Tuesday, November 21, 2006

Bemoan, Baby, The Life Of A Freelancer...

The South Shields-born scriptwriter and novellist James Mitchell - creator of Callan and When the Boat Comes In and author of some excellent Avengers episodes amongst many other credits - is one of yer actual Keith Telly Topping's heroes (for both literary reasons and geographical ones too).

He once said something that has directly affected this blogger's life and which I think of, often, in my day-to-day dealings with publishers. "Being a professional writer" he once noted in a piece in Radio Times "means that you deliver the goods on time, to the best of your ability and skill, for money. Craftsmanship and honesty are the key words. It's my family tradition. My father was a skilled man who took pride in his craft. So am I." Mitchell's father, incidentally, was a shipyard fitter, union activist and self-taught intellectual who eventually became Mayor of South Shields shortly after the last war.

Okay, it's not quite as catchy as Douglas Adams's infamous observation "being a writer means gazing at a computer screen until your forehead bleeds" but it's got a certain honesty to it that I really like.

I always like to think that I've tried to follow James Mitchell's advice in this particular regard in my own career. Like his father, mine was a skilled man (a shipyard riveter and then, subsequently, a silica furnaceman) who worked in back-breaking conditions for much of his life and never really had anything like the rewards that his toil should have entitled him to. Compared to him I - and, this blogger freely acknowledges this - am nowt but a soft limp-wristed nancy-boy who's had it easy. For that reason, if nothing else, I like to believe that - at least when it comes to the job that I've chosen to do - I have a certain work-ethic that continues the family's noble tradition.

But, remember the last bit of James Mitchell's definition of the writer's work-ethic. 'For money' he said. And, that's the truth of it. In the end, no matter what we do or where we are, or how much we enjoy it, we all work for money pure and simple.

That old whore money. It's the root of all evil, they reckon. 'Money is our madness.' 'Money doesn't talk, it swears.' Et cetera. Et cetera.

Now here, I have to put down on-screen what should be blindingly obvious to everyone with half-a-brain. I love doing what I do for a living. I am pathetically grateful to any diety that might be listening that I'm a full-time freelance writer and not still working nine-to-five (or, in my case usually eight-to-about-quarter-past-four) in an employment office in Newcastle as I used to. I long ago accepted the fact that I'm never going to be rich through writing. Just having enough work to let me pay my rent and my other bills, get the weekly food in and have a bit to one side to have a nice holiday once a year and to buy a few DVDs is pretty much going to be my ceiling for the rest of my life ... unless something weird happens like I win the National Lottery. Which is unlikely, frankly since I don't do it.

Added to which, of course, is the perpetual problem of being a freelance writer in the first place. Not only does one have to find the companies to work with but one is then entirely at the mercy of said companies in terms of when, or indeed, if, they pay you.

I have, I must say, been very lucky in my freelance life. Most - indeed, I should probably say almost all - of the people that I've worked for have, by and large, played the game. Including, I feel it necessary to add at this early point, the people whom I'm about to have a damn good moan about in this following piece. This is not, trust me, a specific game of point-the-finger at any individuals or even any collective organisation. What follows is, merely, a howl of frustration at one aspect of the life I lead and a warning to the curious that if you go down this road, there's a few things you should know in advance.

Read on...

Whenever one agrees to freelance for a publisher one usually does so under certain obligations; delivery of the work to an acceptable standard, to the terms and conditions under which it was commissioned, to an agreed word-count and by a specific deadline. See James Mitchell's comments above, basically.

And that's all totally groovy and, you know, 'tastic. I'm a professional scribbler, that's the field I operate in. Carpenters have, essentially, the same sort of deal with the people that hire them. "I want that coffee table eight-by-four and painted blue and I want it by next Friday."

The hirer, of course, has only - really - one condition to fulfill and it's usually tucked away at something like number seven on the list of terms and conditions in the contract of employment. It normally runs along the lines of: "Payment terms: To an agreed amount, within a maximum of thirty days from receipt of invoice." What that basically means is that you do some work for somebody, you send them a bit of paper that says "please pay me X amount of money for the job that I did for you as per our agreement of X date" and, sometime in the next thirty days, you'll get a cheque or a Bank Credit Transfer from them. And everybody's happy over a job well done.

What could possibly be simpler?

Of course, there are two small problems with this.

Firstly, companies never (or, at least, very seldom) pay within thirty days. On the contrary, they pay at thirty days. They wait until the absolute last day possible and then send the cheque. Now, given that most publishers are based in or around London, they'll stick it in the internal post mid-afternoon and confidently expect that the Royal Mail will get the cheque to its intended destination by 10am the next morning. And, it never does.

The other problem occurs when it never does (which it always never does, if you're following this). What, exactly, does the freelancer do then?

Does he or she wait for a day just in case there's been a hold up in the mail? In practice, yes, that's usually what you do end up doing. The main reason is that you don't want to piss off your employers by badgering them about something which - to them - will seem really trivial and unimportant.

But, hang on a minute, let's get this straight. You are not badgering them at all are you? You're simply asking for something that is yours by right and that you should have received according to the conditions of a legally binding document, before you had to go to the trouble of badgering them. It is the company who are in breach of contract. Not only is one within ones rights to badger them like Bill the Badger, one is within ones rights to sue their arses into the middle of next week. Like ... somebody called Sue the Suer. Probably.

But, of course, nobody ever does that. It's financially prohibitive for a kick-off but there's a much bigger reason. It's stupid! It would almost certainly mean that the company (or, more likely, the company's lawyers) will say to you "fair enough bonny lad, here's the money we owe you. Now, please kindly sod-off and never darken our door again." It's counter-productive, in other words.

Nevertheless, the frustration can build and tie a knot in your stomach and you start to imagine all sorts of paranoid delusions in which the company have deliberately engineered this exact scenario just so that you will lose your temper and say something in anger that they will be able to use as excuse to get rid of you. (My mother actually asked exactly that question this morning - "do you think they've done this deliberately?" - and if there's one person whom you'd never expect to be into conspiracy theories in a million years, it's yer actual Keith Telly Topping's dear old mam!)

Idiotic, of course. Large companies of this kind simply don't have the time or the inclination to indulge in those sort of head-games. If they want rid of somebody they will simply tell them that they're fired and have done with it. But ... nevertheless, such feeling still crops up every now and then.

Okay then, I can tell that you're waiting to hear specifics and I fully intend to give them to you. I will preface this, however, by saying that the company involved in this particular case, whom I have absolutely no intention of naming (for obvious reasons and some less than obvious ones), have always, in the past, and on most levels played very fair with me. They sought me out to do a specific job for them which I'm doing and thoroughly enjoying. I like the work and I like the commissions they give me which allow me to use my brain a bit more than some of the more straightforward and one-dimensional things I occasionally get asked to do by other employers. They've got no problems with me continuing with my BBC work or with the other freelancing I do. And, here's the most important thing I actually like them. In my meetings with them and in my occasional phone and e-mail contacts they seem nice, friendly and likeable people. There's just one problem, they seem to have a blind-spot when it comes to paying people on time.

For the last two accounting periods (which are four-weekly, roughly), my payments have been late. The first one was due to an invoice having gone missing somewhere between one desk and another in Company Central. It was only discovered when, two weeks after it was due, I queried it.

Fine, these things happen. Nobody's perfect and a bit of paper in an office that size can easily go astray. And that one was only a very small payment anyway. No harm done.

A month later the next cheque didn't arrive on the due date which was a Friday. Since leaving this for a day and then nothing turning up would have meant a whole weekend would have gone by before anything could actually be done, I e-mailed the finance department to find out if there was a problem and was told that the person who signs the cheques was off that week and would be back on Monday, would it be okay if it was sent then?

Again, I said yes that was fine. After all, what else could I say other than "I don't care if he's in the Galapogos Islands, I was due payment today and if I don't get it today I'm going to sue you?" Which, for reasons explained above (plus the fact that it's a hideous over-reaction) I didn't want to do. So, I bit my tongue and replied in the positive and, sure enough the cheque did, indeed, turn up. Eventually. On the following Wednesday. Because, as previously noted, virtually anything posted in London on a particular day will not make it to Newcastle by the following day.

It is, after all two hundred and seventy miles away. (The usual reason given by the Post Office for non-arrival of Newcastle-based post, incidentally, is that the carrier-snail employed to take an envelope towards its destination has had a blow-out on the M1.)

Which brings us to this month.

Now, here we hit a slight problem. This week, of all weeks, is one where I really couldn't afford not to have been paid (if you see what I mean). It was one of those weeks that you get, maybe once every eighteen months where literally everything, in terms of payment, is due at once within the space of something like four or five days: Rent, gas, electric, telephone bill, national insurance contributions, passport renewal, VISA, council tax, you name it, it's due and it's due this week.

That's the way it happens sometimes and, luckily, on the Friday before this week there was this cheque for eight hundred and forty quid due to me for work that I carried out in September and October. Marvellous timing.

Except that, of course, the cheque didn't arrive on Friday.

You just knew that was coming, right? I kind of expected it myself, if truth be told.

I e-mailed the finance department and was told that it had definitely gone out on Thursday. So, I thanked them and waited. It didn't arrive on Saturday either. Nowt much I could do about it so I spent the weekend planning out the fourteen visits that I would make on Monday after having cashed the cheque. Rent office first, then the post office then...

Monday morning. 8:45am. Knock on the door. It's my hard-worked postie with a couple of packages, a copy of Pirates Of The Caribbean 2 on DVD (nice!) and a couple of bits of junk mail.

But no cheque.

Was I angry? Actually, no I wasn't (which surprised me as much as, I suspect, it's surprising you,dear blog reader). I was actually ... upset. I'm mean, genuinely, upset. Because, like many people I suspect I really hate chasing people for money that I'm owed. A mate of mine makes a very good living out of it - he's a credit controller - but I loathe it. I find it embarrassing. I find it degrading and humiliating to have to go cap in hand to people and say in a Michael-Palin-doing-Arthur-Pwety-voice "excuse me, I'm very sorry to trouble you but that money which you owe me still hasn't arrived and..."

Like many people with little or no backbone, I will then find myself being pathetically grateful when said money eventually does turn up (late) and often end up apologising to those who've kept me waiting for my own gasping nature when what I should, actually, be saying is "it was YOUR BLOODY FAULT that I ended up having to make three phone calls/e-mails querying this, why the hell should I feel bad about it?"

Again, though, all of that paranoid stuff goes through ones head; has this been deliberately engineered to try and send me a message? At what point, exactly, should I bring out the "legal and binding contract" bit that'll almost certainly see me unemployed next month but will, hopefully, at least get this invoice cleared? Do I, and here's something that really does have potentially far-reaching implications, withhold my labour until the debt has been paid? Do I, in effect, say to the company, "yeah, I'll do the two articles to want from me this week. I'll do them just as soon as that payment's gone into my bank account"?

Dangerous ground.

Anyway, the long and the short of it was that yesterday afternoon I got a reply from the finance office saying .. well, saying "it's been sent" again essentially. That was pretty much it. Ball's now in my court, seemingly.

Tuesday morning. No post. I mean, not a sausage.

This time, I'd had enough. I e-mailed the company and informed them that this is now "beyond a joke" (I used those exact words, which I regret with hindsight as they seem flippant when what I really wanted to say was "look, I'm a fair guy, a reasonable but there's only so much of this crap I can take and you're testing my patience to the limit"), that the payment I was due to receive by - at the absolute latest - last Friday is now five days overdue and that they are in "active breach of contract." I stopped well, well, well short of threatening any legal action but I did explain to them that this is the third month in a row that my payment has not arrived on time and that I am,frankly, 'a bit narked by this malarkey'.

Concluding I asked, politely, if it would be possible for them to put a stop on the cheque that they claim to have sent on Thursday. (Now, I use to words "claim to have", I should add, not because I don't believe that they did send I but, until such times as the envelope arrives containing a postmark stating "16 November" I have no positive proof one way or t'other) And I further requested that they instead place the money into my account by Bank Credit Transfer. This, I did realise, would mean that even if they could do this today (which, it turned out they could), the payment would take a maximum of four working days to actually enter my account so that it could well be as late as Friday (or, if I'm really unlucky - and given my luck these last few days who would bet against it - next Monday) before I'm able to draw on it.

Several hours later I received a, frankly rather terse, e-mail stating that this had now been done. It also noted several suggestions re future invoices that involved Bank Credit Transfers instead of cheques (fine by me), having invoices in by certain days so that payment can be made ON certain days (again, fine by me) and one or two other bits and pieces. The impression that I got from the tone of the e-mail was that they were not best pleased that I'd been pestering their finance department for three days when they, clearly, had more important things to do. As I, kind of, always expected their attitude would be. After all, what's eight hundred and forty knicker to a multi-million-pound company? Understandable, I guess, if a bit predictable.

It was even suggested that the tone of my e-mails to them had upset them. Sadly, the one thing that the e-mail didn't include was one line that I had expected even if it wasn't meant. "We are sorry for any inconvenience that you've been caused."[*] Which one would, perhaps, have expected to have been the most common of courtesies. I replied, with extreme brevity agreeing to the proposals made. I didn't - and I'm proud of myself here - waffle on, apologise for having taken up their time, or express any gratitude for the BCT having been done today.

In the meantime, of course, I'm still carrying on working for this company and, indeed, was commissioned for a couple more pieces on Monday evening, right in the middle of all this.

I did I have to confess, for about five seconds, think about replying to this e-mail of commission from the editor with a note that said "yes, I'll do these but It might be oh, I dunno, four or five days late in delivering. You know what the postal system is like these days..." But again, that would have been childish and idiotic.

I'm a professional and one (should) always act in a professional manner when it comes to dealing with commissions. If someone has been kind enough to ask one to do something for them (and they are doing me a favour as much as I'm doing them one) then one should do what I've been asked to do, to the best of ones ability. To agreed specifications. On time. For money.

James Mitchell, his dad, my dad and, hopefully, every other freelancer that's even laid fingers on a keyboard(and, their various dads), would be proud.

[*] Just a quick footnote to add that shortly after writing all this up I did, indeed, receive a further e-mail from the company apologising for any inconvenience. And, I like to think (and I mean this genuinely) that they did that because they actually meant it and not because I had expressed surprise in my previous e-mail to them that they hadn't done so already.

Anyway, for any budding freelance writers out there. You have days like this, it's part of the life. You accept it, you make your point, sometimes (if you're lucky, as in this case), you agree to differ, kiss and make up and move on. It's a perpetual process though it's one that, unless you're really thick-skinned you never, quite, get used to.

But, if you want the life, you take the stuff that goes with it.

You didn't mention that, James Mitchell, you Godlike genius, you...

Current reading:
Carol Clerk: Pogue Mahone: The Story OfTthe Pogues
Terry Jones: Chaucer's Knight
John Fisher: The Tommy Cooper Story

Current listening:
The Pogues: Rum Sodomy & The Lash
Paris Angels: Sundew
Noel Gallagher & Gem: Live In Toronto (radio broadcast)
PIL: Metal Box
Goodbye Mr McKenzie: Good Deeds & Dirty Rags

Still waiting to receive from play.com:
The new Who CD (haven't got a clue what the hold-up is there)

And, finally, a quick shout-out to Clay and Kim in LA. Get well soon, kids (Kim more than Clay but, hey, if you can do two at once, why not?!)

Monday, November 06, 2006

November Spawned A Monster

Details of the October and November Book Club shows the former of which can be found at the following site (the November show will probably follow suit and be up on the page in about a week's time):
Also, for the next twenty four hours (ie until around 7pm GMT on Tuesday 7 November), the November Book Club is available on the station's standard Listen Again feature. Simply go here: Click Listen Again, scroll down to Jon Harle and click there. The Book Club starts approximately two hours and thirty five(ish) minutes into the show.

Show Eleven (2 October)
1. Bernard Cornwall - Sharpe's Fury (HarperCollins)
2. CJ Sansom - Sovereign (MacMillan)
3. Hunter Davies - The Beatles, Football & Me (Headline)
4. Douglas Kennedy - Temptation (Random House)
5. Simon Garfield - Private Battles: How The War Almost Defeated Us (Ebury Press)
6. Richard Carman - Johnny Marr: The Smiths & The Art Of Gunslinging (IMP)
7. Jennifer Westoowd & Jacqueline Simpson - The Lore Of The Land: An Illustrated Guide To England's Legends From King Arthur To Dick Turpin (Penguin)

Show Twelve(6 November)
1. Michael Palin - Diaries: The Python Years 1969-79 (Weidenfeld & Nicolson)
2. James Herbert - The Secret Of Crackley Hall (Macmillam)
3. Neil Gaiman - Fragile Things (Headline Review)
4. Carol Smith - Without Warning (Little/Brown)
5. John Lloyd and John Mitchinson - Qi: The Book Of General Ignorance (Faber & Faber)
6. Margaret Potts and Dave Thomas - Harry Potts: Margaret's Story (Sports Books)
7. Chris Salewicz - Redemption Song: The Definitive Biography of Joe Strummer (HarperCollins)

Also received in September, October and November:
Carol Clerk - Pogue Mahone (Omnibus)
David Miles - The Tribes Of Britain (Phoenix Books)
The Unpublished Spike Milligan (Fourth Estate)
Peter Hennesey - Having It So Good: Britain In The 1950s (Allen Lane)
Dominic Sandbrook - White Heat: A History Of Britain In The Swinging Sixties (Little Brown)
Howard Sounes - Seventies: The Sights, Sounds & Ideas Of A Decade (Simon & Shuster)
Tommy Steele - Bermondsay Boy (Michael Jospeh)
David Goldblatt - The Ball Is Round (Viking)
AN Wilson - Betjeman (Hutchinson)
Derren Brown - Tricks Of The Mind (Channel 4 Books)
Lloyd Clark - Anzio: The Fraction Of War (Headline Review)
John Williams - Back To The Badlands: Crime Writing In The USA (Serpent's Tail)
Carolyn Souter - Dave Allen: The Biography (Orion)
Robert Lacey - Great Tales From English History 1690-1953 (Little Brown)
Bob Wilson - Googlies, Nutmegs & Bogeys: The Origins Of Sporting Lingo (Icon Books)
David Rose - They Call Me Naughty Lola (Profile)
Malcolm Burgess - Five Hundred Reasons Why ... I Hate The Office (Icon Books)
Rupert Smith - Service Wash (Serpent's Tail)
Robin Cooper - Return Of The Timewaster Letters (Sphere)
Jean-Patrick Manchette - The Prone Gunman (Serpant's Tail)
Diane Setterfield - The Thirteenth Tale (Orion)
David Stone - Fighting For the Fatherland (Conway Books)
Josephine Hart - Catching Life By the Throat (Virago Books)
Rohan Candappa - Viva Chaz! (Profile)
Juan Carlos Onetti - The Shipyard (Serpent's Tail)
Brian Lavery - Churchill's Navy (Conway Books)

All are highly recommended (some of these may well feature in fuller reviews in the December Book Club which will be broadcast on the fourth of next month)

Wednesday, November 01, 2006

Roman Holiday

Here's another article from The Files - a, somewhat verbose 'what I did on my holidays this year' piece which was first published in a magazine in the US in 2004. Since this was published, this blogger has been back to Italy - for four days in Rome last year. My favourite country, by far. Mind you, I was last there during the coldest November on record so ignore the bit about it being 'too hot.'

This is a disgraceful boast I know, and I apologise to readers in advance for that. I chalked up another country on my growing dipstick of intercontinental travel this summer. Italy. It's a fantastic place. Vibrant, cosmopolitan, exciting … and bloody hot too. Eddie Izzard does a wonderful piece in Glorious where he’s talking about the fact that the Italians were the world's first fascists – Mussolini in 1921, of course. Yeah, he notes, but most of them probably just went along with that because Italians, by and large, are into football and life, and they like driving around on scooters saying 'Ciao!' a lot (yes, that’s where that joke in Angel comes from). He's dead right, you know, they do. My God, the number of Lambrettas and Vespas this blogger spotted speeding along the twisting side-streets of Sorrento and Capri and Rome were… incalculable. So, I didn't try.
The Isle of Capri was brilliant - you need a ferry to get there. We managed to get into and out of The Blue Grotto (the latter was much harder!) and I was slightly startled to find the place absolutely FULL of Americans – all of them desperately trying to convince anyone that would listen that they didn't vote for Bush. Twice.
Rome, as a contrast, was chock-full of American teenagers. All talking loudly in cafes about the latest movies that they'd seen. I was about to venture forth and ask a few if they liked Buffy but I bottled out because (a) I'd probably look like a pervert and (b) I'm really not sure what's "in" any more with regard to teenagers and there was, therefore, the potential to be sniggered at and called 'granddad.'
Highlight of visit, I must say, was a trip to MonteCassino. For those unfamiliar with the place it's a monastery on top of a very large hill that has existed, in one form or another, since the 600s. It's been destroyed a few times – once by an earthquake, once by invading Saracens – but it always gets rebuilt. The last time it was destroyed was in 1944, flattened in just three hours by a mesmeric 'shock and awe' airstrike by the US Air Force after numerous German, Italian, British and Commonwealth (New Zealand and Indian, chiefly), Polish and French forces had spent over six months blowing the crap out of each other as they inched up and down the hill trying to gain the upper hand. (If you're at all interested, I can highly recommend a superb book on the subject: Matthew Parker's MonteCassino published in 2004 on Headline). Once again, post-war, the monastery was rebuilt and it now looks as good as ever, an imposing monument to both the Catholic faith and the human spirit that won't let war or natural disaster spoil a thing of outstanding beauty.

After visiting the monastery, the party I was with drove down to the British War Cemetery at the foot of the hill – an impressively cool and tranquil place on a blazing hot day with austere marble monuments and a fountain in the centre of a garden of roses and poppies. I thought of Eric Bogle’s tone-poem 'The Green Fields of France' whilst I was there. I really wouldn't mind ending up in a place like that myself. Then we all went to a pub and watched the England versus Croatia football match with a group of Italian locals occasionally shouting out 'Wayne Rooney!' to our considerable amusement.
So, anyway, I know most of you are Anglophiles but if you’re coming to Europe there are much nicer places to visit than London. Trust me, given a choice between the beautiful cities of mainland Europe - Paris, Milan, Prague, Amsterdam – and anywhere in England, I’d chose the former any day.

Saturday, October 28, 2006

He's A Complicated Man, And No-One Understands Him But His Woman...

This blogger has just taken one of those online "personality test" things. The results are, either, scarily accurate in a Twilight Zone-style or the biggest load of old cock yer actual Keith Telly Topping has ever read.

Personality Test Results
Neuroticism 94
Extraversion 32
Openness To Experience 58
Agreeableness 1
Conscientiousness 17


It then breaks down the results as follows:
"You are" it suggests "neither a subdued loner nor a jovial chatterbox. You enjoy time with others but also time alone. You can be very easily upset, even by what most people consider the normal demands of living. People consider you to be extremely sensitive and emotional. A desire for tradition does not prevent you from trying new things. Your thinking is neither simple nor complex. To others you appear to be a well-educated person but not an intellectual. People see you as tough, critical, and uncompromising and you have less concern with others' needs than with your own. You like to live for the moment and do what feels good now. Your work tends to be careless and disorganized."

This report compares you to other men between the ages of forty one and sixty in United Kingdom. It analyses you based on each of the five broad personality domains of the Five-Factor Model (Goldberg, L R. 1999), and the six sub domains at each level.

Neuroticism
Overall Score 94
Anxiety 93
Anger 99
Depression 95
Self-Consciousness 15
Immoderation 57
Vulnerability 99


You feel tense, jittery, and nervous and often feel like something dangerous is about to happen. [Yes, cos it usually is] You may be afraid of specific situations or be just generally fearful. You feel enraged when things do not go your way. You are sensitive about being treated fairly and feel resentful and bitter if you think you are being cheated. You tend to lack energy and have difficult initiating activities. You do not feel nervous in social situations, and have a good impression of what others think of you. You often resist any cravings or urges that you have, but sometimes you give in. You experience panic, confusion, and helplessness when under pressure or stress.

Extraversion
Overall Score 32
Friendliness 57
Gregariousness 11
Assertiveness 60
Activity Level 97
Excitement-Seeking 12
Cheerfulness 0
[Can't tell ya how cheerful that last one makes me!!!!]

You generally make friends easily enough although you mostly don't go out of your way to demonstrate positive feelings toward others. You tend to feel overwhelmed by, and therefore actively avoid, large crowds. You often need privacy and time for yourself. You are an active group participant but usually prefer to let someone else be the group leader. You lead a fast-paced and busy life. You move about quickly, energetically, and vigorously and are involved in many activities. You get overwhelmed by too much noise and commotion and do not like thrill-seeking activities. You are not prone to spells of energetic high spirits.

Openness To Experience
Overall Score 58
Imagination 95
Artistic Interests 43
Emotionality 64
Adventurousness 8
Intellect 56
Liberalism 58


Often you find the real world is too plain and ordinary for your liking, and you use fantasy as a way of creating a richer, more interesting world for yourself. You are reasonably interested in the arts but are not totally absorbed by them. Generally you are not considered to be an emotional person, however you are aware of and in touch with your emotions. You prefer familiar routines and for things to stay the same. You can tend to feel uncomfortable with change. You enjoy a certain amount of debate or intellectual thought, but sometimes get bored with too much. You like the security of tradition, but sometimes have a desire to bend the rules and challenge conventional thinking.

Agreeableness
Overall Score 1
Trust 4
Morality 1
Altruism 30
Cooperation 1
Modesty 12
Sympathy 1


[So, this blogger is, according to this, more modest than he is moral and just about as unsympathetic as it's possible to be ... Hmmm ... there might be something in this, you know.]

You generally see others as selfish, devious, and sometimes potentially dangerous. You believe that a certain amount of deception in social relationships is necessary. You are guarded in new relationships and less willing to openly reveal the whole truth about yourself. You do not particularly like helping other people. Requests for help feel like an imposition on your time. You are not adverse to confrontation and will sometimes even intimidate others to get your own way. You feel superior to those around you and sometimes tend to be seen as arrogant by other people. You are not affected strongly by human suffering, priding yourself on making objective judgments based on reason. You are more concerned with truth and impartial justice than with mercy.

Conscientiousness
Overall Score 17
Self-Efficacy 46
Orderliness 71
Dutifulness 1
Achievement-Striving 21
Self-Discipline 9
Cautiousness 11


You are moderately confident that you can achieve the goals you set yourself. You are well-organized and like to live according to routines and schedules. Often you will keep lists and make plans. You find contracts, rules, and regulations overly confining and are sometimes seen as unreliable or even irresponsible by others. You are content to get by with a minimal amount of work, and might be seen by others as lazy. You find yourself procrastinating and show poor follow-through on tasks. Often you fail to complete tasks - even tasks that you want very much to complete. You often say or do the first thing that comes to mind without deliberating alternatives and the probable consequences of those alternatives.

Yer actual Keith Telly topping doesn't, honestly, think that he is that neurotic, although I have my off days. And if there's one thing his work isn't it's 'careless and disorganised.' Quite the opposite, in fact. To the point of obsession.

I do like the amount of 'agreeableness' Keith Telly Topping is alleged to possess, though - that sounds absolutely right.

To test yourself, go here:


Sunday, October 01, 2006

Time Flies...

This summary is not available. Please click here to view the post.

Monday, September 04, 2006

The Show Goes On

Here are the line-ups for the last two Book Club shows together with a list of other recently received books:
Show Nine: 7 August 2006
1. The Guinness Book of British Hit Singles And Albums (Guinness Publishing)
2. Rob Turner - Future Echoes In The Dark (Darksight Publishing)
3. Leigh & Woodhouse - The Football Lexicon (Faber & Faber)
4. Hugh Sebag-Montefiore - Dunkirk: Fight To The Last Man (Penguin)
5. Richard Van Emden - Britain's Last Tommies (Abacus)
6. Ancient Frontiers: Exploring The Hadrian's Wall Area (Northumbria National Park Authority)

Show Ten: 4 September 2006
1. Alan Candlish: Ha'Way/Howay The Lads (Sports Books)
2. Paul Joannau - The Grand Tour: Newcastle United's Adventures In Europe (Mainstream)
3. Georgina Howell - Daughter Of The Desert (MacMillan)
4. Steph Lawton - Dead Utterings (Author House).
5. Will Self - The Book Of Dave (Viking)
6. Paul Rambali: Barefoot Runner - The Life Of Abebe Bikila (Serpent's Tail)
7. Rowland White - Vulcan 607 (Bantam Press)

Also received in July and August:
Martin Sixsmith - I Heard Lenin Laugh (MacMillan)
Andrew Everett - Sir Vincent Raven: Visionary Pragmatist (Tempus)
Rob Butlin - Belonging (Serpent's Tail)
Adam Roberts - The Wonga Coup (Profile Books)
Jonathan Wilson - Behind The Curtain: Travels In Eastern European Football (Orion Books)
Andrew Jennings - Foul! The Secret World Of FIFA Bribes, Vote Rigging & Ticket Scandals (HarperSport)
Cliff Thornton - Captain Cook In Cleveland (Tempus)
Elisabeth Hyde - The Abortionist's Daughter (Pan)
The Sky Football Yearbook (Headline)
Dominic Sandbrook - White Heat: A History Of Britain In The Swinging Sixties (Little Brown)
David Pearce - The Damned United (Faber & Faber)
Glenda and Jack Rollins - Playfair Football Annual 2006-2007 (Headline)
Andrew Godsell - Europe United (Sports Books)
Abby Lee - Girl With A One Track Mind (Ebury Press)
Fatou Diome - The Belly Of The Atlantic (Serpent's Tail)

Sunday, July 16, 2006

Here Comes The Summer

Cor, it's too gosh-darn hot to think at the moment... The sun is beating down upon our heads like a big ... beating thing. And the drums never cease.

The Book Club - Show Eight, a World Cup Special edition - was broadcast on 5 July on Beeb Radio N/cle ... If you want to listen to it, pop along to the link below:
The featured books were:-
1. Football Books:
- John Foot - Calcio: The History Of Italian Football (Fourth Estate)
- Uli Hesse-Lichtenberger - Tor! The Story Of German Football (WSC Books)
- Phil Ball - Morbo: The Story Of Spanish Football (WSC Books)
- David Winner - Brilliant Orange: The Neurotic Genius Of Dutch Football (Bloomsbury)
- Gianlucca Vialli, Gabrielle Marcotti - The Italian Job (Bantam)

[We also received several other footie books slightly too late to feature in the show, but I'll include them here with - as always - a high recommendation. I was particularly impressed with Foot, Hesse-Lichtenberger, Ball and Winner's volumes which each give a real flavour of the cultures and mind-sets of the countries that they we're writing about.]

- Peter Robinson, Doug Cheeseman, Harry Pearson - 1966 Uncovered (Mitchell Beazley)
- Kevin Connolly and Rab MacWilliam - Fields Of Glory, Paths Of Gold: The History of European Football (Mainstream)
- Alex Bellos - Futebol: The Brazilian Way Of Life (Bloomsbury)

2. Dave Scott - The Disillusioned (Fraser Books)
3. Jeff Abbott - Panic (Time Warner)
4. James Essinger - Spellbound: The Improbable Story Of English Spelling (Robson Books)
5. Andy Neill & Matt Kent - The Who: Anyway, Anyhow, Anywhere (Virgin)
6. Alistair Cooke's American Journey (Penguin)
7. Francesco De Mosto - Francesco's Italy (BBC)

Also Received during June:
- Aziz Chouaki - The Star Of Algiers (Serpent's Tail)
- Liza Campbell - Title Deeds (Doubleday)
- Elizabeth Wilson - The Twilight Hour (Serpent's Tail)
- Rory Stewart - Occupational Hazards (Picador)
- Matthew Smith - The Kennedys: The Conspiracy To Destroy A Dynasty (Mainstream)
- Melissa P - The Scent Of Your Breath (Serpent's Tail)
- Jasper Fforde - The Big Over Easy (Hodder)
- Jancee Dunn - But Enough About Me: From Eighties Geek To Rock 'n' Roll Chic Adventures In Celebsville (Headline)

Anyway, back to a long cool glass of iced juice and watching the cricket whilst being glad I'm in my gaff with the fan on full blast.

Roll on winter...

Monday, July 10, 2006

Lies, Damned Lies And Thing You Read In Your Newspaper

How much trust can readers place in what they read in today’s media world? Keith Telly Topping investigates.

In early 2003 that bastion of true and accurate reportage the Daily Star claimed a 'world exclusive' when they reported that the ex-Neighbours actress and sometime pop-wannabe, Holly Valance, was 'in discussions' to replace Sarah Michelle Gellar as the lead in the cult US TV series Buffy the Vampire Slayer. In discussions with whom, exactly, the report did not specify. This revelation, no doubt, would have come as a major surprise to Mutant Enemy, the American production company which had made Buffy the Vampire Slayer for the previous seven years. Because, just two days before this article appeared, they had recorded the one hundred and forty fourth - and final - episode of the popular drama and held a production wrap-party at their Santa Monica studios – in, it should be noted, something of a blaze of publicity. A couple of weeks later, Buffy's creator, Joss Whedon, happened to be in London. During a magazine interview, Whedon was shown the Star 'exclusive' and asked to comment. He did. 'Who's Holly Valance?' he asked, seemingly genuinely amused by the article he was reading. And that's where the story ended, the Star producing absolutely no follow-up to either confirm their 'world exclusive' or to admit that, actually, they had been lied to by someone - probably an over-eager publicist - but had run the story anyway.

This – somewhat lightweight – tale of a newspaper printing absolute nonsense with, apparently, not a smidgen of shame or care, highlights one of the main problems for readers of newspapers in the Twenty First Century. That is, the difficulty in sorting out which of the many stories they are presented with are genuine, which – despite the presence of some obvious spin – are partially true and which have been accepted at face value by an eager stringer who hasn't even bothered to check the basic veracity of the tale before spreading it. However, least it be thought that only the tabloids deal in this sort of twilight, fäux-naif demi-monde world of truths, half-truths and no-truths-whatsoever, another example shows how far a wide cross-section of a willing media can be taken in – no matter how implausible the story may be.

In July 2004, the Associated Press excitedly reported that a British tourist had bought a suitcase at an Australian flea market and found inside of it recordings of 'hours of unreleased Beatles songs.' The report went on to suggest that 'documentation within the case' suggested that it may once have belonged to The Beatles' long-time roadie and associate Mal Evans who died in 1975. Except that, of course, it hadn't. Not even close. The 'documentation' ultimately proved, on closer inspection, to consist of little more than photocopies of some 1960s press articles, concert ticket stubs and other general ephemera – none of it, in any way, linked to Evans either directly or indirectly. The 'hours of unreleased recordings', somewhat inevitably, turned out to be fairly common bootleg material - mainly home demos made by John Lennon - which had, seemingly, been compiled onto a CD from a variety of different sources. The whole thing was a hoax – and not even a particularly elaborate one, at that. Indeed, anyone with a basic knowledge of audio recording should have guessed that fact from a line in the original AP story which stated that the tapes were found 'in their original metal cans.' Recording tape, which is metallic is, unlike film, never stored in or near anything metal. Despite this, the story ran in many newspapers and magazines around the world with, again, absolutely no follow-up once it was debunked some weeks later. For example, The Times even went to the extent of putting a snippet of one of these 'lost' recordings - 'I'm in Love' - on its website so that fans could hear it. Had they simply bothered to do a two minute Internet search, they would have found that 'I'm in Love' – a 1963 solo Lennon demo of a song which he later gave to The Foremost as their follow up to 'Hello Little Girl' - had been in the public domain for at least fifteen years and was available on several bootleg CDs.

Of course, these are minor stories about pop-culture subjects. Yet in a world in which some newspapers seem to regard the activities of Abi Titmuss and Jade Goody as more inherently newsworthy, per se, than those of Kofi Annan and Vladimir Putin shouldn't we be holding these stories to exactly the same standards as those written by serious political commentators? Ah, but that brings us to 'Gallowgate-gate' and the finest example of modern times of the media both creating and then continuing to feed an urban legend.

The British Prime Minister and I share at least one thing in common – a love for Newcastle United football club. However, Tony Blair's support has been questioned almost from the first moment that he mentioned it in public. In the late 1990s, his political opponents were given what appeared to be a open goal to score against him. It was widely reported that sometime during 1997, the Prime Minister had been interviewed – by whom seemed to change from report to report – and had talked with a rather cloying misty eyed nostalgia about his first visit to St James' Park, 'sitting in the Gallowgate End watching Jackie Milburn.'

Milburn, for the uninitiated, was Newcastle's record-breaking centre forward during the immediate post war years – thirteen times capped by his country, he scored two hundred and thirty nine goals in four hundred and ninety four senior appearances for the Magpies. From the famous Milburn/Chalrton footballing family, Wor Jackie was a classic example of the post-war working-class hero - the Ashington miner who escaped a life down the pit by earning a living playing football - he was my father's hero and a much-loved icon on Tyneside, an affection which continued long after his death in 1988. The problem with the Prime Minister's reported story was that Milburn left Newcastle in 1957 to manage the Irish club Linfield. At the time he played his final games for Newcastle, Tony Blair would have been four years old and living several thousand miles away in Australia. Worse, from the point of view of the story, the Gallowgate End was, until it was knocked down in 1994 and replaced with the new Exhibition Stand, a steeply banked open terrace with no seats in it.

This story subsequently become one of the major sticks with which to beat the Prime Minister - as an amusing little sidebar to everything from the Hutton Inquiry to Health Service reforms. If Blair was so economical with the actualite concerning his support for a football team, the argument went, then how can we then believe pretty much anything he says? As recently as April 2005, the defecting MP Brian Sedgemore used an interview with the Daily Mail to note that the trouble with Mr Blair is he tells 'big porkies as easily as he tells little porkies, whether it is watching Jackie Milburn play football or being certain of the existence of weapons of mass destruction in Iraq.' Case closed.

Unfortunately for opponents of the Prime Minister, there is one slight flaw in this theory; Tony Blair never claimed to have sat in the Gallowgate End watching Jackie Milburn or anything even remotely like it. The story actually owes its origin to a BBC Radio 5Live interview he gave in 1997 which was subsequently reported in the North East in the local Sunday Sun newspaper. Thereafter, it appears to have taken on a life of its own. Eventually, earlier this year, the BBC Newsnight reporter Adam Livingstone tracked down a tape of the original interview. Asked when he had become a supporter of Newcastle, Blair replied that it had been 'just after Jackie Milburn.' He never mentioned the Gallowgate End at all. Yet in the modern world where, it appears, virtually every word that anyone writes or speaks, in any context, ends up somewhere on the Internet, a Google search of the words 'Blair' and 'Jackie Milburn' will almost inevitably direct the searcher to at least half-a-dozen websites all still excitedly informing their readers that Tony Blair is a lying liar who lied about his football viewing habits as a child and, therefore, is responsible for war crimes. The latter might be true, but the former, certainly, is not. There's something of a dramatic irony here, given the fact that many of these sites in question claim, proudly, that they exist purely as champions of factual accuracy.

There is a tendency for older readers to join the Prime Minister in his allegedly misty-eyed nostalgia for a better time and place – this is particularly true of former readers of the Daily Mirror who bitterly regret the decline into muck-raking of a once-proud institution. However, that's a cosy example of working class sentiment at its worst and, as James Bolam's character Terry Collier noted in Dick Clement and Ian La Frenais' 1976 film adaptation of The Likely Lads, such sentiments are 'an indulgence of working class people who've cracked it through football or rock and roll.' Yet knowing that what you are reading is, fundamentally, true is – surely - a pre-requisite for any author of any text (this one very much included).

Some years ago this author was reading a weighty biography on Peter Sellers and quite enjoying it when, a couple of hundred pages in, he stumbled upon a reference that he knew to be inaccurate. It was a tiny little thing – a one-line description of a brief meeting between Sellers and John Lennon, Paul McCartney and Ringo Starr which had been recorded and circulated on bootleg. I happened to know that this had taken place in January 1969 at Twickenham film studio during the filming of Let It Be and not, as the author suggested, at Apple's offices only because I am - tragically - an insufferable nerd when it comes to the minutia of the Fab Four's various lives and doings. Nevertheless, the fact that the author of the biography also managed to misdate the meeting by approximately six months proves that, in this one particular instance, he hadn't done all of the necessary research (again, five minutes on the Internet would have probably informed him when and where it had been recorded). The author would, perhaps rightly, conclude that such a small mistake is of no great concern in the overall context of such a massive work and he well may be right about that. But, as a reader, the inevitable follow up question in my mind has to be, if the author got that bit wrong, then what else had he got wrong that I'm not such an expert on?

Ultimately, it's up to the individual reader of any text to question a story's veracity of content as much as they should question the style in which it is written. Today, more than ever, we live in a world where, due to the instantaneous nature of the Internet, a lie (or, to be charitable, a half-truth) can be spread around the world in seconds and there will always be someone, somewhere, who will believe even the most outrageous claims. The print media, as a result, have a duty to make accuracy a key part of their focus. After all, without the trust of the reader that what they are being told is both entertaining and true, what's the point of anyone buying a newspaper in the first place?

Keith Topping is an author, journalist and broadcaster. His own work, sad to report, does occasionally include some factual errors. However, he did once see Jackie Milburn play at St James’ Park (in a testimonial match in 1976) whilst sitting (on a concrete barrier) in the Gallowgate End. So there.