Thursday, April 28, 2011

Who Was That Masked Man? Or, What's So Super About Injunctions?

Four celebrities hiding - some might suggest cowering like scared dogs - behind so-called superinjunctions to prevent details of their private lives being made public have been named on Wikipedia. Users of the online encyclopedia - which, of course, allows anyone to edit it - have published details of the gagging orders on the profiles of a series of public figures who may, or may not be the individuals concerned in these matters. Although the site's moderators quickly removed all of the postings, several have kept reappearing - up to ten times on one of the celebrities' profiles. Which proves, at the very least, that those making such claims are determined little buggers, if nothing else. The allegations also continue to appear in the history of the relevant pages if you know what you're looking for. Which, of course, this blogger does not. Oh, no. Just want to make that abundantly clear. I just report the news, dear blog reader. Or, in this particular case, the lack of it. Wikipedia, which has over four hundred million readers, has said that it will consider locking the pages involved if posters repeatedly try to publish the (as yet, of course, unproven) allegations. This would limit those allowed to edit the pages in question but, as a consequence, it would also likely draw attention to whom the individuals concerned actually are. The identity of the Premier League footballer who, allegedly, had an affair with the Big Brother contestant Imogen Thomas became secret after he gained his injunction at the High Court two weeks ago. The allegations were reported by several newspapers to have been introduced more than ten times onto the Wikipedia page of one particular Premier League player, who may (or may not) be the person who took out the injunction, despite the best efforts of moderators. According to the Daily Scum Mail one user wrote: '[He has] lost his discipline and had [sic] been playing away from home with non [sic] other than Imogen Thomas from Big Brother.' Yeah, you might want to use a spell-checker next time. The paragraph was soon removed but a series of variation have continued to appear - and disappear - with monotonous regularity throughout the last forty eight hours. Meanwhile, the 'high-profile' actor - identified in court only by the initials NEJ - is alleged to have had sex with Helen Wood, the same prostitute who was widely reported to have slept with Wayne Rooney in 2010. The Scum Mail reveals that one user wrote under the charity section of the actor's Wikipedia profile page that he was a 'patron [of a] prostitute in the Manchester area.' Another contributor apparently changed the actor's middle name to 'Super–injunction' whilst yet another added to the actor's education section 'he enjoys the company of "ladies of the night" and super injunctions.' Someone whom the Scum Mail describes as 'a TV star' - known at ETK in count papers - whose 'celebrity mistress' (known only as X) was 'sacked from her job' after the TV star's wife discovered their affair was also one of those allegedly exposed. The newspaper claims that one entry on the man's Wikipedia page stated: 'In April 2011 it was revealed that [the man] was the subject of an injunction banning newspapers from naming him as ETK, the entertainer having an affair.' Another alleged: '[ETK's] sex-affair with [X] has now become subject of a controversial super-injunction. As widely reported all over the Internet.' The fourth celebrity targeted on Wikipedia is a 'television presenter' - said by the newspaper to be 'a household name' and identified by the initials AMM - who took out an injunction last October to stop his ex–wife (HMX) from alleging, publicly, that they'd had an affair after he had remarried. Comments on one individual's Wikipedia profile hinted that he may have obtained such an injunction - and provided a link to an article recently published in Private Eye which had made a similar implication. These were also immediately taken down by moderators on the website. Media lawyers said that the disclosure of the men's identities on the Internet - even if only temporarily - sounded the 'death knell' for privacy injunctions. 'These orders are increasingly redundant because their names are all over Wikipedia and social networking sites such as Twitter and Facebook,' said Niri Shan, head of media law at the legal firm Taylor Wessing. 'Because many of these websites are abroad the injunctions are unenforceable.' The postings come as debate rages over the use of injunctions, with lawyers and commentators arguing that they are redundant in the age of websites where anyone can post the names of those hiding behind such gagging orders. Or, at least, those whom they believe, or have heard rumours that they are, hiding behind such gagging orders. Even BBC presenter Andrew Marr, who himself won a gagging order in 2008 preventing the details of his extra-marital affair from being made public, this week said that injunctions were 'out of control' and called for a 'proper sense of proportion' in these type of injunction cases. A spokesman for Wikipedia said that although the site was based in the USA and therefore not bound by injunctions in British courts, it would continue to remove any further allegations posted on the profiles in question. 'The servers are based in the US so Wikipedia is not liable. Our material has to be really well-referenced or it is chucked out immediately.'

Today's Keith Telly Topping's 3 of the Day is from Van Morrison and is rather appropriate.

You May Find, From Time To Time, Complications

The BBC have revived their much-loathed animated linking trailers for early Saturday night programming which brought such abject howls of protest last year when one was used during the final few seconds of an episode of Doctor Who. You remember Dancing Graham Norton-gate, surely? In a - seemingly desperate - attempt to increase the flagging ratings of the disastrous Don't Scare the Hare and the only marginally less disastrous So You Think You Can Dance. Expect Doctor Who fandom to spontaneously explode with impotent fury at the very concept. If, on the other hand, an animated well-known horrorshow, faceache (and drag) Arlene Phillips waltzes across screen during injury time in Day Of The Moon, you will probably be able to hear the reaction on the moon. Laugh? Laugh? I nearly started.

The MasterChef final - won by Tim Anderson (see right) - served up a record performance, and it performed strongly against ITV's Champions League coverage of the El Classico clash between Real Madrid vs Barcelona. The finale of the popular BBC cookery show averaged an overnight audience of 5.92m across the 9pm hour with an audience peak of 7.12m (at 21:50). This compares to last year's final which had an overnight audience of 5.75m and a final consolidated figure of 6.13m. Excluding the final four episodes - for which final figures are not yet available - the current series has had an overnight average audience of 4.84m per episode, a healthy two hundred and seventy thousand viewers up on last year's consolidated series average. During the last series, only two episodes - the final two - broke the five million barrier. The current series - one which some dear blog readers may recall several national newspapers erroneously claimed had 'lost viewers' - had yet to see an episode fall below an audience of five million. (Last Wednesday's episode had an overnight audience of 4.55m and this Monday's of 4.71m but final figures for both will not be available until next week.) So, one imagines that the BBC will regard that as a very unqualified success. The Champions League semi-final averaged a very healthy 6.26m with a further forty seven thousand viewers watching later on ITV+1. The football's peak came at 21:30 with 7.78m watching.

Television is in danger of broadcasting programmes with 'too many male detectives' and 'too much crime,' according to the BBC1 controller, Danny Cohen. Insert your own Don't Scare the Hare joke here, dear blog reader. Discussing the decision to cancel BBC1's Rufus Sewell drama Zen two months ago, Cohen said: 'You can't keep on doing everything if you want to bring in new things. I felt that we risked having too many male detectives and arguably we have had maybe too much crime.' He went on: 'Detectives and crime is the real staple of quite a lot on the BBC but also a huge amount of ITV drama. I want to broaden the palette a bit.' Speaking at a Broadcasting Press Guild lunch in London, Cohen said: 'I want to broaden the range and make sure we have got enough that is not detectives and crime.' Cohen pointed out that BBC1 already has hit series Sherlock and Wallander, starring Kenneth Branagh, which is returning next year. Other BBC1 male detective dramas include Luther and George Gently, while ITV has Lewis, Midsomer Murders, DCI Banks and the recent well-received one-off drama The Suspicions of Mr Whicher. ITV is also due to broadcast new dramas starring female detectives – Vera and Case Sensitive. Recently the long-running Waking the Dead, starring Trevor Eve and Sue Johnston, came to an end on BBC1. A spin-off series called The Body Farm, centred on Tara FitzGerald's character Eve Lockhart, is currently in production that doesn't have Trevor Eve's massive pay demands to contend with. Following Life of Riley actor Caroline Quentin's recent call for Cohen to address the issue of more television roles for older actresses, the BBC1 controller said: 'I think we know there's more work to do there. It's not a BBC issue, it's an industry issue, we have to get better.' When asked why one of his channel's most famous faces, David Dimbleby, has yet to agree a new contract with the BBC, Cohen at first said that Dimbleby has signed up to host more editions of Question Time. However he then corrected himself and said a deal has not yet been done and that it is being dealt with by the BBC News director, Helen Boaden. Cohen said 'I want him to stay and do Question Time,' adding that part of the talks with Dimbleby include the veteran presenter doing a landmark series for BBC1 following the success of programmes such as Seven Ages of Britain. He went on to say that he sometimes wonders about 'the degree of scrutiny of the BBC' on a daily basis in newspapers and warned: 'Britain would be a poorer place without the BBC, we should be careful how far we kick it.' This blog, as you might have noticed, wonders about the degree of scrutiny on the BBC on a daily basis in newspapers also on a daily basis. And is appalled by its scum-sucking agenda-driven nature.

MTV have released the cast photos from the forthcoming horrorhow that is Geordie Shores. As you can see, they're a right intelligent looking bunch. Yer Keith Telly Topping probably went to school with a few of their dads, dear blog reader.

The text of the superinjunction obtained by the banker Sir Fred Goodwin has been handed to the Treasury select committee so that MPs can examine whether it 'raises public interest issues.' The latest manoeuvre by John Hemming, the Liberal Democrat MP for Birmingham Yardley, adds to growing political pressure for clearer regulation of the system of secretive court orders. Hemming has previously exploited parliamentary privilege to reveal the existence of the ban which, he said, prevented Goodwin, the former head of the Royal Bank of Scotland, from even 'being identified as a banker.' Once Hemming had done that then it allowed newspapers and other media outlets to report that he had done that without breaking the terms of the original injunction. Hemmings told the Gruniad that he had given the superinjunction to the committee in case its contents related to financial or public affairs. Goodwin, who presided over the near collapse of RBS, became popularly known as Fred the Shred through his costs and jobs cutting. He was forced to step down in 2008 as a non-negotiable condition of the bank's twenty billion pound bailout by the taxpayer. You know, taxpayers, dear blog reader. That's you and me. 'I can't tell you what's in the injunction,' explained Hemming. 'It will be up to the committee to consider whether there's a public interest in it or not. I believe it might be of public interest and they should have a look at it. They might decide to ask him questions or invite him to an "in camera" session. If they want, they can publish it.' Hemmings believes that superinjunctions are creating one law for the rich who want to suppress embarrassing allegations and another for the poor. He called on parliament to legislate about what constitutes an individual's right to privacy and where the media's right to freedom of expression begins. 'Parliament needs to give a clear line where that balance should be,' he said. 'We need statutory guidance for the judiciary. The judges have changed their interpretation of the law.' One judgment that may significantly shift the balance is the ruling, due to be released on 10 May, by the European court of human rights over the challenge brought by Max Mosley, the former Formula One Association president. Mosley, who successfully sued the News of the World in 2008 over a story detailing his various sexual activities, has argued that newspapers should notify people before stories are published about them. Robin Shaw, who represented Private Eye in the case that forced the BBC interviewer Andrew Marr to relax the terms of an injunction banning reporting of an extra-marital affair, said: 'The law is not unworkable at the moment but it's a bit uncertain. It would help to have more clarity and guidelines about when injunctions should be granted. If Mosley is successful then one of the nightmares is that it could cover anything.' Last week David Cameron accused judges of creating a privacy law and usurping parliament's legislating role. Asked whether the government would draft a privacy law, a Ministry of Justice spokesperson said: '[We] recognise the importance of finding the correct balance between individual rights to privacy on one hand with rights to freedom of expression and transparency of official information on the other. The government's proposed reforms of the law of defamation are one aspect of this balancing process. Another is the Master of the Rolls' committee to examine the use of superinjunctions and other issues relating to injunctions which bind the press.' The committee is due to report next month. 'The government will await the report from the Master of the Rolls Committee before deciding on next steps,' the MoJ said.

Meanwhile, former Big Brother contestant Imogen Thomas has said that she has been 'thrown to the lions' after an alleged affair with an alleged married footballer who may or may not play for a Premiership team which may or may not be situated in the North West of England. Or otherwise. Twenty eight year old Thomas spoke after the Premier League player - who may or may not be an international - obtained a so-called superinjuction in the so-called High Court preventing him being so-called. As it were. Or not. That's if he even exists. Which he might or might not, don't come to me looking for a short answer on that one. Although Louise Bagshawe, MP, apparently knows whom he is rumoured to be. Or, maybe not. Thomas told ITV's This Morning (which, tragically for everyone concerned, does exist) that she had 'no intention' of selling her story before she was warned about the ban. She didn't, however, say if that situation had now changed now as a result of the ban. Fighting back tears - which, like the footballer's identity, may or may not be real - she added: 'I just wish my name was protected. I didn't have fifty thousand pounds to get an injunction. I've been thrown to the lions and told to "deal with it."' Oh, so he plays for the Lions, does he? Hang on, Millwall aren't in the Premier League. Gosh, this is getting really confusing. 'I can't deal with it,' she continued. In which case, some might consider it rather odd that she chose not to deal with it by appearing on a national TV show to talk about her not dealing with the subject. Or not. 'I'm coping with a lot of stress and pressure on my head at the moment and this has just been such an awful experience for me.' But, enough about her time on Big Brother, what about the affair, you might be wondering?

On a more-or-less related subject, there's a very good piece by the Gruniad's Mark Lawson on the subject of TV and superinjections: 'This dynamic is particularly apparent on TV and radio programmes, where all those involved in discussions of injunctions could name the Mr Xs but aren't allowed to. And, although BBC lawyers muted the sound and slapped a black rectangle over the mouth of Louise Bagshawe MP when she hinted at the name of one court-protected footballer on last week's Have I Got News For You, those in the studio audience who didn't already know now do and will spread the name virally. The result is that news and comedy shows are now being watched by two audiences: the bewildered and the knowing, with the second group also enjoying the spectacle of contributors trying to refer to the unmentionable in code.'

The Syrian ambassador's invitation to Friday's royal wedding has been withdrawn. The decision to invite Dr Sami Khiyami had been criticised, amid condemnation of a violent crackdown on pro-democracy protesters in the country. Khiyami was summoned to the Foreign Office on Tuesday and told that the violence was 'completely unacceptable.' Well, that'll really show them murdering bastards in Damascus that we mean business. After this, presumably, the next step will be to stop selling arms to them - although, clearly, that's a last resort.

I'm indebted to the very excellent Svelte Kroton at the Gallifrey Base forum for the following piece of sage wisdom: 'BBC3 really need some better announcers. "We've got all the Indiana Jones films. Next up is Temple of Doom on Friday. That's the one with the big ball chasing him and the spikes coming out of the ground" Er, no, you're thinking of Raiders of the Lost Ark. You know, the film you're currently talking over the end credits of, you John-Williams-botherer!'

The BBC Trust has rejected two sets of viewer complaints from utter whinging malcontents who haven't got anything better to do with their, no doubt valuable, time about daytime programmes and one about a radio jingle. Daytime programming, please note. Haven't you people got jobs to go to? No, stupid question, really, I don't know why I asked really. One of the complaints concerned a one-finger gesture on Doctors, while the second argued a Countryfile item on microlighting – flying in very lightweight planes – 'legitimised a commercial business where that legitimacy was clearly uncertain, to the advantage of that business.' The radio complaint regarded a jingle on Radio Wales, which the viewer claimed gave the erroneous impression it was available on DAB. The Trust did not uphold any of the complaints. In the case of Doctors, it described the gesture as 'offhand rather than aggressive or explicit sexual innuendo,' adding it 'would not have exceeded audience expectations for the drama.' Regarding Countryfile, the body said the item was 'duly accurate and had been appropriately researched,' saying 'this was a light feature about an unusual sporting activity with the specific aim of promoting audience engagement in such activities.' In the case of the radio complaint, the Trust's committee concluded that the advert was 'not intending to mislead, but rather to offer options to listeners,' noting that 'such a short trail could not provide detail about differing availability and accessibility.'

Dermot O'Dreary has signed up to host The Marriage Ref. The new ITV show is based on a US series hosted by Jerry Seinfeld and sees a celebrity panel trying to resolve a married couple's arguments. Jo Brand was originally rumoured to be 'in the running' for the role but the Sun claims that O'Dreary has now signed a two hundred and fifty thousand knicker deal to front the programme. And, if it's as bad as it appears to be from the pre-publicity then Jo might just consider herself jolly lucky that she didn't get the gig. Just as Miranda Hart and Vernon Kay are probably down on their hands and knees thanking a diety of their choice that their participations in the pilots of Don't Scare the Hare and Sing if You Can, respectively, didn't lead to a permanent gig. 'It's a great show and the kind of thing I want to present because it's not your usual show,' O'Dreary claimed, although he might have been distracted by reading his cheque at the time. 'It's something I'd watch. I'd never do a game show. ITV have big plans for it, so fingers crossed.' Celebrities who have taken part in the show in the US include Madonna, Bette Midler and Demi Moore. It is not yet clear who would lower themselves to become involved with ITV's series but Jack Dee has been linked to a role on the panel. Oh Jack. I used to have so much respect for you, an'all.

Stephen Merchant has apologized after reportedly 'shunning' a place on a Walk Of Fame being installed in Bristol Zoo. The comic was one of fifty names chosen by the public – including Bill Bailey – to be immortalised on the memorial. But after zoo chiefs heard nothing back from repeated requests to use Merchant's name, they had to leave the last plaque empty. However it seems the message never got through to The Office co-creator – who only learned he had 'spurned' his home town when he got an call from his upset mum, who'd read about it in the local paper. 'I didn't know anything about it until my mum read [it] in the Evening Post,' he claimed. 'She was very upset about it because she is very proud of Bristol, as I am. When she rang I was a bit shocked and cross I had missed out. I really don't want people in Bristol thinking I have got too big for my boots. I am incredibly proud of my Bristol roots. Not only would I have been delighted to have a plaque at the zoo this year I'm angling eventually to have a statue of me next to Cary Grant in Millennium Square.' Merchant's name will now be added to the zoo wall sometime next year.

Tiger Aspect has won a trio of factual commissions including a series about the trials and tribulations of moving home and a legal series to help people resolve 'bitter, petty or outrageous disputes.' Channel Five has ordered the six part series The Removal Men, which follows crews from Pickford Removals as they transport families and businesses to new homes in the UK and abroad. Each episode will feature two stories and centre around recurring characters in the crews. Ordered by C5 head of factual Andrew O’Connell, The Removal Men will be executive produced by Tiger's Lionel Mill and series produced by Oliver Wilson. The company's factual team has also won two commissions from Channel Four. The first is a pilot for a new legal show, which Tiger hopes will be taken to series. Created with the working title On Your Case, the documentary features three top lawyers who help resolve disagreements. Tina Flintoff commissioned the show and Tiger's Jo McGrath will executive produce, with Anna Bonnaddio producing. Broadcast is to be confirmed, but McGrath said the team was 'very keen to get this out as quickly as possible.' She added: 'Legal formats are notoriously difficult to crack, but with cuts in the legal aid budget, this show is perfectly timed. Our three formidable lawyers will be faced with an array of emotional disputes, everyday consumer issues and unusual legal dilemmas. They'll be giving straight-talking advice and people won't always like what they hear.' C4 has also recommissioned Restoration Man, this time as an eight-part series, with six updates following. The series was ordered by Andrew Jackson, and McGrath and Mill will once again be involved. The series director is Emma Slack.

A statue of Les Dawson in his home town has had to go in for repair – after too many adoring fans hugged it. Ther adulation reportedly caused the memorial to wobble on his base – causing a potential health and safety issue. A council spokesman in Lytham St Annes said: 'People put their arms round Les to have their photos taken and they get scared when he moves. We have used cement to pack it up but a permanent repair is required.' Fittingly, the first attempt to take the memorial away for repair ended in farce. It was lifted into the air on a hoist, but then abandoned as it was too heavy for the van the workers had brought.

Manchester United manager Sir Alex Ferguson has blamed 'powerful' television companies for the lack of a winter break in the English football schedule. The veteran miserable old Scotsman feels that a two-week break across all English competitions would give the soft-a-shite players 'a rest' and 'reduce the risk of minor injuries' to the big poufs later in the season, reports Metro. '[The winter break] is not just to give the players a rest, it is to get rid of all the little injuries they carry,' wninged Ferguson. 'It would also freshen everyone up mentally, including my staff because they could do with that break as well.' From you? That, I can believe. Despite a post-Christmas break being supported by current England boss Fabio Capello and other managers, Ferguson believes that there is little chance it will ever happen. He accused football's governing bodies of failing to take into account the views of players, coaches and clubs, claiming that this is an indication that 'TV has too much power.'

An unidentified man has urinated on around one hundred and ten packets of cough drops in a pharmacy. According to WESH.com, the incident took place in a Walgreens store in Sanford, Florida at 10.30am last Thursday. After relieving himself and costing the drugstore an estimated three hundred dollars, the man tried to fill his prescription but didn't have the right paperwork. The mess was only discovered when an employee of the store went to re-stock the shelves and noticed a strong smell of urine. A customer expressed her disgust, saying: 'I hope [the police] find him. He's gross.' The man 'didn't appear to be drunk or intoxicated,' stated Sergeant David Morgernstern. 'I'm not sure what the problem is, but he does need something. He does need to go to jail for what he did. But he [also] needs some sort of help, because why would you urinate in Walgreens on cough drops?' Maybe he just, you know, really needed to go. or maybe the manager told him to piss off. So he did. Police have released CCTV footage of the incident in the hope that they can find the phantom slasher responsible before he strikes again.

For today's Keith Telly Topping's 45 of the Day, we've got one of the greatest singles ever made from yer actual Jesus of Cool, Curtis Mayfield, dear blog reader. Bite yer lip, and take a trip.

Wednesday, April 27, 2011

MasterChef: Getcha, Getcha Ya-Ya Da-Da

Gregg Wallace and John Torode have revealed what they would cook for Prince William and Kate Middleton's guests if they were in charge of the royal wedding meal. Which they aren't, just in case you were wondering dear blog reader. Five million viewers are fans of MasterChef but we're not sure if that extends to Buckingham Palace. The duo described their plans while speaking to Absolute Radio's Christian O'Connell Breakfast Show ahead of the MasterChef grand final. Wallace said: 'Well, we're in London - we'd have a great big tray of sea food - whelks, cockles, crabsticks - to start. Then they'd be tucking into some proper spring lamb, followed by rhubarb crumble and custard. A true celebration of British cockney food. Then they'd have a right old knees-up.' Wild-eyed Colonial Boy Torode added: 'I would go for something similar to Greg. I reckon oysters to start, then some pie and mash with liquor, then lots of strawberries, lots of rhubarb - even a bit of crushed meringue to finish. We call that Eton mess.' That's a pretty accurate metaphor for modern Britain, actually - loads of rhubarb and an Eton mess. You need to add it a bit tripe and some hot tongue as well. Hopefully, followed by cold shoulder. Of Thursday night's final, Torode said: 'It's been a privilege and an honour to watch three great finalists. I've got to say, though, anybody who made it through to the auditions - the twenty people who actually lined-up for that first day - congratulations to them. Our three finalists are superb, but to make it into the last twenty of MasterChef is a great achievement. Good on you guys.'

It's interesting, is it not that the Daily Scum Mail, one of the organs of the press that spent much of late February heaping bile on MasterChef for daring to change its format after a few dozen malcontents got uppity on Twitter is now, apparently, the show's bestest friend in all the land, that am. Why the MasterChef's the ONLY talent show that is a recipe for success is a perfect illustration about why tabloid newspapers should never be trusted, dear blog reader. Because any way the wind blows, they will follow. Usually with their collective tongue hanging out.

Anyway, in a suitably tense climax to what has been a thoroughly entertaining eleven weeks, Tim Anderson became the youngest ever amateur winner of MasterChef. The twenty six-year-old American triumphed over Sara Danesin and Tom Whitaker in Thursday's final and was awarded the coveted title by judges Gregg Wallace and John Torode. Tim grew up in Racine, Wisconsin with his parents and brother, before moving to Los Angeles to attend college aged eighteen. He has been married to his wife Laura for three years and lives in North London, where he is currently working at a bar near Euston Station. The episode began with the usual background pieces on the three finalist. Sara was filmed around her job as a nurse in York, talked about her 'naughty' triplet sisters and was seen at home having a meal with her husband and teenage daughter. Tom talked about working in a cheese warehouse and his time dee-jaying in sweaty clubs, living in Rome and his forthcoming marriage to Lucy all to a Massive Attack soundtrack as he and Lucy were filmed walking by the Thames. Tim discussed his childhood and wish to get out of Wisconsin (making it sound like the arsehole of the universe, frankly), his love of all things Japanese and how he'd wooed his wife with the promise of a beer and cheese party. He also talked about his love of English humour and how much he'd learned from John Torode. 'Why can't we all win?' he asked solemnly at one point. Because, Tim me auld mate, like the movie Highlander, there can be only one. Then we got to the final day - and we discovered just how long ago this was actually filmed (it was snowing for a kick off!) John and Gregg got all serious and told their trio of stars that this was 'the big one' and various other clichés. Three courses. Two hours. One winner. 'They're really going for it,' noted Gregg reaching one cliché too many. 'My heart's thumping and my mouth's watering.' Seriously, mate, I'd get that seem to if I were you. It sounds like you're either very hungry or you're having a really serious myocardial infarction. Sara was calm and smiling. And she was also - quite literally on fire - cooking a starter of chocolate ravioli with a partridge ricotta stuffing and beurre noisette with parmesan. Gregg said it was as good a pasta dish as he'd ever tasted. Her main was saddle of hare served on blackberry jam with crispy thyme-scented polenta, parsnip silk, chestnut purée and a medley of autumn mushrooms. John described is, simply, as 'amazing.' Her dessert was mango parfait and passion fruit glaze with a lime and vodka sorbet. 'I wanna take my jumper off and dive in,' Gregg said and you guessed that he meant it. Tom gave a precise little essay on the natural of sacrifice as he served a starter of pan-fried fillet of gurnard, octopus and ham pease pudding and mollusc ragoût. Then came a main course of stuffed saddle of roast suckling pig, smoky pomme purée, crubeens and a crispy pig's ear salad and pork broth that would have had yer actual Keith Telly Topping his very self licking the plate and lining-up for seconds. And, probably thirds. Seashore and hedgerow: carrageen moss pudding, oat biscuit crumble, quince and rosehip coulis, elderflower jelly and crystallised mint leaves was Tom's dessert, a climax to an almost perfect three courses. Gregg was particularly full of praise for the dessert. 'The flavours in this are new to me and they're delightful.' In fact, but for a slight mishap with his pease pudding in the starter it would have been perfect. Sara, you sensed, had one hand on the trophy already. Thence came the Mad Professor. Tim's starter was the stuff of MasterChef legends: A trio of mini-burgers - the Los Angeles Slider of wagyu tartare, smoky lime and jalapeño marmalade, avocado and butter-bean mousse, a Tokyo Slider of monkfish liver, umeboshi ketchup, jellied ponzu, matcha mayonnaise and a London Slider of curried lamb cheeseburger, apple and ale chutney, raita mayonnaise. This was followed by a main of kyushu-style pork ramen with truffled lobster, gyoza and aromatic oils, and then, a trio of outstanding British desserts consisting of sticky toffee crème brulee with blackcurrant stout sauce, rhubarb crumble with custard and a savoury cheddar cheesecake with whiskey jelly. John and Gregg were, simply, blown away and you kind of knew, even before they went into their huddle, that Tim was going to win. 'That went better than expected, actually,' said Tim with fantastic understatement. On the subject of his dessert he merely noted 'if you make a classic British dessert that Gregg Wallace doesn't like, you've made a really big mistake.' Tim didn't make any mistakes, big, small or otherwise. And yet, he seemed genuinely surprised when it was announced that he'd won. And quite humbled too. 'Tom and Sara are outstanding cooks and I never really thought I had a chance to beat either of them,' he said afterwards. 'Looking back on all the amazing cooks that left before me, it is really quite humbling to have come out on top. Humbling but super-awesome at the same time. Really, it is such a good feeling. I'm very proud of the accomplishment and I'm just so glad that John and Gregg liked my food.' Torode said: 'I think all three were amazing but Tim was in a different world altogether. He had influences from Norway, Japan, America, Australia and the UK. That all coming together gave us the best culinary explosion that we've ever seen in MasterChef.' Gregg didn't add any further comment. He was probably over in the corner having a MCG just to make sure the thumping heart wasn't lupus. Challenges in the final week for the final three have included catering for a wedding in thirty five degree heat in Australia, preparing a three-course lunch for Torode's family and mentors, serving up dinner for Michelin-starred chefs and working in three of New York's finest restaurants. Tim admitted that he thought his MasterChef dream was over in the early stages of the competition when he had his first night of professional service at Suka. 'I walked out of that hotel thinking I just might not have what it takes to be a professional cook,' he said. However, from his first dish of cod tempura and candied purple sweet potato chips right back at the auditions, Tim always impressed the judges. 'The big, silly, long-term goal is to have an empire, hopefully including several regional Japanese restaurants and an American-style brewpub,' he said. 'But for the moment I'm really anxious to get into some professional kitchens and work in whatever capacity I can. I still have so much to learn about how a kitchen and a restaurant operates, from nuts and bolts things like butchery and knife skills and sauces up to ordering, accounting and staffing. Then I'll be ready to open a restaurant that focuses on the cuisine of southern Japan while still allowing a few creative, personal dishes.' So now, dear blog reader, we can all have a few weeks to relax until Celebrity MasterChef starts!

BBC1 is calling time on US series acquisitions. Incoming channel head Danny Cohen said on Wednesday that high prices and new scope for transatlantic co-productions meant that buying big Hollywood series was off his agenda. 'We don't have big plans to invest. We still want big movies for Christmas and Easter, but we don't have big plans to invest in series,' he said. Cohen, who said he would not be going to the LA screenings, said that bidding against pay-TV giant BSkyB's financial muscle often meant that rivals could not compete. 'Costs are very high across acquisitions. Sky's buying power can be very decisive. You can see that with the way the outbid [the BBC] for Mad Men and with how much they paid for Boardwalk Empire, which was very expensive,' he said. His comments come as a reduced commitment to US fare from other UK broadcasters like ITV and Channel Four means that terrestrial primetime is virtually a no-go area for American shows like House and Lost - both of which built their following on network TV before being snapped up by digital channels. Speaking at a lunch hosted by the Broadcasting Press Guild, Cohen said the BBC was exploring new partnerships in the mould of its deal to co-produce the new series of its existing SF drama Torchwood with Starz. The new series of the Doctor Who spin-off drama will be broadcast this summer on both sides of the Atlantic and will be made by BBC Worldwide's US production division headed by Jane Tranter. 'We have done co-pros before, the area you see it most is in costume drama where we've worked with WGBH. But the model with Starz feels very different to me. It's a very interesting experiment and I want to see how it turns out.'

Neil Gaiman has dismissed suggestions that his upcoming Doctor Who episode was limited by budget restrictions. The fantasy author told SFX that he did not find it 'straitjacketing' to work within a television budget for The Doctor's Wife. 'I don't think it's straitjacketing,' he said. 'It's part of what you do. The nature of the beast is that on the page you have infinite time and infinite money. In reality [it's different].' However, he admitted that the reintroduction of old Who monster the Ood was initially motivated by a lack of money for new prosthetics. 'There are things that happen for budget reasons that actually make things better,' he insisted. 'I didn't plan to bring back a classic monster [but] we got to take a Russell monster and bring it back, which made me incredibly happy, in a weird way. It was a nice link between the Tennant era and the current era, and it was nice to bring it back and do something very different with it, turn it upside down.'

Ray Winstone has revealed that he resisted signing up for The Sweeney because of his admiration for John Thaw in the original TV show. The actor, who will star as Jack Reagan opposite Ben Drew's George Carter in the big-screen remake, told the Digital Spy website that he hesitated about accepting the role until he read Nick Love and Alex Garland's script. He said: '"Before I read the script I wasn't sure about doing it because I liked John Thaw a lot and it was iconic, you're on a hiding to nothing there really. And then I read the script, which is a great script, it's got them old vibes about it. These people when they come through your front door don't mess around.' Winstone noted that the storyline, which updates the action for the present day, is 'not all guns, tingling teeth and driving cars through brick walls.' He added: '"We've got car chases and plenty of action but it's a really good script. You take a deep breath and say, "'Go on, I'm going to have some." With Ben Drew, whose quite weighty from my neck of the woods, I think we're going to have a ball and I think we're going to make a good film.'

ITV has commissioned one-off festive drama Fast Freddie, The Widow and Me. Written by Christopher Dunlop the plot follows Jonathan Donald, whose brash, cocky car dealer is found guilty of drink driving charges. Donald is given community service as punishment and ends up working for sixty hours at The Moonbeam Club, a support group for adults with social and behavioural difficulties, run by Laura Cooper. Donald is initially sent away from the Club by Laura, but after being forced to return by a judge, he gets to know eighteen-year-old Freddie Copeland, who is unlikely to live for another year because of kidney disease and a heart condition. After the pair grow close, he takes it upon himself to make the teenager's dream of a perfect Christmas come true, against the advice of Cooper. Dunlop said: 'I've always wanted to write about the magic of Christmas colliding with the way we torment ourselves trying to make that one day perfect. Fast Freddie, The Widow and Me creates an idyllic family Christmas from the most unlikely collection of characters, who in the process rediscover faith in life, love and hope for the future.' Fast Freddie will be directed by David Richards and executive produced by STV's Margaret Enefer. No details of the casting have been announced yet. It begins shooting next month in London.

BBC director general Mark Thompson has admitted that the corporation is finding it 'extremely hard' to fill senior roles because of enforced salary cuts. Speaking to the Lords communications select committee, Thompson said that 'increasingly, remuneration is a factor' in making top BBC jobs less attractive to applicants. I'll do it. I think you'll find I'm very competitively priced in the job market, Mr Thompson, sir. Thompson was speaking ahead of this week's announcement that George Entwistle has been appointed director of BBC Vision, after fulfilling the role on an acting basis since the turn of the year. The corporation ran an 'extensive recruitment search' for the prestigious Vision post, but decided that BBC Knowledge controller Entwistle was the right person for the role. Despite the healthy three hundred thousand wonga annual salary for the candidate to lead Vision, Thompson said that the BBC is struggling to compete for 'top talent' in 'broadcasting markets, which are commercial.' Previous BBC Vision director Jana Bennett received over half a million smackers during her final year in the post, before joining BBC Worldwide. According to sources reported in the Gruniad, the decision to cut the salary on offer was a dissuasive factor for some candidates. One 'insider' allegedly said: 'The fact the salary that was on offer - although that may have had to change - started with a three put off some people.' In 2009, the BBC bowed to public pressure by agreeing to cull more than one hundred senior managers and also trim top executive pay by twenty five per cent by 2013. Thompson and other senior directors also agreed to waive bonus payments and work one month for free to help cut costs.

Sky News has announced that Royal Television Society Journalist Of The Year Alex Crawford is moving to the broadcaster's South Africa bureau this summer. Crawford, who is a three-time winner of the prestigious RTS award, has spent the past year in Dubai covering the uprisings across North Africa and the Middle-East. She has given reports from Tunisia, Egypt, Bahrain, and the disputed Libyan cities of Zawiya and Misratah. In the summer, Crawford will take up a new posting in Johannesburg, covering stories for Sky News from across Africa and around the world. The move is part of a reshuffle of Sky News' foreign correspondents, including chief correspondent Stuart Ramsay transferring from Delhi to the Dubai bureau. Emma Hurd will leave Johannesburg for Jerusalem to become Middle East correspondent, replacing Dominic Waghorn, who is taking up the role of US correspondent. Waghorn will in turn replace Robert Nisbet, who is moving to Brussels as Europe correspondent. Alex Rossi is due take up the post of India correspondent, based in Delhi. Sky News has also appointed Five News' Jonathan Samuels to become its new Australia correspondent, replacing Ian Woods, who returns to Sky News in the UK after successfully setting up the Australia bureau last year. Sarah Whitehead, head of international news for Sky News, said: 'It's been an incredibly busy start to the year for foreign stories and it doesn't look like it's going to slow down anytime soon. Our reformed teams will bring the best news stories from every region to viewers at home and around the world, and will, no doubt, continue to generate award-winning foreign news coverage.' The reshuffle comes as lack of culture secretary the vile and odious rascal Hunt is this week expected to approve News Corporation's bid to take full control of Sky, including the proposal to spin-off Sky News as an independent company.

ITV and Sky Sports have been awarded new UK broadcasting rights deals for UEFA Champions League coverage running into 2015. In the three-season deal, ITV has secured exclusive rights to sixteen first-choice Champions League games on Tuesdays, along with a highlights package. The broadcaster will show live coverage of the Champions League final and the UEFA Super Cup at the same time as Sky. It will also stream coverage on mobiles. Sky Sports will be able to show one hundred and twenty nine live Champions League matches each season, including all Wednesday games and Tuesday matches, apart from ITV's first pick. The new deal will enable Sky to broadcast up to fifteen live matches each week, including the qualifying rounds before the group stage begins. In addition to live rights and highlights, Sky will also offer online and mobile coverage via Sky Player and Sky Mobile TV. Barney Francis, managing director of Sky Sports, said that the satellite broadcaster offers the 'most comprehensive coverage' of the Champions League. 'We introduced the exceptional quality of HD, then increased the number of live matches and have now pioneered 3D broadcasts,' said Francis. 'The UEFA Champions League goes from strength to strength and we look forward to extending our relationship with UEFA.' Guy-Laurent Epstein, marketing director of UEFA Events, said: 'The renewal with ITV and Sky Sports will deliver extensive coverage of the UEFA Champions League across all broadcast platforms guaranteeing that it is widely accessible to all football fans throughout the United Kingdom. UEFA is delighted to maintain and further extend its current successful relationship with ITV and Sky Sports until 2015.' ITV controller of sport Niall Sloane added: 'The UEFA Champions League continues to set the benchmark for sports competitions across the world and has been a hugely successful part of the ITV schedule over many years. We're delighted to be extending this long relationship and to have agreed a new deal in which ITV will continue to broadcast the competition free-to-air, and ITV will also have increased opportunities to bring the Champions League to viewers across our online and on-demand platforms.' Sky this week announced that ESPN's 3D coverage of the 2011 FA Cup Final will broadcast on the Sky 3D channel next month. Former Manchester United defender Gary Neville will join Sky Sports next season as a replacement for Andy Gray, who had his ass sacked by the broadcaster in January after a sexism storm.

The latest Keith Telly Topping's 45 of the Day is one of the most important - and funky - records ever made, from Patti LaBelle, Nona Hendryx and Sarah Dash. Tasty. And hot.

Whose Side Are You?

The Gruniad's Sarah Dempster has done a rather cynical (if, in places very amusing) piece of the highlights of the current series of MasterChef. Yer actual Keith Telly Topping's particular favourite bit of the article is Sarah's spectacularly vicious character assassination of hapless Jackie under the heading The Vegetarian Meltdown: '"I should absolutely shine today," honked Jackie of the vegetarian round, convinced her expert non-carnivorousness would propel her to victory on jetpacks of dehulled soybean meal. Cut to the insufferable research analyst sombrely scraping lagoons of her "special" spicy yoghurt curry from disgusted diners' plates before shouting something about her children "being BROUGHT UP vegetarian," then running outside and boo-hooing all over the grass.' Sarah also reminds us of the moment in episode one when we knew that, despite all the format changes, MasterChef was still going to be as brilliantly, addictively, watchable as ever: 'Behold MasterChef's most extravagant disaster to date – a stupefying brouhaha of liquid custard, raspberry mucus and self-delusion. "It's quite fun," hooted creator Charity. It wasn't. It looked like something a clown with repressed memory syndrome might paint during a group therapy session as a means of exploring his low self-esteem.' The Gruinad, dear blog reader; it's not just for the nasty things in life. But, mostly it is.

The penultimate episode of the current series of MasterChef was watched by over five million on Tuesday evening, trouncing the return of Channel Four's The Secret Millionaire and a royal wedding documentary on ITV, overnight audience data has revealed. MasterChef: The Final Three averaged 5.05m for BBC1 from 9pm, peaking at 5.61m for the final fifteen minutes. So far this series MasterChef has regularly pulled in audiences around the five million mark and all bar one of its episodes have scored a higher overnight ratings than the corresponding episode from last year. Not that you'd've believe this, of course from the avalanche of ill-informed articles in various scum tabloids earlier in the series. Also in the 9pm hour, The Secret Millionaire, featuring IT recruitment entrepreneur Sean Gallagher helping needy people in Middlesbrough, was watched by 2.2m on Channel Four and a further four hundred and sixty four thousand on +1. MasterChef also massively outperformed the vomit-inducing documentary When Kate Met William: A Tale of Two Lives, which had 2.53m sad crushed victims of society watching it on ITV and a further one hundred and ninety three thousand glakes who managed to miss the damn thing but then went and watched it later on timeshift. Some people just don't deserve the brains that God put in their heads, dear blog reader. Earlier, another exercise in crass, banal TV-by-numbers Military Driving School, presented by Jeremy Vile, had an audience of 2.32m on ITV from 7.30pm. BBC1's Holby City proved to be popular with 5.58m viewers in the 8pm hour, beating Countrywise's 2.47m on ITV.

Big thanks to my old buddy, pal and chum Martin Day for alerting me to the following gem: 'Catching up with an episode of Doctors from a few weeks back. 'Ha-Ha I'm Drowning' by The Teardrop Explodes [was] on in the bar.' That'll be another fifty quid towards Copey's retirement fund, no doubt.

Andrew Marr, the BBC presenter, said he 'hated' being in the position of using an injunction to keep an extramarital affair a secret. The sense of frustration with which Marr has spoken about the 'gagging order' he obtained to keep secret an extramarital affair is nothing if not heartfelt. 'I hate this situation,' the BBC presenter told the Torygraph. 'I feel trapped. I wanted to do what was best for the baby and the mother of the child, and also to protect my own family. I was pursued with ferocity by the other party's lawyers and agreed to make financial provision for the baby. It was a one-night stand, no more than that, but it hadn't occurred to me not to take this woman at her word. A DNA test has shown that the baby is not mine. Maybe I should ask for my money back.' Maybe? I wouldn't have said there was any maybe about it, personally. Marr, who is married to Jackie Ashley, a journalist on the Gruniad Morning Star, by whom he has three children. A DNA test proved that he was not the father of a baby girl that his former lover, a newspaper journalist, had led him to believe was his. The baby, new Torygraph states, 'is believed to have been conceived during the Labour conference six years ago, which had led to speculation that a senior figure in the party was the real father.' Marr's disclosure that he is dropping an injunction to prevent the media reporting the affair prompts fresh comment about the balance between privacy and free speech in most of Wednesday's papers. For the Daily Mirra, the public's right to know should win every time. The Torygraph complains that the courts are making up the law as they go along, with some judges pushing the boundaries much further than others. In the Sun, a lawyer asks Parliament to consider where to draw the line.

Challenging the super injunction obtained by Andrew Marr to suppress reports of his extramarital affair cost 'tens of thousands of pounds' and took several years, the editor of Private Eye has said. Ian Hislop was celebrating a legal victory after the easing of the restrictive terms of 'a Kafkaesque' injunction taken out by Marr, one that prevented even the mention of any legal proceedings. But Hislop said that he deplored the expense of fighting to have it done. The decision by Marr to allow the terms of the gagging order to be relaxed, which came after the threat of legal action by Hislop, is the latest twist in the row over the proliferation of so-called 'super injunctions' and anonymised court orders. The development of privacy protection through successive celebrity cases has provoked anxiety about the powers wielded by courts to prevent claimants being identified. 'The Marr case was the most absurd possible,' Hislop told the Gruniad. 'The story [about allegedly fathering a child during an affair] wasn't even true. It headed into Kafkaesque territory. Tens of thousands of pounds have been spent [challenging] this order. We went to his lawyers and said we were going to court and, after a lot of bargaining, he said we could vary it again. How are we meant to know about these super injunctions if we don't even get sent them? It's bonkers. Our problem [in challenging them] is that we need to concentrate the few resources we have on the cases we think might be important.' On Tuesday's BBC Today programme, Hislop accused Marr of hypocrisy. 'As a leading BBC interviewer who is asking politicians about failures in judgment, failures in their private lives, inconsistencies, it was pretty rank of him to have an injunction while working as an active journalist,' Hislop said. All of which means that this week's Have I Got News For You should be pretty tasty. And, probably well worth watching. Unless you're a member of the Marr family, that is. This time, there'll be no 'allegedly' about it.

CSI's executive producer Carol Mendelsohn has confirmed that Marg Helgenberger will be returning to the show next season. Helgenberger announced last July that she had decided to leave the series, but in March she revealed that she may recur in the next season. Mendelsohn has now told TV Guide that Helgenberger will be a part of the new episodes. 'We expect to see Catherine back next season,' she said. 'She will be the supervisor of the graveyard shift. Fans don't have to say goodbye quite yet.' She added: 'I would say that Marg will be a big presence in a lot of the season.'

For a man who uses Twitter to broadcast his every thought, deed, and minor foray into the public eye, Piers Morgan has been surprisingly slow to update followers about the smattering of fresh headlines that pertain to the performance of his nightly talk show on CNN. Given that a few years ago he would be quoted, almost daily, in newspapers boasting about how many more viewers Life Stories was getting compared to Friday Night With Jonathan Ross, he suddenly seems to have gone rather quiet on the subject of TV ratings. Fortunately, others have not joined him in his new found silence. Figures released by the Nielsen agency, and eagerly digested by the US press corps this week, have given Morgan's - many - detractors plenty of ammunition. They suggest that the former (sacked in disgrace) tabloid editor and crass self-publicist's reign as an American anchorman is leaving locals as cold as his occasional references to an organisation called Arsenal which plays a foreign sport known as 'soc-her.' On Friday, Piers Morgan Tonight drew just two hundred and sixty five thousand viewers to his 9pm slot, a new all-time low that was roughly a quarter of the figure achieved by his rival Rachel Maddow on MSNBC. On FOX News, Sean Hannity was eating them both for breakfast, attracting a loyal army of 1.4 million viewers. Admittedly, Morgan's episode was a repeat of an old interview with Ashton Kutcher and Demi Moore but, still, even for a repeat it's still a very low figure. On Tuesday, his one-hour programme hit another record low, with just seventy seven thousand people tuning in from the vastly important twenty five to fifty four demographic considered to be by far the most attractive to advertisers. The Drudge Report, an influential news aggregation website summed up that performance in just three letters: 'SOS.' Average viewership over the entire three months that Morgan has been on the air is a more respectable eight hundred and fifty six thousand, an increase of around thirty per cent over his octogenarian predecessor, Larry King. And the show's audience average age is creeping downwards. Recent criticism 'lacks perspective,' Morgan - someone who'd never shown much interest in such a concept previously - claims and is, additionally, partly the result of 'jingoistic US commentators' put out at a British 'impostor' taking over one of CNN's most prestigious slots. 'This is a long-term game, and CNN looks at the big picture,' said Morgan. 'Larry King lost half of his audience last year, and nearly as much the year before. The fact that we are now taking numbers up at all is a major success. And I’ve always said: judge me by how we settle down in between six months to a year.' Morgan's stock has certainly had ups and downs. After a buoyant start, which saw his heavily-advertised January debut reach 2.2 million, recent weeks have been underwhelming. Four of his last six outings pulled fewer than five hundred thousand viewers, and he's broken a million just once in the past month. 'Piers Morgan clearly has no base,' says Robert Thompson, the professor of Television and Popular Culture at Syracuse University. 'Some nights he does okay, but on others he's in fourth place. That suggests people are watching his show for guests and not for him, and that's a problem. I don't think CNN will get rid of him – they don't exactly have a deep bench in terms of potential replacements – but they need the figures to improve.' Among critics, the knives have been sharpened ever since Morgan's debut in January, when a nationwide advertising campaign touted the 'fearless' interviewing technique that supposedly justified his reputed six million dollars CNN salary. Early write-ups branded Morgan's treatment of Oprah Winfrey, his first guest, as 'obsequious' – though tete-a-tetes with Howard Stern and Ricky Gervais were better-received. His studio manner occasionally recalled Alan Partridge. He once asked former US Secretary of State Condoleezza Rice: 'If I was going to woo you, how would I do that?' The New York Times devoted a stern op-ed piece to his treatment of Charlie Sheen last month when, after asking the troubled actor if he had ever hit a woman (and being met with a negative response), Morgan failed to raise Sheen's well-publicised conviction for spousal abuse last year. Vanity Fair, for its part, recently carried an opinion piece devoted to Morgan's 'suffocating smugness.' Hey, guys, we did try to warn you. It asked: 'How did we get stuck with Piers Morgan? Who is he, why is he here, is he returnable?' Sod that, you wanted him, you're stuck with him. The answer to the latter question may come after this week, when Morgan is in London fronting CNN's royal wedding coverage. 'CNN will use this wedding to introduce Piers Morgan to people who otherwise don't see him,' Thompson believes. 'That could help. After all, they wouldn't need to get many new viewers to double his ratings.' Ouch.

Matt Smith, as reported yesterday, has made history by becoming the first-ever Doctor Who actor to be nominated for a BAFTA for their performance on the series. The popular family SF drama, produced by BBC Wales, is among a raft of Welsh talent to receive nominations at this year's TV BAFTAs, there's lovely isn't it? The twenty eight-year-old actor was an unknown quantity when he was chosen in January 2009 to become the eleventh Doctor, taking over from David Tennant. He is the youngest ever actor to play the role.

The BBC is to repeat a story from the classic series of Doctor Who in tribute to the actress Elisabeth Sladen. Lis died last week at the age of sixty three from cancer. A special fifteen minute tribute, My Sarah Jane: A Tribute to Elisabeth Sladen, was broadcast on CBBC on Saturday following the season six premier of Doctor Who. The tribute featured contributions from David Tennant, Katy Manning and Sladen's co-stars in The Sarah Jane Adventures and was seen by over seven hundred thousand viewers. According to the Radio Times the 1976 Doctor Who four parter The Hand of Fear is to be repeated on BBC4, spilt across two days, on Monday 9 May and Tuesday 10 May. The story was Sladen's last regular appearance in the series as Sarah Jane Smith opposite Tom Baker as The Doctor. To be honest, it's not the greatest set of episodes available although, undeniably, the final scene - in which Sarah Jane departs the TARDIS - will emotionally destroy viewers unfamiliar with it.

Filming has begun on ITV's Eternal Law, a new drama series about two angels on Earth, from Life On Mars co-creators Ashley Pharoah and Matthew Graham. The cast includes Samuel West, Ukweli Roach, Hattie Morahan, Tobias Menzies and Orla Brady. Set in York, the show focuses on two central characters, Zak and Tom, who are angels sent to earth to both help a community and try to understand the human condition. Produced by Kudos (who made Life on Mars and Ashes to Ashes as well as [spooks] and Hustle), all six episodes will be written by Ashley and Matthew. West stars as Zak Gist, an 'intelligent yet cynical angel sent to earth to help a community.' Roach will play Tom Greening, an 'eager newcomer who is on earth for the first time.' Morahan will play Hannah, a 'beautiful barrister who tempts Zak to stray from the right path.'

John Simm has revealed that he found Ashes To Ashes 'very difficult to watch' following his departure from Life On Mars. Ashes To Ashes launched in February 2008, starring Philip Glenister, Dean Andrews and Marshall Lancaster as their previous Life On Mars characters, alongside Keeley Hawes as Alex Drake. Speaking to the Life Of Wylie website to promote his new BBC1 drama Exile, Simm discussed his reaction to the spin-off: 'It was very strange. I watched the first episode and it was so weird watching those characters without me stood next to them. Because they were all in my head.' He continued: 'I couldn’t deal with it. I found it very difficult to watch. But I loved playing Sam Tyler and I loved working with Phil. But, you know, I work with Phil every ten minutes, so I’m not going to miss that.' Discussing whether a return as Sam Tyler for the finale of Ashes To Ashes was ever possible, John explained: 'No. That was never going to happen. It was a totally different show. I didn't want to and they didn't ask me.' John has revealed that he is 'up for' a second series of Sky1's thriller Mad Dogs. The four-part mini-series was broadcast on Sky1 earlier this year, starring Simm alongside Glenister, Max Beesley and Marc Warren. Commenting on the rumoured return of Mad Dogs, he said: 'We’re up for it. Why not? It was such fun to film. And I think it's pretty good as well.'

Mark Thompson has given an impassioned defence of the BBC's compliance system to the House of Lords communications committee. At the session, held on 26 April as part of a review of the BBC Trust, the Director General described complaints made by a number of high-profile producers, such as David Henshaw and Brian Woods, as 'an understandable view that almost any interference or discussion of their programme making is a creative infringement.' But he stressed that the BBC had to 'meet certain standards' and said that feedback from the public suggested there was not a problem. 'Across many tens of thousands of hours, there is no evidence that there has been any loss of creative energy,' he said. The committee referenced a recent report by the International Broadcasting Trust as proof of a problem, but Thompson would only acknowledge 'there is a debate about this. I would love to hear a specific example,' he said 'If you tell me about a specific programme, I will explore that.' Thompson claimed most producers would have just an initial discussion with an executive producer about compliance and a 'relatively simple form' filled out on delivery. 'That's it,' he stressed.

Lee Mack has landed his very own BBC1 primetime show called Lee Mack's All Star Cast, it has been revealed. The show, which will be broadcast on Saturday nights later this year, will see members of a studio audience create a show involving everything from jokes to musical numbers. Punters will join Lee and his guests for the week on stage to take part in comedy sketches and interviews. 'Blimey, Mr Saturday Night. I'm going to need a new suit,' the forty two-year-old joked with the Sun about the new show. 'The one I've got still smells of a burning mattress. Long story.' The news comes after the BBC also greenlit a new - sixth - series of Mack's sitcom Not Going Out due for transmission next year. Mack is already hard at work writing what will be the fifth series of the show. The sitcom stars Mack alongside long-time collaborator, comedian Tim Vine. Sally Bretton and Katy Wix also star in the comedy series, which has been broadcast since 2006. The sitcom, which was initially dropped by the BBC after its third series, has become a consistent ratings success for the broadcaster, picking up nearly five million viewers earlier this year. Online fan petitions helped to save the Avalon Television show from the axe in 2009. Lee added: 'It's great news. I can finally get that extension finished!'

ITV's television advertising revenue is expected to fall for the first time in eighteen months as the broadcaster braces itself for a tough summer without any major sporting event. Senior media buying agencies forecast that ITV's continuous run of month-on-month advertising revenue increases since 2009 will come to a halt in May, according to a report in the Gruniad. Revenues at ITV are expected to be down seven per cent year-on-year, but could be down by as much as fifteen per cent in June, with some sources even expecting a twenty five per cent drop. If that situation transpires, May would be the first month since November 2009 that ITV has endured a year-on-year fall in revenue. Some media buyers believe that the market will not pick up again until after September. The data also reflects forecasts from ITV licence holder STV, which expects the TV advertising market to be up seven per cent year-on-year in April due to the royal wedding, but fall by an equal amount in May, 'reflecting the pre-World Cup effect on May last year.' The lack of a major sporting tournament is the primary reason why the market is expected to struggle, with last year's World Cup boosting ITV's income by twenty per cent and forty per cent respectively in May and June. However, ITV is expected to see a recovery in revenue from September, when it will have exclusive UK rights to the Rugby World Cup in New Zealand. Also later in the year, corporate companies such as McDonald's are expected to launch their advertising campaigns for next summer's London Olympic Games. One media buying industry executive said: 'As we get to the back end of 2011 and into 2012 things are looking fairly positive with big advertiser events in the London Olympics and Euro 2012 football championships.'

Scottish broadcaster STV has reached an eighteen million pound settlement with ITV to end a long-running string of legal disputes. STV, which owns the STV and Grampian ITV licences, has been locked in a legal battle with ITV since filing a thirty five million pound action in November 2009. The broadcaster also raised grievances over TV advertising sales and video-on-demand rights, and was preparing to launch a third claim in relation to 'significant prejudicial behaviour' by ITV. In return, ITV launched a thirty eight million pound counter-claim for alleged unpaid network programme budget contributions. At the time, ITV said it was owed a net debt of between fifteen and twenty million pounds. The remainder of the claim related to payments withheld to STV. In a deal that shows a significant thawing of the, at times bitter, relationship STV has had with previous ITV management, the Scottish broadcaster will nominally be liable for eighteen million pounds. STV has agreed to pay £7.2m in cash this year and a further £10.8m in either programme rights or cash in December, depending on further discussions with ITV. However, STV will in return receive £2.4m of credit for programmes it opts not to take from the ITV network schedule, which means that the cash impact on the Scottish broadcaster will work out to just £4.8m. STV said that it expects to book an exceptional charge of about nine million pounds in its first half results, on top of provisions already made, to reflect the dispute. STV's share price rose 10.7p as the market responded to positive analyst notes which were cheered by the lower-than-expected payout to resolve the issue. In February, STV said that if it lost all three legal claims with ITV it could cost as much as £21.1m. The two sides have agreed to cease all action and said that going forward they have 'agreed the basis of a much more collaborative relationship for the future which will avoid a reoccurrence of the issues which resulted in legal action. I am pleased that we have reached a wide ranging settlement with ITV and that our two organisations can work collaboratively in future for the benefit of the Channel Three Network,' said STV chief executive Rob Woodward. Adam Crozier, ITV chief executive, said: 'We are very pleased that this long running legal dispute with STV has been settled by way of an eighteen million pound payment to ITV. We look forward to working closely with STV in the future.' On Taggart, because that's about the only thing STV make that ITV has ever given a stuff about.

Former Blackadder star Tony Robinson is to marry his long-term girlfriend next week, according to press reportsThe sixty four-year-old actor-turned-TV-presenter on Time Team proposed to Louise Hobbs, thirty, during a vacation in Malaysia in late 2008 after three years of dating. . Robinson previously vowed to never walk down the aisle again following his divorce from first wife Mary Shepherd in 1992, but he is now reportedly set to marry in Italy at the end of the month. The couple will wed on the Amalfi Coast next weekend, according to the Daily Scum Mail. Everyone at From The North wishes to send Tony and Louise our best wishes for a happy future.

The Metropolitan police has admitted that during the first four years of the phone-hacking affair it warned only thirty six people they may have been targeted by the News of the World's private investigator Glenn Mulcaire. Scotland Yard's latest inquiry, which was launched in January, is believed to be contacting up to four thousand people whose names and personal details were found in Mulcaire's possession during the original police investigation in 2006. The disclosure of the number – which Scotland Yard had previously insisted on keeping secret – exposes the Met to the (probably justifiable) complaint that it breached an agreement with the director of public prosecutions that it would warn 'all potential victims' in the scandal. It will also revive criticism that it has consistently played down the scale of criminal activity commissioned by the News of the World. Scotland Yard has previously repeatedly refused to disclose the number of victims it had warned, rejecting applications under the Freedom of Information Act on the grounds that releasing it would necessarily disclose the identities of those warned, and that this would breach their privacy. However, in a sharp change of policy, the Met's acting deputy commissioner, John Yates, volunteered that during the 2006 inquiry police had warned twenty eight people they may have been victims; and that after the Gruniad revived the affair in July 2009 they warned eight more. In a letter to John Whittingdale, chairman of the culture, media and sport select committee, Yates – who was responsible for dealing with the hacking affair for nearly twenty months – gave no explanation for the failure to inform more than thirty six potential victims. He said: 'I have accepted that more could and should have been done in relation to those who may have been potential victims.' The new inquiry, which is not being overseen by Yates, is known to have approached scores of politicians, police officers, actors, sports personalities and others who had previously been unaware that the Met held evidence to suggest their voicemail messages may have been intercepted by Mulcaire. Many are now suing News International, which owns the News of the World. Some are also seeking a judicial review of the Met's actions. Yates's disclosure appears to contradict evidence he gave to the media select committee in February last year. On that occasion he said that where there was evidence that 'interception was or may have been attempted by Mulcaire, the Met police has been diligent and taken all proper steps to ensure those individuals have been informed.' In September he told the home affairs select committee that Met policy was 'out of a spirit of abundance of caution to make sure that we were ensuring that those who may have been hacked were contacted by us.' In his letter to Whittingdale, Yates also confirmed that during a brief investigation last autumn, police interviewed a total of four people under caution. Yates did not name them, but they are believed to included Sean Hoare, the former News of the World journalist who told the New York Times that he had been actively encouraged to hack voicemail by his editor, Andy Coulson, who went on to become the prime minister's media adviser and who has always denied all knowledge of illegal activity. The Gruniad states that 'when Yates's officers cautioned Hoare that anything he said might be used in evidence against him, he declined to answer questions.' The Yates letter also disclosed more details of his social contacts with senior editors from News International. He acknowledges that he had dinner with the News of the World editor Colin Myler at the Ivy, one of London's most exclusive restaurants; that he had two dinners with the editor of The Sunday Times and a further dinner with the editor and crime editor of the News of the World four months after he had decided in July 2009 that there was no basis to reopen an investigation into the paper. Yates reveals in his letter that he failed to disclose a meeting with Neil Wallis, who was deputy editor at the paper at the time of the original hacking inquiry and left in August 2009 after six years in the job. He described a meeting with Wallis earlier this year as 'a private engagement' and said that 'relevant senior officers' at Scotland Yard 'have been made aware that Mr Wallis and I know each other.' Whittingdale has now written to Yates again asking him who at the Met was informed about his relationship with Wallis and when. The investigation into phone-hacking, which is being led by the deputy assistant commissioner Sue Akers, has resulted in the arrest of three News of the World executives, including two who are still employed by the paper, this month. All of them were released without charge. Separately, the Information Commissioner Christopher Graham told MPs on the Home Affairs select committee on Tuesday that the law on phone-hacking is confusing and in urgent need of clarification.

George Entwistle has been appointed director of BBC Vision, the division of the corporation that is responsible for commissioning, producing, scheduling and broadcasting all of its TV content. His appointment follows the departure in January of Jana Bennett, who held the post since its creation in 2006. Entwistle, who joined the corporation in 1989, has been acting director of BBC Vision for the last three months. The former Newsnight editor said that he was 'genuinely honoured' by his new role. 'The BBC's television portfolio is of enormous importance to the creative and cultural life of the UK,' he continued. 'At the heart of its success, BBC Vision Productions is responsible for some of the best television programmes we broadcast.' The Director of BBC Vision is responsible for BBC1, BBC2, BBC3, and BBC4 along with BBC1 HD, BBC HD and BBC Films. Mark Thompson, the BBC's Director General, said he was 'looking forward to working closely' with Entwistle 'to ensure the BBC's television portfolio remains the envy of the broadcasting world.' Well, you might want to start by cancelling Don't Scare The Hare pretty damn sharpish in that case.

Simon Cowell has claimed that FOX executives have 'always' been 'desperate' to have Cheryl Cole on The X Factor USA. Cole has long been linked with a spot on the US version of Cowell's talent competition, although there was believed to be some concern from network bosses over Cole's lack of profile in America. Speaking to Deadline, Cowell denied reports that the twenty seven-year-old Heaton Horror was thought to be an 'unwise' choice for a place on the judging panel. 'No, absolute opposite,' he claimed. 'Mike Darnell and Peter Rice will tell you they wanted her all the time. I showed a tape to Mike Darnell two years ago of a clip I'd shot in England of Cheryl and he said there and then, "I'd hire her now for Idol." They absolutely fell in love with her. In a way, the deal, it was almost conditional on Cheryl having the gig. They were desperate for her.' Although Cowell has appeared to say that Cole will be offered a place on the show's judging panel, there has still been no official confirmation. Earlier this week, Cowell backed former American Idol judge Paula Abdul to join the rival format, which has started hosting auditions for this fall's season.

Expat Britons in Australia are to be the focus of an observational documentary for ITV. As, once again, the network that once produced The Avengers and The World In Action sinks further into the sludgy horrorshow of banal 'common people do the funniest things' TV conceits. The commercial broadcaster has commissioned Century Films to produce the eight part Poms In Paradise - even the title is effing repulsive - which will 'examine how a number of Brits have made a life for themselves on the Gold Coast in Queensland, which is renowned for its sweeping sandy beaches and surfing conditions.' Note the use of 'Brits' in this description because, clearly, they believe that most of those likely to read it will not be able to understand a word with two whole syllables in it. The early evening show will 'feature Brits who emigrated to Australia as much as sixty years ago, as well as more recent movers.' They include a female paramedic, often called out to treat people who have had accidents on the beach, and a life-saving champion. The series also features a woman wrestling with the news that her mother is seriously ill back in the UK. Poms In Paradise was commissioned by ITV controller of popular factual Jo Clinton-Davis and Alison Sharman, director of factual and daytime. who should both, frankly, have rotten vegetables thrown at them in the streets for such a move. It will be executive produced by Century's Liesel Evans, and Bruce Fletcher is series producer. 'We're looking to get beyond the paradise lifestyle and find out whether it was worth the move for these Britons,' said Fletcher. Clinton-Davis said: 'The series captures the essence of the down under dream: the lifestyle, lush landscapes and a varied cast who are drawn to it. It also allows us to feel the swirl of the undercurrent lapping at the idyllic shore.' But, it probably won't.

A West Yorkshire bridge which featured in the 1970 film The Railway Children has been saved amid fears over its future. Frost had damaged the bridge at Mytholmes near Haworth on which Jenny Agutter was filmed waving her petticoat to stop a train from hitting a landslide. If the deterioration had continued, trains would not have been able to run along the full length of the historic Keighley and Worth Valley Railway. Repair work can now go ahead after grants and donations of one hundred thousand knicker. The damage to Bridge Eighteen was the result of severe winter frosts. A grant of twenty five grand was awarded to the railway by the South Pennines Leader Fund. A further award of twenty thousand quid was given by tourist organisation Welcome to Yorkshire. The remaining cash, amounting to over fifty thousand pounds, came from the Keighley and Worth Valley Railway Charitable Trust and what is described as 'a huge response from the general public' via an ongoing appeal. Notice, dear blog reader, that the government - your government - gave not a single solitary penny. Philistines. Matt Stroh, Keighley and Worth Valley Railway chairman, said he was delighted the repairs could now go ahead. 'We can get the work done and see the railway running for many years to come,' he said. Gary Verity, chief executive of Welcome to Yorkshire, said: 'This is an historic railway, steeped in history and the home of The Railway Children - an iconic film which is famous worldwide. It is a key visitor attraction, which is why it was important we lent a helping hand.' The railway's appeal for funds continues, with around one hundred and fifty smackers still needed to repair a nearby bridge. The chances of David Cameron getting his hand in the pocket of the trousers he's going to the royal wedding in and dolling over some cash remain, comfortingly, zero.

Director Ken Loach was hospitalised in Scotland on Monday following a freak fall on the set of his new film. The seventy four year old is currently shooting The Angel's Share. He took a tumble on the steps of Glasgow's Sheriff Court and sought medical attention at the city's Royal Infirmary, reports the Daily Record. A 'source' allegedly told the publication: 'Lots of the crew were rushing around in a huge panic. Ken slipped on a step coming up from the canteen and cracked his head.'

The original cast of The Hitchhiker's Guide To The Galaxy are to reunite for a tour of the SF comedy. Simon Jones, who played Arthur Dent in the original radio series and the 1981 TV version, broke the news on Radio 3 earlier this week. He told presenter Rob Cowan: 'The Hitchhikers Guide To The Galaxy is going on the road next year, with all the original principal members of the cast. We're going to make stops in various cities around the country as ourselves reconstructing and reimagining a recording with live sound and live music.' Although he did not specify who was taking part or where the tour would visit, he said: 'Watch this space because we'll soon have where to book and where to go.' The tour would follow the success of other radio recreations for the stage, such as Round The Horne Revisited, but with the added attraction of the original cast.

The Archbishop of Canterbury Rowan Williams criticised library closures during his Easter Sermon, delivered at the weekend. Speaking on the wider topic of happiness — which is to be the subject of the first 'happiness index,' conducted by the Office for National Statistics — the Archbishop reflected on a recent stop-off at a local library on a 'rather devastated' Manchester council estate. Williams said that his visit had 'revealed a lively group of teenagers who were regular users, welcomed by staff, glad of a place to do homework, gossip and feel secure.' The Archbishop continued: 'Space, opportunity, the time to discover a larger world to live in—where are the clearly articulated priorities in public discussion that would spotlight all this, so as to make us think twice before dismantling what's already there and disappointing more hopes for the future?' He concluded: 'Talk about the happiness of the nation isn't going to mean much unless we listen to some of these simple aspirations — aspirations, essentially, for places, provisions or situations which help you lay aside anxiety and discover dimensions of yourself otherwise hidden or buried.' Wise words, Bish. So, how about making some of the public happy by selling off some church land and giving the money away to the poor? That might make a lot of people very happy.

Budget airline Ryanair has been criticised over an advertising campaign featuring a bikini-clad woman sunbathing, as most of the spring destinations being promoted by the company would be to places that were still cold. The airline launched a national press advertising campaign for cheap flights in February and March, encouraging consumers to 'book to the sun now!' The advert featured a woman in a bikini basking in the sun and drinking a cocktail. However, one complainant challenged whether the claim Book to the sun was misleading because none of the eleven flight destinations on offer - including Rimini, Derry, Glasgow and Oslo - would be 'warm' in February and March. Ryanair attempted to argue that the destinations had 'significant daytime sunshine' during the two months, estimated at between three to six hours. In its ruling, the Advertising Standards Authority noted that the maximum temperatures for seven of the destinations were between six and nine degrees (Celsius). The warmest three averaged eleven and fourteen degrees, but Oslo, the coldest, managed only between zero and four degrees. 'We considered that the average consumer would infer from the claim Book to the sun now and the image of the woman sunbathing, in a bikini, with a cocktail, that the promotion included fares to destinations warm enough to sunbathe in swimwear during the promotional period,' said the ASA. Not places like Oslo were, if you wore a bikini in February you'd be more likely to freeze your extremities off. 'Because we understood this was not the case, we concluded that the ad was misleading.' The ASA told Ryanair that the advert must not appear again in its current form.

MTV has revealed the cast and further details about Newcastle-upon-Tyne based reality show Geordie Shore. The fly-on-the-wall spin-off series from the US hit Jersey Shore will feature eight housemates living together and partying in the North East of England for six weeks. Sophie, Jay, Vicky, James, Holly, Gaz, Charlotte and Greg will be filmed sharing a five-star house with a shag-pile outhouse and hot tub. They will also be followed when they visit the city's most renowned nightspots on 'the Diamond Strip.' Or, Collingwood Street and Moseley Street as, you know, 'normal' people call them. The show has already released a Talking Geordie guide for the cast's colloquialisms, such as 'swilling', 'purely belter', 'palatick' and 'tash on.' They haven't yet got around to explaining 'charvas, radjys and glakes' which is, tragically, a pretty useful description of anyone taking part in this fiasco. You bring shame to your city, young people. More shame than Mike Ashley and Cheryl Cole between them. Hang your heads.

Gwyneth Paltrow has 'stunned fans' by aiming a 'foul-mouthed rant' at her late grandmother during a TV interview. The actress recently made an appearance on Chelsea Handler's talk show and opened up about her strained relationship with her maternal grandma, calling her 'a real cunt' and 'mean as hell.' During the interview, they both discovered they had German grandmothers they called 'mutti' and Handler branded her own relative 'a real bitch,' while Paltrow replied, 'Mine was a real cunt!' The word was, helpfully, bleeped out for viewers in case their heads exploded at the hearing of it. Paltrow went on to explain, 'She just hated my guts and she tried to poison my mother against me. She must not have been very happy and must have had a lot of pain because she was as mean as hell.'

An unattended supermarket in New Zealand opened on Good Friday due to a computer glitch. According to Stuff.co.nz, the store was scheduled to open at 1pm, but at 8am the doors unlocked and the lights turned on automatically with no staff present. Twenty four people entered and did their shopping over the next hour, with around half of them paying with the self-scan service. The others left without paying, some with 'truckloads of groceries' according to witnesses. Local police were alerted at 9.20am and stopped the situation from escalating. Store owner Glenn Miller was appreciative of some people's honesty, saying: 'We have already heard from some just wanting to confirm that they had been into the store and paid through the self-service terminals. I can certainly see the funny side of it,' he continued. 'But I'd rather not have the publicity to be honest. It makes me look a bit of a dickhead.' Yeah. Pity 'bout that. Miller went on to note that he would not pursue any legal action, hoping that those who stole would 'cough up' out of guilt.

Today's Keith Telly Topping's 45 of the Day take us back to a time when the charts was full of - pretty decent - cod white-reggae. Mostly from bands who had one hit and then were never heard of again. Whatever happened to The Planets anyway?