poster's tagline reads: Obsessive. Impulsive. Volatile. Bloody Brilliant. Elementary will be broadcast in the US on Thursdays at 10pm on CBS this autumn. A UK broadcaster for the series has not yet been announced. Although the chances of it being BBC1, 2, 3 or 4 are remarkably slim. In an official synopsis released by the network, Jonny Lee Miller's Sherlock Holmes and Lucy Liu's Dr Joan Watson are described as 'a crime-solving duo that cracks the NYPD's most impossible cases.' Miller has insisted that Elementary will differ from BBC1's Sherlock: 'You obviously look at it and say, "Wait a second..."' he noted. 'But I feel there’s enough differences there. I thought I could do something with it; otherwise, there’d be no point.' Well, indeed.

They haven't been seen together since one of them was forced to quit as No 10 director of communications in the wake of the phone-hacking scandal almost eighteen months ago. But now David Cameron and Andy Coulson have reportedly 'landed themselves in another minor controversy' after they both unexpectedly showed up at an Oxfordshire music festival, said to be of 'the highlights of the Chipping Norton social calendar.' An event which was also attended by former News International chief executive and well-known Crystal Tipps lookalike Rebekah Brooks. This is all reported, rather gleefully, and with pictures, by the Gruniad Morning Star. Photographers claim that they saw Coulson and Cameron 'briefly exchange words.' Downing Street says, categorically, that they did not. A spokesman for No 10 said: 'They did not speak or meet.' A photographer, working for an unidentified news agency, is alleged to have claimed that he 'witnessed them exchanging words outside a hospitality tent.' But the two men were not snapped together in conversation. Pictures of the two men at the festival were separately captured by a photographer from a second news agency, INS. 'From what my photographer told me, they did chat, only very briefly,' said Neil Hyde, news editor of the INS agency whose photographer was at the festival. The Cornbury Music Festival is held at Great Tew near David Cameron's constituency home. Coulson's presence at an event close to Chipping Norton is more surprising than Cameron's, given that the former spin chief's family home is some miles away in Forest Hill, near Dulwich. However, local reporters believe that Coulson has recently moved to the area from South London, which would make him a fully fledged member of the Chipping Norton set which also includes local celebrity Jeremy Clarkson. Both the prime minister and his former aide did, seemingly, manage to dodge Brooks, who also lives nearby with her husband, millionaire Old Etonian Charlie, a close personal friend of the prime minister. Well-known Crystal Tipps lookalike Brooks 'enjoyed warm relations with the prime minister', notes the Gruniad, before the phone-hacking scandal escalated – the Leveson inquiry heard how he sent texts to her signed 'LOL' while she sent him a puke-inducingly sycophantic text inviting him for 'country supper' at her Oxfordshire home and telling him she was 'so rooting' for him as 'not just as a proud friend but because professional we're definitely in this together.' Their relationship has been less publicly close since last July when the Scum of the World, which was in her charge at News International when Milly Dowler's phone was being hacked, became the subject of a Scotland Yard investigation. Well-known Crystal Tipps lookalike Brooks was recently charged with conspiracy to pervert the course of justice after a Met investigation into phone-hacking, while Coulson has been charged with alleged perjury in relation to a trial of former Scottish MP Tommy Sheridan. Both deny the charges. Cameron's constituency home in Witney is close to Great Tew, while the Brookses live in nearby Sarsden. All three were present on Saturday, the second day of the annual music and arts extravaganza, which has been running for nine years in the Oxfordshire countryside. Headline acts at this year's event included Jools Holland, Alison Moyet, Marc Almond and Elvis Costello.

The number of warnings issued about the behaviour of newspaper journalists harassing and intruding into the privacy of celebrities and ordinary members of the public is creeping back to the levels before the phone-hacking scandal erupted. Complaints judged serious enough to be taken up by the Press Complaints Commission had fallen dramatically in the second half of last year after the Leveson inquiry was set up in July and nervous editors shat in their own pants at the thought of what would be done to their knackers if they tried on any of their old nefarious skulduggery. Tabloids appeared to rein in their behaviour in the aftermath of the revelation that Milly Dowler's phone had been hacked and the creation of a public inquiry, which the lack of education secretary, rat-faced loathsome wretched odious nasty slavver-merchant and George Formby lookalike Michael Gove, warned had created a 'chilling atmosphere' for freedom of expression. Figures from the PCC show the watchdog put out one hundred and ten advisory and desist notices in 2010. In 2011, it sent one hundred and nineteen notices in the first six months, and only twenty seven in the second half of the year, after the inquiry had begun. But in the first six months of 2012, the PCC issued sixty six – matching 2010 levels – suggesting the tabloids have regained some of their confidence. Complaints have included one brought by the family of Sebastian Bowles, the eleven-year-old boy killed in a coach crash on the way home from a skiing trip in Switzerland this year, whose lawyer gave evidence to Leveson last week. Advisory and desist notices are sent confidentially by the PCC to all newspapers, usually in response to a complaint by a member of the public or a celebrity who believes they are being harassed by reporters. Their existence is usually kept private, although sometimes complaints are made public, such as when the PCC successfully persuaded photographers to stop camping outside Kate Middleton's home at the time of her twenty fifth birthday in 2007. In some cases this year, the PCC was acting for celebrities complaining about similar press intrusion into their family lives and photographs taken on private property or of their children. However, mostly they were taking up cases from ordinary people, many of whom were grieving because of the death or illness of a child, partner or parent, or the aftermath of an affair. Among the complainants to the commission in the past year are the parents of Sebastian, who said photos were taken against their wishes of them and another child visibly 'distressed'; a couple who were visiting a seriously ill child in hospital and a man who said his career and health had been affected by journalists surrounding his home after his wife was revealed to be having an affair. Giles Crown told the Leveson inquiry that Sebastian's parents, Edward and Ann, had been upset by photographs of them and their nine-year-old daughter taken in the porch of a hotel while they waited for a coach to take them and other bereaved families to the crash site, despite other coaches parked in front of the hotel to try to shield them from the press pack. They also had 'packs of press' outside their homes in London and Belgium, and police had to regularly return to the family house in Belgium to move on journalists who returned each time they were asked to leave, while neighbours were followed down the street by reporters asking questions about the grieving family. 'As a result of these visits, and from this point in time until more than a week later, Edward's family lived with their external window shutters closed because they were so concerned,' said Crown. The family also complained that family holiday photos from Edward Bowles's Facebook page were used without permission, despite him believing that he had set the privacy settings to the highest level. The notices are seen as one of the more successful activities of the PCC, which is to be abolished after the Leveson inquiry into press standards and replaced by a new 'independent' body, whose structure will be created through complex negotiations between Lord Justice Leveson, the newspaper industry and politicians. But the notices do not always succeed, and Hugh Grant told Leveson in November that complaints to the PCC last year failed to remove photographers camped outside the house of Ting Lan Hong, the mother of his baby daughter. He eventually obtained a court order. Media legal expert Jonathan Coad also said those cases which resulted in formal letters from the commission were only 'a small proportion of the problem.' Coad, a partner at Lewis Silkin solicitors, said among the other cases he has dealt with were a journalist who tried to interview a child with special needs through the letterbox of his home about his parents' marriage; a celebrity whose neighbours were offered five hundred pounds cash if they would sign a witness statement saying she was a bad mother and a TV star who after being told a story about him being gay would be published tried to kill himself – a story which was leaked apparently by somebody in the ambulance ringing a newspaper with the tip-off. 'From inside red-top land, initially they did feel the sap taken out of them by Leveson, and their behaviour was consciously improved,' said Coad. '[However] my feeling and anecdotal experience is the initial effect has passed.' It is understood that not all requests for the PCC to intervene are acted on if the commission does not believe there has been a breach of the code, for example if several media organisations make one request each for an interview. Reporters do not have to be acting aggressively for an advisory or desist notice to be sent, only ignoring repeated requests to be left alone. Complainants include those who have been libelled by newspaper or magazine articles or have other serious allegations. The numbers would also be likely to be affected by rising public awareness of the PCC and the public's rights to complain, which would have been increased further by the media attention given to the Leveson inquiry.

Billionaire tyrant Rupert Murdoch cancelled his annual summer party in London this year, but it seems that instead of sulking the party-mad media mogul and simply switched the bash (and the accompanying board pow-wow) to Milan, where Sky Italia is based and things are somewhat less stressful. And, replacing the British mix of fawning politicians, creepy lobbyists and careworn in-house executives were some rather different and mostly better-looking VIP guests: the bosses of Ferrari, Juventus, Inter Milan and Barcelona, and the football legends Franz Beckenbauer, Paolo Rossi and Gianluca Vialli. As Rupert seemingly lacks any interest in football, it's unclear what they all talked about.

At Television Centre, ever-louder tummy rumblings 'seem set to be the soundtrack to the dying months of the Mark Thompson era,' as the Beeb is reported to be axing bars, cafes and even the drinks cart in reception 'as staff continue to move out.' According, again, to some wanker of no importance at the Gruniad Morning Star - who always seem to thoroughly enjoy a good bit of trouble-stirring like this. Let's at least hope the Filling Station canteen will stay until the last BBC staffer departs, if only to underpin the existence of the Killing Station Twitter feed of someone posing as its crotchety manager. Few news presenters have escaped being depicted outrageously, with Emily Maitlis portrayed as once engaged to Chris de Burgh, Stephanie Flanders as never paying for her food and John Simpson (last seen 'trying to console the Greek girl in the foyer ... he's been on the ouzo again') as perpetually tipsy and recklessly amorous.

Sean Bean has been talking to Metro about his role as a terrorist hunter in Cleanskin, his musical ambitions and the challenges of dressing up as a woman. Asked what was the worst injury he'd sustained while making a film, Sean replied: 'While I was doing Sharpe, we were shooting in a trench. It was a scene where horses were running towards us to jump over the ditch. Unfortunately, the earth was so soft a horse's hoof went through and hit me on the head. I passed out. It did my neck in. I got a concussion and was dizzy for a few days. This was just after I'd come back from the hospital having had eight stitches for a cut on my finger caused by a flintlock.' On the subject of his recent, acclaimed, portrayal of a transsexual in the BBC1 drama Accused, he noted: 'It was a challenge but one of the most enjoyable jobs I've ever done. I like to diversify and that role was certainly different. It was a role I could get my teeth into. I wondered if I could pull it off, though. It took a lot of focus and commitment but I threw myself into it. You can’t have any reservations or inhibitions with a role like that. The character, Tracey, was very loud and off the wall. She had big blonde hair, big boobs, short skirts and her alter ego was a subdued school teacher called Simon. It was fascinating playing those two roles. You see the whole process of him making the transition. The first day was hard – coming out of the trailer dressed like that. It was a bit nerve-racking.' The newspapers then asked who, in his career, had Sean learned the most from working: 'I worked with John Hurt a couple of times and learned a lot from him. I shared a dressing room with Pete Postlethwaite for eighteen months and he became a good friend. His discipline had an impact on me. You could have a laugh with him but he was always on the ball when it came to work and very professional. Hopefully some of that rubbed off on me.' And finally, what was his career highlight? 'Sharpe is very close to my heart because of the length of time we were filming for and because of everything else that came from it. Lord Of The Rings opened a lot of doors for me. It was a privilege to be working in New Zealand on a project like that.'

BT Vision may not let Sky show its thirty eight Premier League matches a season from 2013-14. Chief executive of BT Vision Marc Watson told the Gruniad that the broadcaster is 'keeping all its options open' after it secured the rights to a twenty six-game package and twelve-game package in last month's three billion smackers auction, including a clutch of 'first-pick' matches between the biggest sides. Of the possibility that BT Vision may not offer its packages to Sky subscribers, Watson said: 'That is an option, but it is early days, we are considering all options. Having games like these gives you options. We have had a lot of calls in the last few weeks. My instinctive view is to look to make it widely available, but we will see.' Watson added: 'We'd have taken more games at the right price. For the first time in history the Premier League sold the first-pick matches, the crown jewels, to someone other than Sky. We had a plan and we stuck to the plan. As a company we were pretty calm. We were never panicking and were confident in what we were going to do. We understood the risks and benefits and approached it with calm confidence - that is not to say arrogance.' It has been claimed that the BBC's Gary Lineker has been approached to join BT Vision when its Premier League coverage starts next year. 'He's popular and experienced, and looking for a new deal at exactly the right time, so everything is falling into place nicely,' a supposed BT 'source' allegedly claimed. Meanwhile, Watson suggested that competition regulators should have done more when they forced Sky to offer its Sky Sports 1 and 2 channels to its rivals at better wholesale rates in 2010. 'If you want balance you have to have the right regulatory framework and the playing field is not as level as it should be,' he said. 'The wholesale must-supply deal for Sky Sports 1 and Sky Sports 2 is important in our thinking too. It has not gone as well as perhaps we hoped it might. It lacks Sky Sports 3 and Sky Sports 4 and we are really not happy with the pricing, it needs to allow us a better retail price and make for better margins. It has gone okay but it has not changed the dynamic of the market.'

BBC Worldwide has confirmed that the 1970 Doctor Who story, The Ambassadors of Death - starring Jon Pertwee, Caroline John and Nicholas Courtney - will be released on DVD in full colour. The seven part story was made originally made in colour as part of the first Jon Pertwee season, but the only master tape to remain in the BBC Archive is that of the opening episode. The rest of the story was only kept on 16mm black and white film. A second generation colour copy does exist as an off air recording from WNED Channel Seventeen in Buffalo, New York and this was used to restore episodes five and six to colour for the 2002 Video release. At the time it was not possible to restore the remainder of the story. With the advances in technology over the last decade, the complete story has now been digitally restored. It was hoped to release the story last year, paired with the 1977 story The Sun Makers, however problems with restoration process caused the release to be postponed in order to allow the Doctor Who restoration team more time to achieve the best results on the story. It is expected that the DVD will be released later this year.

Telemarketing companies are bombarding people with cold calls and ignoring a government scheme aimed at protecting the public from the menace, a BBC investigation has found. Around seventeen and a half million phone numbers are registered with the Telephone Preference Service, the scheme created to prevent people from receiving unwanted calls from UK-based companies. The British public receive an incredible three billion marketing calls every year, and the BBC's Panorama programme found that little action is being taken to address the issue. According to Panorama, despite thousands of complaints from the public being lodged with the Information Commissioner every month, there has not been a single fine imposed on offending companies for at least eighteen months. Mike Lordan, of the Direct Marketing Association, which runs the TPS, said that many firms are simply ignoring the restrictions. 'Companies are not abiding by legislation and we should be seeing enforcement against those companies who are persistently breaching legislation,' he said. Panorama spoke to Tony Clark, who signed up to the TPS in the hope of blocking cold calls, but found that he was still receiving up to five a day. Clark alleged one company that has been particularly persistent is Central Claims Group, based in Bury. The company's website said that it specialises in accident compensation claims, and it allegedly urged Clark to sue his employer for his industrial deafness. But Clark says that he has worked for himself for thirty five years. 'I'd like to know how they know about me and how they got my details,' he told Panorama. In the investigation, reporter Declan Lawn goes undercover to find how the cold call companies target the public. Firms are supposed to cross-check their database to ensure people on TPS are not bothered, but secret filming at Central Claims Group revealed employees simply tearing out pages of the phone book and 'calling people at random.' Staff at the Central Claims Group were also found to be giving false company names in order to avoid getting complaints from disgruntled members of the public. In a statement, Central Claims Group said that it 'takes its legal and regulatory obligations seriously,' and 'does not condone the lapses shown.' But Mark Weston, a lawyer who specialises in data handling and commercial law, said that the firm was guilty of a 'blatant disregard for the law.' The Information Commissioner's Office was recently given the legal power to act in cases such as this, including the imposition of a fine of up five hundred thousand smackers. But the ICO warned that tackling the problem is not easy given the huge profits that cold call companies can make. Simon Entwisle, the director of operations for the ICO, said: 'At the moment we definitely are trying to take action against these individuals. We have only had the power to issue the fine since the end of January, so it's early days yet. The other thing I have to say is there's a lot of money to be made in this particular sphere.' The programme also found evidence of outright scams by cold call companies. Retired lecturer Pamela Warner lost one hundred and twenty pounds after a rogue company phoned her pretending to be Microsoft and persuaded her that she needed to pay a fee to fix a supposed software problem on her computer.

Last month was the UK's wettest June since records began in 1910, provisional Met Office figures show. It comes after this year also saw the rainiest April on record, while the period from April to June was also the wettest recorded for the UK. June was also the second dullest on record with 119.2 hours of sunshine - the record of 115.4 hours was in 1987. Total UK rainfall was 145.3mm - more than twice as much as normally expected, the Met Office said. June saw long, prolonged rainfall and short but exceptionally heavy showers, which ended with storms battering Wales, the Midlands, the North East and Northern Ireland. A Met Office spokesman said there had been unsettled weather in some part of the UK for the whole of the past three months. 'With only the latter half of May seeing a spell of prolonged fine weather,' he said. 'Movements in the track of the jet stream, a narrow band of fast flowing westerly winds high in the atmosphere, have contributed to the weather we have seen.' Wales and Northern Ireland had their wettest June on record, England experienced the second wettest and Scotland the eighth wettest. Events throughout June were disrupted by the weather - race-goers at Ascot were drenched, the Olympic torch was doused and festival-goers on the Isle of Wight were mired in mud.

For today's Keith Telly Topping's 33 of the Day here's something from the Radiophonic Workshop oeuvre. Magic Delia and Blue Veils and Golden Sand.

Sunday, July 01, 2012

Anyone For Tennis?

Once again, the BBC's schedules were completely bollocks'd up on Saturday night as - hip-hurrah! - Andy Murray reached the fourth round of Wimbledon with a victory over Marcos Baghdatis, a match that didn't finish until two minutes past eleven. A match of tennis, that is, not anything remotely important. British number one Murray (which sounds impressive when you say it like that although this blogger is always minded of Andy Parsons' joke that having spent a week at a tennis centre he was surprised to find himself 'Britain's number six') came through 7-5, 3-6, 7-5, 6-1 in three hours and thirteen minutes of an allegedly 'thrilling' match. Though, in yer actual Keith Telly Topping's opinion, it was utterly frigging boring, just like all tennis is. Others may disagree, of course. But they are quite wrong. The encounter started at quarter past seven in the evening and the Centre Court roof was closed at nine o'clock after Baghdatis had pulled level at one set all. With local rules stating that no play beyond eleven o'clock is allowed, Murray served out in a hurry and will play Marin Cilic on Monday. Murray - who was twice penalised after a ball fell out of his pocket - admitted: 'I was under the impression I was stopping at eleven regardless of what the score was - even if it was in the middle of a game. I am obviously glad I managed to get the finish. The atmosphere at the end was excellent.' That was probably due to him dropping his balls. Nah, lissun. It was, according to various reports, 'a memorable finish to a bizarre battle,' following on from late-night matches involving Novak Djokovic, Rafael Nadal and Roger Federer on the previous three evenings. This one was given added spice by the presence of Miles Maclagan - Murray's former coach - in the Baghdatis corner and Maclagan suggested before hand that 'inside knowledge' could help his man win the tie. It certainly seemed a shock was on the cards as Baghdatis fought back from a set and a break down to lead 4-2 in the third, only for Murray to rally as the Cypriot tired. Baghdatis beat Murray en route to the Wimbledon semi-finals in 2006, the same year that he reached the Australian Open final. He has since dropped from the top ten and is now ranked forty second in the world. But, his play oozed quality and experience in the opening stages. He mixed baseline tenacity with aggressive net play to engineer break points in game eight, only for Murray to escape by punishing a poor volley with a forehand pass that kissed the baseline. Baghdatis would rue that error when he let Murray back from forty-fifteen and angled an off-forehand drop shot wide to fall 6-5 behind. Murray sealed the first set with an ace and made a fine start to the second as a superb cross-court backhand winner helped him strike for 2-1. However, he immediately relinquished the advantage with a double-fault and the momentum shifted in game five as Baghdatis saved five break points. Things got worse for Murray when his serve was broken again in game six and hurt his left ankle slipping at the net as his opponent moved 5-2 in front. Baghdatis managed to serve out in diminishing light at nine o'clock and the players were informed the roof would be closing. When they returned from the locker room thirty minutes later, Murray's left knee was heavily strapped - but the new conditions seemed to suit him and he hit four aces in his first two service games of the third set. Baghdatis was his equal, though, and the twenty seven-year-old broke to love with a backhand down the line before holding for 4-2. Murray faced more trouble in game eight - clutching his groin after another slip - yet he got off the turf to draw level with a roar of delight from a partisan crowd. As the clock ticked on Murray rushed around in search of victory. A double-fault gifted him the break in game two and he struck again for 5-1 before serving and revelling in the crowd's acclaim. They might not have been so happy when they realised they'd all missed the last bus home.

Interestingly, from 18.30 to 21.00 the Wimbledon average audience was only 5.6m. I mean, I say 'only', it was still comfortably above slot average - and, the highest audience for any programme for the day - but it was a good deal less than one might've been led to believe when listening to hyperventilating commentators wittering on about 'the whole country watching' the Murray match. Not even close, Mac. From 21.30 until 23.15 the average audience was 6.9m. Murray's victory peaked with just over eight million viewers (during the fifteen minutes from 22.45 until 23:00). Nevertheless, despite the loss of the night's episode of Casualty, BBC1 was the highest rated channel in every single time-slot from 6am until close on Saturday, a somewhat chastening experience for ITV who suffered a dreadful day. The Hollow Crown: Richard II weighed in with a decent audience of over eight hundred thousand viewers on BBC2 for those who didn't fancy watching any more bloody tennis. Personally, yer actual Keith Telly Topping was flicking backwards and forwards between that and the final two episodes of series two of his beloved Spiral on BBC4.

On a marginally related note, here's some American ratings which, one trusts, all dear blog readers will greatly enjoy reading. Piers Morgan has had the worst ratings seen in primetime on CNN for over two decades. Which is funny. Will the odious, smug, oily disgraced and sacked former tabloid editor be bigging these set of statistics up on Twitter anytime soon, one wonders?
Father Ted co-creator Arthur Mathews - the one that wasn't Graham Linehan - has created a new radio sitcom set in BBC Broadcasting House in the Thirties. Three episodes of The Golden Age are to be recorded for Radio 4 next month, starring Cold Feet and My Dad's The Prime Minister actor Robert Bathurst. He plays the BBC's fictional director of programmes, John Tharb, who has to deal with the foibles and fragile egos of radio's biggest stars of the era such as flamboyant band-leader Ronaldo and depressed newsreader Roger Eves. Still Game's Ford Kiernan will play the BBC's irascible and autocratic - if visionary - first director-general, Lord John Reith. The cast also includes Kevin Bishop, former Brookside star Malcolm Tierney, Pippa Evans and This Is England's Vicky McClure. Mathews told the Chortle website: 'I had these cigarette cards with all the old stars of radio on them, and I though that'd be great for a sitcom set in the Thirties in Broadcasting House, with dance bands and comedians and variety acts. And one episode seems inspired by a particular hit movie. There's one episode where the King comes to make a speech and everyone's really worried about it,' Mathews said. The shows will be recorded in the BBC Radio Theatre in Broadcasting House, naturally enough, on Tuesday 10 and Wednesday 11 July. Meanwhile, Mathews is also making a return to British TV with a pilot starring Matt Berry. Toast Of London will go out as part of Channel Four's Funny Fortnight in August and revolves around a successful London stage actor who finds himself embroiled in a controversial West End play.

Still on the subject of comedy, dear blog reader, do you want to read the full transcript of Jeremy Paxman  on Newsnight abjectly humiliating and giving a verbal spanking to the hapless junior minister Chloe Smith last week? Yes, of course you do. Well, here it is. Now, be honest, it's a toss up between which is the funnier, that or Piers Morgan's ratings, is it not?
Actor Stephen Mangan has admitted he is 'bitterly upset' at the BBC's decision to drop the Dirk Gently series which he starred in. The BBC said last month that the Douglas Adams-inspired comedy drama on BBC4 had not been recommissioned due to the freeze on the licence fee. And, due to the fact that it cost lots of money to make and not many people were watching it. More than a million viewers saw the Dirk Gently pilot in December 2010. A three-part series followed in 2012, with just under six hundred thousand viewers tuning for its final episode in March. Nowhere near enough to justify the outlay in these tough financial times, no matter how good the product was. And, to be honest, whilst the pilot was genuinely rather good, the three-part series which followed was rather bland and insipid. The drama, based on the 'holistic' detective Adams created and used in two novels, also featured Darren Boyd as Gently's sidekick Richard MacDuff. Mangan, appearing in a new play at the Royal Court this week, told the BBC News website that he'd been 'gratified' by the reaction of fans to the news. Some had taken to Twitter to express their dismay. 'You wonder whether it's just you that's bitterly upset,' he whinged. 'You put your heart and soul into it, and I wasn't the only one. A lot of people worked really hard to produce something that, by all accounts, is a triumph and then doesn't go on.' I don't know who these 'all accounts' are, but describing the series as 'a triumph' is a rather selective reading of both the critical as well as commercial response to the show. The actor claimed that he 'understood' the BBC 'had to cut their budgets. You would have hoped that another channel could have taken it in and found a place for it. The politics of that are devastatingly complicated. No-one from the BBC has spoken to me about it, but we have to hope that when things pick up in a few years someone will come along and dust off the covers of Dirk's Austin Leyland Princess [car].' News that the Dirk Gently series had been dropped was originally revealed by Mangan on Twitter a month ago. 'We've loved having Dirk on the channel but the licence fee freeze means less British drama on BBC4,' said a BBC spokeswoman at the time. 'In future we will focus on the best dramas from around the globe, like The Killing and Borgen, whilst BBC1 and BBC2 become the main homes of original British drama.' So, there you go. It's all the vile and odious rascal Hunt's fault, apparently.

Geordie Shore's Vicky Pattinson has claimed that appearing on the MTV reality show has led to her and her co-stars being 'hated' in their home town of Newcastle. Well, hate is such a strong word. But, yes. Pretty much. Let's use 'strongly dislike for a variety of reasons, not least being their crass playing up to numskull regional stereotypes thing' and leave it at that, eh? According to Metro, Pattinson told the BBC that she and her follow desperate wannabes felt as if they had 'angered' the population of Newcastle. She claims: 'We didn't just walk into series one and instantly become famous and get loads of money and get liked. We came out to find out that pretty much the whole of Newcastle hated us. We couldn't get into magazines. Nobody really wanted to talk to us. Money was tight because we didn't have ordinary jobs. Nobody wanted us to do anything and now, finally, we're getting to that level. I do feel like we all deserve to pat ourselves on the back. It's not conventional hard work in that sense but it's tiring.' Another one of the Geordie Shore ... people, Charlotte Crosby shared Pattinson's sentiments about the trials of being a reality TV regular, claiming: 'People think we get paid loads. The show doesn't pay us. You can't pay someone for getting drunk on TV.' And, we're supposed that, what, feel sorry for you? Jesus, what a thoroughly marvellous example of Twenty First Century entitlement culture mixed with a healthy dose of banal self-pity, don't you think? Want, want, want. Want it all. Want it now. Don't want to pay for it.

And, speaking of greedy waste-of-space arseholes with no discernable talent who seemingly get paid for doing nothing, Christine Bleakley has revealed her 'harrowing experience' during a recent skin cancer scare. The harrowing experience being that she hasn't got cancer, seemingly. The Twatting About On Ice presenter, breakfast TV flop, and odious greed bucket (and drag), told the Press Association about a recent skin test which left her 'terrified' of the results. 'I had my moles checked, just because I thought it was a good thing to do,' Bleakley explained. 'I discovered I had to have three removed." Bleakley was relieved when the moles removed from her back, leg, and neck later tested clear of cancer. 'It's a funny old thing when you start realising it's not like you're eighteen and you think you're going to live forever,' she added. 'You start thinking slightly differently and you take a bit more care of yourself.' As someone whose mother is currently suffering from inoperable stomach cancer, and whose father died from esophagal cancer, please allow this blogger to - genuinely - share Ms Bleakley's relief that she does not have this most invasive and life-shattering of diseases. No one should have to suffer that. However, is it just me that's wondering if the sole reason this titbit of alleged 'news' (TV presenter doesn't have cancer, shock) has appeared is because Bleakley hasn't been on TV for a few months and was starting to feel like a forgotten woman? Yet another terrific example of a different aspect of Twenty First Century celebrity culture. The 'why isn't everybody talking about me, me, me, me, me, me, me, me...?' routine. Sickening.

The French government is considering extending the country's television licence fee to include computer screen owners to boost revenues for public-sector broadcasting operations, the culture minister said on Saturday. President François Hollande's government aims to raise an extra €7.5bn this year through tax rises included in an amended budget bill to be unveiled next week. 'Is it necessary to extend the fee to [computer] screens when you do not have a television? It is a question we're asking ourselves, but obviously it would be a fee per household and you would not have to pay an [additional] fee if you have a computer and a television,' Aurélie Filippetti said on RTL radio. She added that the government would study the new measure in 2013. The licence fee – one hundred and twenty five euros in mainland France and eighty euros in its overseas territories – is used to finance public television and radio. According to a Global TV survey in March, more than eleven million French people watch television programmes on computer screens, tablets or smart phones, a rise of forty one per cent on 2011. The prime minister, Jean-Marc Ayrault, on 28 June announced plans to cut staff at most ministries by two and a half per cent annually for the next three years and reduce the government's operating costs in 2014 and 2015 as it seeks to reduce its budget deficit to meet EU targets.

The BBC has begun streaming live sporting events on Facebook, the biggest tie-up to date between the social-networking site and an international broadcaster. The application launched on Thursday, with live coverage from the Wimbledon tennis championships. So people can be bored titless whilst on the move rather than wait until they get home, no doubt. During the Olympic Games, the BBC will run twenty four simultaneous streams in addition to the main BBC channels. Users outside the UK will not be able to access the feeds. Because they're foreigners. And, they smell. The service used the same 'geo-IP blocking solution' to limit access as other offerings, such as the iPlayer, the BBC said. It added that users must have a TV licence to legally watch the material. Other international broadcasters, such as NBC, have set up alternative streaming services - the US broadcaster has teamed up with YouTube to provide live coverage on NBCOlympics.com. The launch is the first time the BBC has used Facebook to broadcast live events. Users are able to share information about what they are viewing with their friends, as well as discuss the action with other fans via a live-chat feature. The app, which is in beta test mode, is currently providing up to six simultaneous streams of Wimbledon tennis matches. Which won't be any more boring than they are on TV but, at least, users will be able to tell their friends how bored they are whilst watching them. Targeted advertising, not controlled by the BBC, will appear to the right of the app in line with the Facebook-wide layout. The BBC does not make money from the arrangement. However, during the Olympics these adverts will be removed due to restrictions put in place by the International Olympic Committee. Facebook said the BBC's coverage would be added to its London 2012 portal which it announced earlier this month. 'We are really pleased that the BBC has chosen to bring its legendary sports coverage to Facebook,' a spokesman said. 'Watching major events such as Wimbledon and the Olympic Games is a naturally social activity. Now viewers within the UK have the ability to share their favourite moments with friends and to discuss the action live as it unfolds.' Phil Fearnley, general manager for BBC News and Knowledge, said the app would create a 'distinctive live-streaming experience' for viewers. 'We hope to use it to test the benefits of social viewing, as part of our ambition to deliver more innovative and transformative experiences to sports fans,' he said. The BBC said there were 'no plans' as yet to bring other live events, such as news, to the social network.

England outplayed Australia to ease to a six-wicket win in the second one-day international at The Oval. Chasing two hundred and fifty two for an eighth successive ODI win, the hosts got home with twenty six balls to spare thanks to an impressive eighty two from Ravi Bopara and seventy five from Ian Bell. Earlier, the tourists were restricted to two hundred and fifty one for seven, with George Bailey and Shane Watson making - rather slow - half-centuries. England, who can go top of the world rankings in the unlikely event of a five-nil series victory, now hold a two-nil lead with three matches to play.
The BBC has unveiled the title sequence and marketing campaign for the London 2012 Olympic Games. A sixty-second trail was broadcast during half-time in the Euro 2012 final. Based on a 'Stadium UK' concept, the animation will be seen on television coverage and used on computers, mobiles, tablets and connected TV. The song, 'First Steps' by Elbow, will be available as a digital-only download from 27 July with all profits going to BBC Children in Need and Sport Relief. The UK is seen as a giant stadium with Olympic athletes preparing and competing in a range of landscapes. Scenes include swimmers battling it out in lanes created by buoys on a net cast by a fisherman, a BMX rider preparing at the edge of a cliff, track cyclists racing around quarries, sprinters and gymnasts going through their paces on streets.
BBC 2012 marketing head Louisa Fyans said the challenge had been to create a campaign reflecting the BBC's 'unique role' as the UK's Olympic broadcaster and the scale of the Olympic Games. 'Animation enabled us to deliver to this brief and helped us create something really special for the BBC's London 2012 campaign,' she added. The concept was devised by creative agency Rainey Kelly, Campbell, Roalfe Y&R. The animation was created by Passion Pictures and it was produced by Red Bee Media. Alison Hoad, joint chief executive of Rainey Kelly, said national anticipation had been building since London was awarded the Games in 2005. The agency had tried to capture national pride and excitement by depicting the UK as one huge stadium, with an 'epic' anthem scored by Elbow. The band's lead singer, Guy Garvey, said: 'The Olympic Games is about the coming together of people to celebrate our best athletes and it was as important to have a sympathetic theme for the losers as it was for the winners.' The song was performed with the BBC Philharmonic Orchestra and the NovaVox gospel choir. Elbow have waived all fees and royalties and retailers will not take profits from the download. The full two minute forty second version of the trail will be broadcast at 19.30 on Tuesday 3 July on BBC1 with sixty, forty, thirty and five second edits used throughout the campaign.

Spain sealed their place in history as the first side to win three successive major international football tournaments with a quite stunning victory over Italy in Kiev at the final of Euro 2012. The Spanish were at their scintillating best to make a mockery of some recent - ludicrous - suggestions they are not entertaining to watch. Like this nonsense, for instance. A David Silva header and neat finishes from Jordi Alba and substitutes Fernando Torres and Juan Mata gave La Rojas the win. But the whole team played their part to seal the largest winning margin in a European Championship final. The scoreline was, perhaps, a shade cruel on Italy, who were forced to play the last thirty minutes with ten men following an injury to Thiago Motta shortly after they had made their third and final substitution. However, even when the teams were equal in number, reigning World and European champions Spain dominated and never looked like relinquishing their grip on the Henri Delaunay trophy which they won in Vienna four years ago. Their play sparkled with intelligence, imagination, guile and flair as they wove intricate triangles in and around the Italian box whilst effectively cancelling out the Italian's playmaker, Andrea Pirlo. Their goals owed as much to wonderfully constructed build-ups - in which midfielder's Fabregas, Iniesta and Xavi played prominent parts - as they did to clinical finishing. And, remember, they did all this without Carles Puyol and David Villa. Scary. Albeit, the BBC panel's ludicrous arse-licking superlatives at the end of the game felt a bit over-the-top. As good as Brazil 1970? My arse!

And so, to yer actual Keith Telly Topping's 45 of the Day. Which features a necessary question. I know what my answer is, dear blog reader.